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The Art of Teaching Art: A Guide for Teaching and Learning the Foundations of Drawing-Based Art

By Deborah Rockman.
Oxford University Press, New York NY, 2000.
338 pp., illus. Cloth, $35.00.
ISBN 0-19-513079-0.

Reviewed by Roy R. Behrens,
Department of Art,
University of Northern Iowa,
Cedar Falls, IA 50614-0362, U.S.A.


ballast@netins.net

Only recently did we run across this book, which was published several years ago. Today, if a student would ask for a source on how to learn to draw, we would recommend this one. At the same time (and this is the authorês initial intent), if a college art instructor would ask for a source on how to teach drawing at a beginning or foundations level, we would also recommend this book. The author is on the faculty at the Kendall College of Art and Design in Grand Rapids, Michigan, and has taught drawing for more than twenty years. It appears that her reason for writing the book is that she believes that a prescribed way of looking at things (stressing relations instead of details) is required for producing works that are both accurate and engaging, and that time-tested tools and procedures help in learning to draw. If those or equivalent methods are not used, often because they were never learned by the teachers themselves, then few students can ever hope to draw, regardless of how many courses they take. This book is surprisingly thorough in trying to speak in a sensible way about such drawing-related concepts as composition, scaling, anatomy, tonal range, contour, perspective and so on. What also sets it apart from other drawing texts are its discussions in various sections about managing a classroom, the purpose and conduct of in-class critiques, grading, photographing ones artwork, organizing syllabi, and building essential materials lists. There is even an entire section on preparing students for life after graduation, with advice on constructing ones resume, writing letters of recommendation, interviewing, and applying for graduate school. In the end, the most persuasive part is the consistent, extraordinary quality of the drawings that are used as compelling examples throughout.

 (Reprinted by permission from Ballast Quarterly Review, Vol. 18, No. 3, Spring 2003.)

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