Leonardo

Volume 28, Number 5 (1995)

Third Annual New York Digital Salon

Issue Contents

October/November 1995

Leonardo is a print journal, edited by Leonardo/the International Society for the Arts, Sciences and Technology, and published by the MIT Press. Subscriptions and individual issues can be ordered from the MIT Press.

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INTRODUCTION

ARTICLES

MANUEL DELANDA: Virtual Environments and the Concept of Synergy

ANNETTE WEINTRAUB: Artifice, Artifact: The Landscape of the Constructed Digital Environment

SONYA SHANNON: The Chrome Age: Dawn of Virtual Reality

DOUGLAS DAVIS: The Work of Art in the Age of Digital Reproduction (An Evolving Thesis: 1991--1995)

MICHAEL PUNT: CD-ROM: Radical Nostalgia?: Cinema History, Cinema Theory, and New Technology

RICHARD WRIGHT: Towards a Poetics of Knowledge

KEN FEINGOLD: OU: Interactivity as Divination as Vending Machine

GRAHAME STRIN WEINBREN: Mastery: Computer Games, Intuitive Interfaces, and Interactive Multimedia

SARAH CHAPLIN: Desire Lines and Mercurial Tendencies: Resisting and Embracing the Possibilites for Digital Architecture

ANTOINETTE LAFARGE: A World Exhilarating and Wrong: Theatrical Improvisation on the Internet

BARBARA LONDON: Time as Medium

TIMOTHY BINKLEY: Transparent Technology: The Swan Song of Electronics

FRANCIS T. MARCHESE and SUZANNA M. MARCHESE: Digital Media and Ephemeralness: Art, Artist, and Viewer

STEWART ZIFF: Beyond the Context: Landscapes, Pictures, and the Epistemology of Image-Making

WONG WO-BIK: An Overview of Computer Art and Education in Hong Kong

BRUCE WANDS: Curator's Statement

Works

Gallery Artworks

Computer Animation

Net-Works

Exhibiting Artists

The Jury