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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| obafdpjkrc | 4168 |
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iygkoedkmm |
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|
| Embroidery Designs at Embroidery MIX | 3616 |
Indie, Rock, Prog |
Version 1, Version 2 | |||||
| Tools, authoritative practices of text, constitution of the digital literature field | 3478 |
PHD |
2004 |
Université Paris8 - France | Jean-Pierre Balpe |
information and communication science |
authoritative tools, digital literature, author, publisher, editor |
|
| The Human-Digital Devide: The application of Rapid Prototyping and Haptic technology as Industrial Design tools for senorally rich interaction | 3438 |
MA Digital Modelling and Rapid Prototyping |
2006 |
University of Hertfordshire, Hatfield, Herts. England | A Peacock |
Faculty of the Creative and Cultural Industries. School of Design. |
Industrial Design, Human computer Interaction, RP, Haptics |
|
| In Finity - A dissertation on Inbetween Worlds | 3279 | A.S. Sajith |
M.F.A. Painting |
2001 |
University of Hyderabad, India | K. Laxma Goud |
Fine Art/Painting |
fineart, myth, painting, spirituality, science |
| There is no water in the lake: synchronicity, metaphor, narrative, rhythm, and death, in fine art practice | 3760 | Aaron H Murphy |
PhD |
2015 |
Slade School of Fine Art, University College London (UCL) | Sharon Morris, Hayley Newman, Klaas Hoek |
Practice-led Fine Art |
synchronicity, metaphor, narrative, rhythm, death, fine art practice, art |
| Techniques of Oversight and [Counter]Intelligibility 2000-2018 (A Few Small Opacities) | Abram Stern |
PhD |
2022 |
University of California, Santa Cruz | Anna Friz |
Film and Digital Media |
media theory, digital art, oversight, opacity, surveillance, media art, software studies, metadata, feminist art, government records |
|
| Establishing a Critical Framework for the Appraisal of 'Noise' in Contemporary Sound Art with Specific Reference to the Practices of Yasunao Tone, Carsten Nicolai and Ryoji Ikeda | 3751 | Adam Collis |
PhD |
2016 |
University of Surrey | Tony Myatt |
Faculty of Arts and Social Sciences/Music |
noise, electronic music, sound art, Yasunao Tone, Carsten Nicolai, Ryoji Ikeda, Heidegger, value, technology |
| VASTAL: The Vivoarts School for Transgenic Aesthetics, Ltd. | 3539 | Adam Zaretsky |
Ph.D. |
2012 |
Rensselaer Polytechnic Institute (RPI) | Mary Anne Staniszewski, Kathy High, Igor Vamos, Nancy Campbell, Steven Kurtz, Nao Bustamante |
Art Practice: Electronic arts emphasis in Art and Biology |
Transgenic, Bioethics, Aesthetics,Intentional Genetic Modification of the Human Genome (IGM), Human Gene Editing, Bioart, Ecology, Gastronomy, Biotechnology, Ethology, Physiology, Bioinformatics, Genetics, Inheritance, Public, SciArt, Designer Babies, Gen |
| VASTAL: The Vivoarts School for Transgenic Aesthetics, Ltd. | Adam Zaretsky |
Ph.D. |
2012 |
Rensselaer Polytechnic Institute | Mary Anne Staniszewski, Kathy High, Nao Bustamante, Igor Vamos, Nancy Campbell, Steven K |
Electronic Arts, Bioart |
Communication and the arts, Biological sciences, VivoArts School for Transgenic Aesthetics Ltd., (VASTAL), BioArt, Transgenic, Intentional genetic modification, Hands-on biotechnology, Unstill Life Studies (ULS) |