Angie Bonino

(top left and top right) The Line, video, 4 min., 2001
5 Festival Internacional de Video/Arte/Electronica, Lima
(© Angie Bonino)

(bottom left and bottom right) Feet on the Ground, 2000
Festival Interferences, Belfort, France
(© Angie Bonino)

(top center and bottom center) No Logo, 2001
"H8fulworld or the Unbearable Modernity of Slavery"
Produced by the CICV Pierre Schaeffer And Platform Next-Movies
30th Edition of the International Festival of New Cinema
and New Media in Montreal
(© Angie Bonino)
Since my first individual exhibition (Esquemas, 1995), I have been working in the electronic arts. I believe that the new technologies in art provide us with new ethical questions; in my work the question is always present: What's behind all this? This is how works such as "Feet on the Ground," a video installation in which I used 30 1.5-meter-high pneumatic spheres as a "screen" on which to project garbage-images of the Internet and TV, emerged; viewers had to find their way through the work to the "exit door," turning into active participants. The products of scientific and artistic creation that resound in global activities often contain a dual load that goes between profit or benefit and manipulation. In this context, I have made such works as "The Line," a video artwork about the Fibonacci sequence and the complexity of the universe; "Laser Hand" (Laberinto Sonoro, 2001) and the Net performance "No Logo," done for H8Fulworld, in which I participated along with other seven artists from various parts of the world, connected in real time and presented at the Festival of Cinema and New Media in Montreal, Canada.

Angie Bonino,
José Bartoli
101 Esquina con Juan Numazon,
Urb El Pacífico,
Lima 31, Perú.
E-mail: a_bonino@hotmail.com
Web site: http://www.H8fulworld.net
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       | Peruvian Video/Electronic Art |
				       
				   | gallery entrance |

		            | past exhibitions |

				            | Leonardo On-Line |