Jack Ox
712 Broadway #5
New York, NY 10003
USA
(212) 254-2590
Web: http://www.bway.net/~jackox/
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| Jack Ox
Jack Ox has been working on the visualization of music for over 20
years, including studies and research in musicology and phonetics.
While making her 800 sq.' visualization of Kurt Schwitters' Ursonate, a
sound poem in sonata form, she came upon and caused to be published on
WERGO (Mainz, Germany) an original, unknown performance by Kurt
Schwitters. The complete Ursonate will be shown in the Muzeum Sztuki,
Lodz, Poland in 2002. She was in Vom Klang der Bilder, Staatsgalerie,
Stuttgart.1985, made an Ursonate presentation at the Centre Georges
Pompidou during the 1994 Schwitters retrospective, and exhibited the12
painting series of Anton Bruckner's Eighth Symphony in 1996 at the Neue
Galerie der Stadt, Linz, Austria. Parts of her Ursonate installation
have been exhibited at (among others) SoundCulture'96, S.F., CA, and
at the Podewil, Berlin in 1998. The electronic version of the Ursonate,
created by the graphics department is the current exhibition online at
the U.of Ill curated site called @art www.art.uiuc.edu/@art/main.html.
Ox has been on the editorial board of Leonardo for over 10 years, is
guest editor with Jacques Mandelbroijt of a special section, Synesthesia
and Intersense, and is on the BOD of Art and Science Collaboration, Inc.
. Her collaborative project with David Britton, the 21stC. Virtual
Reality Color Organ has received support from the National Center for
Supercomputing Applications, Boston U., Silcon Graphics., EAI, Ars
Electronica, and was a visiting fellow in the department of Computer
Science, Lutchi Research Centre, Loughborough U., UK. She has given
papers at MIT, Center for Advanced Visual Studies, the U. of New
Mexico, the International Conference on Complex Systems,
AllianceChautauqua 99, Boston U., ART Sci 99, and Intersens, Laboratoire
Musique et Informatique de Marseille. In Feb., 2001 she participated
in the exhibition Between Sound and Vision, Gallery 400, UIC.
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