The Blind
Spot
by Alec K. Redfearn and the Eyesores
Cuneiform Records, Silver Springs, MD,
2007
Audio CD $ 15.00
Rune 244
Distributors website: http://www.cuneiformrecords.com.
Reviewed by Michael R. (Mike) Mosher
Saginaw Valley State University
mosher@svsu.edu
Alec Redfearn's "Myra" wafts out of the
Victrola, uh, the CD player, like a parlor
song written circa 1885. Its séance-like
insubstantiality is maintained with images
of a dead girl's reappearance or presence
throughout the lyrics, but there are also
more recent references to infomercials
and naugahyde to be found there. Redfearn
gives us a sort of neo-archaeo-folk, evoking
Michigan band the Great Lakes Myth Society
or even Sufjan Stevens.
"Blue on White" may be too slight for
a soldier's song, though, and one becomes
aware of the reliance on sixteenth notes
in many of these tunes. The piston-like
figures fill intricate violin scores,
which violinist Laura Gulley meets head
on and forthrightly. In "Blue on White",
the soprano voice of Ellen Santellos seems
to have wandered in from another party,
but she's integral to the next cut, "The
Radiator Hymn". After that, two texts
are vocalized simultaneously, while the
music pokes at atonality, in "The Burning
Hand". All three of these tracks seem
to be about corpses, as if in the aftermath
of war, which Redfearn sews together in
a cycle called "I Am the Resurrection
and the Light". Yet the album's liner
notes say they're about friends dead of
drug overdoses, and his own struggle with
addiction.
The feel of the entire album is a bit
brittle, as could be expected from fellow
in recovery. This is not like music played
in the United States since Edgar Allan
Poe, except maybe in Virgil Thompson's
salon. This reviewer can't think of the
last time when he's heard American music
with no blues inflections anywhere, no
hint of the African. It could be work
music for the studios of eccentric mid-century
artists Joseph Cornell, Pavel Tchelitchew
or John Graham.
And it grows "curiouser and curiouser"...
In The Blind Spot, feminine voices
and violins express apprehension. "The
Perfect Veil", is like a deracinated "Theme
from Shaft" translated into Venusian.
A composition called "The Flesh of the
Drum" draws inspiration from Hieronymous
Bosch's painting "The Garden of Earthly
Delights" in the Prado museum, Madrid,
like the musical instruments depicted
in it that were recreated and appear on
the album. The reviewer recalls that one
panel of Boschs memorable triptych
was reproduced and distributed in an album
by the Godz on ESP-DIsk records in the
late 1960s, some growling big city characters
too rough and ill-mannered for Alec Redfearn.