Leonardo Journal Volume 38, Issue 5, 2005
Leonardo is a print journal, published five times a year. Leonardo is edited by Leonardo/the International Society for the Arts, Sciences and Technology, and published by the MIT Press.
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TABLE OF CONTENTS
Editorial
Documentation and Conservation of the Media Arts Heritage
by Jean Gagnon and Alain Depocas
Special Section: Space: Science, Technology and the Arts
Did You Say Space Art? Leonardo's Commitment to Space Art, 35 Years On
by Annick Bureaud
Revelations at the Jet Propulsion Laboratory
by Daniel E. Goods
ABSTRACT: The author's 2 years of developing installations for the Jet Propulsion Laboratory have led him to an appreciation of how similar his thinking and work process are to those of the laboratory's engineers and scientists. For both, certain ideas and processes at first appear crazy and impracticable, but vision and persistence bring them to realization. The three installations described in this article pertain to a future mission that, if successful, will locate a planet similar to Earth and once again change humanity's understanding of its position in the universe.
Welcome to the Neighbourhood: Belonging to the Universe
by Adam Nieman
ABSTRACT:Space travel could be an experience available to everyone. This paper describes Welcome to the Neighbourhood, a combination of sculpture and multimedia designed to help people inhabit the solar system (without leaving the earth). The project aims to empower astronomers and non-astronomers alike to form an authentic conception of their place in the cosmos. The author discusses the sculptures that inspired the idea for the project, including the largest known kinetic sculpture ever built (60 light-years across), and then outlines Welcome to the Nieghbourhood in the context of a broader discussion of public engagement with science and the role of space art in transforming people's experience of "being in the universe."
Windows to the World, Doors to Space: The Psychology of Space Architecture
by Andreas Vogler and Jesper Joergensen
ABSTRACT: Living in a confined environment with minimal external stimuli available, such as a space habitat, is a strain on normal human life and puts great pressure on groups and individuals. Designers working on a space habitat not only must work on its functional role, but also must integrate functionality with mental representation and symbolic meaning. Space-connection interfaces such as doors and windows act as "sensory organs" of a building. They allow inside-out communication, but also allow the user to control the flow of light and air, which in a direct or indirect way are communication mediums. In this paper the authors advocate a closer connection among architecture, anthropology and psychology in designing space habitats as part of a new concept of environmental design strategy in space architecture.Artist's Statement
Starslide
by Liliane Lijn
Color Plates
Special Section: College Art Association 2004 Conference Papers
Degrees of Freedom: Models of Corporate Relationships
by Sara Diamond
ABSTRACT: The author discusses three models of corporate partnership that support the creation of new media art: directed altruism, skunk works (product development), and regulated self-interest. Similar activities can occur across these models, but expectations, criteria for assessment and final outcomes may differ. Clarifying the rules of engagement for arts organizations and artists when they work with corporations is critical to success for both artists and companies. This essay provides a framework and examples for each model from Canada, Finland, the United Kingdom and the United States. It evaluates failures as well as successes.
Artists in Industry and the Academy: Collaborative Research, Interdisciplinary Scholarship and the Creation and Interpretation of Hybrid Forms
by Edward A. Shanken
ABSTRACT: The author surveys contemporary artist-engineer-scientist collaborations in industry and the academy and considers a variety of theoretical and practical issues pertaining to them. Given the increasing dedication of cultural resources to engage artists and designers in science and technology research, the author concludes that more scholarship must analyze case studies, identify best practices and working methods, and propose models for evaluating both the hybrid products resulting from these endeavors and the contributions of the individuals engaged in them.
Theoretical Perspective
Liberation or Control: Disobedient Connections in Contemporary Works
by Bojana Kunst
ABSTRACT: The concept of connection has assumed a very ambivalent status today. Being connected exposes the liberating potential of connected public participation, which has changed our understanding of political and intimate life. At the same time there is a strong fear at work that this very potential could result in a more rigid form of contemporary life. Connection, as understood in this article, is something procedural that can at the same time be disobedient to its own procedure. This disobedience can be concretely observed in certain contemporary artistic works, for example in the project wPack from Intima Virtual Base.
Leonardo Reviews
Reviews by Peter Anders, Wilfred Niels Arnold, Jan Baetens, Roy R. Behrens, Martha Blassnigg, Andrea Dahlberg, Maia Engeli, George Gessert, Dene Grigar, Rob Harle, Craig Hilton, Nisar Keshvani, Martha Patricia Nino Mojica, Robert Pepperell, Aparna Sharma, Eugene Thacker, Stefaan Van RyssenLeonardo Network News
Updated 2 September 2010
