Forever
by Heddy Honigmann
First Run Icarus Films, New York, USA,
2007
DVD/VHS, 95 mins., color
Sales, $440; rental/VHS: $150
Distributors website: http://www.frif.com.
Reviewed by Rob Harle (Australia)
harle@dodo.com.au
Forever is a gentle, poignant film.
It runs for 95 minutes, which is pretty
much a full-length feature. After the
first five minutes, I found myself wondering
how it would be possible to sustain the
viewers interest for this length
of time. After all, cemeteries are not
normally places of dynamic action or breathtaking
scenery.
To my amazement the 95 minutes just flew
by. Père- Lachaise (Cimetière
du Père-Lachaise) situated on Boulevarde
de Ménilmontant at just over 48
hectares (118 acres) is the largest cemetery
in Paris and is one of the most visited
cemeteries in the world. Hundreds of thousands
of visitors each year come to pay their
respects, be enchanted by the romantic
ambience that the French create so well,
and to gain inspiration from the graves
and lives of some of the greats of art
and literature. Proust, Apollinaire, Modigliani
and Chopin lie beside relatively unknown
individuals, some whose lives were
tragically cut short, their brilliance
as artists and poets only hinted at by
the inscriptions on their decaying graves.
The film has English subtitles, which
are easily readable, and has both English
and French commentary. The cinematography
of the film is unremarkable, and the action
slow and meandering. This gives the film
an unhurried, peaceful, almost soothing
affect on the viewer. Heddy Honigmann
has cleverly used this low impact approach
to create a film which is both delightful
and memorable. The film is about a celebration
of lives and life, not about a morbid
or fearful obsession with death. The persons
buried in Père- Lachaise may not
be physically here to communicate with
us, but their works are as alive and influential
as if they were. From the comments of
the numerous visitors, from all nationalities,
it seems the creative works of the more
famous personalities are greater now than
when they were alive.
Modigliani was a great inspiration for
me personally, particularly with my early
sculpture. I was quite moved to see Modiglianis
grave and listen to the guides commentary.
Modigliani died, sadly too young. The
day after his funeral his lover, muse
and mother of his children, Jeanne Hébuterne
threw herself out of their fifth floor
apartment window as she could not bear
to go on living without him. She died
together with their third, yet unborn
child.
One scene I found quite remarkable was
that of young South Korean man, with little
spoken English and even less French, who
had come to pay tribute at the grave of
Marcel Proust. Proust was his favourite
author and he found in his work, as of
course many others have, great inspiration
and intellectual satisfaction. The Korean
bought a little offering of food for Proust
and placed it gently on the grave. He
explained haltingly that Proust had given
him "food for his mind so he wanted to
repay him for this".
Many more scenes like
the above mentioned are woven throughout
the film but I will not spoil the film
by describing anymore. This film is the
antithesis of the Hollywood special effects,
block buster, shoot-em-up. Perhaps that
is why it is so memorable and will appeal
to all those interested in culture, the
arts and literature. And for those of
us that still believe, in spite of postmodernisms
assertion to the contrary, that individuals
have and continue to author great, distinctive
works of art.