Judy Malloy
5206 RidgeView #5
El Sobrante, CA 94803
U.S.A.
Tel: 510-758-1878
Email: jmalloy@artswire.org
Web: http://www.well.com/user/jmalloy |
Judy Malloy has been creating experimental computer-mediated
narratives since 1986 when Uncle Roger, a hypernarrative about love
and politics in Silicon Valley,
was begun on Art Com Electronic Network on the WELL. In her work,
small increments of information
--images or words (sometimes fictional, sometimes nonfictional)--are
used as molecular units
to form a whole narrative.
Malloy's work has been exhibited internationally, including in The
Boston CyberArts Festival;
The Eighth International Symposium of Electronic Arts; Siggraph;
Franklin Furnace;
San Francisco Art Institute; Tisch School of the Arts, New York
University; A Space,
Toronto; Univ. of California, Berkeley; Sao Paulo Biennial, Brazil;
P.P.O.W.; The Women's Studio Workshop; the San Antonio Art Institute;
The Los Angeles Institute
for Contemporary Art; The Houston Center for Photography; and the
Hammer Museum.
She has had work published by Eastgate Systems; E.P. Dutton, Tanam Press,
St. Martin's Press, Seal Press, MIT Press, the National Endowment for the Arts
website, Springer-Verlag, Heresies; the Blue Moon Review; and the
Iowa Web Review.
Malloy has been the Editor of The New York Foundation for the Arts'
NYFA Current;
(formerly Arts Wire Current) Coordinating Editor of "FineArt Forum"
and "Leonardo
Electronic News;" and the founder of the ARTS Conference on the WELL; and an
artist in residence at Xerox PARC. She is the editor of Women,
Art and Technology,published by MIT Press in 2003.
Malloy's 2004 hyper-epic, Revelations of Secret Surveillance,
combines the classic epic
form and contemporary hyperfiction structures to create a hyper-epic
about the impact
of intelligence agency stalking of artists, writers, musicians,
performers and activists.
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