Leonardo Journal Volume 38, Issue 4, 2005
Leonardo is a print journal, published five times a year. Leonardo is edited by Leonardo/the International Society for the Arts, Sciences and Technology, and published by the MIT Press.
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TABLE OF CONTENTS
Editorial
Expanding the Mandate
by Sheila Pinkel
Artists' Statements
The Anasculpture---An Alternative to Visual Perception
by Leo Contini
Creating Space: Web Art Practice
by Wayne Dunkley
Special Section: College Art Association Papers
Special Section Introduction: Artists in Industry and the Academy: Interdisciplinary Research Collaborations
by Edward A. Shanken
Between Art, Science and Technology: Data Representation Architecture
by Julio Bermudez, Jim Agutter, Stefano Foresti, Dwayne Westenskow, Noah Syroid, Frank Drews and Elizabeth Tashjian
ABSTRACT: As our civilization continues to dive deeper into the information age, making sense of complex data becomes critical. This work takes on this challenge by means of a novel method based on complete interdisciplinarity, design process and built-in evaluations. The result is the design, construction, testing and deployment of data environments supporting real-time decision-making in such diverse domains as anesthesiology and live art performance. Fundraising success, technology licensing, market implementation and many live art performances provide evidence of the great potential of committed interdisciplinary work for advancing science, art and technology while benefiting society at large.
Both and Neither: in silico v1.0, Ecce Homology
by Ruth West, Jeff Burke, Cheryl Kerfeld, Eitan Mendelowitz, Thomas Holton, J.P. Lewis, Ethan Drucker and Weihong Yan
ABSTRACT: Ecce Homology, a physically interactive new-media work, visualizes genetic data as calligraphic forms. A novel computer-vision user interface allows multiple participants, through their movement in the installation space, to select genes from the human genome for visualizing the Basic Local Alignment Search Tool (BLAST), a primary algorithm in comparative genomics. Ecce Homology was successfully installed in the UCLA Fowler Museum, 6 November 2003--4 January 2004.New Ideas Emerge When Collaboration Occurs
by Dana Plautz
ABSTRACT: This paper provides some examples demonstrating the value for industry of funding and working with artists on research projects. It discusses how art research and industry can mutually benefit from working together at the research and development level. While artistic practice has long been recognized for its innovation and creativity, the potential of artistic research and the collaborative nature of artistic practice are currently underutilized by high-tech industry.The Emergence Project: The Bush Soul
by Rebecca Allen
PING: Poetic Charge and Technical Implementation
by Greg Niemeyer
The Hybrid Invention Generator
by Bill Seaman
NANO: An Exhibition of Scale and Senses
by Victoria Vesna and James Gimzewski
Global Visual Music Jam Project
by Vibeke Sorensen
Special Section: ArtScience: The Essential Connection
Desmond Morris's Two Spheres
by Robert Root-Bernstein
The Critical Collaboration Between Art and Science: An Experiment on a Bird in the Air Pump and the Ramifications of Genomics for Society
by Tamar Schlick
ABSTRACT: Inspired by the famous 18th-century painting by Joseph Wright, the author discerns similarities between issues relevant then and the public's current reception of scientific ideas from modern biology in the wake of the Human Genome Project. She proposes educational and scientific initiatives and advocates more positive and balanced portrayals of scientific themes in the arts to help engage the public in a discourse about the ramifications of genomic science and technology for our lives.
General Article
Interfacing the Brain Directly with Musical Systems: On Developing Systems for Making Music with Brain Signals
by Eduardo Reck Miranda and Andrew Brouse
ABSTRACT: The authors discuss their work on developing technology to interface the brain directly with music systems, a field of research generally known as Brain-Computer Interfacing (BCI). The paper gives a brief background of BCI in general and surveys various attempts at musical BCI, or Brain-Computer Music Interface (BCMI)---systems designed to make music from brain signals, or brainwaves. The authors present a technical introduction to the electroencephalogram (EEG), which measures brainwaves detected by electrodes placed directly on the scalp. They introduce approaches to the design of BCI and BCMI systems and present two case study systems of their own design: the BCMI-Piano and the InterHarmonium.General Article
Interfacing the Brain Directly with Musical Systems: On Developing Systems for Making Music with Brain Signals
by Eduardo Reck Miranda and Andrew Brouse
ABSTRACT: The authors discuss their work on developing technology to interface the brain directly with music systems, a field of research generally known as Brain-Computer Interfacing (BCI). The paper gives a brief background of BCI in general and surveys various attempts at musical BCI, or Brain-Computer Music Interface (BCMI)---systems designed to make music from brain signals, or brainwaves. The authors present a technical introduction to the electroencephalogram (EEG), which measures brainwaves detected by electrodes placed directly on the scalp. They introduce approaches to the design of BCI and BCMI systems and present two case study systems of their own design: the BCMI-Piano and the InterHarmonium.General Note
Symbolic Pointillism: Computer Art Motivated by Human Brain Structures
by Norbert Krüger and Florentin Wörgötter
ABSTRACT:The authors introduce a new kind of computer art motivated by cortical structures in the human visual system. This type of computer art is related to the sub-group of the impressionist art movement called pointillism. However, while pointillism visualizes and makes use of processes that have been associated with the human eye, Symbolic Pointillism also makes cortical processes explicit. The visual representations underlying this art have been developed during a project that aims at the transfer of functional aspects of human vision to artificial systems. The authors have applied their findings in such an artificial vision system and in a sound/vision installation.Theoretical Perspective
Metadesign as an Emergent Design Culture
by Elisa Giaccardi
ABSTRACT: The concept of metadesign was adopted in the 1980s regarding the use of information in relation to art, cultural theories and design practices (from interactive art to biotechnological design)> This article introduces theories and practices of metadesign and contributes to the unfolding of metadesign as an emergent design culture, calling for an expansion of the creative process in the new design space engendered by information technologies.
Leonardo Reviews
Reviews by Rene Beekman, Roy R. Behrens, Andrea Dahlberg, Dene Grigar, Rob harle, Coral Houtman, Amy Ione, Mike Leggett, Robert Pepperell, Michael Punt, Stefaan Van Ryssen
Commentary
Are Cognitive Fossils Significant for Art? Studies of Synesthesia in Normal and Abnormal Cases.
by Bulat Galeyev
Leonardo Network News
Updated 12 October 2006
