20 March 2:30 PM (14:30) - San Francisco
21 March 10:30 AM - Auckland
20 March 9:30 PM (21:30) - London
About Weather as Medium: Toward a Meteorological Art
An exploration of artworks that use weather or atmosphere as the primary medium, creating new coalitions of collective engagement with the climate crisis.
In a time of climate crisis, a growing number of artists use weather or atmosphere as an artistic medium, collaborating with scientists, local communities, and climate activists. Their work mediates scientific modes of knowing and experiential knowledge of weather, probing collective anxieties and raising urgent ecological questions, oscillating between the “big picture systems view” and a ground-based perspective. In this book, Janine Randerson explores a series of meteorological art projects from the 1960s to the present that draw on sources ranging from dynamic, technological, and physical systems to indigenous cosmology.
Randerson finds a precursor to today's meteorological art in 1960s artworks that were weather-driven and infused with the new sciences of chaos and indeterminacy, and she examines work from this period by artists including Hans Haacke, Fujiko Nakaya, and Aotearoa-New Zealand kinetic sculptor Len Lye. She looks at live experiences of weather in art, in particular Fluxus performance and contemporary art that makes use of meteorological data streams and software. She describes the use of meteorological instruments, including remote satellite sensors, to create affective atmospheres; online projects and participatory performances that create a new form of “social meteorology”; works that respond directly to climate change, many from the Global South; artist-activists who engage with the earth's diminishing cryosphere; and a speculative art in the form of quasi-scientific experiments. Art's current eddies of activity around the weather, Randerson writes, perturb the scientific hold on facts and offer questions of value in their place.
About Janine Randerson
Janine Randerson is a media artist and curator and Senior Lecturer in the School of Art and Design at Auckland.
Janine Randerson is a New Zealand-based artist and writer. A thread in Janine’s moving image research concerns technological mediation in ecological systems. She has collaborated with urban meteorologists, satellite meteorologists and citizen activists in recent works including ‘Interceptor’ (2018) that examines water quality through citizen science interventions and the ‘Albedo of Clouds’ (2013/2018) exhibited last year at the Hermitage, St Petersburg. Janine has exhibited internationally in Australia, Germany, UK, Netherlands, Scandinavia, South America, Thailand and China. She has collaborated with scientists from NIWA (National Institute of Water and Atmospheric Research) in New Zealand, BoM (Bureau of Meteorology) in Melbourne and she was an invited artist-in-residence with environmental research scientists at NERI in Denmark. She was a founding board member of ADA (Aotearoa Digital art network) and is a contributor and peer reviewer for Leonardo journal.