Nathan
Jones is Senior Lecturer in Fine Art (Digital Media) at Lancaster University.
His work combines methods from new media cultures, art criticism and literary
practice. This hybrid artistic research, including insights on language AI,
speed reading, and distributed networks has appeared at transmediale, NEME
Cyprus, and Liverpool Biennial, and international journals. He is co-founder of
Torque Editions, editing collected interdisciplinary editions on new
technology, such as Artists Re:Thinking the Blockchain (2017) and BiblioTech
(2024). His monograph Glitch Poetics (2022) was nominated for the N. Katherine
Hayles Award. Currently, Jones’ “distributed critique” project explores how
today’s formally and conceptually complex new media art works demand a new kind
of ‘specialist audience’ cutting across humanities and science disciplines.