David Marlett
at The School of Arts, Technology, & Emerging Communication - UT DallasThe Sculpture of Ruth Asawa: Contours in the Air edited by Daniell Cornell. University of California Press, Berkeley, CA, U.S.A., 2006. 205 pp., illus. Trade, paper. ISBN: 978-0520-25044-4; ISBN: 978-0520-25045-1
The Moving Earth directed by Lars Becker-Larsen. Icarus Films, 52 min. Release Date: 2009. Copyright Date: 2008. 〈http://icarusfilms.com/new2009/mov.html〉
Facebook Society: Losing Ourselves in Sharing Ourselves
Masaccio: Saint Andrew and the Pisa Altarpiece
Playing the News directed by Jeff Plunkett and Jigar Mehta. First Run/Icarus Films, Brooklyn, NY, 2005. DVD/VHS, 20 min, color
A Mysterious Masterpiece: The World of the Linder Gallery edited by Michael John Gorman. Florence, Italy: Fondazione Palazzo Strozzi/Alias. 135 pp., illus. Paper. ISBN: 978-8-96532-02-7
To Tell the Truth: Working for Change: Documenting Hard Times (1929–1941)
Biology in the Grid: Graphic Design and the Envisioning of Life
Bernie Boston: American Photojournalist by Therese Mulligan. RIT Cary Graphic Arts Press, Rochester, NY, U.S.A., 2006. 112 pp., illus. ISBN: 1-933360-19-4
Darwin's Camera: Art and Photography in the Theory of Evolution by Phillip Prodger. Oxford University Press, 2009. 320 pp., illus. Hardcover. ISBN-10: 0195150317; ISBN-13: 978-0195150315
Beyond Productivity: Information Technology, Innovation, and Creativity
Too Beautiful to Picture: Zeuxis, Myth, and Mimesis by Elizabeth C. Mansfield. University of Minnesota Press, Minneapolis, MN, 2007. 240 pp., illus. Trade, paper. ISBN: 0-8166-4748-4; ISBN: 0-8166-4749-1
Perpetual Inventory by Rosalind E. Krauss. MIT Press, Cambridge, MA, 2010, 336 pp., illus. Trade. ISBN 10: 0262013800; ISBN-13: 978-0262013802
After Phrenology: Neural Reuse and the Interactive Brain
The spectre Of Hope: With Sebastiäo Salgado and John Berger
Neurology of the Arts: Painting, Music, Literature
Laws of Seeing by Wolfgang Metzger, translated by Lothar Spillmann, Steven Lehar, Mimsey Stromeyer and Michael Wertheimer. MIT Press, Cambridge, MA, U.S.A., 2006. 194 pp. illus. Trade. ISBN: 0-262-13467-5
East Bay Open Studios Preview Exhibition Pro Arts Gallery, Oakland, California, 3 May–12 June 2011 and East Bay Open Studios 2011, 4–5 and 11–12 June 2011. Gallery web site: www.proartsgallery.org/ebos/index.php
Time Stands Still: Muybridge and The Instantaneous Photography Movement
The Fourth Annual National Conference of the American Synesthesia Association, Inc.
Circles: Science, Sense and Symbol by Nicholas Wade. Dundee University Press, Dundee, U.K., 2007. 206 pp., illus. Paper. ISBN: 978-1-84586-019-6
In Praise of Copying by Marcus Boon. Harvard University Press, Cambridge, MA, U.S.A., 2010. 304 pp. ISBN-10: 0674047834; ISBN-13: 978-0-674-04783-9
William Henry Fox Talbot: Beyond Photography
Innovation and Visualization: Trajectories, Strategies and Myths
A Culture of Improvement: Technology and the Western Millennium by Robert Friedel. MIT Press, Cambridge, MA, U.S.A., 2007. 576 pp., illus. Trade. ISBN 10: 0-262-06262-3; ISBN 13: 978-0-262-06262-6
Institutional Critique: An Anthology of Artists' Writings edited by Alexander Alberro and Blake Stimson. MIT Press, Cambridge, MA, U.S.A., 2011. 440 pp., illus. Trade. ISBN: 978-0-262-51664-8
Neuroscience and the Environment: A View on Change and Constancy within Our Current Paradigm
Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe
Picturing Space, Displacing Bodies: Anamorphosis in Early Modern Theories of Perspective by Lyle Massey. Pennsylvania State University Press, University Park, PA, 2007. 192 pp., illus. Trade. ISBN: 978-0-271-02980-1
Helmholtz: From Enlightenment to Neuroscience by Michel Meulders; edited and translated by Laurence Garey. The MIT Press, Cambridge, MA, U.S.A., 2010. 264 pp., illus. Trade. ISBN: 978-0-262-01448-9
Emotions: Pain and Pleasure in Dutch Paintings of the Golden Age
Howard Zinn: You Can't Be Neutral On a Moving Train by Deb Ellis and Denis Mueller. First Run/Icarus Films, Brooklyn, NY, U.S.A., 2004. 16 mm, 78 min., color
Artscience: Creativity in the Post-Google Generation by David Edwards. Harvard University Press, Cambridge, MA, U.S.A., 2008. 194 pp. Trade. ISBN: 9-780-67402625-4
The Idea Factory: Bell Labs and the Great Age of American Innovation by Jon Gertner. Penguin Press, New York, NY, U.S.A. 2012. 432 pp. Trade. ISBN-13: 978-1-5942-0328-2
Reductionism in Art and Brain Science: Bridging the Two Cultures
Seventh Annual Meeting of the International Society for the History of the Neurosciences Los Angeles, California, 1–5 June 2002
Arnheim, Gestalt and Art: A Psychological Theory by Ian Verstegen. Springer, 2005. 188 pp. ISBN: 3211288643.
Perspective, Projections and Design: Technologies of Architectural Representation edited by Mario Carpo and Frédérique Lemerle. Routledge, New York, NY, U.S.A., 2007. 224 pp. Hardcover; paperback. ISBN-10: 0-415-40204-2; ISBN-10: 0-415-40206-9
Pairing of Polarities: The Life and Art of Sonya Rapoport edited by Terri Cohn. Heyday Books, Berkeley, CA, U.S.A., 2012. 160 pp, illus. Paper. ISBN-13: 978-1-5971-4187-1
The New Ecology: Rethinking a Science for the Anthropocene
Surroundings Surrounded: Essays on Space and Science edited by Peter Weibel. MIT Press, Cambridge, MA, U.S.A., and London, U.K., 2002. 719 pp., illus. Paper, $34.95 ISBN 0-262-73148-7
Science in Context. Special Issue: Writing Modern Art and Science Linda Dalrymple Henderson, Guest Editor. Cambridge Univ. Press, London and New York, December 2004. Vol. 17, No. 4, pp. 423-635. ISSN: 02698897.