Douglas Kahn is Professor of Technocultural Studies at the University of California at Davis, with affiliations with the departments of Art History and Music. With research concentrations in auditory culture, the history and theory of sound in the arts, media arts, and science and the arts, he is the author of Noise, Water, Meat: A History of Sound in the Arts (MIT Press, 1999), coeditor of Wireless Imagination: Sound, Radio and the Avant-garde (MIT Press, 1992), an editor of the book series arstechne from University of California Press, an editor of Senses and Society and a member of the Leonardo Music Journal Editorial Board.

www.douglaskahn.com