| Leonardo/ISASTwith Arizona State University

Sean Cubitt

Editor-in-Chiefat Leonardo Book Series
Parkville,
Australia
Focus area: Analog, Art History, Cultural Practices, Social Practice, Environmental Art, Eco Art, Land Art, Illustration, Painting, 2D Forms, Sociology, Video, Film, Writing, Literature, Poetry

Sean Cubitt is Professor of Screen and Cultural Studies at the University of Melbourne. Previously Professor of Film and Television at Goldsmiths, University of London. His publications include The Cinema Effect, EcoMedia, The Practice of Light: A Genealogy of Visual Technology from Prints to Pixels, Finite Media: Ecological Implications of Digital Media and most recently Anecdotal Evidence: : Ecocritique from Hollywood to the Mass Image. He is the series editor for Leonardo Books at MIT Press. His current research is on aesthetic politics 

Journal Articles:

Art and Technology in the Nineteenth and Twentieth Centuries

February 2002

Practices of Looking: An Introduction to Visual Culture

April 2002

The Liberating Power of Symbols: Philosophical Essays

June 2002
Leonardo Reviews

Guy Debord and The Situationist International: Texts and Documents

October 2003
Leonardo Reviews

Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness

April 2004
Leonardo Reviews

Crepuscular Dawn

June 2004
Leonardo Reviews

Materials Received

October 2004
Leonardo Reviews

The Digital Sublime: Myth, Power, and Cyberspace by Vincent Mosco. MIT Press, Cambridge, MA, U.S.A., 2004. 232 pp. ISBN: 0-262-13439-X

August 2007
Special Section: In the Light of History: Papers from the 2005 Refresh! Conference

Catching the History of the Media Arts

October 2007
Leonardo Network News

Leonardo Network News

December 2008
Leonardo Reviews

Marcel Duchamp

February 2002
Leonardo Reviews

World Spectators by Kaja Silverman. Stanford Univ. Press, Stanford, CA, 2000. 177 pp. ISBN: 0-8047-3831-9 (trade), 0-8047-3832-7 (paper)

February 2003
Leonardo Reviews

The Shape of Things: A Philosophy of Design

October 2004

From Handel to Hendrix: The Composer in the Public Sphere

April 2001
The Practice of Light
A Genealogy of Visual Technologies from Prints to Pixels
Relive
Media Art Histories