SPECIAL PROJECTS:

Women, Art and Technology:
Leonardo Papers

That women artists have played an integral part in the creation of work in the area of art, science and technology is reflected in the variety and depth of work reported on in Leonardo. This page is a resource that references Leonardo papers by women and when available, provides links to the authors' own home pages.

The starting point for this resource is The Women, Art and Technology Project. The project focuses on women artists and their works in articles published in the print journal Leonardo over the last few years. However, this online resource will eventually include work by all the women artists whose work Leonardo has published.

Artists and other authors interested in writing for Leonardo should take a look at the Women, Art and Technology Call for Papers.

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Art/Biology

• Gwyneth Thurgood
  "Landscapes" from Sulphanilamide: An Artist Experiments with Microcrystals to Reveal Fractal Order (LEONARDO 31:2, 1998, pp. 143-144)
  
• Maura C. Flannery
  Images of the Cell in Twentieth Century Art and Science (LEONARDO 31:3, 1998, pp. 195-204)
  

Artificial Life

• Isabelle Chemin and Guido Hübner
  TransNEUROsite: An Alliance between Artists and Engineers (LEONARDO 31:1, 1998, pp. 36-38)
  
• Nell Tenhaaf
  As Art is Lifelike: Evolution, Art, and the Readymade (LEONARDO 31:5, 1998, pp. 397-404)
  

Computer Graphics and Animation

• Christl Berg
  Rosa Antipodea (LEONARDO 30:5, 1997, p.398)
  
• Donna Cox
  Using the Supercomputer to Visualize Higher Dimensions: An Artist's Contribution to Scientific Visualization (LEONARDO 21:3, 1988, p. 233-242)
  
• Karen Guzak
  Between Geometry and Gesture: Combining Electronic Media with Traditional Artistic Methods (LEONARDO 30:1, 1997, p. 19-22)
  
• Julie Harrison and Joe Elliott
  If It Rained Here (LEONARDO 31:4, 1998, pp. 278-279)
  
• Serena Lin
  Visible Traces (LEONARDO 30:5, 1997, p. 399)
  
• Jacquelyn A. Martino
  Without a Special Object of Worship: An Interactive Book Arts Computer Installation (LEONARDO 30:1, 1997, p. 11-18)
  
• Sonya Rapoport
  From Osiris to Sinai (LEONARDO 24:1, 1991, p. 89-90)
  
• Lillian F. Schwartz
  The Staging of Leonardo's Last Supper: A Computer-Based Exploration of its Perspective (LEONARDO Electronic Art Supplemental Issue, 1993, p. 89-96)
  
• Lillian F. Schwartz
  Computers and Appropriation Art: The Transformation fo a Work or Idea for a New Creation (LEONARDO 29:1, 1996, pp. 43-49)
  
• Jill Scott
  Paradise Tossed (LEONARDO 27:1, 1994, p. 77-78)
  
• Anna Thomas
  Songlines (LEONARDO 29:5, 1996, p.411)
  
• Marilyn Waligore
  Artist-Sorceress: Photography and Digital Metamorphosis (LEONARDO 28:4, 1995, p. 249-256)
  

Copy Art/Mail Art

• Marisa Gonzalez
  Copiers, Motion and Metamorphosis (LEONARDO 23:2/3, 1990, p. 295-300)
  
• Patricia Tavener
  Artistamps (LEONARDO 29:4, 1996, pp. 269-270)
  

Discussion/Criticism/Theory

• Paulina Boorsook
  Something about Art (LEONARDO 30:2, 1997, pp.164-166)
  
• Elizabeth Broun
  Art, Electronic Outreach and American Democracy (LEONARDO 29:4, 1996, pp. 317-318)
  
• Marlena Corcoran
  Digital Transformations of Time: The Aesthetics of the Internet (LEONARDO 29:5, 1996, pp. 375-378)
  
• Pamela Jennings
  Narrative Structures for New Media: Towards a New Definition (LEONARDO 29:5, 1996, pp. 345-350)
  
• Antoinette LaFarge
  The Bearded Lady and the Shaven Man: Mona Lisa, Meet Mona/Leo (LEONARDO 29:5, 1996, pp. 379-383)
  
• Simone Osthoff
  Lygia Clark and Hélio Oiticia: A Legacy of Interactivity and Participation for a Telematic Future (LEONARDO 30:4, 1997, pp. 279-289)
  
• Ann Pizzorusso
  Leonardo's Geology: The Authenticity of the Virgin of the Rocks (LEONARDO 29:3, 1996, pp. 197-200)
  
• Patric D. Prince
  The Aesthetics of Exhibition: A Discussion of Recent Computer Art Shows (LEONARDO Electronic Art Supplemental Issue, 1988, p. 81-88)
  
• Adrianne Wortzel
  Cyborgesian Tenets and Indeterminate Endings: The Decline and Disappearance of Destiny for Authors (LEONARDO 29:5, 1996, pp. 354-372)
  

Education

• Lily Diaz
  Digital Archeology: Design Research and Education---Connecting Historical Narratives and Digital Environments (LEONARDO 31:4, 1998, pp. 283-287)
  
• Carol Gigliotti
  Bridge To, Bridge From: The Arts, Technology and Education (LEONARDO 31:2, 1998, pp. 89-92)
  
• Marilyn Aronberg Lavin
  Researching Visual Images with Computer Graphics (LEONARDO 29:1, 1996, pp. 35-38)
  
• Deborah Haynes, Mike Mandel and Rita Robillard Curriculum Revolution: The Infusion and Diffusion of New Media (LEONARDO 31:3, 1998, pp. 187-193)
  
• Sonia Landy Sheridan
  Mind/Senses/Hand: The Generative Systems Program at the Art Institute of Chicago 1970-1980 (LEONARDO 23:2/3, 1990, p. 175)
  

Film and Video

• Abbe Don
  We Make Memories (LEONARDO 24:1, 1991, p. 88)
  
• Lynn Hershman
  The Electronic Diary (LEONARDO 24:1, 1991, p. 88)
  
• Madelon Hooykaas and Elsa Stanfield
  Point of Reference (LEONARDO 26:1, 1993, p. 79)
  
• Beryl Korot
  Language as Still Life: From Video to Painting (LEONARDO 21:4, 1988, p. 367-370)
  
• Nancy Paterson
  Hair Salon TV: A Computer-Controlled Video Installation (LEONARDO 24:1, 1991, p. 15-17)
  
• Sara Roberts
  Early Programming: An Interactive Installation (LEONARDO 24:1, 1991, p. 90)
  
• Valerie Soe
  Diversity (LEONARDO 25:2, 1992, p. 220)
  
• Steina Vasulka
  My Love Affair with Art: Video and Installation Work (LEONARDO 28:1, 1995, p. 15-18)
  
• Deborah Whitman
  Deus ex Machina/Closet of Angels (LEONARDO 26:3, 1993, p. 261)
  

Information Art and Conceptual Art

• Nancy Buchanan
  Works and Networks: Information Art and the Use of Low-End Electronics of Individual and Community Projects (LEONARDO 26:5, 1993, p. 423-430
  
• Madge Gleeson
  Illuminated Manuscript (LEONARDO 30:5, 1997, p. 400)
  
• Judy Malloy
  OK Research, OK Engineering, Bad Information: Information Art Describes Technology (LEONARDO 21:4, 1988, p. 371)
  
• Ian Pollock and Janet Silk
  Local 411: Private Conversations in Public Space (LEONARDO 31:4, 1998, pp. 295-297)
  

Installation

• Daniela Bertol
  Architecture of Images: An Invetigation of Architectural Representations and the Visual Perception of Three-Dimensional Space (LEONARDO 29:2, 1996, pp. 87-94)
  
• Christiane Geoffroy
  Geo-Genetic (LEONARDO 25:1, 1992, p. 93-97)
  
• JoAnn Gillerman
  The Sun Drops Its Torch; Eros Interactive; Anarchy Partycam (LEONARDO 29:4, 1996, pp. 265-267)
  
• Lynn Hershman
  Touch-Sensitivity and Other Forms of Subversion: Interactive Artwork (LEONARDO 26:5, 1993, p. 431-436)
  
• Yvonne Robare Hobbs and Mary Ross
  Video, Sculpture and Collaborative Image Processing (LEONARDO 30:2, 1997, pp.157-158)
  
• Maria Klonaris and Katerina Thomadaki
  The Feminine, the Hermaphrodite, the Angel: Gender Mutation and Dream Cosmogonies in Multimedia Projection and Installation (1976-1994) (LEONARDO 29:4, 1996, pp. 273-282)
  
• Merel Mirage
  Memories of a virtual Butterfly: The World and the Screen (LEONARDO 30:5, 1997, pp. 377-383)
  
• Andrea Polli
  Virtual Space and the Construction of Memory: Installation and Performance Work (LEONARDO 31:2, 1998, pp. 89-92)
  
• Sonya Rapoport
  Process(ing) Interactive Art: Using People as Paint, Computer as Brush (LEONARDO 24:3, 1991, p. 285-288)
  
• Sue Rees
  Coordinates for an Alignment of a Jigsaw (LEONARDO 30:4, 1997, pp. 267-268)
  
• Ana Richardson
  Semiotic Cell (LEONARDO 29:4, 1996, pp. 268-269)
  
• Sara Roberts
  Elective Affinities (LEONARDO 30:3, 1997, pp. 189-190)
  
• Jill Scott
  Machine Dreams (LEONARDO 24:4, 1991, p. 488)
  
• Samantha Simpson
  The Life Story Project (LEONARDO 30:1, 1997, p. 9)
  
• Victoria Vesna
  Another Day in Paradise and Virtual Concrete: Installation and Telepresence Works (LEONARDO 31:1, 1998, pp. 13-19)
  
• Teresa Wennberg
  Through the Electronic Labyrinth: The Meanderings of a Visual Artist (LEONARDO 29:3, 1996, pp. 183-191)
  

Interactive Art Discs, CD-ROMs and Web Works

• Marlena Corcoran
  "Worst Case Scenarios:" The Fiction of the Internet (LEONARDO 30:5, 1997, pp. 343-348)
  
• Andrea Feeser and Margaret Crane
  An Online General Hospital: Constructing an Experience and Representation of Mental Health (LEONARDO 30:5, 1997, pp. 355-358)
  
• Marjorie Franklin
  Digital Blood (LEONARDO 31:4, 1998, pp. 293-294)
  
• JoAnn Gillerman
  The Sun Drops Its Torch; Eros Interactive; Anarchy Partycam (LEONARDO 29:4, 1996, p. 263)
  
• Lucia Grossberger-Morales
  Sangre Boliviana (LEONARDO 28:4, 1995, p. 246-247)
  
• Carolyn Guyer
  Quibbling: A Hyperfiction (LEONARDO 26:3, 1993, p. 258)
  
• Jutta Kirchgeorg
  The Information Age (LEONARDO 30:5, 1997, p. 395)
  
• Juliet Martin
  Can You See Me Through The Computer? (LEONARDO 30:5, 1997, pp. 395)
  
• Ann Powers
  North Water World (LEONARDO 28:4, 1995, p. 243-247)
  
• Jane Prophet
  Sublime Ecologies and Artistic Endeavors: Artificial Life and Interactivity in the Online Project Technosphere (LEONARDO 29:5, 1996, pp.339-344)
  
• Sonya Rapoport
  The Transgenic Bagel: The Transformation of Computer-Based Artwork (LEONARDO 31:4, 1998, pp. 271-275)
  
• Beverly Reiser
  Voice Garden: Labyrinth of Love, Labyrinth of Desire (LEONARDO 30:1, 1997, p. 8)
  
• Christine Tamblyn
  Mistaken Identities: An Interactive CD-ROM Genealogy (LEONARDO 30:4, 1997, p. 261-266)
  
• Christine Tamblyn
  She Loves It, She Loves It Not: Women and Technology, Interactive CD-ROM (LEONARDO 28:2, 1995, p. 99-104)
  
• Keren Tzur
  Rachel (LEONARDO 30:5, 1997, p.401)
  
• Andrea Zapp
  Last Entry: Bombay, 1st of July (LEONARDO 30:5, 1997, p. 395)
  

Music and Sound

• Frances Dyson
  Radio Art in Waves (LEONARDO MUSIC JOURNAL 4, 1994, p. 9-11)
  
• Andra McCartney
  Inventing Images: Constructing and Contesting Gender in Thinking about Electroacoustic Music (LEONARDO MUSIC JOURNAL 5, 1995, p. 57-66)
  
• Pauline Oliveros
  Acoustic and Virtual Space as a Dynamic Element of Music (LEONARDO MUSIC JOURNAL 5, 1995, p. 19-22)
  

Nature/Environment and The Body

• Lutz Bacher
  Huge Uterus (LEONARDO 24:1, 1991, p. 87)
  
• Tim Collins and Reiko Goto
  Urban Reclamation: Place, Value, Use: The Nine Mile Run Project (LEONARDO 30:3, 1997, pp. 191-192)
  
• Theodosia H. Ferguson
  Celebrate Gaia: Aspects of Solar Art (LEONARDO 29:1, 1996, pp. 69-71)
  
• Reiko Goto
  Nezumi (Rat) (LEONARDO 24:4, 1991, p. 486-489)
  
• Jessica Holt
  Spiriting: Life in Wyoming with the Gingerbread Man (LEONARDO 30:3, 1997, p. 193)
  
• Helen Mayer Harrison and Newton Harrison
  Shifting Positions Towards the Earth: Art and Environmental Awareness (LEONARDO 26:5, 1993, p. 371-377)
  
• Mary Jean Kenton
  Engineers' Notebooks: The Geometry of Color (LEONARDO 25:1, 1992, p. 95)
  
• Maria Klonaris and Katerina Thomadaki
  The Feminine, the Hermaphrodite, the Angel: Gender Mutations and Dream Cosmogonies in Multimedia Projection and Installation (1976--1994) (LEONARDO 29:4, 1996, pp. 273-282)
  
• Nancy Paterson
  Wringer/Washer TV (LEONARDO 24:1, 1991, p. 89)
  
• Aviva Rahmani
  Ghost Nets: The Medicine Wheel Garden (LEONARDO 25:1, 1992, p. 96)
  
• Carolee Schneemann
  The Blood Link: Fresh Blood---A Dream Morphology and Venus Vectors (LEONARDO 27:1, 1994, p. 23-28)
  
• Joyce Cutler Shaw
  The Anatomy Lesson: The Body, Technology and Empathy (LEONARDO 27:1, 1994, p. 29-38)
  
• Bonnie Sherk
  The Creation of a Living Library: An International Network of Interactive Life Frames (LEONARDO 24:2, 1991, p. 223-226)
  
• Zoë Sofia
  Contested Zones: Futurity and Technological Art (LEONARDO 29:1, 1996, pp. 59-66)
  
• Gail Wight
  Hereditary Allegories (LEONARDO 30:1, 1993, p. 7)

Performance Art

• Jadzia Donatovitz
  Symbolism of the Cosmic Dance of Shiva in The South-Indian Temple Dance Tradition (LEONARDO 29:2, 1996, pp. 156-157)
  
• Kathleen Laziza
  Laziza Videodance and Lumia Project: The Intersection of Dance, Technology and Performance Art (LEONARDO 29:3, 1996, pp. 173-182)
  

Sculpture

• Liliane Lijn
  Body and Soul (LEONARDO 31:1, 1998, pp. 5-12)
  

Telecommunications

• Anna Couey
  Art Communication Systems (LEONARDO 29:4, 1996, pp. 263-264)
  
• Jennifer Hall
  Netdrama: An Online Environmental Scheme (LEONARDO 24:2, 1991, p. 193-194)
  
• Judy Malloy
  Uncle Roger, An Online Narrabase (LEONARDO 24:2, 1991, p. 195-202)
  
• Karen O'Rourke
  Paris Reseau: Paris Network (LEONARDO 29:1, 1996, p. 51-57)
  

Virtual Reality

• Toni Dove
  Theater without Actors: Immersion and Response in Installation (LEONARDO 27:4, 1994, p. 281-288)
  
• Kiersta Fricke
  Virtual Reality: Venus Return or Vanishing Point (LEONARDO 27:4, 1994, p. 277-278)
  
• Mike Goslin and Jacquelyn Ford Morie
  Virtopia: Emotional Experiences on Virtual Environments (LEONARDO 29:2, 1996, pp. 95-100)
  

...and Everything Else

• Karen Guzak
  Between Geometry and Gesture:Combining Electronic Media with Traditional Artistic Methods (LEONARDO 30:1, 1997, pp.19-22)
  
• Susanna Niederer
  Dreiklang: Word, Sound, Image (LEONARDO 30:3, 1997, pp. 207-211)
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  Updated 17 May 2006
  
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