Going Aerial.
Air, Art, Architecture
by Monika
Bakke, Editor
Jan Van Eyck Academie, Maastricht, The
Netherlands, 2006
184 pp.,
illus. 93
b/w. Trade,
£15.5/$31
ISBN: 978-90-72076-77-9;
ISBN: 90-72076-77-x.
Reviewed by Dr Eugenia Fratzeskou
London,
UK
eugenfratz@yahoo.com
There have been profound changes in our
understanding of air and space, due to
the latest breakthroughs in wireless communication
technology, cybernetics and
cosmology. The definition of air as
a highly complex and constantly evolving
substance, challenges the modernist definition
of air as a Cartesian void and, thus,
an object-centred and form-based thinking.
Air consists of interacting
flows of organic and non-organic
data, such as natural radiation emanating
from the stars and the earth, bio-cultures,
temperature, natural phenomena, sound,
encrypted or open zones of electronic
communication data. There is a growing
fascination with air in art, design, critical
theory and science, as air is redefined
as a polymorphous informational substance
that is dynamically and constantly fluctuating.
Going Aerial marks this paradigm
shift concerning our understanding of
air as the starting point of innovation
of a political, artistic, philosophical
and technological importance, as realised
at the new cross-roads between art, architecture,
bio-art, enhanced environment design,
Artificial Life, communication, critical
theory and other fields.
Going Aerial is one of the most
comprehensive and well-researched key
readings on this subject. The book challenges
the existing modes of practice and research
in art and design and presents a rich
spectrum of recently developed practices,
research projects and theories, some of
which concern the creation of event-spaces
and the visualisation of hidden data-scapes
that emerge in the dynamic exchanges between
humans and the environment, the use of
air as an ephemeral material for communicating
presence, the investigation of the changing
relationships between utopia and survival,
precariousness and transcendence in relation
to the concept of a continuous becoming
within a post-humanist context. One of
the most important achievements of Going
Aerial is that it radically challenges
our perception of the world and ourselves,
as it attempts to shift our viewpoint
towards less anthropocentric perspectives.
Furthermore, Going Aerial reveals
the hidden and challenging dimensions
of informationalism that include the perceptual
mappings of data-scapes, ad hoc networks,
uncontrolled and excessive data, the emergence
of instability and saturation, bio-traces,
cross-metabolism and memory. The
book deals with such emerging and demanding
subjects and reveals new possibilities
for future work in these fields.
The dissolution of the traditional notion
of the boundary in architecture, communication,
organic and non-organic entities, politics
and the self, designer and user, is debated
in depth and from diverse perspectives
by the authors. The inert nature of traditional
architecture and the conventions of enhanced
environments design are challenged for
enabling the creation of performative
spaces that emerge in the exchanges between
users, architecture, unstable environmental
conditions and data. In certain cases,
information processing and interactive
environments are used for modifying natural
phenomena. The transmission of heat,
smell, and air is enabled while intuitive,
tactile and non-textual modes of interactivity
are devised for communicating presence.
Furthermore, suggestion, unpredictability
and instability are introduced into the
communication processes for questioning
objectivity and detachment. Information
processing has evolved as the metabolic
transition between organic and self-evolving
non-organic species, generating environmental
imprints and memory. Antigravity
is explored in space art, as a
means of extending the boundaries of our
body and perception as we experience a
constant vertigo within a destabilising
environment of extreme and hostile conditions.
Interesting comparisons may be made between
such conditions and cyberspace. Space
art does not only challenge the aesthetic
and functional conventions of our gravity-bound
architecture but also the very foundation
of our earthbound rationale. Furthermore,
air is associated with the notion of freedom
and utopia. Air is used as a means of
constant movement that cannot be confined
in national and social borders. New strategies
of migration and survival are formed for
enabling a collective escape from earthly
uncertainties and individualistic mentalities.
Going aerial presents an excellent
selection of internationally renowned
leading experts and practitioners who
have formed innovative strategies for
researching and working with air and space,
and have interdisciplinary expertise that
includes art, science, design, technology,
psychology, philosophy and other areas.
Going Aerial includes Prof. Monika
Bakkes editorial introduction, "Air
is Information," and it is divided
into three sections Breath-taking, Air
Conditioning and Living Aloft. The contributors
are Andrea Ackerman, René ten Bos,
Annick Bureaud, Steven Connor, Nikolaus
Gansterer, Georgios T. Halkias, Usman
Haque, Steve Heimbecker, Laurie Hurwitz,
Ann Veronica Janssens, Ruud Kaulingfreks,
Jaroslaw Kozakiewicz, Dominik Lejman,
Constantin Luser, MxHz, Francois Perrin,
Sabrina Raaf, Michael Rakowitz, Pablo
Reinoso, Yehuda Emmanuel Safran, Tomas
Saraceno, Scott Snibbe, Christa Sommerer
and Laurent Mignonneau, Hans Theys, Marcia
Tanner.