Reviewer
Biography
Books
Compact Disks
Events/Exhibitions
Film/Video
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The Furniture of Gustav Stickley: History, Techniques,
Projects
by Joseph J. Bavaro and Thomas L. Mossman.
Fresno CA:Linden Publishing,
1996. ISBN 0-941936-35-X.
and
Gustav Stickley's Craftsman Farms: The Quest for an Arts
and Crafts Utopia
by Mark Alan Hewitt. Syracuse University Press,
Syracuse NY, U.S.A., 2001. ISBN 0-8156-0689-3
Reviewed by Roy R. Behrens,
2022 X Avenue, Dysart,
IA 52224-9767,
U.S.A.
ballast@netins.net
In 1898, Wisconsin-born furniture maker Gustav Stickley visited leaders
of the British Arts and Crafts movement in Europe, then returned to make
what he described as "Craftsman" furniture, to publish a monthly magazine
(The Craftsman), and to develop plans for a utopian artists? colony called
Craftsman Farms in Morris Plains, New Jersey. He became immensely influential,
emerging as a central force in American Arts and Crafts, by propagating
his simple, solid wood furniture, along with his carefully crafted beliefs.
In The Furniture of Gustav Stickley, two furniture experts who are also
university professors present a concise overview of Stickley?s philosophy
and accomplishments, discuss his materials and production methods, and
provide detailed construction plans for nine pieces of his Mission-style
furniture, among them a recliner (or Morris chair), a rocker, and a combination
bookcase and table. In Gustav Stickley's Craftsman Farms, written by an
architectural historian, new information is revealed about the conditions
that led to Stickley's tragic, failed attempt, starting in 1911, to found
a 650-acre farm and school community, which was initially comprised of
a central log cabin for his family, surrounded by guest cottages. Unfortunately,
Stickley went bankrupt and was felled by a nervous breakdown, with the
result that Craftsman Farms was sold in 1917. In 1989, the site became
public property, and has since opened as a museum. (Reprinted by permission
from Ballast Quarterly Review 17, No. 1, Fall 2001.)
(Reprinted by permission from Ballast Quarterly Review 17, No. 1, Fall
2001.)
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