Leonardo

Volume 31, Number 5

Leonardo is a print journal, edited by Leonardo/the International Society for the Arts, Sciences and Technology, and published by the MIT Press. Subscriptions and individual issues can be ordered from the MIT Press.

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Special Issue: Fifth Annual New York Digital Salon

Available in print from the MIT Press. To ORDER.

Digital Salon Chair's Statement

by Bruce Wands

Digital Salon Essays

Antoinette LaFarge, editor

Page 333

Autonomous Creations: Birthing Intelligent Agents

by Timothy Binkley

Bytes and Zeitgeist: Digitizing the Cultural Landscape

by Steve Tomasula

Office Plant #1: Intimate Space and Contemplative Entertainment

by Marc Bohlen and Michael Mateas

Digital Media, Artificial Life and Postclassical Cinema: Condition, Symptom or a Rhetoric or Funding?

by Michael Punt

Automata: Seeing Cyborg through the Eyes of Popular Culture, Computer-Generated Imagery and Contemporary Theory

by Adam I. Bostic

If We Are Digital

by Charles Traub and Jonathan Lipkin

A Brief History of Japanese Robophilia

by Mark Gilson

Special Section: Artificial Life Art

Ken Rinaldo, editor

Page 371

Technology Recapitulates Phylogeny: Artificial Life Art

by Ken Rinaldo

Tom Ray's Hammer: Emergence and Excess in A-Life Art

by Mitchell Whitelaw

Life as We Know It and/or Life as It Could Be: Epistemology and the Ontology/Ontogeny of Artificial Life

by Edward Shanken

The Cyberbiological Worlds of Nerve Garden: A Test Bed for VRML 2.0

by Bruce Damer for Biota.org

Living Sculpture: The Art and Science of Creating Robotic Life

by Yves AMU Klein

As Art Is Lifelike: Evolution, Art and the Readymade

by Nell Tenhaaf

The Flock

by Ken Rinaldo

Digital Salon Catalog

Kirsten Solberg, director

Page 408

The Extra Sensitized Environment

by Kirsten Solber

Exhibiting Artists

Computer Animations

Following that Vital Journey

by Jacquelyn Ford Morie

Gallery Works

Sight Lines: For Mona Lisa

by Barbara Nessim