Bibliography: Synesthesia in Art and Science

Compiled by Crétien van Campen (Editor) (E-mail: editor2@synesthesie.nl),
Greta Berman (E-mail: gwberm@gmail.com),
Anton V. Sidoroff-Dorso (anton_sidoroff@mail.ru) and
Bulat Galeyev (1940-2009)

Psychologists have identified synesthesia as a specific condition that occurs when an individual who receives a stimulus in one sense modality simultaneously experiences a sensation in another. In the last two centuries, the subject has aroused the interest of many artists and scientists. The existence of synesthesia seems at odds with the common-sense worldview of five separate senses that channel impressions to our minds. Intrigued by this apparent anomaly of the senses, artists, psychologists and other scientists have explored and experimented with synesthesia in order to reveal how the senses are interrelated. This bibliography contains a list of references to literature (some online) on these explorations and experiments by visual artists, musicians, writers, psychologists, neurologists (and other scientists) into the strange phenomenon of synesthesia. The bibliography also includes a number of links to Web sites on the topic.

Websites on synesthesia

The 21st Century Color Organ
by Jack Ox
http://www.bway.net/~jackox/

American Synesthesia Association
http://www.synesthesia.info

Artificial Synesthesia
by Peter Meijer
http://www.visualprosthesis.com/asynesth.htm

Australian Synaesthesia Association
by Pat Higgs
http://www.synesthesia.com.au/

Belgian Synesthesia Association
by Dr. Hugo Heyrman
http://www.doctorhugo.org/synaesthesia/index.htm

Blue Cats Synesthesia Resource Center
by Pat Duffy
http://www.bluecatsandchartreusekittens.com/Blue_Cats_and_Chartreuse_Kittens_Rel.html#SCI

Center for Visual Music http://www.centerforvisualmusic.org/

Color Imagery
by Tony De Caprio
http://www.tonydecaprio.com/page13.html

Colour Music
by Niels Hutchison
http://www.vicnet.net.au/~colourmusic

Congreso Internacional Sinestesia y Arte
Arte Citta, Spain
http://www.artecitta.es/

Essence of colour
by Anne Salz
http://www.anne-salz.nl/

German Synaesthesia Association http://www.synaesthesie.org/

Kinetic Synaesthesia: Experiencing Dance in Multimedia Scenographies
by Marc Boucher
http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=235

Laboratory of Sensory Information Processing
by Lawrence Marks et al.
http://www.jbpierce.org/Labs/SIProcessing.html

Leonardo Synesthesia Special  Project
by Jack Ox and Jacques Mandelbrojt
http://leonardo.info/isast/spec.projects/synesthesia/synesthesia.html

Multi: Multiple-user Laser Table Interface
by Nancy Paterson
http://www.vacuumwoman.com/multi/index.html

Music Animation Machine
by Stephen Malinowski and Lisa Turetsky
www.musanim.com

Online Visual Music Forum
by Ron Pellegrino
http://www.ronpellegrinoselectronicartsproductions.org/Pages/VisualMusicForum.html

Optofonica: platform for synesthetic media and sound spatialization http://www.optofonica.com/

Painting Music
by Phillip Schreibman
http://www.paintingmusic.com/

Prometheus Institute
by Bulat Galeyev
http://prometheus.kai.ru/

Reflectionist - Synesthesia and Photography
by Marcia Smilack
http://www.marciasmilack.com

Rhythmic Light
by Fred Collopy
http://rhythmiclight.com/index.html

Rhythm Vision
by Dennis Roth
http://www.rhythmvision.net/

Sensequence
by Angela Meder and Andreas Mengel
http://www.sensequence.de/indexen.html

SIGGRAPH 2004 Art Gallery
Synaesthesia Exhibits Works
http://www.siggraph.org/s2004/media/releases/release9.php?pageID=media

Sinaesthesieforum.de
by Regina Pautzke
http://www.synaesthesieforum.de/

Sinestesie.it Milano, Italy
Design Faculty, Politecnico di Milano, Italy
http://www.sinestesie.it/

Sinesteziya: Russian Synesthesia Community
by Anton V. Sidoroff-Dorso
http://www.synaesthesia.ru/

Sinnich
by Steffi Lindner
http://www.sinnich.de/

Sounding Art
by Jane Mackay
http://www.soundingart.com/

Synaesthesia
by Elizabeth A. Pector
http://www.geocities.com/synspectrum/synesthesia.html

Synaesthesia, Experiment and Research
by dr. Hugo
http://www.doctorhugo.org/synaesthesia/index.htm

Synaesthesia Research Center Waterloo, Canada
University of Waterloo, Canada
http://www.arts.uwaterloo.ca/~src/home.htm

Synaesthesia Research Hanover
Hanover Medical School
http://www.synenglish.psychoman.info/index

Synaesthesia Research Team East London
University of East London, UK
http://www.uel.ac.uk/psychology/research/synaesthesia/

Synaesthesia (Switzerland) by Marc Jacques Máchler http://synaesthesia.com/

Synaesthesiewerkstatt
by Christine Soeffing
http://www.synaesthesiewerkstatt.de/

http://syndyn.net

A project by 3kta / André Rangel that synaesthetically joins embodied activity of sports and dynamic audio-visual experience. In a customised way, Syndyn transforms any sports event into a real-time sound-and-light performance thus merging physical movement, aesthetics, entertainment and technology.

Synellisten
by Marcus Zedler
http://www.synaesthesie.net/

Synesthesia
by Sean A. Day
http://home.comcast.net/~sean.day

Synesthesia, Art and Music
by Michael Haverkamp
http://www.michaelhaverkamp.mynetcologne.de/synaesthesie%20engl.htm

Synesthesia artforum http://synesthesia-artforum.blogspot.com/

The Synesthesia Battery
by David M. Eagleman
http://www.synesthete.org

Synesthesia China
by Hung Wanyu
http://syn6th.com/

Synesthesia: collective gallery by Timothy B Layden http://www.tblayden.com/Default.aspx?tabid=129

Synesthesia Sweden
by Christian Liljeberg
http://www.synestesi.se

Synesthetes websites
by Pat Duffy
http://www.bluecatsandchartreusekittens.com/Blue_Cats_and_Chartreuse_Kittens_Rel.html#SYN

Synesthetics: Synesthesia in Science and Art
by Crétien van Campen
http://www.synesthesie.nl

Sinestesia e arte sinestetica
by Daniela Alexandra Bruni
http://www.rodoni.ch/busoni/pittura/sinestesiaeartesinestetica/articolo3.html

Synesthesia Page
by Richard Cytowic
http://cytowic.net/

Synesthesia Research Group
by Jamie Ward et al.
http://www.syn.sussex.ac.uk/

Synesthesie. A Virtual Revue on Contemporary Art, Paris
http://www.synesthesie.com/

Synesthesia and Synesthetic Experience
by Carol Steen, Karen Chenausky, and Adam Rosen
http://web.mit.edu/synesthesia/www/synesthesia.html

Synesthesie
by Verónica Burela & Irene Schönenberger, Université de Genève
http://tecfa.unige.ch/tecfa/teaching/UVLibre/9900/bin19/welcome.htm

Synthetic Synaesthesia
by Kristinn R Thòrisson
http://xenia.media.mit.edu/~kris/synthsyn.html

Synesthesia, Multimedia & the Caves of Altamira
http://msp.sfsu.edu/Instructors/rey/synesth.html

Tonecolor Visual Music Arts
by Greg Jalbert
http://www.imaja.com/change/tonecolor/

UK Synaesthesia Association
http://www.uksynaesthesia.com/

Visualization of Music Project
by Sandy Cohen
http://media2.bmrc.berkeley.edu/video/webvideo/people/sandy/project.html

Visualizing Music & Sound - An Annotated Bibliography
by Craig Harris
http://www.paradise2012.com/visualMusic/leobib.html wikipedia: synesthesia
http://en.wikipedia.org/wiki/Synesthesia

wikipedia: synesthesia in art
http://en.wikipedia.org/wiki/Synesthesia_in_art

 

(On-Line) Publications on Synesthesia

Abraham, W. "Synasthesie als Metapher," Folia Linguistica 21, No. 4, 155-190 (1987).

Adler, Hans (Hrsg.). Synästhesie. Interferenz ̦ Transfer ̦ Synthese der Sinne (Wü��rzburg: Verlag Königshausen & Neumann, 2002).

Ahsen, A. "Visual imagery and performance during multisensory experience, synaesthesia and phosphenes," Journal of Mental Imagery 21, 1-40 (1997)

Aleman A, Rutten GJM, Sitskoorn MM, Dautzenberg G, Ramsey NF. "Activation of striate cortex in the absence of visual stimulation: an fMRI study of synesthesia". Neuroreport 12 (13): 2827-2830 SEP 17 2001

Alperson, Philip (Ed.). What Is Music? University Park, Pa.: Pennsylvania State University Press, 1987.

Amin, Maina, Olufemi Olu-Lafe, Loes E. Claessen, Monika Sobczak-Edmans, Jamie Ward, Adrian L. Williams, and Noam Sagiv. (2011). Understanding grapheme personification: A social synaesthesia? Journal of Neuropsychology; vol. 5: 255-282.

Ansari, Daniel (2008). "Effects of development and enculturation on number representation in the brain." Nature Reviews Neuroscience; vol. 9; April: 278-291.

Anschütz, G. (Hrsg.) Farbe-Ton-Forschungen. (Leipzig: Akad.-Verl.,1927/1931/1936)

Anschütz, Georg. Kurze Einführung in die Farbe-Ton-Forschung. (Leipzig: Akademische Verlagsgesellschaft m.b.H, 1927).

Anschütz, G. "Untersuchungen über komplexe musikalische Synopsie." Archiv für die gesamte Psychologie; vol. 54 (1926) 129-273.

Anschütz, G. "Untersuchungen zur Analyse musikalischer Photismen", Archiv für die gesamte Psychologie; vol. 51 (1925) 155-218.

Argelander, A. Das Farbenhören und der synästhetische Faktor der Wahrnehmung. (Jena: Fischer,1927)

Aristotle. De anima. (c. 330 B.C.)

Aristotle. On Sense and the Sensible. (350 B.C.).
http://classics.mit.edu/Aristotle/sense.html (Part One) http://classics.mit.edu/Aristotle/sense.2.2.html (Part Two)

Armel, K.C., Ramachandran,V.S. "Acquired synesthesia in retinis pigmentosa". Neurocase, vol. 5, nr. 4 (1999) 293-296.

Asano, Michiko, and Yokosawa, Kazuhiko. (2012). Synesthetic colors for Japanese late acquired graphemes. Consciousness and Cognition, Volume 21(2), June; 983-993

Asher, Julian E., Janine A. Lamb, Denise Brocklebank, Jean-Baptiste Cazier, Elena Maestrini, Laura Addis, Mallika Sen, Simon Baron-Cohen, and Anthony P. Monaco (2009). "A whole-genome scan and fine-mapping linkage study of auditory-visual synesthesia reveals evidence of linkage to chromosomes 2q24, 5q33, 6p12, and 12p12." American Journal of Human Genetics; vol. 84; 13 Feb.: 279-285.

Babbit, I. The New Laokoon: An Essay on the Confusion of the Arts. (Boston, NewYork: Houghton Mifflin Co, 1934)

Banissy, M. J. & Ward, J. (2007). Mirror-touch synesthesia is linked with empathy. Nat.Neurosci., 10, 815-816.

Banissy, Michael J., Lucia Garrido, Flor Kusnir, Bradley Duchaine, Vincent Walsh, and Jamie Ward. (2011). Superior facial expression, but not identity recognition, in mirror-touch synesthesia. Journal of Neuroscience; 31(5); February 2: 1820-1824.

Bardovskaya, A.I. (2010). Contemporary trends in researching synaesthetic metaphor. Newsletter of Tver State University. Series: Philology (4): 168-181 (Review; in Russian).

Bargary, Gary, Kylie J. Barnett, Kevin J. Mitchell, and Fiona N. Newell (2009). "Colored-speech synaesthesia is triggered by multisensory, not unisensory, perception." Psychological Science; vol. 20.5: 529-533.

Bargary, G. and Mitchell, K.J. (2008). Synaesthesia and cortical connectivity. Trends in neurosciences, 31(7), 335-342.

Barker, J. M. Out of Sync, Out of Sight: Synaesthesia and Film Spectacle. Paragraph, Volume: 31, Issue: 2 (July 1, 2008), pp: p236, 16p.

Barkowsky, Johannes. "Farbenhören: Wie man Synästhetiker unter seinen SchülerInnen erkennt" (Hearing Colors: How to Recognize Synesthetes Among Students). Musik & Bildung - Praxis Musikerziehung, vol. 31, nr. 6 , November-December (1999) 33-37.

Barnett, K.J., Finucane, C., Asher, J.E., Bargary, G., Corvin, A.P., Newell, F.N. and Mitchell, K.J. (2008). Familial patterns and the origins of individual differences in synaesthesia. Cognition, Vol. 106 (2), 871-893.

Barnett, K.J., Foxe, J.J., Molholm, S., Kelly, S.P., Shalgi, S., Mitchell, K.J. and Newell, F.N. (2008). Differences in early sensory-perceptual processing in synesthesia: A visual evoked potential study. NeuroImage, 43(3) 605-613.

Barnett, K.J. and Newell, F.N. (2008). "Synaesthesia is associated with enhanced, self-rated visual imagery." Consciousness and Cognition, 17(3), 1032-1039.

Barnett, Kylie J., and Fiona N. Newell (2008). "Synaesthesia is associated with enhanced, self-rated visual imagery." Consciousness and Cognition; 17: 1032-1039.

Baron-Cohen S, Harrison JE (Eds.) Synaesthesia: Classic and contemporary reading. Cambridge: Blackwell, 1997.

Baron-Cohen, S. "Is there a normal phase of synaesthesia in development?" Psyche (online journal) 2 (1996).
http://psyche.cs.monash.edu.au/v2/psyche-2-27-baron_cohen.html

Baron-Cohen, S., Burt, L., Smith Laittan, F., Harrison, J., Bolton, P. "Synaesthesia: prevalence and familiarity," Perception 25, No. 9, 1073-9 (1996).

Baron-Cohen, S., Harrison, J., Goldstein, L.H., Wyke, M. "Coloured speech perception: Is synaesthesia what happens when modularity breaks down?" 22, 419-26 (1993).

Baron-Cohen, S., Wyke, M.A., Binnie, C. "Hearing words and seeing colours: An experimental investigation of a case of synaesthesia," Perception 16, 761-7 (1987).

Basbaum, Sérgio R. "Synesthesia and digital perception." (online)
http://www.musicossonia.com.br/dig_perception/syn-dig-perception_vs2.pdf

Basbaum, Sérgio Roclaw. Sinestesia, arte e tecnologia: Fundamentos da cromossonia. (São Paulo: Annablume 2002).

Baudelaire, C. Les paradis artificiels (Parijs: Galimard, 1860).

Beaunis, H., and A. Binet. "Sur deux cas d'audition colorée." Revue Philosophique, vol.33 (1892) 448-461.

Beeli, G., Esslen, M., & Jancke, L. (2005). Synaesthesia: when coloured sounds taste sweet. Nature, 434, 38.

Beeli, Gian, Esslen, Michaela and Jäncke, Lutz. Cerebral cortex, Volume: 18, Issue: 2 (February 1, 2008), pp: 379.

Behler, Diana. "Synaesthesia in Nietzsche's Die Geburt der Tragodie and Its Correlation to French and Russian Symbolism; Melanges offerts a Jacqueline Leiner". In: Antoine, R. (Ed.). Carrefour de Cultures. (Tubingen : Narr, 1993).

Behne, Klaus-Ernst. "Zur Differenzierung von Synästhesien und intermodalen Analogien" (2001).
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Behne, Klaus Ernst. "On the margins of music: Synaesthesias, images,colors." [Am Rande der Musik: Synästhesien, Bilder, Farben.] Musikpsychologie: Jahrbuch der Deutschen Gesellschaft für Musikpsychologie, VIII (1991) 94-120.

Berghaus, G. "A theatre of image, sound and motion: On synaesthesia and the idea of a total work of art," Maske und Kothurn 32, No. 1-2, 7-28 (1986).

Berman, Greta. "Synesthesia and the Arts," Leonardo 32, No. 1 (1999) 15-22.

Berman, G., Steen, C. & Maurer, D. (2008) Synesthesia: Art and the Mind. McMaster Museum of Art / ABC Art Books Canada.

Bernard, J. "Messiaen's synaesthesia, the correspondence between colour and sound structure in his music," Music Perception 4, No. 1, 41-68 (1986). Betancourt, Michael. A Taxonomy of Abstract Form Using Studies of Synesthesia and Hallucinations. Leonardo Vol. 40, No. 1, pp. 59̦65, 2007.

Binet, A., and J. Philippe. "Étude sur un nouveau cas d'audition colorée." Revue Philosophique; vol. 33 (1892) 461-464.

Biola, Holly. Chromesthesia and Absolute Pitch. Unpublished senior thesis. Princeton University, April, 1995

Bishop, Bainbridge. A Souvenir of the Color Organ, with some Suggestions in Regard to the Soul of the Rainbow and the Harmony of Light. (New Russia, New York 1893). Available via http://www.rhythmiclight.com/archives/index.html

Blakemore, S. J., Bristow, D., Bird, G., Frith, C., & Ward, J. (2005). Somatosensory activations during the observation of touch and a case of vision-touch synaesthesia. Brain, 128, 1571-1583.

Bleuler, E., Lehmann, K. Zwangsmässige Lichtempfindungen durch Schall und verwandte Erscheinungen auf dem Gebiete der andern Sinnesempfindungen (Leipzig: Fues's Verlag, 1881).

Bleuler, E. "Zur Theorie der Sekundärempfindungen." Zeitschrift für Psychologie, 65 (1913) 1-39.

Block, Lenore. "Comparative tone-colour responses of college music majors with absolute pitch and good relative pitch. Psychology of Music, XI, no. 2 (1983) 59-66.

Boccali, Renato. D'Annunzio e le immaginifiche combustioni: L'estetica del fuoco tra mimesis e poesis. MLN, Volume: 126, Issue: 1 (May 5, 2011), pp: 98-113. http://muse.jhu.edu/journals/mln/v126/126.1.boccali.pdf

Bogumil, Mary-Louise. Joyce's Use of Synaesthesis: The Intra- and Inter-Episodic Recurrence of Sensory Impressions in 'Ulysses' Dissertation Abstracts International, Ann Arbor, MI (DAI). 1989 Apr., 49:10, 3031A.

Bos, M.C. "Ueber echte und unechte audition colorée," Zeitschrift für Psychologie 111, 321-97 (1929).

Boucher, Marc. 2004. "Kinetic Synaesthesia: Experiencing Dance in Multimedia Scenographies." Contemporary Aesthetics Online Journal. http://www.contempaesthetics.org/pages/article.php?articleID=235

Bowers, Faubion. Scriabin, A Biography of the Russian Composer 1871-1915. (Tokyo and Palo Alto: Kodansha International Ltd., 1969).

Bozina, O.A. (2007). Semantics of tonalities in N.A.Rimsky-Korsakov’s music. Music Scholarship; vol. 1 (Dec); 67-78 (in Russian).

Brang, David, E.M. Hubbard, S. Coulson, M. Huang, and V.S. Ramachandran. (2010). Magnetoencephalography reveals early activation of V4 in grapheme-color synesthesia. NeuroImage, 53: 268–274

Brandauer, Aline. "Marina Abramovic: Double bind" Sculpture 14 July/Aug. (1995) 23-7.

Brang, D., Edwards, L. and Ramachandran, V. S. Is the Sky 2? Contextual Priming in Grapheme-Color Synaesthesia. Psychological science, Volume: 19, Issue: 5 (May 1, 2008), pp: p421, 8p.

Brang, David, Romke Rouw, V.S. Ramachandran, and Coulson, Seana. (2011). Similarly shaped letters evoke similar colors in grapheme-color synesthesia. Neuropsychologia; vol. 49: 1355-135

8. Brang, David, and Ramachandran, Vilayanur S. (2011). Survival of the synesthesia gene: Why do people hear colors and taste words? PloS Biology; November, vol. 9(11)

Brang, David, Ursina Teuscher, V.S. Ramachandran, and Seana Coulson. (2010). Temporal sequences, synesthetic mappings, and cultural biases: The geography of time. Consciousness and Cognition; vol. 19: 311-320.

Brang, David, and V.S. Ramachandran. (2010). Visual field heterogeneity, laterality, and eidetic imagery in synesthesia. Neurocase; vol. 16(2): 169-174.

Braun, Werner. "Light and shadow in music: Aspects of a mental image (1680-1810)" [Licht und Schatten in der Musik: Aspekte eines Denkbildes (1680-1810)] In: Festschrift Lorenz Dittmann; Ed. by Hans-Caspar von Bothmer, Klaus Güthlein, and Rudolf Kuhn (Frankfurt am Main: Lang, 1994) 37-45.

Bretones Callejas, Carmen. Synasthetic metaphors in English. Technical report University of California at Berkeley & International Computer Science Institute, Berkeley (2001)
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Brook, Donald. Six Great Russian Composers: Glinka, Borodin, Mussorgsky, Tchaikovsky, Rimsky-Korsakov, Scriabin. (London: Rockliff Salisbury Square, 1947).

Budde, Elmar. "Music, sound, color: The problem of synaesthesia in the early compositions of Ligeti." [Musik, Klang, Farbe: Zum Problem der Synästhesie in den frühen Kompositionen Ligetis.] Musik & Bildung: Praxis Musikunterricht, XXI/2 Feb. (1989) 68-75.

Bullough, E. "On the Apparent Heaviness of Colours." British Journal of Psychology, vol. 2 (1907) 111-152.

Burgmer, B. "Chromatic notation of music: Transforming Bach and Webern into color and light," Leonardo Musical Journal 5, 5-10 (1995).

Busch, G. Synästhesie und Imagination. Zu Delacroix's kunsttheoretischen AEssuerungen. In: Beitrage zur Theorie der Künste im 19 Jahrhundert. (Fr/M.: Vittorio Klostermann., 1971)

Cacciari, Cristina. “Why do we speak metaphorically. Reflections on the functions of metaphor in discourse and reasoning”. In: A.N. Katz, C. Cacciari, R.W. Gibbs, M.W. Turner (Eds.) Figurative Language and Thought. (New York etc. Oxford UP, 1998, pp. 119-157).

Caliandro, Stefania. Empathie et esthesie: Un retour aux origines esthetiques / Empathy and aesthesia. Revue-Francaise-de-Psychanalyse. Vol 68(3) Jul 2004, 791-800.

Callejas, A., Acosta, A., & Lupianez, J. (2007). Green love is ugly: emotions elicited by synesthetic grapheme-color perceptions. Brain Res., 1127, 99-107.

Calkins, Mary Whiton. "A Statistical Study of Pseudo-chromesthesia and of Mental-forms." American Journal of Psychology; vol. 5 (1893) 439-464.

Caltvedt, Les. "The Poetics of Synaesthesia in Rilke and Handke" Modern Austrian Literature, 32, no. 1 (1999) 53-66.

Cambon, Glauco. "Synaesthesia in the Divine Comedy." Dante Studies, 88 (1970) 1-16.

Campana, John. "Vittorini's Synaesthetic Use of Imagery in Conversazione in Sicilia" Canadian Journal of Italian Studies, Fall-Winter, vol.5, nrs. 1-2 (1981-1982) 72-80.

Campen, Cretien van (2007) The Hidden Sense: Synesthesia in Art and Science. Cambridge: MIT Press.

Campen, Cretien van (2008). Three historical episodes of artistic experiments with synesthesia. In. B. Galeyev (Ed.). Synaesthesia: The unity of the senses and synthesis of arts. Kazan: Tupolev KSTU.

Campen, Cretien van (2009). The Hidden Sense: On Becoming Aware of Synesthesia. In: TECCOGS, vol. 1, pp. 1-13. http://www.pucsp.br/pos/tidd/teccogs/artigos/pdf/teccogs_edicao1_2009_artigo_CAMPEN.pdf

Campen, Cretien van (2009). How does the memory of synesthetes work? In: M� José de Córdoba; Edward M. Hubbard; Dina Riccò; Sean A Day (Eds.) (2009). Actas del III Congreso Internacional de Sinestesia, Ciencia y Arte. Granada: Ediciones Fundación Internacional Artecittà. http://www.synesthesie.nl/pub/cretien van campen Granada 27-4-2009.pdf

Campen, Crétien van and Clara Froger. "Personal Profiles of Color Synesthesia: Developing a Testing Method for Artists and Scientists." Leonardo vol. 36, nr. 4 (2003) 291--294.

Campen, Crétien van & Clara Froger. "Spatial aspects of colour synaesthesia. Combining artistic and scientific methods," paper presented at the UK Synaesthesia Association Annual Meeting, London, 15-17 April 2005. http:// synesthesie.nl/pub/london2005/london16apr05.htm

Campen, Crétien van & Clara Froger. Profiles of Color Synesthesia. The NeCoSyn Method. Paper presented at the Second Annual National Meeting of the American Synesthesia Association in San Diego, 17-19 May 2002.
http://synesthesie.nl/pub/asapaper.htm

Campen, Crétien van & Clara Froger. "Oranje tuba's, volle sprot en groene woorden” [in Dutch], Psychologie Magazine. October 2001, pp. 24-26.
http://synesthesie.nl/pub/tuba.htm

Campen, Crétien van & Clara Froger. “Helderheid, verzadiging en toon van kleursynesthesie” [in Dutch], Kleurenvisie, Summer (2001)
http://synesthesie.nl/pub/artkleurvis.htm

Campen, Crétien van. “Artistic and Psychological Experiments with Synesthesia,” Leonardo, vol. 32, nr. 1 (1999) pp. 9-14.
(extended manuscript at: http://synesthesie.nl/pub/syneng.htm)

Campen, Crétien van. “Verrassende resultaten synesthesie-experiment”. [in Dutch], Kleurenvisie vol. 5, (1998) 5-7.
http://synesthesie.nl/pub/nvvk.htm

Campen, Crétien van. “De kleur van woorden”, [in Dutch], Kleurenvisie, vol. 6, (1999) 12-14.
http://synesthesie.nl/pub/nvvk99.htm

Campen, C. van (2011). Synaesthesia: Seeing Sound, Smelling Space in: Colour Hunting: How Colour Influences What We Buy, Make and Feel (Frame 2011, page 207-213)

Campen, Crétien van. "Synesthesia and artistic experimentation," Psyche (online journal) 3 (1997).
http://psyche.cs.monash.edu.au/v3/psyche-3-06-vancampen.html

Campen, Cretien van. Tussen zinnen. Synesthesie of hoe de zintuigen samenwerken (Between Senses. Synesthesia or how the senses cooperate). Utrecht: Zien, 2005.

Campen, Crétien van. “Gedrogeerde deuren van de waarneming”, [in Dutch],Psychologie & Maatschappij, vol. 20, (1996) 374-387.
http://synesthesie.nl/pub/drug.htm

Campen, Crétien van. “De verwarring der zintuigen: artistieke en psychologische experimenten met synesthesie”. [in Dutch],  Psychologie & Maatschappij, vol. 20, (1996) 10-26.

Campen, C. van. Visual Music and Musical Paintings. The Quest for Synesthesia in the Arts. In: F. Bacci & D. Melcher (Eds. (2011). Art & the Senses. Oxford University Press, p. 495-512. http://synesthesie.nl/pub/syn.htm

Cardeña, Etzel E., and David D Marcusson-Clavertz. (2012). On the need to compare anomalous experiences carefully: Commentary on Milán et al.'s Auras in mysticism and synaesthesia: A comparison. Consciousness and Cognition; 21(2): 1068-9.

Carpenter, S. (2001) Everyday fantasia. The world of synesthesia. APA Monitor on Psychology, vol. 32, No. 3 March (2001).
http://www.apa.org/monitor/mar01/synesthesia.html

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