Cloud and Molecular Aesthetics

Editors: Lanfranco Aceti, Paul Thomas and Edward Colless

This volume situates a critical discourse on the molecular data–cloud and aesthetics within contemporary experiences of art and society. It reflects varied perceptions and current thinking by artists, curators, scientists, and theorists in comprehending the appropriation and colonization of the cloud. The cloud can be seen as a veiling of information, where it becomes clouded, foggy, fuzzy, obscure, or secretive as well as a (re)distribution of data when it condenses, blooms, and accretes into aesthetic, socio-political, technological, and scientific atmospheric contexts.

This issue is not yet available in print. Find the articles in this issue at www.leoalmanac.org/cloud-and-molecular-aesthetics/