BEAP 02 | The Exhibitions Biennale
of Electronic Arts Perth
John Curtin Gallery, Curtin Institute
of Technology, Western Australia
www.beap.org gallery@curtin.edu.au
ISBN 1 74067 157 0
Reviewed by Michael R. (Mike) Mosher
<mosher@svsu.edu>,
Saginaw Valley State University, University Center MI 48710 USA.
Paul Thomas, the Director of the 2002 Biennale of Electronic Arts
Perth, and his staff assembled a useful catalog of the exhibitions
that were held there from 31 July to 15 September, 2002.The three
separate exhibitions were titled Immersion, Biofeel, Screen, and they
contained virtual 3D environments, biological work, and 2D graphics
respectively.
The Immersion exhibition was curated by Chris Malcolm.Char Davies
<www.immersence.com> exhibited two of her VR works,Osmose (1995)
and Ephémère(1998).Visualizations of astronomical phenomena
by Donna Cox and her collaborators at the National Center for Supercomputing
Applications were shown, and Victoria Vesna and Jim Gimzewski presented
a nanotech-inspired environment called Zero@Wavefunction.Stelarc exhibited
imagery concerning his artificial (third) arm, plus some images of
a spiderlike walking platform that is visualized but remains unbuilt.Ken
Rinaldo presented a few more of his servomechanism-controlled motorized
stalagmites built from twigs, as he has for a decade.
The exhibition called Screen, curated by Pauline Williams, featured
work for walls, monitor screens in various installations, videos and
a musical performance by Cavity.These are represented in the catalog
by a single image each, often a small or momentary detail, which make
it difficult to discuss individual works or ascertain from the catalog
what precisely was being shown or happening.Guess we had to be there.
It was the Biofeel exhibition, curated by Oran Catts of the University
of Western Australia, that appears to have been most provocative.Evidently
this university is a capital of new bio-art.SymboticAResearuch Group
<www.fishandchips.uwa.edu.au> exhibited the drawings of Meart,
the Semi-Living Artist, a fish neuron in a petri dish attached to
a robot arm that drew lines when the neuron pulsed.The Tissue Culture
& Art Project <www.tca.uwa.edu.au> exhibited Worry Dolls,
hand-sized approximations of the dolls given by Guatemalan indians
to their children.grown from living tissue in the lab.The group has
also generated Pigs' Wings from living pig tissue in the shapes of
bird, pteranodon or bat wings.
In Silicon Valley's intellectual capital of Palo Alto, California,
they say the most interesting, investment-worthy research is no longer
found crafted in cyberspace or for pixel output, but from living meat
in the biotechnology labs.Perhaps that idea was mirrored across the
Pacific Ocean in BEAP 02.If not in our humble lives and deeds, then
in our cells and DNA, we are all the material for amazing works of
contemporary art.