Regular
or Super: Views on Mies van der Rohe
by Joseph
Hillel and Patrick Demers, Directors
First Run / Icarus Films, Brooklyn, NY,
2004
VHS, 57 mins., col.
Sales: Video or DVD: $390.00; rental video:
$100.00
Distributors website: http://www.frif.com.
Reviewed by Roy R. Behrens
Department of Art, University of Northern
Iowa, Cedar Falls Iowa 50614-0362 USA
ballast@netins.net
The importance of German architect Mies
van der Rohe in the development of Modern-era
design, architecture, and design education
is beyond question, while he himself continues
to be an enigmatic character. There is
no shortage of stories, the majority of
which concern his proclivity for cigars
and martinis and his enigmatic comments
about the process of teaching. My favorite,
by far, was told by a student at the Bauhaus,
where Mies was the final director: Mies
was always a bit chunky, and it was this
students observation that "If
you see two people walking toward you,
yet, as they come closer, it turns out
to be only one person, then it is Mies
van der Rohe."
This film is not about his earlier days
in Germany, but almost entirely focuses
on the second half of his life, in the
years that he lived in Chicago. As a point
of departure, it uses an innovative gas
station that he designed only shortly
before his death for an ideal planned
community called Monks Island near
Montreal, Canada. So the films title
is a pun: When you pull into the gas station,
do you fill up with regular gasoline or
super? And, at the same time, one can
also ask: Does the legacy of Mies amount
to regular or super? This little known
building is quite interesting, but equally
interesting are the camera work and editing
in this award-winning film and its insightful
commentary, which is enlivened by moments
from interviews with a relative of Mies,
his students, now-prominent architects
such as Rem Koolhaas, and various townspeople
who today live in the neighborhood where
this historic, unusual building resides.
(Reprinted by permission from Ballast
Quarterly Review, Volume 21 Number
1, Autumn 2005.)