References and Notes 1. Steven Pinker, The Language Instinct: The New Science of Language and Mind (Harmondsworth, UK: Penguin, 1994) p. 243. ___ 2. Pinker [1] p. 265. ___ 3. Henri Lefebvre, Critique de la vie quotidienne (Paris: L'Arche, 1958); La vie quotidienne dans le mode moderne (Paris: Gallimard, 1968); La production de l'espace (Paris: Anthropos, 1974). ___ 4. Noam Chomsky, Syntactic Structures (The Hague: Mouton, 1957); Aspects of the Theory of Syntax (Cambridge, MA: MIT Press, 1965); Cartesian Linguistics (New York: Harper and Row, 1966); Language and Mind (enlarged ed.) (New York: Harcourt Brace Jovanovich, 1972). ___ 5. A.J. Greimas, Sémantique structurale (Paris: Larousse, 1966); Du Sens (Paris: Seuil, 1970); Sémiotique et sciences sociales (Paris: Seuil, 1976). ___ 6. Jürgen Habermas, The Theory of Communicative Action: Volume One---Reason and the Rationalization of Society (Cambridge, UK: Polity Press, 1984) and Moral Consciousness and Communicative Action, Christian Lenhardt and Shierry Weber Nicholson, trans. (Cambridge, MA: MIT Press, 1993). ___ 7. Marvin Minsky, The Society of Mind (New York: Simon and Schuster, 1985); Daniel C. Dennett, Consciousness Explained (Harmondsworth, UK: Penguin, 1991). ___ 8. Richard Dawkins, The Selfish Gene, Second Edition (Oxford, UK: Oxford Univ. Press, 1989). See also Dennett [7]. ___ 9. Gadamer, Hans-Georg, Truth and Method, Joel Weinsheimer and Donald G. Marshall, trans., Second Revised Edition (London: Sheed and Ward, 1989). ___ 10. G.H. Mead, Mind, Self and Society (Chicago, IL: Univ. of Chicago Press, 1934). ___ 11. Ernest Nagel and James R. Newman, Gödel's Proof (London: Routledge Kegan Paul, 1995); Roger Penrose, Shadows of the Mind: A Search for the Missing Science of Consciousness (London: Vintage, 1995). ___ 12. Jan Nederveen Pieterse, "Globalization as Hybridization," in Mike Featherstone, Scott Lash and Roland Robertson, eds., Global Modernities (London: Sage, 1995) pp. 69--90. ___ 13. Paul Gilroy, The Black Atlantic: Modernity and Double Consciousness (London: Verso, 1993). ___ 14. Evan Eisenberg, The Recording Angel (London: Picador, 1988). ___ 15. Michael Chanan, Repeated Takes: A Short History of Recording and Its Effects on Music (London: Verso, 1995). ___ 16. Douglas Kahn, "Track Organology," October 55 (1990) pp. 67--78. ___ 17. Sean Cubitt, "Video Installation and the Neo-Classical Soundtrack," paper presented at the Screen Conference, University of Glasgow (July 1996). ___ 18. Douglas Kahn and Gregory Whitehead, eds., Wireless Imagination: Sound, Radio and the Avant-Garde (Cambridge, MA: MIT Press, 1992). ___ 19. Daina Augaitis and Dan Lander, eds., Radio Rethink: Art, Sound and Transmission (Banff: Walter Phillips Gallery, 1994). ___ 20. Allen S. Weis, Phantasmatic Radio (Durham, NC: Duke Univ. Press, 1995). ___ 21. Neil Strauss, ed., Radiotext(e), Semiotext(e) #16, Volume 6, No. 1 (New York: Semiotext(e), 1993). ___ 22. Jay Leyda, Kino: A History of the Russian and Soviet Film, Third Edition (London: Allen & Unwin, 1983). ___ 23. Paul Virilio, The Aesthetics of Disappearance, Philip Beitchman, trans. (New York: Semiotext(e), 1991). ___ 24. John Tooby and Leda Cosmides, "Psychological Foundations of Culture," in J.H. Barkow, Leda Cosmides and John Tooby, eds., The Adapted Mind: Evolutionary Psychology and the Generation of Culture (New York: Oxford Univ. Press, 1992). Online Sound and Virtual Architecture
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