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Leonardo Music Journal 11
with compact disc

"Not Necessarily 'English Music':
Britain's Second Golden Age"

Available from the MIT Press. To order.

    After the first installment of Cool Britannia beguiled the 1960s with its peculiar conflation of Pop, Art, Fashion and Politics, musical experimentation flourished in the U.K. Styles of improvisation, minimalism, electronic music, performance art, political music and "amateur" music grew out of British art schools, universities and urban villages; styles neither as self-important as those of Europe nor as blithely technocratic as those of North America -- a peculiarly "English Music" (and Scottish and Welsh). Some practitioners became well known and influential artists outside of the U.K. (Cornelius Cardew, Michael Nyman, Derek Bailey), while others have remained far too unrecognized abroad (Christopher Hobbs, Ivor Cutler, Ranulph Glanville).

    This volume of Leonardo Music Journal highlights observers and participants who have contributed their accounts of this latest "Golden Age" of British Music.

LMJ11 Table of Contents

Compact Disc Table of Contents

LMJ 11 Compact Disc
LMJ 11 includes the audio CD: Not Necessarily "English Music," curated by musician, composer, writer and sound curator David Toop. The CD features pieces from pioneering U.K. composers and performers from the late 1960s through the mid-1970s: AMM; Max Eastley; Intermodulation; Frank Perry; Michael Parsons & Howard Skempton; Daphne Oram; abAna; Hugh Davies; Robert Worby; Lol Coxhill & Steve Miller; Spontaneous Music Orchestra; The People Band; Evan Parker & Paul Lytton; John Stevens; Steve Beresford; Cornelius Cardew & Jane Manning; Ron Geesin; Gentle Fire; Rain in the Face; Ranulph Glanville; The Campiello Band; Mike Cooper; A Touch of the Sun; The Scratch Orchestra; and Frank Perry, Mongezi Feza & Chris McGregor.

More about David Toop




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Copyright © 2002 ISAST


Posted 20 June 2002


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