LASER Talks at Stanford

LASER (Leonardo Art Science Evening Rendezvous) is Leonardo/ISAST's international program of evening gatherings that brings artists and scientists together for informal presentations and conversations.

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LASER (Leonardo Art Science Evening Rendezvous) Talks is Leonardo's international program of evening gatherings that bring artists and scientists together for informal presentations and conversations. LASER Talks were founded in 2008 by Bay Area LASER Chair Piero Scaruffi and are in over 20 cities around the world. To learn more about how our LASER Hosts and to visit a LASER near you please visit our website

The mission of the LASERs is to provide the general public with a snapshot of the cultural environment of a region and to foster interdisciplinary networking.


Program

7:00-7:25: Neeraj Sonalkar (Stanford/ Design) on "What improvised theater, jazz and design thinking have in common." Design thinking has a lot in common with the improvisational mindset practiced through improvisational theater or jazz.

7:25-7:50: BJ Fogg (Stanford/ Persuasive Technology Lab) on "Persuasive Technologies."

7:50-8:10: BREAK. Before or after the break, anyone in the audience currently working within the intersections of art and science will have 30 seconds to share their work. Please present your work as a teaser so that those who are interested can seek you out during social time following the event.

8:10-8:35: Alex Reben (Inventor) on "Digital drugs and humanity in algorithms." The drug-like control that technology has on us.

8:35-9:00: Luciano Chessa (Composer) on "After the noise intoners." A contemporary take on the futurist manifesto.

9:00-9:30: Discussions, networking. You can mingle with the speakers and the audience.

Speakers

Luciano Chessa is a composer, performance artist, conductor, pianist, and musical saw/Vietnamese dan bau soloist who has been active in Europe, the U.S., and Australia. Recent compositions include the experimental opera Cena oltranzista nel castelletto al lago produced for the TRANSART Festival in Bolzano, Italy: a work lasting 60+ hours (including 55 hours of fasting) and accessible in its entirety via a 24hrs/day live streaming; they also include Squeeze! Squeeze! Squeeze!, a large-scale work on MelvilleÎéÎ÷s Moby Dick; and A Heavenly Act, an opera with original video by Kalup Linzy commissioned by SFMOMA. Former compositions include a large orchestral work commissioned by the Orchestra Filarmonica of Torino "Ragazzi Incoscienti Scarabocchiano Sulla Porta Di Un Negozio Fallito" "TomBoy" for piano and a video by Terry Berlier, and "Movements", a multimedia work for 16mm film, dan bau and amplified film projectors produced in collaboration with filmmaker Rick Bahto. Chessa has just composed "Come un'Infanzia", a guitar + string quartet piece for the Left Coast Chamber Ensemble, and is collaborating with performance artist Kalup Linzy and the Ensemble Parallele on an opera commissioned by the San Francisco Museum of Modern Art premiered in 2011. As a music historian Chessa has written "Luigi Russolo, Futurist. Noise, Visual Arts, and the Occult" (UC Press, 2012). In 2009 Chessa supervised the first reconstruction of Russolo's "intonarumori" orchestra. His recordings include: Humus Destination X (1997), Entu (2000), Tryptique pour Gerard (2008), Peyrano (2008) Money is Money and Time is Time (2008) the dvd Tom's Heart (2008) The Orchestra of Futurist Noise Intoners Vol. 1 (Sub Rosa, 2012), Petrolio (2015).

BJ Fogg (Stanford/ Persuasive Technology Lab) is the founding director of the Stanford Persuasive Technology Lab. Previously, he directed the Stanford Web Credibility Project. He is the author of the book "Persuasive Technology: Using Computers to Change What We Think and Do" (2003). Fogg coined the concept of "captology", the overlap between persuasion and computers. He never teaches the same class twice. One year, he taught how to use online video to persuade people. Another year, his class focused on how social media can promote world peace. And in yet another year, his class was about Facebook apps, and his students persuaded more than 16 million people to install the apps they created, as documented in a New York Times article. In 2015 he created a course that was all about getting people to connect more with nature. A cofounder of Instagram was a student of his. He directs a series of conferences at Stanford on Mobile Health. Fortune Magazine listed him as one of "10 New Gurus You Should Know."

Alex Reben explores humanity through the lens of art and technology. His work deals with human-machine relationships, synthetic psychology, artificial philosophy and robot ethics among other topics. Using "art as experiment" his work allows for the viewer to experience the future within metaphorical contexts. His artwork and research has been shown and published internationally and he consults with major companies guiding innovation for the social machine future. Alexander has exhibited at venues both in the U.S. and internationally including The Vienna Biennale, MAK Contemporary Art Museum, The Vitra Design Museum, Ars Electronica, Volta, The Whitney Biennial, CERN, TFI Interactive, IDFA, ArtBots, The Tribeca Film Festival, The Camden Film Festival, Doc/Fest, and The Boston Cyberarts Gallery. His work has been covered by NPR, The Wall Street Journal, The New York Times, Washington Post, Fast Company, Filmmaker Magazine, New Scientist, BBC, PBS, Discovery Channel, Cool Hunting and WIRED among others. He has lectured at TED, SXSW, TTI Vanguard, Google, UC Berkeley, SMFA, CCA, MIT and other universities. Reben is a graduate of the MIT Media Lab where he studied human-robot symbiosis and art. He is a 2016-2017 WIRED innovation fellow and a visiting scholar in the UC Berkeley psychology department.

Neeraj Sonalkar is Research Associate at Stanford's Center for Design Research. The question that motivates his research is: how do engineering design team co-create new product possibilities? His research is focused on investigating how team behavior influences the generation and propagation of ideas into products. The Human Innovation Engineering group at the Center for Design Research conducts empirical and field research oriented towards acceleration of radical innovation by teams, organizations and regional ecosystems. We study and model how humans innovate both at the interpersonal interaction level and at the broader level of an organization or a regional innovation ecosystem such as the Silicon Valley. This research furthers our understanding of innovation as the outcome of an integrated system spanning individual mindset, interpersonal interaction dynamics, and the underlying physical, institutional, financial and knowledge infrastructure.

August 10th, 2017 7:00 PM   through   9:00 PM
291 Campus Drive
Li Ka Shing LK130
Stanford University
Palo Alto, CA 94305-5101
United States

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