|
|
Cooper, Dave. Crumple, the Status of Knuckle. Reviewed by George Gessert ggessert@igc.org Solanas gained notority for shooting Andy Warhol. Russ achieved literary reknown, and was praised by Marge Piercy and Donna Haraway. Haraway brought The Female Man to the attention of academic audiences in The Cyborg Manifesto (1982), and discussed it glowingly in a later essay, Femaleman Meets Oncomouse (1997). And yet, the Female Man presents a genocidal vision that makes Hitler's goals seem modest. The power of the novel derives not only from its hatred, but from its tactical plausibility. The idea of a sex-specific disease may have been inspired, directly or indirectly, by work that the US military initiated in the early 1970s to create race-specific weapons based on different body chemistries. Also, reproductive technologies were sophisticated enough by the middle 1970s when The Female Male was first published that female-female reproduction had become at least theoretically possible. I do not know whether theory has become practice today, however, in the late 1980s I heard from a biologist that "probably" a baby girl had been born who had two mothers and no father. The parents concealed the circumstance of the child's conception to avoid a firestorm of publicity. I am told that oocyte-fusion research continues, and work is being done now on haploidization, that is, insertion of a female's DNA into a sperm so that it can be used to fertilize her female partner's egg. Over the last half century what has been missing in the art and literature of all-female worlds is male perspectives. The lone exception is Dave Cooper's graphic novel, Crumple the Status of Knuckle. Cooper tells the story of two friends, Knuckle and Zev, who sometime in the future go to Hollywood seeking wild women. There Knuckle discovers that women have found out how to reproduce without men. Cooper has extraterrestrials do the work of biotechnology, but they serve his story well, because they allow for more vivid mythmaking than pipettes and petri dishes, as well as for weirder and more hilariously yucky graphics. The male characters in Crumple have a lot to answer for. They exploit women whenever possible, do not defend them when they most need help, and are clueless about mutual pleasure. However, males are not quite the genetic scourge that they are in The SCUM Manifesto and The Female Man. Knuckle and Zev have plenty of redeeming, or at least poignant qualities. They are classic losers, trapped in fantasy, and victims of popular culture and the media. Knuckle is weighed down by awareness of his powerlessness and failings. And Zev is an amazingly ignorant schmuck but incapable of falseness. I couldn't help but care about their fates - but then, I'm a male. So what happens to Zev and Knuckle after Hollywood? It's too good a story to give away, so let's just say that it does not have a Hollywood ending and that Cooper's sense of humor never fails. The graphic novel is brilliantly drawn, and paced just right. Get it if you are at all interested in the impact of biotechnology on imagination, and on the war of the sexes. |
copyright © 2002 ISAST