Cumulative Index

Author Index 1995 to the Present

Leonardo and Leonardo Music Journal

"Appendix: Conference Program and Acknowledgments," in Special Section "A Conference on Intellectual Property Rights and the Arts: The Impact of New Technologies, Part II," Leonardo 29, No. 4 (1996).

Charles Csuri: ACM SIGGRAPH Lifetime Achievement Award in Digital Art, in Leonardo Special Issue: SIGGRAPH 2011 Art Papers and Tracing Home Art Gallery, Leonardo 44, No. 4 (2011).

"Foreword," in Special Section "A Conference on Intellectual Property Rights and the Arts: The Impact of New Technologies, Part I," Leonardo 29, No. 3 (1996).

"Gallery Artworks," in Special Issue "The Fourth Annual New York Digital Salon Galleries," Leonardo 29, No. 5 (1996).

"Jean-Pierre Hébert: ACM SIGGRAPH Distinguished Artist Award for Lifetime Achievement in Digital Art," in Leonardo Special Issue: SIGGRAPH 2012 Art Papers and In Search of the Miraculous Gallery, Leonardo 45, No. 4 (2012).

"Net Works," in Special Issue "The Fourth Annual New York Digital Salon Galleries," Leonardo 29, No. 5 (1996).

"The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).

®™ARK. ®™ark web site, Gallery Section, Leonardo 35, No. 1 (2002).

ABELES, KIM V. “Shared Skies (13 global skies),” Leonardo Special Issue: SIGGRAPH 2013 Art Papers and XYZN: Scale Art Gallery, Leonardo 46, No. 4 (2013).

ABRAHAM, JULIAN. "Kapitän Biopunk: Fermentation Madness," in Leonardo Special Issue: SIGGRAPH 2012 Art Papers and In Search of the Miraculous Gallery, Leonardo 45, No. 4 (2012).

ABRAMYAN, ABRAM ALEXANDROVICH. "Color-Music Fountains and Installations of the Erebuni Group," Leonardo 28, No. 4 (1995).

ABSTRACT MONARCHY TRIO. "Schrattenberg," LMJ12 CD Contributor's Note, Leonardo Music Journal 12 (2002).

ABUNGU, LORNA. "The National Museum of Kenya: A Brief Overview," in Special Section "Virtual Africa," Leonardo 32, No. 2 (1999).

ACETI, LANFRANCO. "Without Visible Scars: Digital Art and the Memory of War," Leonardo 42, No. 1 (2009).

ACEVEDO, VICTOR. "Void Matrix Lattice," Leonardo 33, No. 1 (2000).

ACHITUV, ROMY. “Algorithms and Structural Metaphors: Reflections of the Digital-Cultural Feedback Loop,Leonardo 46, No. 2 (2013).

ACM SIGGRAPH Distinguished Artist Award for Lifetime Achievement in Digital Art: Manfred Mohr,” in Leonardo Special Issue: SIGGRAPH 2013 Art Papers and XYZN: Scale Art Gallery, Leonardo 46, No. 4 (2013). ADAMO, ADOLFO; BERTACCHINI, PIER AUGUSTO; BILOTTA, ELEONORA; PANTANO, PIETRO; and TAVERNISE, ASSUNTA. "Connecting Art And Science for Education: Learning through an Advanced Virtual Theater with 'Talking Heads,'" Leonardo 43, No. 5 (2010).

ADAMS, KATHRYN. Review of The Angelmakers, directed by Astrid Bussink, Leonardo 40, No. 5 (2007).

ADAMS, KATHRYN. Review of Ephemeral Bodies: Wax Sculpture and the Human Figure, edited by Roberta Panzanelli, Leonardo 42, No. 3 (2009).

ADAMS, KATHRYN. Review of Live at the Stain Bar by The Quartet of Happiness, Leonardo 40, No. 4 (2007).

ADAMS, KATHRYN. Review of Prisoners of Beckett, directed by Michka Saäl, Leonardo 41, No. 4 (2008).

ADAMS, KATHRYN. Review of The Secret Life of Babies, Parts 1 & 2, directed by Bernard George, Leonardo 41, No. 1 (2008).

ADDERLEY, W. PAUL, and YOUNG, MICHAEL. "Ground-Breaking: Scientific and Sonic Perceptions of Environmental Change in the African Sahel," Leonardo 42 , No. 5 (2009).

ADZHIEV, VALERY; COMNINOS, PETER; and PASKO, ALEXANDER. "Augmented Sculpture: Computer Ghosts of Physical Artifacts," Leonardo 36, No. 3 (2003).

AGF, "Leo's Code," LMJ13 CD Contributor's Note, Leonardo Music Journal 13 (2003).

AGOSTI, JEAN-PAUL. "Orphée, Suite d'orphée 'Le Passage' and Jardin Hieroglyphique," Gallery Section, 34, No. 1 (2001).

AHARONIÁN, CORIÚN. "Cardew as a Basis for a Discussion on Ethical Options," Leonardo Music Journal 11 (2001).

AHARONIÁN, CORIÚN: "An Approach to Compositional Trends in Latin America," Leonardo Music Journal 10 (2000).

AHMED, SALAH UDDIN. "Developing Software Dependent Artwork: Artist and Software Developers Collaboration," Leonardo 45, No. 1 (2012).

AHN, YONG-YEOL, and AHNERT, SEBASTIAN. “The Flavor Network,” in Special Section “Arts, Humanities and Complex Networks,” Leonardo 46, No. 3 (2013).

AHUJA, MANGHO. "Tessellations in Islamic Calligraphy," Leonardo 28, No. 1 (1995).

AJAYKUMAR. "Toward Other Epistemologies of Interface Culture: Dependent Origination, Tantra and Relational Being in an Age of Digital Reproduction,"Leonardo 40, No. 5 (2007).

AKGUN, B. TEVFIK. "The Digital Art of Marbled Paper," Leonardo 37, No. 1 (2004).

AKNER KOLER, CHERYL, and BERGSTRÖM, LARS. "Complex Curvatures in Form Theory and String Theory," Leonardo 38, No. 3 (2005).

ALAYAN, AMAL. “Small Molecules Count Too: Creativity and Change Post Arab Spring,” Leonardo 46, No. 3 (2013).

ALBA, MIGUEL ANGEL CORONA. "Macacintosh," Leonardo 29, No. 1 (1996).

ALBANY, DANA. "The Bone Tree," Leonardo 36, No. 5 (2003).

ALBRIGHT, THOMAS D. “The Veiled Christ of Cappella Sansevero: On Art, Vision and Reality,” in Special Section “ArtScience: The Essential Connection,” Leonardo 46, No. 1 (2013).

ALEJANDRA & AERON, "Village Football," LMJ13 CD Contributor's Note, Leonardo Music Journal 13 (2003).

ALEXANDER, CHRIS. "An Open Letter to the Melilla Conference Participants," in Special Section "Melilla Colloquium," Leonardo 39, No. 1 (2006).

ALEXENBERG, MEL. "Cyberangels: An Aesthetic Peace Plan for the Middle East," Leonardo 39, No. 3 (2006).

ALLEN, REBECCA. "The Emergence Project: The Bush Soul, in Special Section "College Art Association Papers," Leonardo 38, No. 4 (2005).

ALLOUCHE, JEAN-PAUL. "How New Is Technological Art?," Leonardo 32, No. 4 (1999).

ALSAYYAD, NEZAR. "Virtual Cairo: An Urban Historian's View of Computer Simulation," in Special Section "Virtual Africa," Leonardo 32, No. 2 (1999).

ALSCHILLER, IRA. "The View from the Pixel Factory: Ethos and Lucre," Leonardo 33, No. 2 (2000).

ALSOP, ROGER. "Exploring the Self through Algorithmic Composition," Leonardo Music Journal 9 (1999).

ALTY, J.L. "Navigating through Compositional Space: The Creativity Corridor," in Special Section "'Creativity and Cognition'" Conference Papers, Leonardo 28, No. 3 (1995).

AMERIKA, MARK. "Expanding the Concept of Writing: Notes on Net Art, Digital Narrative and Viral Ethics," Leonardo 37, No. 1 (2004).

AMES, CHARLES. "My Computer Composed Instrumental Works of the 1980s," Leonardo Music Journal 7 (1997).

AMES, CHARLES. "Thresholds of Confidence: An Analysis of Statistical Methods for Composition: Part 2: Applications," Leonardo Music Journal 6 (1996).

ANDERS, PETER. "Anthropic Cyberspace: Defining Electronic Space from First Principles," in Special Issue "The Ninth Annual Digital Salon," 34, No. 5 (2001).

ANDERS, PETER. "Introduction: ISEA 2002: Orai: At the Crossroads of Meaning," Leonardo 37, No. 3 (2004).

ANDERS, PETER. "Introduction: Orai: Routes to and from ISEA 2002," in Special Section "ISEA 2002 Selected Papers," Leonardo 37, No. 4 (2004).

ANDERSON, MAXWELL L. "The Byte Sized Collections of Art Museums," in Special Section "A Conference on Intellectual Property Rights and the Arts: The Impact of New Technologies, Part I," Leonardo 29, No. 3 (1996).

ANDERSSON, FRED. Review of "Electrohype 200," Leonardo 34, No. 4 (2001).

ANDERSSON, FRED. Review of AIUEONN---Six Features & a Game of Words Which Starts with the Letter A by Takahiko Iimura, Leonardo 34, No. 4 (2001).

ANDERSSON, FRED. Review of Art of the 21st Century: The Humanization of Technologies (A Arte no Século XXI: A Humanização das Technologias), edited by Diana Domingues, Leonardo 34, No. 4 (2001).

ANDERSSON, FRED. Review of Arte Vision: A History of Electronic Art in Spain (Arte Vision: Una historia del arte electrónico en España), edited/published by MECAD, Leonardo 34, No. 4 (2001).

ANDERSSON, FRED. Review of Bachelors by Rosalind Krauss, Leonardo 33, No. 4 (2000).

ANDERSSON, FRED. Review of Bourdieu and the Journalistic Field, edited by Rodney Benson and Erik Neveu, Leonardo 40, No. 3 (2007).

ANDERSSON, FRED. Review of The Deleuze Connections by John Rajchman, Leonardo 36, No. 4 (2003).

ANDERSSON, FRED. Review of Seeing/Hearing/Speaking by Takahiko Iimura, Leonardo 37, No. 2 (2004).

ANDERSSON, FRED. Review of Takahiko Iimura---Film et Video by Daniel Charles, Leonardo 34, No. 4 (2001).

ANDERSSON, FRED. Review of Vi: En dokumentation om kulturrådgiveri/We: A Documentation of Cultural Affairs by Staffan Mossenmark and Jörgen Svensson, Leonardo 33, No. 2 (2000).

ANDIA, ALFREDO. "Internet Studios: Teaching Architectural Design On-Line between the United States and Latin America," in Special Section "SIGGRAPH Educators Program," Leonardo 35, No. 3 (2002).

ANDO, ARIKE. "What are People for?," in Special Issue "The Ninth Annual Digital Salon," 34, No. 5 (2001).

ANDO, HIDEYUKI; YOSHIDA, TOMOFUMI; and WATANABE, JUNJI. “‘Save YourSelf!!!’---An Externalized Sense of Balance,” Leonardo 46, No. 3 (2013).

ANDREYEV, JULIE and OVERSTALL, SIMON. "Wait," in Tracing Home Art Gallery, Special Issue SIGGRAPH 2011 Art Papers and Tracing Home Art Gallery, Leonardo 44, No. 4 (2011).

ANGEL, SARA. "The Mnemosyne Atlas and the Meaning of Panel 79 in Aby Warburg’s Oeuvre as a Distributed Object," in Special Section of Leonardo Transactions: Arts, Humanities and Complex Networks, Leonardo 44, No. 3 (2011).

ANIMAL WITH NO NAME. "Sampling Space," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).

ANKER, KATHRINE ELIZABETH. Review of From Papyrus to Hypertext: Toward the Universal Digital Library by Christian Vandendorpe, Leonardo 43, No. 2 (2010).

ANKER, SUZANNE. "Cellular Script (Yves Klein Blue)," in Special Section "Art and Biology," Leonardo 31, No. 4 (1998).

ANKER, SUZANNE. "Gene Culture: Molecular Metaphor in Visual Art," in Special Issue "The Eighth Annual New York Digital Salon," 33, No. 5 (2000).

ANNUNZIATO, MAURO, and PIERUCCI, PIERO. "Relazioni Emergenti: Experiments with the Art of Emergence," in Special Section "A-Life in Art, Edutainment, Games and Research," Leonardo 35, No. 2 (2002).

ANSTEY, JOSEPHINE. "Are You Waving or Drowning?: Art, Interaction, Manipulation and Complexity," Leonardo 32, No. 4 (1999).

ANSTIS, STUART. "Was El Greco Astigmatic?," Leonardo 35, No. 2 (2002).

ANTONOVA, CLEMENA. "On the Problem of 'Reverse Perspective': Definitions East and West," Leonardo 43, No. 5 (2010).

ARCHER, PHIL. "Clip Art," Leonardo Music Journal 17 (2007).

ARIAS, RICARDO. "From the Margins of the Periphery: Music and Technology at the Outskirts of the West---A Personal View," Leonardo Music Journal 8 (1998).

ARIAS, RICARDO. "I Know It's Only Noise but I Like It: Scattered Notes on the Pleasures of Experimental Improvised Music," Leonardo Music Journal 12 (2002).

ARIAS, RICARDO. “Rakes, Live Deaths and Modified Cassette Players: Three Contemporary Sound Artists from Colombia,” Leonardo Music Journal 23 (2013).

ARIKAN, BURAK. “Network Intelligence for All,” in Special Section “Arts, Humanities and Complex Networks,” Leonardo 46, No. 3 (2013). ARIKE, ANDO. "The `Two Cultures' Revisited," in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).

ARISTARKHOVA, IRINA. Editorial: "The Tyranny of the Possible," Leonardo 38, No. 1 (2005).

ARKONA. "Komputerliebe," LMJ12 CD Contributor's Note, Leonardo Music Journal 12 (2002).

ARMSTRONG, SARA GARDEN. "Skin Rack 2 from Airplayer XIII, Abaca Wall Backs 1-4 and Kinetic Light and Sound Sculpture," Gallery Section, Leonardo 28, No. 4 (1995).

ARNHEIM, RUDOLF. "Buildings and Human Figures Aware of Each Other," Leonardo 32, No. 3 (1999).

ARNHEIM, RUDOLF. "The Coming and Going of Images," Leonardo 33, No. 3 (2000).

ARNHEIM, RUDOLF. "The Two Authenticities of the Photographic Media," Leonardo 30, No. 1 (1997).

ARNHEIM, RUDOLF. Review of Engineering a New Architecture, by Tony Robbin, Leonardo 30, No. 2 (1997).

ARNHEIM, RUDOLF. Review of The Body and the Self, edited by José Luis Bermúdez, Anthony Marcel and Naomi Eilan, Leonardo 30, No. 1 (1997).

ARNHEIM, RUDOLF. Review of George Rickey in Berlin, 1967-1992, edited by Jörn Merkert and Ursula Prinz, Leonardo 28, No. 1 (1995).

ARNHEIM, RUDOLF. Review of Hubert Damisch: The Origin of Perspective, translated by John Goodman, Leonardo 28, No. 1 (1995).

ARNHEIM, RUDOLF. Review of Leonardo da Vinci: The Daedalian Mythmaker by Giancarlo Maiorino, Leonardo 27, No. 1 (1994).

ARNHEIM, RUDOLF. Review of Picture Theory: Essays on Verbal and Visual Representation by W.J.T. Mitchell, Leonardo 28, No. 1 (1995).

ARNHEIM, RUDOLF. Review of Siegfried Kracauer and Erwin Panofsky: Briefwechsel 1941--1966, edited by Volker Breidecker, Leonardo 31, No. 1 (1998).

ARNHEIM, RUDOLF. Review of Visual Literacy: Image, Mind and Reality, by Paul Messaris, Leonardo 29, No. 1 (1996).

ARNOLD, WILFRED NIELS. "The Illness of Vincent van Gogh: An Interactive Web Site," Leonardo 38, No. 2 (2005).

ARNOLD, WILFRED NIELS. Review of America and the Daguerreotype by John Wood, Leonardo 33, No. 2 (2000).

ARNOLD, WILFRED NIELS. Review of The Animated Man: A Life of Walt Disney by Michael Barrier, Leonardo 41, No. 4 (2008).

ARNOLD, WILFRED NIELS. Review of A Bibliographical History of the Study and Use of Color from Aristotle to Kandinsky, by Kenneth E. Burchett, Leonardo 39, No. 5 (2006).

ARNOLD, WILFRED NIELS. Review of Camouflage by Neil Leach, Leonardo 40, No. 3 (2007).

ARNOLD, WILFRED NIELS. Review of Color and Meaning: Art, Science, and Symbolism by John Gage, Leonardo 34, No. 4 (2001).

ARNOLD, WILFRED NIELS. Review of Compelling Visuality: The Work of Art in and out of History, edited by Claire Farago and Robert Zwijnenberg, Leonardo 38, No. 1 (2005).

ARNOLD, WILFRED NIELS. Review of The Copyright Book: A Practical Guide, by William S. Strong, Leonardo 33, No. 4 (2000).

ARNOLD, WILFRED NIELS. Review of The Cult of Statistical Significance by Stephen T. Ziliak and Deirdre N. McCloskey, Leonardo 42, No. 1 (2009).

ARNOLD, WILFRED NIELS. Review of Descartes: The Life and Times of a Genius by A.C. Grayling, Leonardo 40, No. 4 (2007).

ARNOLD, WILFRED NIELS. Review of Drawing in Early Renaissance Italy by Francis Ames-Lewis, Leonardo 34, No. 2 (2001).

ARNOLD, WILFRED NIELS. Review of The Dream Drugstore: Chemically Altered States of Consciousness by J. Allan Hobson, Leonardo 35, No. 4 (2002).

ARNOLD, WILFRED NIELS. Review of The Essence of Perfume by Roja Dove, Leonardo 42, No. 5 (2009).

ARNOLD, WILFRED NIELS. Review of In the Eye of the Beholder: The Science of Face Perception, by Vicki Bruce and Andy Young, Leonardo 32, No. 3 (1999).

ARNOLD, WILFRED NIELS. Review of The Eye's Mind: Literary Modernism and Visual Culture by Karen Jacobs, Leonardo 35, No. 1 (2002).

ARNOLD, WILFRED NEILS. Review of False Colors by Roy R. Behrens, Leonardo 36, No. 1 (2003).

ARNOLD, WILFRED NIELS. Review of Higher Superstition: The Academic Left and Its Quarrels with Science, by Paul Gross and Norman Levitt, and The Flight from Science and Reason, edited by Paul Gross, Norman Levitt and Martin Wise, Leonardo 32, No. 1 (1999).

ARNOLD, WILFRED NEILS. Review of Iconoclash, edited by Bruno Latour and Peter Weibel, Leonardo 36, No. 4 (2003).

ARNOLD, WILFRED NIELS. Review of To Light Such a Candle: Chapters in the History of Science and Technology, by Keith J. Laidler, Leonardo 32, No. 2 (1999).

ARNOLD, WILFRED NIELS. Review of The Mayne Inheritance by Rosalind Siemon, Leonardo 37, No. 2 (2004).

ARNOLD, WILFRED NIELS. Review of The Metamorphosis of Plants by Johann Wolfgang von Goethe,Leonardo 43, No. 5 (2010).

ARNOLD, WILFRED NIELS. Review of Painted Love: Prostitution in French Art of the Impressionist Era by Hollis Clayson, Leonardo 37, No. 5 (2004).

ARNOLD, WILFRED NIELS. Review of Science and Conscience: The Life of James Franck by Jost Lemmerich, translated by Ann M. Hentschel, Leonardo 46, No. 3 (2013).

ARNOLD, WILFRED NIELS. Review of Van Gogh: Fields and Flowers, by Debra N. Mancoff, Leonardo 33, No. 3 (2000).

ARNOLD, WILFRED NIELS. Review of Vermeer's Camera: Uncovering the Truth behind the Masterpieces by Philip Steadman, Leonardo 35, No. 1 (2002).

ARNOLD, WILFRED NIELS. Review of Visual Explanations: Images and Quantities, Evidence and Narrative, by Edward Tufte, Leonardo 31, No. 1 (1998).

ARNOLD, WILFRED NIELS. Review of Visualizations: The Nature Book of Art and Science by Martin Kemp, Leonardo 35, No. 2 (2002).

ARNOLD, WILFRED NIELS. Review of What Is Life? by Lynn Margulis and Dorion Sagan, Leonardo 34, No. 4 (2001).

ARSZYN. "Oho!---rzekla Zydówka, ukazujac drugie, duze, czarne oko (czesc druga), " LMJ12 CD Contributor's Note, Leonardo Music Journal 12 (2002).

ART+COM. "Ride-the-Byte," Leonardo 33, No. 2 (2000).

ARTUS, PHILIPP. "snail trail," in Leonardo Special Issue: SIGGRAPH 2012 Art Papers and In Search of the Miraculous Gallery, Leonardo 45, No. 4 (2012).

ASBERRY, KASEY. Review of An Atlas of Rare City Maps: Comparative Urban Design 1830--1842 by Melville C. Branch, Leonardo 37, No. 5 (2004).

ASBERRY, KASEY. Review of "Design+Undesign: Tibor Kalman, 1979--1999," Leonardo 33, No. 3 (2000).

ASBERRY, KASEY. Review of "Urge," by Chico MacMurtrie, Leonardo 33, No. 2 (2000).

ASBERRY, KASEY RIOS. Review of Gloria Unti, Life and Work (CD-ROM), produced by Ann Wettrich and Wendy Bardsley, Leonardo 32, No. 1 (1999).

ASBERRY, KASEY RIOS. Review of Microcosmos: Four Billion Years of Evolution from Our Microbial Ancestors, by Lynn Margulis and Dorian Sagan, Leonardo 31, No. 4 (1998).

ASBERRY, KASEY RIOS. Review of The XML and SGML Cookbook: Recipes for Structured Information, by Rick Jelliffe, Leonardo 32, No. 4 (1999).

ASCOTT, ROY. Editorial: "Cybernetic, Technoetic, Syncretic: The Prospect for Art," Leonardo 41, No. 3 (2008).

ASCOTT, ROY. "Orai, or How the Text Got Pleated: A Genealogy of La Plissure du Texte: A Planetary Fairytale," Leonardo 37, No. 3 (2004).

ASCOTT, ROY. "The Planetary Collegium," in Special Section "The Planetary Collegium: Towards the Radical Reconstruction of Art Education," Leonardo 31, No. 2 (1998).

ASCOTT, ROY. "Planetary Technoetics: Art, Technology and Consciousness," Leonardo 37, No. 2 (2004).

ASCOTT, ROY. "Technoetic Pathways toward the Spiritual in Art: A Transdisciplinary Perspective on Connectedness, Coherence and Consciousness," in Special Section "Melilla Colloquium," Leonardo 39, No. 1 (2006).

ASCOTT, ROY. "The Technoetic Predicate," Leonardo 32, No. 3 (1999).

ASHLEY, ROBERT. "Automatic Writing," Leonardo Music Journal 8 (1998).

ATASI, ROGER. "Hola y chao, Killing for Living, Yo Robot and To: Me," Gallery Section, Leonardo 35, No. 4 (2002).

ATTAS, MICHAEL, ET AL. "Spectroscopic Imaging in Art Conservation: A New Tool for Materials Investigations," Leonardo 36, No. 4 (2003).

AUCOUTURIER, JEAN-JULIEN. "The Hypothesis of Self-Organization for Musical Tuning Systems," Leonardo Music Journal 18 (2008).

AUCOUTURIER, JEAN-JULIEN. "Re-inventing Fourier," in Special Section "Transactions," Leonardo 42, No. 5 (2009).

AUFERMANN, KNUT, and KOGAWA, TETSUO. "fm:i/o," LMJ17 CD Contributor's Note, Leonardo Music Journal 17 (2007).

AUGER, STEPHEN. "The Harmonic Nature of Perceptual Color as a Technique of Painting," Leonardo 29, No. 3 (1996).

AUSON, KUAI SHEN. "0h!m1gas: biomimetic stridulation environment," in Tracing Home Art Gallery, Special Issue SIGGRAPH 2011 Art Papers and Tracing Home Art Gallery, Leonardo 44, No. 4 (2011).

AYCOCK, JOHN. "Painting the Internet," in Special Section "Transactions," Leonardo 41, No. 2 (2008).

AYCOCK, JOHN. “@TransforMitt,” Leonardo 46, No. 5 (2013).

AYDEMIR, MURAT. Review of Madonna: De vele gezichten van een popster (Madonna: The Many Faces of a Popstar) by Hannah Bosma and Patricia Pisters, Leonardo 33, No. 4 (2000).

AYERS, LYDIA. "Merapi: A Composition for Gamelan and Computer Generated Tape," Leonardo Music Journal 6 (1996).

AZAMBUJA, CARLOS. "A Not So User-Friendly Interface," Gallery Section, Leonardo 28, No. 3 (1995).

BABCOCK, JEFFREY. "The Future of Leonardo Depends on You!" Editorial, Leonardo 42, No. 1 (2009).

BABCOCK, JEFFREY N. "Leonardo Affiliates Are Our Future," Editorial, Leonardo 45, No. 2 (2012).

BAETENS, JAN. Review of The Aesthetics of Disengagement: Contemporary Art and Depression by Christine Ross, Leonardo 40, No. 2 (2007).

BAETENS, JAN. Review of Air, edited by John Knechtel, Leonardo 45, No. 1 (2012).

BAETENS, JAN. Review of Art and Artistic Research: Music, Visual Art, Design, Literature, Dance, edited by Corina Caduff et al., Leonardo 44, No. 1 (2011).

BAETENS, JAN. Review of Art, Time, and Technology by Charlie Gere, Leonardo 40, No. 1 (2007).

BAETENS, JAN. Review of Between Earth and Sky: Our Intimate Connections to Trees by Nalini M. Nadkarni, Leonardo 43, No. 2 (2010).

BAETENS, JAN. Review of Beyond the Soundtrack: Representing Music in Cinema, edited by Daniel Goldmark, Lawrence Kramer and Richard Leppert, Leonardo 41, No. 4 (2008).

BAETENS, JAN. Review of Borges and Memory: Encounters with the Human Brain by Rodrigo Quian Quiroga, Leonardo 46, No. 5 (2013).

BAETENS, JAN. Review of Bring on the Books for Everybody: How Literary Culture Became Popular Culture by Jim Collins, Leonardo 44, No. 3 (2011).

BAETENS, JAN. Review of The Camera as Historian: Amateur Photographers and Historical Imagination, 1885--1918 by Elizabeth Edwards, Leonardo 46, No. 3 (2013).

BAETENS, JAN. Review of Cartographic Cinema by Tom Conley, Leonardo 41, No. 3 (2008).
BAETENS, JAN. Review of Celluloid Symphonies: Texts and Contexts in Film Music History, edited by Julie Hubbert, Leonardo 45, No. 2 (2012).

BAETENS, JAN. Review of Collectivism after Modernism: The Art of Social Imagination after 1945, edited by Blake Stimson and Gregory Sholette, Leonardo 41, No. 3 (2008).

BAETENS, JAN. Review of Cybertext Poetics: The Critical Landscape of New Media Literary Theory by Markku Eskelinen, Leonardo 46, No. 2 (2013). BAETENS, JAN. Review of Dara Birnbaum: Technology/Transformationi: Wonder Woman by T.J. Demos, Leonardo 44, No. 3 (2011).

BAETENS, JAN. Review of The Deaths of the Author: Reading and Writing in Time by Jane Gallop, Leonardo 45, No. 3 (2012).

BAETENS, JAN. Review of Delete: The Virtue of Forgetting in the Digital Age by Victor Mayer-Schönberger, Leonardo 43, No. 5 (2010).

BAETENS, JAN. Review of Diane Arbus’s 1960s: Auguries of Experience by Frederick Gross, Leonardo 46, No. 1 (2013). BAETENS, JAN. Review of Digital Material: Tracing New Media in Everyday Life and Technology, edited by Marianne van den Boomen et al., Leonardo 43, No. 3 (2010).

BAETENS, JAN. Review of Electric Animal: Toward a Rhetoric of Wildlife by Akira Mizuta Lippit, Leonardo 42, No. 3 (2009).

BAETENS, JAN. Review of Feintes_doutes + fictions: Réflexions sur la photographie numérique, edited by Rodrigue Bélanger, Leonardo 40, No. 2 (2007).

BAETENS, JAN. Review of The Filming of Modern Life: European Avant-Garde Film of the 1920s by Malcolm Turvey, Leonardo 45, No. 1 (2012).

BAETENS, JAN. Review of The Hidden Sense: Synesthesia in Art and Science by Crétien van Campen, Leonardo 41, No. 4 (2008).

BAETENS, JAN. Review of High Society: Mind-Altering Drugs in History and Culture by Mike Jay, Leonardo 46, No. 2 (2013). BAETENS, JAN. Review of Hollywood in the Neighborhood: Historical Case Studies of Local Moviegoing, edited by Kathryn H. Fuller-Seeley, exhibition, Leonardo 42, No. 5 (2009).

BAETENS, JAN. Review of The Horizon: A History of Our Infinite Longing by Didier Maleuvre, Leonardo 45, No. 2 (2012).

BAETENS, JAN. Review of The Invention of Heterosexual Culture by Louis-George Tin, Leonardo 46, No. 5 (2013).

BAETENS, JAN. Review of Manhood Factories: YMCA Architecture and the Making of Modern Urban Culture by Paula Lupkin, Leonardo 44, No. 5 (2011).

BAETENS, JAN. Review of Mapping the Moving Image: Gesture, Thought and Cinema circa 1900 by Pasi Väliaho, Leonardo 44, No. 2 (2010).

BAETENS, JAN. Review of The Material Image: Art and the Real in Film by Brigitte Peucker, Leonardo 41, No. 1 (2008).

BAETENS, JAN. Review of Mechanisms: New Media and the Forensic Imagination by Matthew G. Kirschenbaum, Leonardo 41, No. 5 (2008).

BAETENS, JAN. Review of Neo-Baroque Aesthetics and Contemporary Entertainment by Angela Ndalianis Leonardo 38, No. 1 (2005).

BAETENS, JAN. Review of New Media Poetics: Contexts, Technotexts, and Theories, edited by Adalaide Morris and Thomas Swiss, Leonardo 40, No. 3 (2007).

BAETENS, JAN. Review of The New Typography by Jan Tschichold, Leonardo 41, No. 1 (2008).

BAETENS, JAN. Review of North of Empire: Essays on the Cultural Technologies of Space by Jody Berland, Leonardo 44, No. 2 (2010).

BAETENS, JAN. Review of Notes on the Underground, New Edition: An Essay on Technology, Society, and the Imagination by Rosalind Williams, Leonardo 42, No. 1 (2009).

BAETENS, JAN. Review of Photo-Texts: Contemporary French Writing of the Photographic Image by Andy Stafford, Leonardo 44, No. 3 (2011).

BAETENS, JAN. Review of PopModernism: Noise and the Reinvention of the Everyday by Juan A. Suárez, Leonardo 41, No. 2 (2008).

BAETENS, JAN. Review of Regards Croisés: Perspectives on Digital Literature, edited by Sandy Baldwin and Philippe Bootz, Leonardo 44, No. 5 (2011).

BAETENS, JAN. Review of remixthebook by Mark Amerika, Leonardo 45, No. 3 (2012).

BAETENS, JAN. Review of The Right to Look: A Counterhistory of Visability by Nicholas Mirzoeff, Leonardo 46, No. 1 (2013).

BAETENS, JAN. Review of Roy Ascott: The Syncretic Sense, exhibition, Leonardo 42, No. 5 (2009).

BAETENS, JAN. Review of The Secret War between Downloading and Uploading: Tales of the Computer as Culture Machine by Peter Lunenfeld, Leonardo 45, No. 2 (2012).

BAETENS, JAN. Review of Seeing High and Low: Representing Social Conflict in American Visual Culture, edited by Patricia Johnston, Leonardo 40, No. 5 (2007).

BAETENS, JAN. Review of Shadows, Specters, Shards: Making History in Avant-Garde Film by Jeffrey Skoller, Leonardo 40, No. 1 (2007).

BAETENS, JAN. Review of Shigeru Ban: An Architect for Emergencies, directed by Michel Quinejure, Leonardo 41, No. 3 (2008).

BAETENS, JAN. Review of Shooting from the Hip: Photography, Masculinity and Postwar America, by Patricia Vettel-Becker, Leonardo 39, No. 5 (2006).

BAETENS, JAN. Review of Small Tech: The Culture of Digital Tools, edited by Byron Hawk, David M. Rieder and Ollie Oviedo, Leonardo 42, No. 2 (2009).

BAETENS, JAN. Review of The Speed Handbook: Velocity, Pleasure, Modernism by Enda Duffy, Leonardo 43, No. 5 (2010).

BAETENS, JAN. Review of Stance: Ideas about Emotion, Style and Meaning for the Study of Expressive Culture by Harris M. Berger, Leonardo 44, No. 2 (2010).

BAETENS, JAN. Review of Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness by Roy Ascott, Leonardo 38, No. 2 (2005).

BAETENS, JAN. Review of Things That Talk: Object Lessons from Art and Science, edited by Lorraine Daston, Leonardo 38, No. 3 (2005).

BAETENS, JAN. Review of Transformative Beauty: Art Museums in Industrial Britain by Amy Woodson-Boulton, Leonardo 46, No. 5 (2013).

BAETENS, JAN. Review of The Transparent Body: A Cultural Analysis of Medical Imaging, by Jose Van Dijck, Leonardo 39, No. 1 (2006).

BAETENS, JAN. Review of TV by Design: Modern Art and the Rise of Network Television by Lynn Spigel, Leonardo 43, No. 1 (2010).

BAETENS, JAN. Review of Under Blue Cup by Rosalind E. Krauss, Leonardo 46, No. 2 (2013).

BAETENS, JAN. Review of When the Lights Went Out: A History of Blackouts in America by David E. Nye, Leonardo 44, No. 1 (2011).

BAETENS, JAN. Review of Wireless Writing in the Age of Marconi by Timothy C. Campbell, Leonardo 40, No. 3 (2007).

BAETENS, JAN, and TRUYEN, FRED. “Hypertext Revisited,” Leonardo 46, No. 5 (2013). BÁEZ, MANUEL A. "Phenomenological Garden," Gallery Section, Leonardo 36, No. 4 (2003).

BÖHLEN, MARC, and MATEAS, MICHAEL. "Office Plant #1: Intimate Space and Contemplative Entertainment," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).

BAHN, CURTIS. Review of EREIA, performed by Doctor Nerve and the Sirius String Quartet, Leonardo 34, No. 3 (2001).

BAHN, CURTIS. Review of The Hyperstring Project by Jon Rose, Leonardo 34, No. 3 (2001).

BAKER, CAMILLE C. “MINDtouch: Embodied Mobile Media Ephemeral Transference,” Leonardo 46, No. 3 (2013). BALABAN, MIRA, and ELHADAD, MICHAEL. "On the Need for Visual Formalisms in Music Processing," Leonardo 32, No. 2 (1999).

BALAJI, S. “Biomorphic Presentation of Proteins: Artistic Science or Scientific Art?” Leonardo 46, No. 3 (2013).

BALAJI, S., and NEELA, S. “Protein Kolam: An Artistic Rendition of Molecular Structure Data,” in Special Section “ArtScience: The Essential Connection,” Leonardo 46, No. 1 (2013).

BALL, KRISTIAN DEREK. "Soundscape as Interface: The Threshold Project," Leonardo Music Journal 22 (2012).

BALLORA, MARK; PENNYCOOK, BRUCE; IVANOV, PLAMEN C.; GLASS, LEON; and GOLDBERGER, ARY L. "Heart Rate Sonification: A New Approach to Medical Diagnosis," Leonardo 37, No. 1 (2004).

BALOGH, BRETT IAN. "Travelers inside Pianos: Spurious Landscapes," Leonardo Music Journal 18 (2008).

BALOGH, BRETT IAN. "When Airwaves Swing: Confessions of a Radio Enthusiast," Leonardo Music Journal 17 (2007).

BALPE, JEAN-PIERRE. "Toward a Diffracted Literature," in Special Section "Artmedia VIII Selected Symposium Papers," Leonardo 37, No. 5 (2004).

BAND, ELLEN. "Acoustic Mirage: A Psychoacoustic Sound Installation," Leonardo Music Journal 22 (2012).

BANKS, JOE. "Rorschach Audio: Ghost Voices and Perceptual Creativity," Leonardo Music Journal 11 (2001).

BARBER, JOHN F. Review of Anime Explosion: The What? Why? & Wow! of Japanese Animationby Patrick Drazen, Leonardo 40, No. 4 (2007).

BARBER, JOHN F. Review of The Architecture of Madness: Insane Asylums in the United States by Carla Yanni, Leonardo 41, No. 4 (2008).

BARBER, JOHN F. Review of Cyberculture and New Media, edited by Francisco J. Ricardo, Leonardo 44, No. 1 (2011).

BARBER, JOHN F. Review of Design Anarchy by Kalle Lasn, Leonardo 41, No. 2 (2008).

BARBER, JOHN F. Review of Digital People: From Bionic Humans to Androids by Sidney Perkowitz, Leonardo 38, No. 2 (2005).

BARBER, JOHN F. Review of Give Our Regards to the Atomsmashers: Writers on Comics, by Sean Howe, Leonardo 39, No. 5 (2006).

BARBER, JOHN F. Review of How to Do Things with Videogames by Ian Bogost, Leonardo 45, No. 5 (2012).

BARBER, JOHN F. Review of Issues in Curating Contemporary Art and Performance, edited by Judith Rugg and Michèle Sedgwick, Leonardo 42, No. 2 (2009).

BARBER, JOHN F. Review of The Jasons: The Secret History of Science's Postwar Eliteby Ann Finkbeiner, Leonardo 40, No. 5 (2007).

BARBER, JOHN F. Review of Points on the Dial: Golden Age Radio beyond the Networks by Alexander Russo, Leonardo 44, No. 2 (2011).

BARBER, JOHN F. Review of Playing with Words: The Spoken Word in Artistic Practice, edited by Cathy Lane, Leonardo 43, No. 5 (2010).

BARBER, JOHN F. Review of The Pleasures of Computer Gaming: Essays on Cultural History, Theory and Aesthetics, edited by Melanie Swalwell and Jason Wilson, Leonardo 42, No. 5 (2009).

BARBER, JOHN F. Review of The Second Life Herald: The Virtual Tabloid that Witnessed the Dawn of the Metaverse by Peter Ludlow and Mark Wallace, Leonardo 42, No. 2 (2009).

BARBER, JOHN F. Review of Sonic Mediations: Body Sound Technology, edited by Carolyn Birdsall and Anthony Enns, Leonardo 43, No. 3 (2010).

BARBER, JOHN F. Review of Transmission Arts: Artists and Airwaves, edited by Galen Joseph-Hunter, Penny Duff and Maria Papadomanolaki, Leonardo 45, No. 3 (2012).

BARBER, JOHN F. Review of YLEM Journal Special Issue: Science Fiction and Its Discontents, Leonardo 40, No. 2 (2007).

BARBIER, ANNETTE. "Home Invasion," Leonardo 30, No. 4 (1997).

BARBOSA, ÁLVARO. "Displaced Soundscapes: A Survey of Network Systems for Music and Sonic Art Creation," Leonardo Music Journal 13 (2003).

BARD, JOE, and PARKINSON, DANYA. "The Fire Pendulums," in Special Section "The Fire Arts of Burning Man," Leonardo 40, No. 4 (2007).

BARILE, JASON. Review of Mastering the Theremin, video written and directed by William Olsen, in Special Section "Leon Theremin, Pioneer of Electronic Art," Leonardo Music Journal 6 (1996).

BARKER, TIMOTHY S. "Becoming Organ-ized: The Creativity of Organization, Dis-Organization and Re-Organization in Scientific and Artistic Experiments," Leonardo 45, No. 3 (2012).

BARLIANT, CLAIRE. Review of Czech Photographic Avant-Garde by Vladimír Birgus, Leonardo 36, No. 5 (2003).

BARLIANT, CLAIRE. Review of La Rioja by Alejandra and Aeron (CD), Leonardo 35, No. 4 (2002).

BARLIANT, CLAIRE. Review of One Place after Another by Miwon Kwon, Leonardo 36, No. 3 (2003).

BARNET, SE, and CHENOWETH, KAHTY. "Sites for Flood and Drought," Gallery Section, Leonardo 37, No. 5 (2004).

BARNETT, HEATHER, and WHITTLE, ROBERT. "Drawing the Line: Some Observations on an Art/Science Collaboration," in Special Section "Arts and Science Research Fellowships," Leonardo 39, No. 5 (2006).

BARNWAVE (Kevin Blechdom and Christopher Fleeger), "Prancing," LMJ18 CD Contributor's Note, Leonardo Music Journal 18 (2008).

BARRETT, RICHARD. "not necessarily anything to do with Karlheinz Stockhausen (excavated from diary entries 20 February-10 November 1994)," Leonardo Music Journal 8 (1998).

BARRASS, STEPHEN; WHITELAW, MITCHELL; and BAILES, FREYA. "Listening to the Mind Listening: An Analysis of Sonification Reviews, Designs and Correspondences," Leonardo Music Journal 16 (2006).

BARRY, DANIEL, and LASKOWITZ, ADAM. "Saturation," in Leonardo Special Issue: SIGGRAPH 2012 Art Papers and In Search of the Miraculous Gallery, Leonardo 45, No. 4 (2012).

BARSAMIAN, GREGORY. "Scream," Gallery Section, 34, No. 3 (2001).

BARUCCI, VALENTINA. "Freesias and Mimosas in Semigroups and Via Fax Working," Gallery Section, Leonardo 33, No. 1 (2000).

BASOV, V. Review of Prometheus-2000: International Conference on the Destiny of Light-Music at the Threshold of the New Century, Leonardo 35, No. 2 (2002).

BATSRY, IRIT. "Fragments of a Flow: A Thread of Water in Video Work," Leonardo 36, No. 4 (2003).

BATTIER, MARC. "The Electroacoustic Music Studies Network," editorial, Leonardo 40, No. 5 (2007).

BATTIER, MARC. Review of Electric Sound: The Past and Promise of Electronic Music, by Joel Chadabe, Leonardo Music Journal 7 (1997).

BATTIER, MARC. Review of Hyperprism PPC Version 1.2.1, real time sound designing software for the Macintosh by Arboretum Systems, Leonardo Music Journal 7 (1997).

BATTIER, MARC. Review of Overture, Version 1.2, professional music notation software for the Macintosh by Opcode Systems, Inc., Leonardo Music Journal 6 (1996).

BATTIER, MARC. Review of Studio Vision Pro, Version 3.0, software for the Macintosh by Opcode Systems, Inc., Leonardo Music Journal 6 (1996).

BATTUS, PASCAL. "Sound Massages," LMJ16 CD Contributor's Note, Leonardo Music Journal 16 (2006).

BAUM, AARON WOLF. "The Voice of the Nebulous Entity," Leonardo 36, No. 5 (2003).

BAZOV, V.V. Review of The Birth of Artistic Integrity: The Artist's Self Analysis of Dynamic Thought Potential, by Ye. V. Sintzov, Leonardo 29, No. 2 (1996).

BEAL, AMY C. "Ambassador of the American Avant-Garde: David Tudor in West Germany, 1954-1972," abstract of paper presented at the symposium "The Art of David Tudor: Indeterminacy and Performance in Postwar Culture," Leonardo Music Journal 14 (2004).

BEAM, MARK. "New Media Minds Forum," Leonardo 31, No. 4 (1998).

BEAM, MARK. Special Section Introduction: "Global Crossings," Leonardo 36, No. 5 (2003).

BEARINGER, JANE. "Chaos Control on the Nanoscale," in Special Section "Nanotechnology, Nanoscale Science and Art," Leonardo 41, No. 4 (2008).

BEAUDOIN, RACHELLE; JO, JEANNE; and TAYLOR, ISLAY. "BFFM," in Gallery "Social Fabrics: Wearable + Media + Interconnectivity," Leonardo 42, No. 2 (2009).

BECKER, BARBARA. "Cyborgs, Agents, and 'Transhumanists': Crossing Traditional Borders of Body and Identity in the Context of New Technology," in Special Issue "The Eighth Annual New York Digital Salon," 33, No. 5 (2000).

BECH, TINE. "Echidna," in Special Issue SIGGRAPH 2010 Art Papers and TouchPoint Art Gallery, Leonardo 43, No. 4 (2010).

BEDAU, MARK. "The Scientific and Philosophical Scope of Artificial Life," in Special Section "A-Life in Art, Edutainment, Games and Research," Leonardo 35, No. 4 (2002).

BEDWORTH, JON. Review of White Heat Cold Logic: British Computer Art 1960--1980, edited by Paul Brown et al., Leonardo 43, No. 2 (2010).

BEEKMAN, RENÉ. Review of Unsorted: An A to Z for SonicActsX, by Arie Altena et al., Leonardo 39, No. 2 (2006).

BEER, DAVID. Review of After Adorno: Rethinking Music Sociology, by Tia DeNora, Leonardo 39, No. 1 (2006).

BEESLEY, PHILIP. "Hylozoic Soil," in Biologic Art Gallery, Special Issue SIGGRAPH 2009 Art Papers and Biologic Art Gallery, Leonardo 42, No. 4 (2009).

BEHR, OMRI. "An Improved Method for Steel-Facing Copper Etching Plates," Leonardo 30, No. 1 (1997).

BEHRENS, M. "For the Further Consequences of Reinterpretation," LMJ13 CD Contributor's Note, Leonardo Music Journal 13 (2003).

BEHRENS, ROY. "The Artistic and Scientific Collaboration of Blanche Ames Ames and Adelbert Ames II," Leonardo 31, No. 1 (1998).

BEHRENS, ROY R. "Art, Design and Gestalt Theory," Leonardo 31, No. 4 (1998).

BEHRENS, ROY R. "Abbott H. Thayer's Anticipation of a Computer-Based Method of Working," Leonardo 34, No. 1 (2001).

BEHRENS, ROY R. "Rudolf Arnheim: The Little Owl on the Shoulder of Athene," Leonardo 31, No. 3 (1998).

BEHRENS, ROY R. "The Role of Artists in Ship Camouflage During World War I," Leonardo 32, No. 1 (1999).

BEHRENS, ROY R. Review of 1000 Extra/Ordinary Objects, edited by Colors Magazine, Leonardo 35, No. 1 (2002).

BEHRENS, ROY R. Review of Against Fashion: Clothing as Art, 1850-1930 by Radu Stern, Leonardo 38, No. 1 (2005).

BEHRENS, ROY R. Review of Alvar Aalto: Technology and Culture, produced by Oy Yleisradio, Leonardo 33, No. 2 (2000).

BEHRENS, ROY R. Review of American Modernism: Graphic Design, 1920 to 1960 by R. Roger Remington with Lisa Bodenstedt, Leonardo 37, No. 5 (2004).

BEHRENS, ROY R. Review of American Venus: The Extraordinary Life of Audrey Munson, Model and Muse by Diane Rozas and Anita Bourne Gottehrer, Leonardo 33, No. 4 (2000).

BEHRENS, ROY R. Review of Architects + Engineers = Structures by Ivan Margolius, Leonardo 36, No. 4 (2003).

BEHRENS, ROY R. Review of Art on Film/Film on Art (video), Leonardo 32, No. 4 (1999).

BEHRENS, ROY R. Review of August Sander: People of the 20th Century, film directed by Reiner Holzemer, Leonardo 39, No. 5 (2006).

BEHRENS, ROY R. Review of Becoming a Graphic Designer: A Guide to Careers in Design by Steven Heller and Teresa Fernandes, Leonardo 33, No. 4 (2000).

BEHRENS, ROY R. Review of Blast: Vorticism 1914--1918, edited by Paul Edwards, Leonardo 35, No. 3 (2002).

BEHRENS, ROY R. Reviews of Bauhaus: Less Is More, film by Eliseo Alvarez, and Dessau's Bauhaus, film by Frederic Compain, Leonardo 39, No. 1 (2006).

BEHRENS, ROY R. Review of Composition: A Series of Exercises in Art Structure for the Use of Students and Teachers, by Arthur Wesley Dow, Leonardo 32, No. 1 (1999).

BEHRENS, ROY R. Review of A Day with Picasso: Twenty-Four Photographs, by Billy Kluver, Leonardo 32, No. 1 (1999).

BEHRENS, ROY R. Review of Design by Numbers by John Maeda, Leonardo 33, No. 2 (2000).

BEHRENS, ROY R. Review of Design Connoisseur: An Eclectic Collection of Imagery and Type by Stephen Heller and Louise Fili and Texts on Type: Critical Writings on Typography, edited by Stephen Heller and Philip B. Meggs, Leonardo 35, No. 3 (2002).

BEHRENS, ROY R. Review of Design Culture: An Anthology of Writing from the AIGA Journal of Graphic Design, Steven Heller and Marie Finamore, eds., Leonardo Music Journal 8 (1998).

BEHRENS, ROY R. Review of Design Humor by Steven Heller, Leonardo 36, No. 5 (2003).

BEHRENS, ROY R. Review of Design Literacy: Understanding Graphic Design, by Steven Heller and Karen Pomeroy, Leonardo 31, No. 3 (1998).

BEHRENS, ROY R. Review of Distant Shores: The Odyssey of Rockwell Kent by Constance Martin, Leonardo 34, No. 3 (2001).

BEHRENS, ROY R. Review of The Domain of Images by James Elkins, Leonardo 34, No. 1 (2001).

BEHRENS, ROY R. Review of Don't Touch the Poet: The Life and Times of Joel Oppenheimer, by Lyman Gilmore, Leonardo 32, No. 1 (1999).

BEHRENS, ROY R. Review of The Eat-a-Bug Cookbook: 33 Ways to Cook Grasshoppers, Ants, Waterbugs, Spiders, Centipedes, and Their Kin, by David George Gordon, Leonardo 32, No. 4 (1999).

BEHRENS, ROY R. Review of Eisenstein: The Master's House by Naum Klejman, Marianna Kireyewa and Alexander Iskin, Leonardo 37, No. 3 (2004).

BEHRENS, ROY R. Review of Envisioning Science by Felice Frankel, Leonardo 36, No. 4 (2003).

BEHRENS, ROY R. Review of The Films of Charles and Ray Eames (video), and 901: After 45 Years of Working: A Film by Eames Demetrios (video), Leonardo 32, No. 4 (1999).

BEHRENS, ROY R. Review of Fluxus Experience by Hannah Higgins, Leonardo 37, No. 2 (2004).

BEHRENS, ROY R. Review of Fonts and Logos: Font Analysis, Logotype Design, Type Comparison, and History by Doyald Young, Leonardo 34, No. 3 (2001).

BEHRENS, ROY R. Review of Forever, directed by Heddy Honigann, Leonardo 41, No. 3 (2008).

BEHRENS, ROY R. Review of Frank Lloyd Wright and the Johnson Wax Buildings, by Jonathan Lipman, Leonardo 38, No. 3 (2005) .

BEHRENS, ROY R. Review of Geometry of Design by Kimberly Elam, Leonardo 36, No. 5 (2003).

BEHRENS, ROY R. Review of George Nelson: The Design of Modern Design by Stanley Abercrombie, Leonardo 35, No. 3 (2002).

BEHRENS, ROY R. Review of Great Artists, by Robert Cumming, Leonardo 32, No. 4 (1999).

BEHRENS, ROY R. Review of The Great Exhibition of 1851, edited by Louise Purbrick, Leonardo 36, No. 2 (2003).

BEHRENS, ROY R. Review of The Hermitage Dwellers, directed by Aliona van der Horst and Hermitage-Niks: A Passion for the Hermitage, directed by Aliona van der Horst, Leonardo 40, No. 1 (2007).

BEHRENS, ROY R. Review of Hokusai, by Gian Carlo Calza, Leonardo 39, No. 2 (2006).

BEHRENS, ROY R. Review of Howard Finster: Man of Visions by Julie Desroberts, Leonardo 37, No. 3 (2004).

BEHRENS, ROY R. Review of The Hunter Gracchus and Other Papers on Literature and Art, by Guy Davenport, Leonardo 31, No. 3 (1998).

BEHRENS, ROY R. Review of Janet Ashbee by Felicity Ashbee, Leonardo 36, No. 1 (2003).

BEHRENS, ROY R. Review of Knowledge of Higher Worlds: Rudolf Steiner's Blackboard Drawings, edited by Laurence Rinder, Leonardo 32, No. 1 (1999).

BEHRENS, ROY R. Review of Klimt, Schiele, Moser, Kokoschka: Vienna 1900, edited by Karen Marie-Amelie zu Salm-Salm, Leonardo 40, No. 3 (2007).

BEHRENS, ROY R. Review of Leonora Carrington: Surrealism, Alchemy and Art, by Susan L. Alberth, Leonardo 39, No. 3 (2006).

BEHRENS, ROY R. Review of Lewis Carroll, Photographer by Roger Taylor and Edward Wakeling, Leonardo 36, No. 3 (2003).

BEHRENS, ROY R. Review of Light, Darkness, and Colors by Henrik Boetius, Marie Louise Lauridsen and Marie Louise Lefevre, Leonardo 35, No. 2 (2002).

BEHRENS, ROY R. Review of Lipchitz and the Avant-Garde, edited by Joseph Helferstein and Jordana Mendelson, Leonardo 36, No. 5 (2003).

BEHRENS, ROY R. Review of Masterpieces of Japanese Prints: Ukiyo-E from the Victoria and Albert Museum by Rupert Faulkner, Leonardo 33, No. 2 (2000).

BEHRENS, ROY R. Review of The Mathematics of Architecture: Building by Numbers (video), Leonardo 32, No. 4 (1999).

BEHRENS, ROY R. Review of Merchant Prince and Master Builder: Edgar J. Kaufmann and Frank Lloyd Wright, Leonardo 33, No. 2 (2000).

BEHRENS, ROY. R. Review of Merz to Émigré and Beyond: Avant-Garde Magazine Design of the Twentieth Century by Steven Heller, Leonardo 37, No. 4 (2004).

BEHRENS, ROY R. Review of The New Typography by Jan Tschichold, Leonardo 33, No. 2 (2000).

BEHRENS, ROY R. Review of Perception and Imaging, by Richard D. Zakia, Leonardo 32, No. 2 (1999).

BEHRENS, ROY R. Review of Picturing Modernism: Moholy-Nagy and Photography in Weimar Germany, by Eleanor M. Hight, and Lazló Moholy-Nagy: Biographical Writings, by Louis Kaplan, Leonardo 31, No. 4 (1998).

BEHRENS, ROY R. Review of Pierre Bourdieu: Sociology Is a Martial Art, directed by Pierre Carles, Leonardo 37, No. 1 (2004).

BEHRENS, ROY R. Review of Proteus: A Nineteenth Century Vision, film by David Lebrun, Leonardo 39, No. 1 (2006).

BEHRENS, ROY R. Review of Rudolf Arnheim: Revealing Vision, edited by Kent Kleinman and Leslie Van Duzer, Leonardo 32, No. 1 (1999).

BEHRENS, ROY R. Review of Ruskin's Journey: Teaching People to See, video produced for Lancaster University Television, Leonardo 34, No. 3 (2001).

BEHRENS, ROY R. Review of Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters by David Hockney, Leonardo 35, No. 4 (2002).

BEHRENS, ROY R. Review of Seeing Jazz: Artists and Writers on Jazz, Smithsonian Institution Traveling Exhibition Service, Leonardo 31, No. 4 (1998).

BEHRENS, ROY R. Review of The Springboard in the Pond: An Intimate History of the Swimming Pool by Thomas A.P. van Leeuwen, Leonardo 33, No. 4 (2000).

BEHRENS, ROY R. Review of Sullivan's City: The Meaning of Ornament for Louis Sullivan by David Van Zanten, Leonardo 35, No. 1 (2002).

BEHRENS, ROY R. Review of The Swastika: Symbol beyond Redemption by Stephen Heller, Leonardo 34, No. 3 (2001).

BEHRENS, ROY R. Review of Swing in Beijing, directed by Shui Bo Wang, Leonardo 36, No. 1 (2003).

BEHRENS, ROY R. Review of Topsy: William Morris, video produced by Boxwood Productions, Leonardo 34, No. 3 (2001).

BEHRENS, ROY R. Review of Turn-of-the Century Viennese Patterns and Designs by Koloman Moser, Leonardo 34, No. 3 (2001).

BEHRENS, ROY R. Review of A Typographic Workbook: A Primer to History, Techniques and Artistry, by Kate Clair, Leonardo 32, No. 4 (1999).

BEHRENS, ROY R. Review of A Typographic Workbook: A Primer to History, Techniques and Artistry by Kate Clair, Leonardo 33, No. 2 (2000).

BEHRENS, ROY R. Review of Vincent Van Gogh: Chemicals, Crisis, and Creativity by Wilfred N. Arnold, Leonardo 35, No. 3 (2002).

BEHRENS, ROY R. Review of Visual Analogy by Barbara Maria Stafford, Leonardo 34, No. 1 (2001).

BEHRENS, ROY R. Review of Why Art Cannot Be Taught: A Handbook for Art Students by James Elkins, Leonardo 35, No. 1 (2002).

BELADUBROVSKY, MARK EFIMOVICH. "The Annual Bryansk Nicolai Roslavets and Naum Gabo Festival," Leonardo 29, No. 4 (1996).

BELIK FIREBAUGH, EVA. Review of Sol Power: The Evolution of Solar Architecture, Leonardo 30, No. 3 (1997).

BELKINA, ANYA. "MOSTON," in Special Issue SIGGRAPH 2011 Art Papers and Tracing Home Art Gallery, Leonardo 44, No. 4 (2011).

BELL, CLIVE. Review of The People's Choice Music by Komar & Melamid and Dave Soldier, Leonardo 33, No. 1 (2000).

BELL, CLIVE. Review of The People's Choice Music, CD by Komar & Melamid and Dave Soldier, Leonardo Music Journal 9 (1999).

BELL, JOHN and IPPOLITO, JON. "When the Rich Don’t Get Richer: Equalizing Tendencies of Creative Networks," in Special Section of Leonardo Transactions: Arts, Humanities and Complex Networks, Leonardo 44, No. 3 (2011).

BELL, NATALIE. "On Missing the Live of the Everyday Ambient," Leonardo Music Journal 18 (2008).

BELL, STEPHEN. "Creative Participatory Behaviour in a Programmed World," in Special Section "'Creativity and Cognition'" Conference Papers, Leonardo 28, No. 3 (1995).

BELLAVER, TONY. "Teaching 'Nature' How to Become Nature: The Woodland Recovery Project," in Special Section "Art and Biology," Leonardo 31, No. 1 (1998).

BELONENKO, ALEXANDER S. "The Electronic Music School Studio at the Rimsky Korsakov Conservatory of St. Petersburg," in Special Section "Leon Theremin, Pioneer of Electronic Art," Leonardo Music Journal 6 (1996).

BELT, ADAM. "The Yearning Bush," Gallery Section, Leonardo 37, No. 5 (2004).

BEN-HAIM, YAKOV. "Art and the Exponential: Graphic Exploration of the Matrix Exponential Function," Leonardo 30, No. 1 (1997).

BEN-TAL, ODED, and BERGER, JONATHAN. "Creative Aspects of Sonification," Leonardo 37, No. 3 (2004).

BENFORD, STEVE, and GIANNACHI, GABRIELLA. "Temporal Convergence in Shared Networked Narratives: The Case of Blast Theory," Day of the Figurines," Leonardo 42, No. 5 (2009).

BENITEZ, MARGARITA, and VOGL, MARKUS. "Circadian Capital," Gallery Section, Leonardo 43, No. 1 (2010).

BENNETT, JUSTIN. "BMB con.: Collaborative Experiences with Sound, Image and Space," Leonardo Music Journal 9 (1999).

BERESFORD, STEVE. "Toy Piano and Voice," LMJ CD Companion Note, Leonardo Music Journal 11 (2001).

BERG, ADAM. "Perseus Hysteria," Leonardo 29, No. 1 (1996).

BERG, CHRISTL. "Rosa Dolorosa," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).

BERGHAUS, MARC. "Simulated Chance and Staggered Gear Ratios," Leonardo Music Journal 17 (2007).

BERGHAUS, MARC. "Some Ideas for Three-Dimensional Musical Scores," Leonardo Music Journal 21 (2011).

BERGSTROM, ILIAS, and LOTTO, R. BEAU. "Harnessing the Enactive Knowledge of Musicians to Allow the Real-Time Performance of Correlated Music and Computer Graphics," in Special Section "Transactions," Leonardo 42, No. 1 (2009).

BERKO, EDWARD. "Cadmium Orange, L'ombre de la nuit and Yellow Spring, " Gallery Section, 34, No. 1 (2001).

BERMAN, GRETA. "Synesthesia and the Arts," Leonardo 32, No. 1 (1999).

BERMÚDEZ, JULIO. Editorial: "Art and Design: Cures for Society's Growing Perceptual Blindness?," Leonardo 37, No. 5 (2004).

BERMÚDEZ, JULIO; AGUTTER, JIM; FORESTI, STEFANO, WESTENSKOW, DWAYNE; SYROID, NOAH; DREWS, FRANK; AND TASHJIAN, ELIZABETH. "Between Art, Science and Technology: Data Representation Architecture," in Special Section "College Art Association Papers," Leonardo 38, No. 4 (2005).

BERRY, MARSHA. "Mannequins and Motorcycles in Vietnam: A Tale of an Evolved Art Video," in Special Section "Transactions," Leonardo 44, No. 2 (2010).

BERRY, MARSHA; HAMILTON, MARGARET; and KEEP, DEAN. "Transmesh: A Locative Media System," in Special Section "Transactions," Leonardo 44, No. 2 (2010).

BERTELSEN, OLAV W.; BREINBJERG, MORTEN; and POLD, SØREN. "Emerging Materiality: Reflections on Creative Use of Software in Electronic Music Composition," in Special Section "Creativity and Cognition 2007," Leonardo 42, No. 3 (2009).

BERTOL, DANIELA. "Architecture of Images: An Investigation of Architectural Representations and the Visual Perception of Three Dimensional Space," Leonardo 29, No. 2 (1996).

BERTOL, DANIELA. "Framing the Land and Sky: Art Meets Cosmology in a Sustainable Environment," Leonardo 39, No. 2 (2006).

BERZOWSKA, JOANNA. Guest Editorial, in Special Issue SIGGRAPH 2011 Art Papers and Tracing Home Art Gallery, Leonardo 44, No. 4 (2011).

BERZOWSKA, JOANNA; MAINSTONE, DI; et al. "Skorpions: Skwrath and Luttergill," in Gallery "Social Fabrics: Wearable + Media + Interconnectivity," Leonardo 42, No. 2 (2009).

BETANCOURT, MICHAEL. "A Taxonomy of Abstract Form Using Studies of Synesthesia and Hallucination," Leonardo 40, No. 1 (2007).

BETANCOURT, MICHAEL. Year: A Study in Creating Space with Color," Leonardo 38, No. 2 (2005).

BEUSCH, BRUNO, and CASSANI, TINA. "The Great Web Crash," Gallery Section, 34, No. 3 (2001).

BEVERIDGE, PATRICK. "Color Perception and the Art of James Turrell," Leonardo 33, No. 4 (2000).

BEZRUCZKO, NIKOLAUS, and BORGOGNONI VIMERCATI, AMBRA. "Advances in Measuring Artistic Judgment Aptitude," Leonardo 37, No. 3 (2004).

BICKLEY, TOM. "Angelorum," LMJ19 CD Contributor's Note, Leonardo Music Journal 19 (2009).

BIEGON, GLENN. "Caution---Objects Are Closer Than They Appear: Perspectively Inverted Pseudoscopic Images behind Accelerated Space," Leonardo 38, No. 3 (2005).

BIEGON, GLENN. "Stereoscopic Synergy: Twin-Relief Sculpture and Painting," Leonardo 38, No. 2 (2005).

BIELICKY, MICHAEL and RICHTER, KAMILA B. "The Garden of Error and Decay," in Tracing Home Art Gallery, Special Issue SIGGRAPH 2011 Art Papers and Tracing Home Art Gallery, Leonardo 44, No. 4 (2011).

BILDA, ZAFER. "Interactive Experience in Public Context: Tango Tangle," Transactions, Leonardo 40, No. 4 (2007).

BILES, JOHN A. "GenJam in Perspective: A Tentative Taxonomy for GA Music and Art Systems," Leonardo 36, No. 1 (2003).

BILOTTA, ELEONORA and PANTANO, PIETRO. "Synthetic Harmonies: An Approach to Musical Semiosis by Means of Cellular Automata," in Special Section "A-Life in Art, Edu-tainment, Games and Research," Leonardo 35, No. 2 (2002).

BING, RICHARD J. "Composing Music and the Science of the Heart: How to Serve Two Masters," in Special Section "ArtScience: The Essential Connection," Leonardo 41, No. 4 (2008).

BINKLEY, TIMOTHY. "Anniversary Annal," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).

BINKLEY, TIMOTHY. "Autonomous Creations: Birthing Intelligent Agents," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).

BINKLEY, TIMOTHY. "Personalities at the Salon of Digits," in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).

BIRD, JON; LAYZELL, PAUL; WEBSTER, ANDY; and HUSBANDS, PHIL. "Towards Epistemically Autonomous Robots: Exploiting the Potential of Physical Systems," Leonardo 36, No. 2 (2003).

BIRD, LAWRENCE and LABELLE, GUILLAUME. "Re-Animating Greg Lynn's Embryological House: A Case Study In Digital Design Preservation," Leonardo 43, No. 3 (2010).

BIRRINGER, JOHANNES. "Lively Bodies, Live Machines: Split Realities," Leonardo 31, No. 2 (1998).

BIRRINGER, JOHANNES. "The Movement of Memory: Scanning Dance," Leonardo 31, No. 3 (1998).

BIZRI, HISHAM M. "City of Brass: The Art of Masking Reality in Digital Film," Leonardo 36, No. 1 (2003).

BIZRI, HISHAM. "Story Telling in Virtual Reality," Leonardo 33, No. 1 (2000).

BLACK, C.F. Review of A Body Worth Defending: Immunity, Biopolitics, and the Apotheosis of the Modern Body by Ed Cohen, Leonardo 44, No. 1 (2011).

BLACK, TIM. "L2K Ring Project and Ship to Ship," Leonardo 36, No. 5 (2003).

BLACK, TIM. "The Voice of Fire," in Special Section "The Fire Arts of Burning Man," Leonardo 40, No. 4 (2007).

BLACKWELL, ALAN, and BIGGS, SIMON. "Making Material Culture," in Special Section "Arts and Science Research Fellowships," Leonardo 39, No. 5 (2006).

BLACKWELL, ALAN F., and DODGSON, NEIL A. "Computational Aesthetics as a Negotiated Boundary," in Special Section "Transactions," Leonardo 43, No. 1 (2010).

BLASSER, PETER. "Pretty Paper Rolls: Experiments in Woven Circuits," Leonardo Music Journal 17 (2007).

BLASSNIGG, KATHARINA. Review of Challenges: A Memoir of My Life in Opera by Sarah Caldwell, with Rebecca Matlock, Leonardo 42, No. 5 (2009).

BLASSNIGG, KATHARINA. Review of Charles Ives Reconsideredby Gayle Sherwood Magee, Leonardo 42, No. 1 (2009).

BLASSNIGG, MARTHA. Review of The Aegina Academy, A Forum for Art and Science: Light/Image/Illusion, by Gustav Deutsch and Hanna Schimek, Leonardo 39, No. 3 (2006).

BLASSNIGG, MARTHA. Review of Angels and Demons in Art by Rosa Giorgi, Leonardo 40, No. 1 (2007).

BLASSNIGG, MARTHA. Review of The Cinema, or The Imaginary Man, by Edgar Morin, Leonardo 39, No. 2 (2006).

BLASSNIGG, MARTHA. Review of French Colonial Documentary: Mythologies of Humanitarianism by Peter J. Bloom, Leonardo 42, No. 3 (2009).

BLASSNIGG, MARTHA. Reviews of International Documentary Film-festival Amsterdam (IDFA, 2005) and Shadow Festival (Amsterdam, 2005), Leonardo 39, No. 5 (2006).

BLASSNIGG, MARTHA. Review of Malick SidibÉ: Portrait of the Artist as a Portraitist by Susan Vogel, Leonardo 40, No. 2 (2007).

BLASSNIGG, MARTHA. Review of Mechanical Love, directed by by Phie Ambo, Leonardo 43, No. 1 (2010).

BLASSNIGG, MARTHA. Review of Memory against Culture by Johannes Fabian, Leonardo 42, No. 5 (2009).

BLASSNIGG, MARTHA. Review of Modernism after Wagner by Juliet Koss, Leonardo 45, No. 5 (2012).

BLASSNIGG, MARTHA. Review of The Object Reader, edited by Fiona Candlin and Raiford Guins, Leonardo 44, No. 3 (2011).

BLASSNIGG, MARTHA. Review of The Origin of Humanness in the Biology of Love by Humberto Maturana Romesin and Gerda Verden-Zöller, Leonardo 43, No. 2 (2010).

BLASSNIGG, MARTHA. Review of Our Daily Bread by Nikolaus GeyrhalterLeonardo 40, No. 4 (2007).

BLASSNIGG, MARTHA. Review of Relationscapes: Movement, Art, Philosophy by Erin Manning, Leonardo 44, No. 2 (2010).

BLASSNIGG, MARTHA. Review of 2nd Film Biennale: Digital Technologies Meet Early Cinema, festival at Netherlands Filmmuseum, Amsterdam, Leonardo 39, No. 1 (2006).

BLASSNIGG, MARTHA. Review of Timeshift: The World in Twenty-Five Years; and Face to Face: Connecting Distance and Proximity, Leonardo 38, No. 2 (2005).

BLASSNIGG, MARTHA. Review of Traces of Light: Absence and Presence in the Work of Loïe Fuller by Ann Cooper Albright, Leonardo 41, No. 5 (2008).

BLASSNIGG, MARTHA. Review of Two Regimes of Madness: Texts and Interviews 1975--1995 by Gilles Deleuze, edited by David Lapoujade, Leonardo 42, No. 1 (2009).

BLISS, ANNA CAMPBELL. "Explorers," Gallery Section, Leonardo 28, No. 4 (1995).

BLOM, INA. "The Touch through Time: Raoul Hausmann, Nam June Paik and the Transmission Technologies of the Avant-Garde," Leonardo 34, No. 3 (2001).

BODLE, CARRIE. "Sonification/Listening Up," in Special Section "Sound and the Social Organization of Space," Leonardo Music Journal 16 (2006).

BÖHLEN, MARC. "Robots with Bad Accents: Living with Synthetic Speech," Leonardo 41, No. 3 (2008).

BÖHLEN, MARC, and RINKER, JT. "Universal Whistling Machine," The VIDA Gallery, Leonardo 41, No. 1 (2008).

BOLOGNINI, MAURIZIO. "The SMSMS Project: Collective Intelligence Machines in the Digital City," in Special Section "Artmedia," Leonardo 37, No. 2 (2004).

BOLAND, HOWARD, and CINTI, LAURA. "The Martian Rose," in Special Section "Transactions," Leonardo 42, No. 2 (2009).

BOLLINGER, REBECA. "Online Dance Hall Girls," Gallery Section, Leonardo 28, No. 2 (1995).

BOLTER, JAY DAVID. "The Desire for Transparency in an Era of Hybridity," in Special Section "CAA 2005," Leonardo 39, No. 2 (2006).

BONARDI, ALAIN, and ROUSSEAUX, FRANCIS. "Composing an Interactive Virtual Opera: The Virtualis Project," in Special Section "Creativity and Cognition," Leonardo 35, No. 3 (2002).

BONINO, ANGIE. "Feet on the Ground and No Logo," Gallery Section, Leonardo 35, No. 4 (2002).

BONGERS, BERT. "Electronic Musical Instruments: Experiences of a New Luthier," Leonardo Music Journal 17 (2007).

BOOKCHIN, NATALIE. "The Databank of the Everyday," in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).

BOOKCHIN, NATALIE. "The Intruder," Gallery Section, Leonardo 35, No. 1 (2002).

BOORSOOK, PAULINA. "Something about Art," Leonardo 30, No. 2 (1997).

BOOTZ, PHILIPPE. "The Functional Point of View: New Artistic Forms for Programmed Literary Works," Leonardo 32, No. 4 (1999).

BOOZELL, GREG. "Fired," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).

BORELL, NIGEL. "Patikitiki I and II," in Gallery "Coded Cloth: A 21st-Century Revolution in Art, Fashion and Design," Leonardo 42, No. 5 (2009).

BORSANI, ALEJANDRO. "90 South," in Leonardo Special Issue: SIGGRAPH 2012 Art Papers and In Search of the Miraculous Gallery, Leonardo 45, No. 4 (2012).

BOSCH, PETER, and SIMONS, SIMONE. "The Electric Swaying Orchestra: A Music Machine with Certain Creative Powers," Leonardo Music Journal 6 (1996).

BOSTIC, ADAM I. "Automata: Seeing Cyborg through the Eyes of Popular Culture, Computer-Generated Imagery and Contemporary Theory," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).

BOUCHAUD, JEAN-PHILIPPE. "Models of Randomness and Complexity, From Turbulence to Stock Markets," in Special Section "The Physics of Aesthetics," Leonardo 41, No. 3 (2008).

BOUJU, JACKY. "Nommo---The Spirit of Water---in the Dogon World," Leonardo 36, No. 4 (2003).

BOWEN, DAVID. "Growth Rendering Device," in Biologic Art Gallery, Special Issue SIGGRAPH 2009 Art Papers and Biologic Art Gallery, Leonardo 42, No. 4 (2009).

BOWEN, DAVID. "tele-present wind," in Tracing Home Art Gallery, Special Issue SIGGRAPH 2011 Art Papers and Tracing Home Art Gallery, Leonardo 44, No. 4 (2011).

BOWERS, JOHN, and YAREMCHUK, VANESSA. "The Priority of the Component, or In Praise of Capricious Circuitry," Leonardo Music Journal 17 (2007).

BOYER, ERNEST L. "New Technologies and the Public Interest," in Special Section "A Conference on Intellectual Property Rights and the Arts: The Impact of New Technologies, Part I," Leonardo 29, No. 3 (1996).

BOYER, STEPHEN. "Wanderings," Leonardo 33, No. 4 (2000).

BRADBURY, RAY. "Yestermorrow: A Feasting of Thoughts, A Banqueting of Words," Leonardo 28, No. 1 (1995).

BRÄUNINGER, JÜRGEN. ihlathi, CD Contributor's note, Leonardo Music Journal 10 (2000).

BRÄUNINGER, JÜRGEN. CD Companion Introduction: "Southern Cones: Music out of Africa and South America," Leonardo Music Journal 10 (2000).

BRÄUNINGER, JÜRGEN. "UNYAZI," in Special Section "UNYAZI," Leonardo Music Journal 16 (2006).

BRAY, ANNE. "The Community Is Watching, and Replying: Art in Public Places and Spaces," Leonardo 35, No. 1 (2002).

BREED, LARRY. "The Chaotick," in Special Section "The Fire Arts of Burning Man," Leonardo 40, No. 4 (2007).

BRET, MICHEL; TRAMUS, MARIE-HÉLÈNE; and BERTHOZ, ALAIN. "Interacting with an Intelligent Dancing Figure: Artistic Experiments at the Crossroads between Art and Cognitive ScienceLeonardo 38, No. 1 (2005).

BRILL, LOUIS M. "Desert Weirdness Introduces a New Era of Art," Leonardo 36, No. 5 (2003).

BRILL, LOUIS M. "A Passion to Burn," Introduction, in Special Section "The Fire Arts of Burning Man," Leonardo 40, No. 4 (2007).

BRIZZI, ALDO. L'Épreuve du labyrinthe, CD Contributor's note, Leonardo Music Journal 10 (2000).

BROECKMANN, ANDREAS. "Reseau/Resonance: Connective Processes and Artistic Practice," in Special Section "Artmedia VIII Selected Symposium Papers," Leonardo 37, No. 4 (2004).

BROECKMANN, ANDREAS. Review of Abstracting Craft: The Practiced Digital Hand by Malcolm McCullough, Leonardo 34, No. 1 (2001).

BROECKMANN, ANDREAS. Review of Electronic Culture: Technology and Visual Representation, edited by Timothy Druckrey, Leonardo 32, No. 1 (1999).

BROECKMANN, ANDREAS. Review of Media Revolution: Electronic Media in the Transformation Process of Eastern and Central Europe (German Title: Ost-West Internet), edited by Stephen Kovats, Leonardo 34, No. 1 (2001).

BROECKMANN, ANDREAS. "Small Channels for Deep Europe (Almost a Sermon)," Leonardo 35, No. 3 (2002).

BROOKS, STEPHEN, and ROSS, BRIAN J. "Automated Composition from Computer Models of Biological Behavior," Leonardo Music Journal 6 (1996).

BROUN, ELIZABETH. "Art, Electronic Outreach and American Democracy," in Special Section "A Conference on Intellectual Property Rights and the Arts: The Impact of New Technologies, Part II," Leonardo 29, No. 4 (1996).

BROWN, CHRIS. "Talking Drum: A Local Area Network Music Installation," Leonardo Music Journal 9 (1999).

BROWN, NEIL C.M.; BARKER, TIMOTHY S.; and DEL FAVERO, DENNIS. "Performing Digital Aesthetics: The Framework for a Theory of the Formation of Interactive Narratives," Leonardo 44, No. 3 (2011).

BROWN, PAUL. "Breaking the Art and Science Standoff," Leonardo 34, No. 4 (2001).

BROWN, RICHARD D. "Virtual Unreality and Dynamic Form: An Exploration of Space, Time and Energy," Leonardo 33, No. 1 (2000).

BRUGHMANS, TOM; KEAY, SIMON; and EARL, GRAEME. "Complex Networks in Archaeology: Urban Connectivity in Iron Age and Roman Southern Spain," in Special Section "Arts, Humanities and Complex Networks," Leonardo 45, No. 3 (2012).

BRUN, RÉMI. "The Galloping Horse," in Leonardo Special Issue: SIGGRAPH 2012 Art Papers and In Search of the Miraculous Gallery, Leonardo 45, No. 4 (2012).

BRUNVAND, ERIK and DENYER, AL. "Micro-Scale Printmaking on Silicon," Leonardo 44, No. 5 (2011).

BRUSH, GLORIA DEFILLIPS. "Untitled, #5504," Gallery Section, Leonardo 28, No. 2 (1995).

BRYAN-KINNS, NICK. "Annotating Distributed Scores for Mutual Engagement in Daisyphone and Beyond," Leonardo Music Journal 21 (2011).

BULLOCK, MICHAEL T. "Self-Idiomatic Music: An Introduction," Leonardo 43, No. 2 (2010).

BUNT, BROGAN. "Media Art, Mediality and Art Generally," in Special Section "Transactions," Leonardo 45, No. 1 (2012).

BUREAUD, ANNICK. "Introduction: From Aesthetics of Communication to Net Art: The ArtMedia VIII Symposium," in Special Section "Artmedia," Leonardo 37, No. 2 (2004).

BUREAUD, ANNICK. Introduction, in Special Section "Less Remote," Leonardo 43, No. 2 (2010).

BUREAUD, ANNICK. "Lovely Weather: Reflecting on the Letterkenny Donegal Art & Climate Residencies and Exhibition," in Special Section "Lovely Weather," Leonardo 45, No. 2 (2012).

BUREAUD, ANNICK. Review of Multimedia, From Wagner to Virtual Reality, edited by Randall Packer and Ken Jordan, Leonardo 35, No. 1 (2002).

BUREAUD, ANNICK. Review of Shadow Server (Web site), by Ken Goldberg, Leonardo 31, No. 2 (1998).

BUREAUD, ANNICK; CZEGLEDY, NINA; and GALANOPOULOU, CHRISTIANA. "The Emobilart Project from a Curatorial Perspective," in Special Section "Transactions," Leonardo 43, No. 5 (2010).

BURGE, PERY. "Looking Beneath the Surface: The Radial Spread of Ink in Water," Leonardo 40, No. 5 (2007).

BURGESS, LOWRY. Introduction to Otto Piene with Robert Russert, "Sky, Scale and Technology in Art," in Special Section "From the Leonardo Archive," Leonardo 41, No. 5 (2008).

BURLAS, MARTIN, "monika vypoveda," LMJ12 CD Contributor's Note, Leonardo Music Journal 12 (2002).

BURNETT, CHRISTOPHER. "Muto(scape): A Panorama of Animation Specimens," Leonardo 27, No. 1 (1994).

BURNS, KRISTINE H. "WOW'EM: Encouraging an Integrated Generation," Leonardo 32, No. 1 (1999).

BURNS, LAURA. "Introduction: MOISTURE," Gallery Section, Leonardo 37, No. 5 (2004).

BURR, ANTHONY. "Between Composition and Phenomena: Interpreting 'In Memoriam John Higgins,'" On-Line Supplement Abstract, Leonardo Music Journal 22 (2012).

BURRASTON, D. "Fundamental Insights on Complex Systems Arising from Generative Arts Practice," in Special Section "Transactions," Leonardo 40, No. 4 (2007).

BURRASTON, DAVE. "Rainwire: Environmental Sonification of Rainfall," in Special Section "Transactions," Leonardo 45, No. 3 (2012).

BURRASTON, DAVID. "Environmental Sonification of Rainfall with Long Wire Instruments," Leonardo Music Journal 22 (2012).

BURRASTON, DAVID. "Generative Music and Cellular Automata: An Introduction to the On-line Bibliography," Extended Abstract, Leonardo 45, No. 2 (2012).

BURT, WARREN. "Microtonal and Structural Aspects of My Monodies I and II," Leonardo Music Journal 7 (1997).

BURTNER, MATTHEW. "Regenerative Feedback in the Medium of Radio: Study 1.0 (FM) for Radio Transceiver," Leonardo Music Journal 13 (2003).

BURTON, EDWARD. "Artificial Innocence: Interactions between the Study of Children's Drawing and Artificial Intelligence," in Special Section "Creativity and Cognition Conference Papers," Leonardo 30, No. 4 (1997).

BUSSIÈRE, MICHAEL. "Performance Space Meets Cyberspace: Seeking the Creative Idiom and Technical Model for Live Music on Broadband," Leonardo Music Journal 13 (2003).

BUTT, DANNY. Introduction: "Local Knowledge: Place and New Media," Place, Ground and Practice section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).

BUTZMANN, FRIEDER. "Music for Salomé," Leonardo Music Journal 8 (1998).

BUTZMANN, FRIEDER. "That's Comish Music!---Mutant Sounds," Leonardo Music Journal 12 (2002).

BUZZARTÉ, MONIQUE. "Mouth Piece," LMJ19 CD Contributor's Note, Leonardo Music Journal 19 (2009).

BYRNE, DAVID. "Machines of Joy, or I Have Seen the Future, and It Is Squiggly," Leonardo Music Journal 12 (2002).

CADET, FRANCE. "Dog [LAB]01," The VIDA Gallery, Leonardo 41, No. 1 (2008).

CAGE, JOHN. "Essay," Leonardo Music Journal 8 (1998).

CAI, Y.Y.; LU, B.F.; FAN, Z.W.; CHAN, C.W.; LIM, K.T.; QI, L.; and LI, L. "Proteins, Immersive Games and Music," Leonardo 39, No. 2 (2006).

CAILLAUD, BERNARD. "Cellular Automat'Art as Part of Algorithmic Art," Leonardo 33, No. 2 (2000).

CAILLAUD, BERNARD. "Sonagraphic Art," Leonardo 30, No. 1 (1997).

CAILLAUD, BERNARD. "Sonographic Art," Leonardo Music Journal 6 (1996).

CALLAN, JONATHAN. "Untitled," Gallery Section, Leonardo 36, No. 4 (2003).

CALLANAN, MARTIN JOHN. "A Planetary Order (Terrestrial Cloud Globe)," in Leonardo Special Issue: SIGGRAPH 2012 Art Papers and In Search of the Miraculous Gallery, Leonardo 45, No. 4 (2012).

CAMPBELL, JIM. "Delusions of Dialogue: Control and Choice in Interactive Art," Leonardo 33, No. 2 (2000).

CAMPOPIANO, REMO; MARSDEN, GUY; and SCHULL, JONATHAN. "Eight-Bit Ant Farm," Gallery Section, Leonardo 36, No. 4 (2003).

CANDY, LINDA. "Constraints and Creativity in the Digital Arts," in Special Section "Transactions," Leonardo 40, No. 4 (2007).

CANDY, LINDA. Special Section Introduction: "Creativity and Cognition: Perspectives from the Third Symposium: Part 2," in Special Section "Creativity and Cognition," Leonardo 35, No. 3 (2002).

CANDY, LINDA. Special Section Introduction: "Part I: Perspectives from the Third Symposium," in Special Section "Creativity and Cognition," Leonardo 35, No. 1 (2002).

CAPPELLI, AMEDEO et al. "The Social Network of Dante’s Inferno," in Special Section of Leonardo Transactions: Arts, Humanities and Complex Networks, Leonardo 44, No. 3 (2011).

CARDEW, CORNELIUS. "John Cage--Ghost or Monster?," Leonardo Music Journal 8 (1998).

CAREY, BETH. "The Key_Bored_Lounge," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).

CARFOOT, GAVIN. "Acoustic, Electric and Virtual Noise: The Cultural Identity of the Guitar," Leonardo Music Journal 16 (2006).

CARRIER, DAVID. "Art Criticism and the Death of Marxism," Leonardo 30, No. 3 (1997).

CARRIER, DAVID. "The Aesthete in Pittsburgh: Public Sculpture in an Ordinary American City," Leonardo 36, No. 1 (2003).

CARRIER, DAVID. "The Future of Art History in the Context of Psychology and the Cognitive Sciences," Editorial, Leonardo 44, No. 5 (2011).

CARRIER, DAVID. Introduction: "Leonardo and Leonardo da Vinci," in Special Section "Leonardo Celebrates Leonardo da Vinci," Leonardo 41, No. 1 (2008).

CARRIER, DAVID. "Thinking Things Through Historically," Leonardo 30, No. 2 (1997).

CARRIER, DAVID. Review of The Electronic Word: Democracy, Technology and the Arts by Richard A. Lanham, Leonardo 28, No. 1 (1995).

CARROLI, LINDA. "Virtual Encounters: Community or Collaboration on the Internet?," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).

CARROLL, BRIAN. "The Electromagnetic Internetwork," Leonardo 37, No. 3 (2004).

CARTER, PAUL. "Speaking Pantomimes: Notes on The Calling to Come," LMJ CD Companion Note, Leonardo Music Journal 6 (1996).

CASADO, JOSE CARLOS, AND CANO, HARKAITZ. "'Reality,' Artificial Reproduction, and Sexuality," in Special Issue "The Eighth Annual New York Digital Salon," 33, No. 5 (2000).

CASE, COLLEEN. Special Section Introduction: "SIGGRAPH Educators Section," in Special Section "SIGGRAPH Educators Program," Leonardo 35, No. 3 (2002).

CASSERLEY, LAWRENCE. "Plus ça change: Journeys, Instruments and Networks, 1966--2000," Leonardo Music Journal 11 (2001).

CASSIDY, BRUCE, and MOHAMED, POPS. "Closet Blues and The Phoenix's Call," CD Contributor's notes, Leonardo Music Journal 10 (2000).

CASTELLANOS, CARLOS, and BARNES, STEVEN J. "Biopoiesis," in Leonardo Special Issue: SIGGRAPH 2012 Art Papers and In Search of the Miraculous Gallery, Leonardo 45, No. 4 (2012).

CATTS, ORON, and ZURR, IONAT. "Growing Semi-Living Sculptures: The Tissue Culture & Art Project," Leonardo 35, No. 4 (2002).

CENTURY, MICHAEL, and BARDINI, THIERRY. "Towards a Transformative Set-Up: Banff Center for the Arts' Art and Virtual Environments Program," Leonardo 32, No. 4 (1999).

CESEWSKI, PAUL, and GILES, JENNE. "Lotus-Land, or The Water Lily Ballroom," in Special Section "The Fire Arts of Burning Man," Leonardo 40, No. 4 (2007).

CHADABE, JOEL. "Music and Life," in Special Issue "The Tenth New York Digital Salon," Leonardo 35, No. 5 (2002).

CHADABE, JOEL. "The History of Electronic Music as a Reflection of Structural Paradigms," Leonardo Music Journal 6 (1996).

CHANGCUN, WANG. "2008020912," LMJ18 CD Contributor's Note, Leonardo Music Journal 18 (2008).

CHAPPLE, BOO, with WONG, WILLIAM. "Can You Hear the Femur Play? Bone Audio Speakers at the Nanoscale," in Special Section "Nanotechnology, Nanoscale Science and Art," Leonardo 41, No. 4 (2008).

CHARITOS, DIMITRIS; KORAKIDOU, VERONIKI; and MEIMARIS, MICHAEL. "The E-Mobilart Project: An Experiment in Collaboration at the Intersection of Art, Science and Technology," Leonardo 43, No. 5 (2010).

CHATTERJEE, ANJAN; BROMBERGER, BIANCA; SMITH, WILLIAM B. II; STERNSCHEIN, REBECCA; and WIDICK, PAGE. "Artistic Production Following Brain Damage: A Study of Three Artists," Leonardo 44, No. 5 (2011).

CHEETHAM, MARK A. "The Crystal Interface In Contemporary Art: Metaphors Of The Organic And Inorganic," Leonardo 43, No. 3 (2010).

CHEMIN, ISABELLE, and HÜBNER, GUIDO. "Das Synthetische Mischgewebe: TransNEUROsite: An Alliance between Artists and Engineers," in Special Section "Art and Biology," Leonardo 31, No. 1 (1998).

CHEMIN, ISABELLE, and HÜBNER, GUIDO. "Perception: Fast Forward III," Leonardo 27, No. 1 (1994).

CHEN, CHU-YIN. "Quorum Sensing: An Interactive Installation," Leonardo 37, No. 2 (2004).

CHEN, SHIN PING. "Bathysphere," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).

CHESSA, LUCIANO. "L'Arte dei 'Romori': Leonardine Devotion in Luigi Russolo's Oeuvre," in Special Section "Leonardo Celebrates Leonardo da Vinci," Leonardo 41, No. 1 (2008).

CHINA BLUE. "Feng Shui Matrix," Leonardo 37, No. 4 (2004).

CHMELEWSKI, KATHLEEN, GOGGIN, NAN, and SQUIER, JOSEPH. "Art as Signal: Inside the Loop," Gallery Section, Leonardo 28, No. 2 (1995).

CHRISTIAN, MICHAEL. "Flock," Leonardo 36, No. 5 (2003).

CHRISTIANSEN, HENNING. "reality is a ghost in my mind (cruelty & terror)," Leonardo Music Journal 8 (1998).

CHRYSAKIS, THANOS. "Spatio-Aural Terrains," Leonardo Music Journal 16 (2006).

CHO, HYUNKYOUNG, and YOON, JOONSUNG. "Performative Art: The Politics of Doubleness," in Special Section "Transactions," Leonardo 42, No. 3 (2009).

CHON, SUK; LEE, HOHYUN; and YOON, JOONSUNG. "3D Architectural Projection, Light Wall," in Special Section "Transactions," Leonardo 44, No. 2 (2010).

CHOW, KENNY K.N. "Operating Text and Transcending Machine: Toward an Interdisciplinary Taxonomy of Media Works," Leonardo 41, No. 4 (2008).

CHOY, KOK KEE. "T2000," Leonardo 37, No. 2 (2004).

CISLER, STEVE. "Pirates of the Pacific Rim," Piracy and the Pacific section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).

CIUFFREDA, KENNETH J., and ENGBER, KIMBERLY. "Is One Eye Better Than Two When Viewing Pictorial Art?," Leonardo 35, No. 1 (2002).

CLAASSEN, MAREK. "Artfacts.Net," in Special Section "Arts, Humanities and Complex Networks," Leonardo 45, No. 3 (2012).

CLAR, RICHARD. "The Process of Art in Interstellar Message Construction," in Special Section "The Art and Science of Interstellar Message Composition," Leonardo 37, No. 1 (2004).

CLARKE, JULIE. "Corporeal Mélange: Aesthetics and Ethics of Biomaterials in Stelarc and Nina Sellars's Blender," Leonardo 39, No. 5 (2006).

CLARKSON, AUSTIN. "David Tudor's Apprenticeship: The Years with Irma and Stefan Wolpe," Leonardo Music Journal 14 (2004).

CLAUS, JÜRGEN. "Art for the Solar Age," Leonardo 36, No. 3 (2003).

CLAUS, JÜRGEN. "Homage to Dale Eldred," in Special Section "SolArt Global Network," Leonardo 28, No. 4 (1995).

CLAUS, JÜRGEN. "Pierre Restany: A Man in Rhythm with His Time," Leonardo 37, No. 1 (2004).

CLAUS, JÜRGEN. "Solar ARt--Solar Architecture," in Special Section "SolArt Global Network," Leonardo 28, No. 3 (1995).

CLAUS, JÜRGEN. "The Solar Crystal: An Energy Autarchic Sun Sculpture," Leonardo 29, No. 1 (1996).

CLAUS, JÜRGEN. "The SolArt Global Network '95: Artworks for the Solar Age," Leonardo 28, No. 2 (1995).

CLAUS, JÜRGEN. "Stan VanDerBeek: An Early Space Art Pioneer," Leonardo 36, No. 3 (2003).

CLEMONS, LAURA L. "Here Is Where You Heard the Ocean: An Interactive Sound Installation," Leonardo 28, No. 4 (1995).

CLOTHIER, IAN M. "Leonardo, Nonlinearity and Integrated Systems," in Special Section "Leonardo Celebrates Leonardo da Vinci," Leonardo 41, No. 1 (2008).

CLUETT, SETH. "fleeting and massive," LMJ19 CD Contributor's Note, Leonardo Music Journal 19 (2009).

CLUETT, SETH. "Towards a Post-Phenomenology of Extra-Musical Sound as Compositional Determinant," Leonardo Music Journal 16 (2006).

COBB, CHRIS. Review of Ezra Pound's Radio Operas by Margaret Fisher, Leonardo 36, No. 5 (2003).

COBB, CHRIS. Review of Hanging Out in the Virtual Pub by Lori Kendall, Leonardo 36, No. 5 (2003).

COBB, CHRIS. Review of Introduction to Art Image Access, edited by Murtha Baca, Leonardo 36, No. 5 (2003).

COBB, CHRIS. Review of Music and Technology in the Twentieth Century, edited by Hans Joachim Braun, Leonardo 36, No. 3 (2003).

COBB, CHRIS. Review of Publicity's Secret by Jodi Dean, Leonardo 36, No. 5 (2003).

COBB, CHRIS. Review of Les UST Nouvelles clés pour lécoute, Les Unités Semiotiques Temporelles, MIM (Laboratoire Musique Informatique de Marseille), Leonardo 37, No. 5 (2004).

COBB, CHRIS. Review of Vingt Chansons pour Jean Cocteau (Twenty Songs for Jean Cocteau) by Maurice Methot, Leonardo 37, No. 4 (2004).

COBBING, BOB. "The Judith Poem," LMJ CD Companion Note, Leonardo Music Journal 11 (2001).

COBURN, ROBERT, and ROSE, FRANÇOIS. Review of Presences of/Présences de Iannis Xenakis, edited by Makis Solomos, Leonardo 35, No. 4 (2002).

COBURN, ROBERT. Review of Harry Partch: An Anthology of Critical Perspectives, edited by David Dunn, Leonardo 35, No. 2 (2002).

COBURN, ROBERT. Review of language, message, drummage: Compositions for Tape and for Instruments; Wayfaring Sounds: Compositions for Instruments and Tape; mutatis mutandis: Compositions for Solo Instruments and Ensembles; and SAWDUST: Computer Music Project (CDs), by Herbert Brün, Leonardo Music Journal 9 (1999).

COBURN, ROBERT. Review of language, message, drummage: Compositions for Tape and for Instruments; Wayfaring Sounds: Compositions for Instruments and Tape; mutatis mutandis: Compositions for Solo Instruments and Ensembles; and SAWDUST: Computer Music Project (CDs), by Herbert Brun, Leonardo 33, No. 1 (2000).

COBURN, ROBERT. Review of Winded: Works for Organ and Tape by, of and for Kenneth Gaburo (CD) by Gary Verkade, Leonardo 35, No. 2 (2002).

COBURN, ROBERT. Review of Xenakis: Electronic Music (CD), by Iannis Xenakis, Leonardo Music Journal 9 (1999).

COBURN, ROBERT. Review of Xenakis: Electronic Music by Iannis Xenakis, Leonardo 33, No. 1 (2000).

CODDING, BILL. "The Burninator II," in Special Section "The Fire Arts of Burning Man," Leonardo 40, No. 4 (2007).

CODOGNET, PHILIPPE. "Ancient Images and New Technologies: The Semiotics of the Web," Leonardo 35, No. 1 (2002).

COHEN, HAROLD. "A Self-Defining Game for One Player: On the Nature of Creativity and the Possibility of Creative Computer Programs," in Special Section "Creativity and Cognition," Leonardo 35, No. 1 (2002).

COHEN, JESSICA. "Tel Aviv, 2004," After Midnight section, Leonardo 38, No. 2 (2005).

COLAGROSSI, ATTILIO; SCIARRONE, FILIPPO; and SECCARONI, CLAUDIO. "A Methodology for Automating the Classification of Works of Art Using Neural Networks," Leonardo 36, No. 1 (2003).

COLEMAN, BETH, and GOLDKRAND, HOWARD. "Anatomy of an Amalgamation," in Special Section "Sound and the Social Organization of Space," Leonardo Music Journal 16 (2006).

COLLE, CÉCILE, and NUHN, RALF. "ParaSites: Initial Report and Research Context," in Special Section "Transactions," Leonardo 45, No. 3 (2012).

COLLINS, BRENT. "Evolving an Aesthetic of Surface Economy in Sculpture," Leonardo 30, No. 2 (1997).

COLLINS, BRENT. "Saddle Motifs Deployed in Indefinitely Extendible Helical Continuities," Leonardo 30, No. 1 (1997).

COLLINS, NICK. "Live Coding of Consequence," Leonardo 44, No. 3 (2011).

COLLINS, NICK. "Recursive Audio Cutting," Leonardo Music Journal 13 (2003).

COLLINS, NICK. "Trading Faures: Virtual Musicians and Machine Ethics," Leonardo Music Journal 21 (2011).

COLLINS, NICOLAS. Introduction: "Acoustics," Leonardo Music Journal 22 (2012).

COLLINS, NICOLAS. Introduction: "Composers inside Electronics: Music after David Tudor," Leonardo Music Journal 14 (2004).

COLLINS, NICOLAS. Introduction: "Beyond Notation: Communicating Music," Leonardo Music Journal 21 (2011).

COLLINS, NICOLAS. Introduction: "Ghosts and Monsters: Technology and Personality in Contemporary Music," Leonardo Music Journal 8 (1998).

COLLINS, NICOLAS. Introduction: "Groove, Pit and Wave," Leonardo Music Journal 13 (2003).

COLLINS, NICOLAS. Introduction: "Improvisation," Leonardo Music Journal 20 (2010).

COLLINS, NICOLAS. Introduction: "My Favorite Things: The Art of the Gizmo," Leonardo Music Journal 17 (2007).

COLLINS, NICOLAS. Introduction: "Noises Off: Sound Beyond Music," Leonardo Music Journal 16 (2006).

COLLINS, NICOLAS. Introduction: "Our Crowd---Four Composers Pick Composers," Leonardo Music Journal 19 (2009).

COLLINS, NIC. Introduction: "Not Necessarily 'English Music': Britain's Second Golden Age," Leonardo Music Journal 11 (2001).

COLLINS, NICOLAS. Introduction: "Southern Cones," Leonardo Music Journal 10 (2000).

COLLINS, NICOLAS. Introduction: "Thoughtful Pleasures," Leonardo Music Journal 12 (2002).

COLLINS, NICOLAS. "A Turn in the Shrubbery---Music, Technology and Words," Leonardo Music Journal 7 (1997).

COLLINS, NICOLAS. "Resonance Comes between Notes and Noise," On-Line Supplement Abstract, Leonardo Music Journal 22 (2012).

COLLINS, NICOLAS. "Ubiquitous Electronics---Technology and Live Performance 1966--1996," Leonardo Music Journal 8 (1998).

COLLINS, NICOLAS. Introduction: "Why Live? Performance in the Age of Digital Reproduction," Leonardo Music Journal 18 (2008).

COLLINS, TIM, and GOTO, REIKO. "Urban Reclamation: Place, Value, Use: The Nine Mile Run Project," Leonardo 30, No. 3 (1997).

COLLINS, WILLIAM FOWLER. "Midday Sunshower," LMJ20 CD Contributor's Note, Leonardo Music Journal 20 (2010).

COLONNA, JEAN-FRANÇOIS. "Numerical Relativity: On the Fallibility ofComputers," Abstract, Leonardo 28, No. 2 (1995).

COLLOPY, FRED. "Color, Form and Motion: Dimensions of a Musical Art of Light," in Special Issue "The Eighth Annual New York Digital Salon," Leonardo 33, No. 5 (2000).

COLLOPY, FRED. "Improvisational Lumia: Painting along with Musicians," Leonardo 34, No. 4 (2001).

COLOSI, NINA. "The Antennae of the Race," in Special Issue "The Tenth New York Digital Salon," Leonardo 35, No. 5 (2002).

CONDÉ, SUSAN. "The Fractal Artist," Leonardo 34, No. 1 (2001).

CONLON, JULIET. "From the Back of the Eyelids: Public and Private Space in an Interactive Installation," in Special Issue "The Seventh Annual New York Digital Salon," Leonardo 32, No. 5 (1999).

CONRAD, DANIEL. "The Dichromaccord: Reinventing the Elusive Color Organ," in Special Section "Synesthesia," in Special Issue "The Seventh Annual New York Digital Salon," Leonardo 32, No. 5 (1999).

CONSOLMAGNO, GUY J. "Astronomy, Science Fiction and the Popular Culture: 1277 to 2001 (and Beyond)," in Special Section "Selected Papers from The Inspiration of Astronomical Phenomena, A Conference on the Influence of Observed Celestial Events upon World Culture," Leonardo 29, No. 2 (1996).

CONTINI, LEO. "The Anasculpture---An Alternative to Visual Perception," Leonardo 38, No. 4 (2005).

COOK, KEVIN. "Semiotic Variety in Digital Imagery: TheCase of Maxwell's Demon," Leonardo 28, No. 2 (1995).

COOK, PERRY, and SMALLWOOD, SCOTT. "SOLA: Sustainable Orchestras of Laptops and Analog," Leonardo Music Journal 20 (2010).

COOK, SHELLEY. "Adult Human Female, Ephemeroptura," Leonardo 30, No. 1 (1997).

COOPER, MIKE. "Pharoah's March," LMJ11 CD Contributor's Note, Leonardo Music Journal 11 (2001).

COPE, DAVID. "Facing the Music: Perspectives on Machine Composed Music," Leonardo Music Journal 9 (1999).

CORAZZA, ORNELLA. Review of Dying and Death: Inter-Disciplinary Perspectives, edited by Asa Kasher, Leonardo 42, No. 3 (2009).

CORBY, TOM. "Landscapes of Feeling, Arenas of Action: Information Visualization as Art Practice," Leonardo 41, No. 5 (2008).

CORCORAN, MARLENA. "The Gallbladder Sonata: Transmission Time on the Internet," Leonardo Music Journal 13 (2003).

CORCORAN, MARLENA. "Digital Transformations of Time: The Aesthetics of the Internet," in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).

CORCORAN, MARLENA. "Life and Death in the Digital World of the Plaintext Players," in Special Issue "The Seventh Annual New York Digital Salon," Leonardo 32, No. 5 (1999).

CORCORAN, MARLENA. "'Worst Case Scenarios:' The Fiction of the Internet," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).

CORDEIRO, WALDEMAR. "Arteônica: Electronic Art," Leonardo 30, No. 1 (1997).

CORNESS, GREG. "The Musical Experience through the Lens of Embodiment," Leonardo Music Journal 18 (2008).

CORNFORD, STEPHEN. "Digital Economy Action: Composition by Participatory Piracy," Leonardo Music Journal 21 (2011).

COSTANTINI, GIOVANNA. Review of Bill Viola in Conversation with Adam Weinberg, 27 October 2009, The Whitney Museum's 2009 Annenberg Lecture, Leonardo 43, No. 3 (2010).

COSTANTINI, GIOVANNA. Review of Fireworks: Pyrotechnic Arts and Sciences in European History by Simon Werrett, Leonardo 44, No. 2 (2011).

COSTANTINI, GIOVANNA L. Review of Modern Gestures: Abraham Walkowitz Draws Isadora Duncan Dancing by Ann Cooper Albright, Leonardo 45, No. 3 (2012).

COSTANTINI, GIOVANNA. Review of My Sunshine by Nikola Uzunovski, exhibition, Leonardo 44, No. 1 (2011).

COSTANTINI, GIOVANNA. Review of The Power of the Center: A Study of Composition in the Visual Arts by Rudolf Arnheim, 20th Anniversary Edition, Leonardo 43, No. 5 (2010).

COSTELLO, BRIGID. "A Pleasure Framework," in Special Section "Transactions," Leonardo 40, No. 4 (2007).

COSTELLO, MATTHEW J. "Don't Press That Button," in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).

COUEY, ANNA. "Art Communication Systems," Leonardo 29, No. 4 (1996).

COX, DAVID. Review of Memory Trade: A Prehistory of Cyberculture by Darren Tofts, Leonardo 33, No. 3 (2000).

COX, DONNA. "Using the Supercomputer to Visualize Higher Dimensions: An Artist's Contribution to Scientific Visualization," in Special Section "From the Leonardo Archive," Leonardo 41, No. 4 (2008).

COX, GEOFF. Review of The Exploit: A Theory of Networksby Alexander R. Galloway and Eugene Thacker, Leonardo 42, No. 2 (2009).

COX, GEOFF. Review of Organized Networks: Media Theory, Creative Labour, New Institutions by Ned Rossiter, Leonardo 40, No. 5 (2007).

COX, MATTHEW. "Tomorrow will get better," in Tracing Home Art Gallery, Special Issue SIGGRAPH 2011 Art Papers and Tracing Home Art Gallery, Leonardo 44, No. 4 (2011).

COXHILL, LOL. "Plum," LMJ CD Companion Note, Leonardo Music Journal 11 (2001).

COYNE, RICHARD. "Heidegger and Virtual Reality: The Implications of Heidegger's Thinking for Computer Representations," Leonardo 27, No. 1 (1994).

CRANDALL, DAVID and SNAVELY, NOAH. "Networks of Photos, Landmarks and People," in Special Section of Leonardo Transactions: Arts, Humanities And Complex Networks, Leonardo 44, No. 3 (2011).

CRAWFORD, DAVID. "Stop Motion Studies," Gallery Section, Leonardo 40, No. 3 (2007).

CRAWFORD, Kevin. "Bow", Gallery Section, Leonardo 28, No. 1 (1995).

CRONBACH, NICK. Review of Pretend We're Dead: Capitalist Monsters in American Pop Culture by Annalee Newitz, Leonardo 41, No. 1 (2008).

CROSS, LOWELL. "Reunion: John Cage, Marcel Duchamp, Electronic Music and Chess," Leonardo Music Journal 9 (1999).

CROSS, NIGEL. "Creativity in Design: Analyzing and Modeling the Creative Leap," in Special Section "Creativity and Cognition Conference Papers," Leonardo 30, No. 4 (1997).

CROSSMAN, BRUCE. "Sounding the Ritual of Sensual Rebellion: Pacific-European Resonances," Leonardo Music Journal 12 (2002).

CSERES, JOZEF. "In Between As a Permanent Status: Milan Adamciak's Version of Intermedia," Leonardo Music Journal 19 (2009).

CSURI, CHARLES. ACM SIGGRAPH Lifetime Achievement Award in Digital Art, in Special Issue SIGGRAPH 2011 Art Papers and Tracing Home Art Gallery, Leonardo 44, No. 4 (2011).

CSURI, CHARLES. "Queenly Gestures: A Living Art Object," Leonardo 32, No. 4 (1999).

CUBITT, SEAN. "Online Sound and Virtual Architecture (Contribution to the Geography of Cultural Translation)," in Special Section "Conference Papers from the Seventh International Symposium on Electronic Art (ISEA 96)," Leonardo Music Journal 7 (1997).

CUBITT, SEAN. Review of Art and Technology in the Nineteenth and Twentieth Centuries by Pierre Francastel, Leonardo 35, No. 1 (2002).

CUBITT, SEAN. Review of Crepuscular Dawn by Paul Virilio and Sylvère Lotringer, Leonardo 37, No. 3 (2004).

CUBITT, SEAN. Review of The Digital Sublime: Myth, Power and Cyberspaceby Vincent Mosco, Leonardo 40, No. 4 (2007).

CUBITT, SEAN. Review of From Handel to Hendrix: The Composer in the Public Sphere by Michael Chanan, Leonardo 34, No. 2 (2001).

CUBITT, SEAN. Review of Guy Debord and the Situationist International, edited by Tom McDonough, Leonardo 36, No. 5 (2003).

CUBITT, SEAN. Review of Marcel Duchamp by Dawn Ades, Neil Cox and David Hopkins, Leonardo 35, No. 1 (2002).

CUBITT, SEAN. Review of Practices of Looking: An Introduction to Visual Culture by Marita Sturken and Lisa Cartwright, Leonardo 35, No. 2 (2002).

CUBITT, SEAN. Review of The Liberating Power of Symbols: Philosophical Essays by Jurgen Habermas and The Postnational Constellation: Political Essays by Jurgen Habermas, Leonardo 35, No. 3 (2002).

CUBITT, SEAN. Review of The Shape of Things: A Philosophy of Design; Towards a Philosophy of Photography; Writings; and The Freedom of the Migrant: Objections to Nationalism by Vilém Flusser, Leonardo 37, No. 5 (2004).

CUBITT, SEAN. Review of Telematic Embrace: Visionary Theories of Art, Technology and Consciousness by Roy Ascott, Leonardo 37, No. 2 (2004).

CUBITT, SEAN. Review of World Spectators by Kaja Silverman, Leonardo 36, No. 1 (2003).

CUÉLLAR CAMARGO, LUCIO EDILBERTO. "Response," Leonardo Music Journal 12 (2002).

CUELLAR CAMARGO, LUCIO EDILBERTO. "The Development of Electroacoustic Music in Colombia, 1965--1999: An Introduction," Leonardo Music Journal 10 (2000).

CUIFFREDA, KENNETH J., and ENGBER, KIMBERLY. "Is One Eye Better Than Two When Viewing Pictorial Art?," Leonardo 35, No. 1 (2002).

CULVER, ANDREW. "John Cage's Essay: Installation Notes," Leonardo Music Journal 8 (1998).

CUNARD, JEFFREY P. "Past as Precedent: Some Thoughts on Novel Approaches to the Nexus of Digital Technologies and the Arts," in Special Section "A Conference on Intellectual Property Rights and the Arts: The Impact of New Technologies, Part I," Leonardo 29, No. 3 (1996).

CURTIS, CASSIDY, and WHITNEY, CHRIS. "The Telestereoscope," Leonardo 36, No. 5 (2003).

CURTIS, CHARLES. "Alvin Lucier: A Performer's Notes," On-Line Supplement Abstract, Leonardo Music Journal 22 (2012).

CUSACK, PETER. "Geese," LMJ CD Companion Note, Leonardo Music Journal 11 (2001).

CUSACK, PETER. "Extract from A Host, Of Golden Daffodils," Leonardo Music Journal 8 (1998).

CUSACK, PETER. CD Curator's Introduction: "Interpreting the Soundscape," LMJ16 CD Contributor's Note, Leonardo Music Journal 16 (2006).

CUTLER, RANDY LEE. "The Songs of Science," Leonardo 31, No. 3 (1998).

D'AGOSTINO, PETER; DOWDAKIN, DEIRDRE; and TAFLER, DAVID. "WORLD-WIDE-WALKS/between earth & sky/Dun na nGall," in Special Section "Lovely Weather," Leonardo 45, No. 2 (2012).

DAHLBERG, ANDREA. Review of Art Since 1900: Modernism, Antimodernism, Postmodernism, by Hal Foster, Rosalind Krauss, Yve-Alain Blois and Benjamin HD Buchloh, Leonardo 39, No. 3 (2006).

DAHLBERG, ANDREA. Review of Chronophobia: On Time in the Art of the 1960s by Pamela M. Lee, Leonardo 38, No. 2 (2005).

DAHLBERG, ANDREA. Review of Conversation Pieces: Community and Communication in Modern Art, by Grant Kester, Leonardo 39, No. 2 (2006).

DAHLBERG, ANDREA. Review of Edward Said: The Last Interview, film by Mike Dibb, Leonardo 39, No. 1 (2006).

DAHLBERG, ANDREA. Review of Knock-Off: Revenge on the Logo by Anette Baldhauf and Katharina Weingartner, Leonardo 40, No. 4 (2007).

DAHLBERG, ANDREA. Review of Regular or Super---Views on Mies van der Rohe, film directed by Joseph Hillel and Patrick Demers, Leonardo 39, No. 5 (2006).

DAHLBERG, ANDREA. Review of River of Time by Robert Fox,Leonardo 40, No. 2 (2007).

DAHLBERG, ANDREA. Review of Shooting Kennedy: JFK and the Culture of Images by David M. Lubin, Leonardo 38, No. 1 (2005).

DAHLKE, KURT. "Brontologik," CD Contributor's note, Leonardo Music Journal 10 (2000).

DAHLSTEDT, PALLE, and MCBURNEY, PETER J. "Musical Agents: Towards Computer-Aided Music Composition Using Autonomous Software Agents," in Special Section "Arts and Science Research Fellowships," Leonardo 39, No. 5 (2006).

DAHLSTEDT, PALLE, and NORDAHL, MATS G. "Living Melodies: Coevolution of Sonic Communication," Leonardo 34, No. 3 (2001).

D'AMBROSIO, UBIRATAN. "Mathematics and Peace: A Reflection on the Basis of Western Civilization," Leonardo 34, No. 4 (2001).

DAMER, BRUCE (FOR BIOTA.ORG). "The Cyberbiological Worlds of Nerve Garden: A Test Bed for VRML 2.0," in Special Section "Artificial Life Art," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).

DAMER, BRUCE. "The Nerve Garden: Plant a Seed in Cyberspace," in Special Section "Art and Biology," Leonardo 31, No. 4 (1998).

DANCE, LINDA, with FISHWICK, PAUL. "Visualizing Petri Nets in 3D," Leonardo 36, No. 4 (2003).

DANIEL, SHARON, and O'ROURKE, KAREN. "Mapping the Database: Trajectories and Perspectives," in Special Section "Artmedia VIII Selected Symposium Papers," Leonardo 37, No. 4 (2004).

DARVAS, GYÖRGY, and FARKAS, TAMÁS F. "An Artist's Works through the Eyes of a Physicist: Graphic Illustration of Particle Symmetries," Leonardo 39, No. 1 (2006).

DAS MANN, DAN. "The Faces of the Man," in Special Section "The Fire Arts of Burning Man," Leonardo 40, No. 4 (2007).

DAS MANN, DAN. "The One Tree," Leonardo 36, No. 5 (2003).

DAS, REET K. "#z," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).

DASHKIN, MICHAEL. "From Drawing to Montage," Introduction to Gallery Section, Leonardo 28, No. 1 (1995).

DAT POLITICS, "Bag," LMJ13 CD Contributor's Note, Leonardo Music Journal 13 (2003).

DAUBY, YANNICK. "Taiwanese Animal Phonography," LMJ16 CD Contributor's Note, Leonardo Music Journal 16 (2006).

DAUMONT, DAYOAN. "El Ultimo Cemi," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).

DAVIDSON, FRANK. Review of Building in the Garden: The Artchitecture of Joseph Allen Stein in India and California by Stephen White, Leonardo 28, No. 4 (1995).

DAVIES, HUGH. "Music for Three Springs," LMJ CD Contributor's Note, Leonardo Music Journal 11 (2001).

DAVIES, HUGH. "Daphne Oram: Four Aspects," LMJ CD Contributor's Note, Leonardo Music Journal 11 (2001).

DAVIES, HUGH. "Gentle Fire: Group Composition VI (Unfixed Parities)," LMJ CD Companion Note, Leonardo Music Journal 11 (2001).

DAVIES, HUGH. "Gentle Fire: An Early Approach to Live Electronic Music," Leonardo Music Journal 11 (2001).

DAVIES, RHODRI. "Camber," i>Leonardo Music Journal
LMJ17 CD Contributor's Note, 17 (2007).

DÁVILA-IRIZARRY, CÉSAR. "Distorted RF Lullabies," Leonardo Music Journal 17 (2007).

DAVIS, JULIET. "Fractured Cybertales: Navigating the Feminine," Leonardo 41, No. 1 (2008).

DAVIS, TOM. "Complexity as Practice: A Reflection on the Creative Outcomes of a Sustained Engagement with Complexity," in Special Section "Leonardo Abstracts Service," Leonardo 45, No. 2 (2012).

DAWSON, PAULA. "Holographic Chiaroscuro: Figures in Virtual and Pseudoscopic Space," in Special Section "Transactions," Leonardo 41, No. 3 (2008).

DAY, TERRY. "The People Band: Part 3," LMJ CD Companion Note, Leonardo Music Journal 11 (2001).

DEAN, ROGER T. "Widening Unequal Tempered Microtonal Pitch Space for Metaphoric and Cognitive Purposes with New Prime Number Scales," In Special Section "Transactions," Leonardo 42, No. 1 (2009).

DELAHUNTA, SCOTT. "Willing Conversations: The Process of Being Between," in Special Section "Arts and Science Research Fellowships," Leonardo 39, No. 5 (2006).

DELAURENTI, CHRIS. "Our Streets!" LMJ16 CD Contributor's Note, Leonardo Music Journal 16 (2006).

DEMAINE, ERIK D.; DEMAINE, MARTIN L.; and PALMER, A. LAURIE. "The Helium Stockpile: A Collaboration in Mathematical Folding Sculpture," in Special Section: "ArtScience: The Essential Connection," Leonardo 39, No. 3 (2006).

DE MARINIS, PAUL. "The Lecture of Comrade Stalin at the Extraordinary 8th Planetary Congress about the Draft Concept of the Constitution of the Soviet Union on November 25, 1936," Leonardo Music Journal 8 (1998).

DE MENEZES, MARTA. "The Artificial Natural: Manipulating Butterfly Wing Patterns for Artistic Purposes," Leonardo 36, No. 1 (2003).

DE MEY, JOS. "Wandelrustende therapeut van Magritte in winters Arcadia," Leonardo 33, No. 1 (2000).

DE QUAY, YAGO; SKOGSTAD, STÅLE; and JENSENIUS, ALEXANDER. "Dance Jockey: Performing Electronic Music by Dancing," Leonardo Music Journal 21 (2011).

DE RE, CATERINA. "The Gasholder Stupa," LMJ19 CD Contributor's Note, Leonardo Music Journal 19 (2009).

DE RIDDER-VIGNONE, KATHRYN D. "Special Section Introduction: The Images and Art of Nanotechnologies," Leonardo 45, No. 5 (2012).

DE RIDDER-VIGNONE, KATHRYN D. "Public Engagement and the Art of Nanotechnology," in Special Section "The Images and Art of Nanotechnologies," Leonardo 45, No. 5 (2012).

DE RIDDER-VIGNONE, KATHRYN D., and LYNCH, MICHAEL. "Images and Imaginations: An Exploration of Nanotechnology Image Galleries," in Special Section "The Images and Art of Nanotechnologies," Leonardo 45, No. 5 (2012).

DE ROSNAY, JOEL. "Protection of Intellectual Property Interests," in Special Section "A Conference on Intellectual Property Rights and the Arts: The Impact of New Technologies, Part I," Leonardo 29, No. 3 (1996).

DE SOUSA VIANNA, RACHEL. "Art Education and Urban Aesthetics," Leonardo 35, No. 3 (2002).

DEBONO, MARC-WILLIAMS. "From Perception to Consciousness: An Epistemic Vision of Evolutionary Processes," Leonardo 37, No. 3 (2004).

DECAMOUS, GABRIELLE. "Nuclear Activities and Modern Catastrophes: Art Faces the Radioactive Waves," in Special Section "Artists and Scientists in Times of War," Leonardo 44, No. 2 (2011).

DEFRANCEAUX, DEIDRE, and NUNN, JANN. "The Cradle," Leonardo 36, No. 5 (2003).

DEGAZIO, BRUNO. "The Evolution of Musical Organisms," Leonardo Music Journal 7 (1997).

DEIHL, STEVE. "Constants of Art and Nature: The Rainbow Project," in Special Section "The Art and Science of Interstellar Message Composition," Leonardo 37, No. 1 (2004).

DELALANDE, FRANÇOIS. "Sense and Intersensoriality," Leonardo 36, No. 4 (2003).

DELL, ROBERT. "Hitavaettur and the Implications of Geothermal Sculpture," Leonardo 33, No. 3 (2000).

DELLAPE, JOSEPH. "Gulf War Memories," Leonardo 27, No. 1 (1994).

DEL-PRETE, SANDRO. "Homage to Leonardo da Vinci," Leonardo 33, No. 1 (2000).

DELYS, SHERRE. "Transpoes: A Digital Sketch of Australian Mimicry," LMJ CD Companion Note, Leonardo Music Journal 6 (1996).

DEMARINIS, PAUL. "Gray Area," Leonardo 29, No. 4 (1996).

DEMERS, LOUIS-PHILIPPE, and VORN, BILL. "Lost Referential," Leonardo 32, No. 3 (1999).

DERGES, SUSAN. "The River Taw (Last Quarter Willow) and The River Taw (New Moon, Ivy)," Gallery Section, 34, No. 1 (2001).

DESBAZEILLE, MAGALI, and CANTO, SIEGFRIED, with BEIGEL, CHRISTINE. "You Think, Therefore I Am (Following You) (Tu penses donc je te suis)," in Special Section "@rt Outsiders Festival," Leonardo 37, No. 2 (2004).

DESIGN INCUBATION CENTRE. "RolyPoly," in Tracing Home Art Gallery, Special Issue SIGGRAPH 2011 Art Papers and Tracing Home Art Gallery, Leonardo 44, No. 4 (2011).

DESSEN, MICHAEL. "New Polyphonies: Score Streams, Improvisation and Telepresence," Leonardo Music Journal 20 (2010).

DEV, SARITA. "Himalaya's Head: Disturbed Visual Feedback in an Interactive Multi-User Installation," Leonardo 40, No. 1 (2007).

DEWAR, ANDREW RAFFO. "Reframing Sounds," On-Line Supplement Abstract, Leonardo Music Journal 22 (2012).

DICK, ROBERT. "Acoustics: Real Life, Real Time---Why the Flutist and Flute Had to Evolve," Leonardo Music Journal 22 (2012).

DIPAOLA, STEVE, RIEBE, CAITLIN, and ENNS, JAMES T. "Rembrandt's Textural Agency: A Shared Perspective in Visual Art and Science," Leonardo 43, No. 2 (2010).

DI SCIPIO, AGOSTINO. "Iterated Nonlinear Functions as a Sound-Generating Engine," Leonardo 34, No. 3 (2001).

DIAMOND, JODY. "Yogyakarta Gamelan Festival 1997," Leonardo Music Journal 7 (1997).

DÍAZ, LILY. "Digital Archeology: Design Research and Education---Connecting Historical Narratives and Digital Environments," in Special Section "The Planetary Collegium: Towards the Radical Reconstruction of Art Education," Leonardo 31, No. 4 (1998).

DíAZ, LILY. "A Simultaneous View of History: The Creation of a Hypermedia Database," Leonardo 28, No. 4 (1995).

DIAZ-JEREZ, GUSTAVO. "Composing with Melomics: Delving into the Computational World for Musical Inspiration," Leonardo Music Journal 21 (2011).

DíAZ-KOMMONEN, LILY. "Art, Fact and Artifact Production: Design Research and Multidisciplinary Collaboration," Leonardo 37, No. 1 (2004).

DI CASTRO, ANDREA. "Art and New Technology in Mexico: The National Center for the Arts," Latin America/Pacific-Asia New Media Initiatives section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).

DICK, STEVEN J. "Other Worlds: The Cultural Significance of the Extraterrestrial Life Debate," in Special Section "Selected Papers from The Inspiration of Astronomical Phenomena, A Conference on the Influence of Observed Celestial Events upon World Culture," Leonardo 29, No. 2 (1996).

DICKSON, STEWART. "A Three-Dimensional Zoetrope of the Calabi-Yau Cross-Section in CP4," Leonardo 36, No. 3 (2003).

DIDKOVSKY, NICK. "Metamusic/Metatext: The Blurry Boundaries Around Distributed Compositional Systems," Leonardo Music Journal 7 (1997).

DIETZ, STEVE. "Ten Dreams of Technology," in Special Issue "The Tenth New York Digital Salon," Leonardo 35, No. 5 (2002).

DIETZ, STEVE, and NADARAJAN, GUNALAN. "Introduction: About Container Culture," Container Culture section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).

DISALVO, CARL FRANCIS. "Philosophy and Visual Representation: Imaging the Impossible," Leonardo 32, No. 2 (1999).

DJAMBAZOV, VLADIMIR. "The Secret Life of a Can," LMJ12 CD Contributor's Note, Leonardo Music Journal 12 (2002).

DJNZ, and THE ACTION TOOL DEVELOPMENT GROUP OF THE ELECTROHIPPIES COLLECTIVE. "Client-Side Distributed Denial-of-Service: Valid Campaign Tactic or Terrorist Act?," Leonardo 34, No. 3 (2001).

DOCTOLERO, FERDINAND. "Angolo and Anarabrab," Gallery Section, Leonardo 35, No. 3 (2002).

DOLINSKY, MARGARET. Review of Arranging Things: A Rhetoric of Object Placement by Leonard Kohen, Leonardo 37, No. 3 (2004).

DOLLENS, DENNIS. Review of Index Architecture, edited by Bernard Tschumi and Matthew Berman, Leonardo 37, No. 2 (2004).

DOLLENS, DENNIS. Review of A Thing in Disguise: The Visionary Life of Joseph Paxton by Kate Colquhoun, Leonardo 37, No. 5 (2004).

DOLLENS, DENNIS. "Architecture as Nature: A Biodigital Hypothesis," in Special Section "Environment 2.0: Through Cracks in the Pavement," Leonardo 42, No. 5 (2009).

DOLLENS, DENNIS L. "A System of Digital-Botanic Architecture," Leonardo 38, No. 1 (2005).

DOMINGUES, DIANA. "Day-Dreaming States in Interfaced Environments: Telematic Rituals in Ouroboros," in Special Section "ISEA 2002 Selected Papers," Leonardo 37, No. 4 (2004).

DOMINGUES, DIANA. "TRANS-E," Leonardo 29, No. 4 (1996).

DOMNITCH, EVELINA, and GELFAND, DMITRY. "Camera Lucida: A Three-Dimensional Sonochemical Observatory," Leonardo 37, No. 5 (2004).

DONATH, JUDITH; DRAGULESCU, ALEX; ZINMAN, AARON; VIÉGAS, FERNANDA; and XIONG, REBECCA. "Data Portraits," in Special Issue SIGGRAPH 2010 Art Papers and TouchPoint Art Gallery, Leonardo 43, No. 4 (2010).

DONATI, LUISA. "Artistic Environments of Telepresence on the World Wide Web," in Special Issue "The Ninth Annual Digital Salon," 34, No. 5 (2001).

DONATI, LUISA PARAGUAI. Review of BitArt web site, Leonardo 37, No. 1 (2004).

DONATI, LUISA PARAGUAI. Review of holes-linings-threads web site, Leonardo 36, No. 3 (2003).

DONATI, LUISA PARAGUAI. Review of Shine02.org web site, Leonardo 36, No. 5 (2003).

DONATOWICZ, JADZIA. "Symbolism of the Cosmic Dance of Shiva in the South Indian Temple Dance Tradition," in Special Section "Selected Papers from The Inspiration of Astronomical Phenomena, A Conference on the Influence of Observed Celestial Events upon World Culture," Leonardo 29, No. 2 (1996).

DONGUY, JACQUES. "Machine Head: Raoul Hausmann and the Optophone," Leonardo 34, No. 3 (2001).

DONNEUX, JACQUES. "Electrostatic Painting," Abstract, Leonardo 27, No. 1 (1994).

DORIN, ALAN, and MCCORMACK, JON. Special Section Introduction: "First Iteration---A Conference on Generative Systems in the Electronic Arts," Leonardo 34, No. 3 (2001).

DOUGLAS, J. YELLOWLEES. "Virtual Intimacy and the Male Gaze Cubed: Interacting with Narratives on CD ROM," Leonardo 29, No. 3 (1996).

DOURMANA, PETKO. "Post Global Warning Survival Kit," in Biologic Art Gallery, Special Issue SIGGRAPH 2009 Art Papers and Biologic Art Gallery, Leonardo 42, No. 4 (2009).

DOVE, DAVID. "Parenthesis 1," CD Contributor's Note, Leonardo Music Journal 19 (2009).

DOVEV, LEA. "'On the Hand from Within'": Palms, Selfhood and Generation in Leonardo's Anatomical Project," in Special Section Leonardo Celebrates Leonardo da Vinci, Leonardo 43, No. 1 (2010).

DRAPE, ROHAN. "piano & sine tones #15," LMJ18 CD Contributor's Note, Leonardo Music Journal 18 (2008).

DRAVES, SCOTT. "Electric Sheep," The VIDA Gallery, Leonardo 41, No. 1 (2008).

DRAYSON, HANNAH. Review of Players Unleashed! Modding the Sims and the Culture of Gaming by Tanja Sihvonen, Leonardo 45, No. 5 (2012).

DRISCOLL, JOHN. "Resonance: From the Architectural to the Microscopic," Leonardo Music Journal 22 (2012).

DRISCOLL, JOHN, and ROGALSKY, MATT. "David Tudor's Rainforest: An Evolving Exploration of Resonance," Leonardo Music Journal 14 (2004).

DRUCKER, JOHANNA. "Digital Ontologies: The Ideality of Form in/and Code Storage---or---Can Graphesis Challenge Mathesis?," Leonardo 34, No. 2 (2001).

DRUCKER, JOHANNA. "Letterpress Language: Typography as a Medium for the Visual Representation of Language," in Special Section "From the Leonardo Archive," Leonardo 41, No. 1 (2008).

DRYER, IVAN. "The International Laser Display Association," Leonardo 29, No. 2 (1996).

DRYER, IVAN. "Virtual Realities and the Future of the Arts," Leonardo 28, No. 4 (1995).

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DUCKWORTH, WILLIAM. "Making Music on the Web," Leonardo Music Journal 9 (1999).

DUDAS, RICHARD. "'Comprovisation': The Various Facets Of Composed Improvisation Within Interactive Performance Systems," Leonardo Music Journal 20 (2010).

DUESING, JAMES. "Law of Averages," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).

DUFF, TAGNY; MUHLING, JILL; GRADE GODINHO, MARIA; and HODGETTS, STUART. "How to Make Living Viral Tattoos," in Special Section "Transactions," Leonardo 44, No. 2 (2010).

DUFFEY, MICHAEL. "The Vocal Memnon and Solar Thermal Automata," Leonardo Music Journal 17 (2007).

DUFFY, TERRE. "Lovely Weather Donegal Residencies: Art and Climate Change as Public Art Project," in Special Section "Lovely Weather," Leonardo 45, No. 2 (2012).

DUMITRIU, ANNA; HOLDER, JOHN; TIKKA, PIA; and WHITBY, BLAY. "Enactive Dialectics," in Special Section "Transactions," Leonardo 43, No. 5 (2010).

DUMITRIU, ANNA; TENETZ, ANTTI; and LAWRENCE, DAVE. "Kryolab," in Special Section "Transactions," Leonardo 43, No. 5 (2010).

DUMITRIU, ANNA and WHITBY, BLAY. "Cybernetic Bacteria 2.0," in Special Section of Leonardo Transactions: Arts, Humanities and Complex Networks, Leonardo 44, No. 3 (2011).

DUNAWAY, JUDY. "What you cannot hear," LMJ22 CD Contributor's Note, Leonardo Music Journal 22 (2012).

DUNCAN, ANDREA. "humanscape," Leonardo 37, No. 4 (2004).

DUNKLEY, WAYNE. "Creating Space: Web Art Practice," Leonardo 38, No. 4 (2005).

DUNLOP, MAC, and JENKINS, NEIL. "The Orbital Poetry Engine," Leonardo 36, No. 4 (2003).

DUNN, DAVID D., and CRUTCHFIELD, JAMES P. "Entomogenic Climate Change: Insect Bioacoustics and Future Forest Ecology," in Special Section "Lovely Weather: Art and Climate Change," Leonardo 42, No. 3 (2009).

DUNN, JOHN, and CLARK, MARY ANNE." Life Music: The Sonification of Proteins," Leonardo 32, No. 1 (1999).

DUPRAT, HUBERT, and BESSON, CHRISTIAN. "The Wonderful Caddis Worm: Sculptural Work in Collaboration with Trichoptera," Leonardo 31, No. 3 (1998).

DUQUE, ALEJANDRO. "New Media as Resistance: Colombia," Leonardo 34, No. 4 (2001).

DURINGER, JACOB. "The Evolution of the Musical Keyboard," Leonardo Music Journal 7 (1997).

DYMOND, ERIC. "The Doorway," Leonardo 31, No. 4 (1998).

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EASTLEY, MAX. "Wind Flutes Urban," LMJ CD Companion Note, Leonardo Music Journal 11 (2001).

EBER, DENA. Special Section Introduction: "Art and Culture Papers from N-Space: The SIGGRAPH 2001 Art Gallery," in Special Section "SIGGRAPH Art and Culture Program," Leonardo 35, No. 4 (2002).

EBERT, DAVID S., and BAILEY, DAN. "A Collaborative and Interdisciplinary Computer Animation Course," in Special Section "SIGGRAPH Educators Program," Leonardo 35, No. 1 (2002).

EDELSTEIN, PHIL. "Sonic Objects, Resonance and Chaotics," Leonardo Music Journal 22 (2012).

EDMONDS, ERNEST. Introduction, in Special Section "'Creativity and Cognition'" Conference Papers, Leonardo 28, No. 3 (1995).

EDMONDS, ERNEST, and CANDY, LINDA. "Relating Theory, Practice and Evaluation in Practitioner Research," Leonardo 43, No. 5 (2010).

EDMONDS, ERNEST. "Research on and from within Creative Practice," Editorial, Leonardo 40, No. 4 (2007).

EDMONDS, ERNEST. "Structure in Art Practice: Technology as an Agent for Concept Development," in Special Section "Creativity and Cognition," Leonardo 35, No. 1 (2002).

EDMONDS, ERNEST, and LEGGETT, MIKE. "How Artists Fit Into Research Processes," in Special Section "Transactions," Leonardo 43, No. 2 (2010).

ELAVER, RICHARD. Introduction, in Special Issue SIGGRAPH 2010 Art Papers and TouchPoint Art Gallery, Leonardo 43, No. 4 (2010).

ELDRED, DALE. "Light + Time Labyr and Color/Light/Memory II," Gallery Section, Leonardo 28, No. 4 (1995).

ELIAS, ANN. "Campaigners for Camouflage: Abbott H. Thayer and William J. Dakin," Leonardo 42, No. 1 (2009).

ELIAS, HERLANDER. "Net Work on Network," Leonardo 37, No. 3 (2004).

ELKINS, JAMES. "Response to Tomas Garcia Salgado," Leonardo 29, No. 1 (1996).

ELSENAAR, ARTHUR. "Electric Eigen Portraits, Face Shift," in Biologic Art Gallery, Special Issue SIGGRAPH 2009 Art Papers and Biologic Art Gallery, Leonardo 42, No. 4 (2009).

ELSENAAR, ARTHUR, and SCHA, REMKO. "Electric Body Manipulation as Performance Art: A Historical Perspective," Leonardo Music Journal 12 (2002).

ELTON, MATTHEW. "Artificial Creativity," in Special Section "'Creativity and Cognition'" Conference Papers, Leonardo 28, No. 3 (1995).

EMELIANOFF, LAURA. "The Transfigured Instrument: Player Piano," Leonardo Music Journal 17 (2007).

EMMER, MICHELE. "Can Ideas and Words Be Useful?," Leonardo 35, No. 1 (2002).

EMMER, MICHELE. "A Film on Leonardo da Vinci by Luciano Emmer," in Special Section "Leonardo Celebrates Leonardo da Vinci," Leonardo 42, No. 5 (2009).

EMMER, MICHELE. "Homage to Escher," Leonardo 33, No. 1 (2000).

EMMER, MICHELE. "Mathematicians: The New Artists?," Leonardo 32, No. 3 (1999).

EMMER, MICHELE. "Only Bombs Are Intelligent?," Leonardo 33, No. 2 (2000).

EMMER, MICHELE. Editorial: "The Role of Artists and Scientists in Times of War: A Renewed Call for Papers," Leonardo 38, No. 3 (2005) .

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EMMER, MICHELE. Special Section Introduction: "Artists and War: Answers?," Leonardo 34, No. 1 (2001).

EMMERSON, SIMON. "Intermodulation: Performants," LMJ CD Companion Note, Leonardo Music Journal 11 (2001).

ENGELHARDT, PHILIPP. "Hildapromenade 4," in Tracing Home Art Gallery, Special Issue SIGGRAPH 2011 Art Papers and Tracing Home Art Gallery, Leonardo 44, No. 4 (2011).

ENGELI, MAIA. Review of Ars Electronica 2003: CODE---The Language of our Time, Leonardo 37, No. 3 (2004).

ENGELI, MAIA. Review of Artmedia VIII, Leonardo 36, No. 4 (2003).

ENGELI, MAIA. Review of Design Research: Methods and Perspectives, edited by Brenda Laurel, Leonardo 38, No. 3 (2005).

ENGELI, MAIA. Review of Rules of Play: Game Design Fundamentals by Katie Salen and Eric Zimmerman, Leonardo 37, No. 5 (2004).

ENGLISH. "Maribel (or Butch Firbank)," LMJ20 CD Contributor's Note, Leonardo Music Journal 20 (2010).

ENNS, ANTHONY. Review of Constant, Avant le Départ, directed by Maarten Schmidt and Thomas Doebele, Leonardo 41, No. 2 (2008).

ENNS, ANTHONY. Review of Digital Contagions: A Media Archaeology of Computer Viruses by Jussi Parikka, Leonardo 43, No. 3 (2010).

ENNS, ANTHONY. Review of Ghosts of Futures Past: Spiritualism and the Cultural Politics of Nineteenth-Century America by Molly McGarry, Leonardo 43, No. 1 (2010).

ENNS, ANTHONY. Review of The Parasite by Michel Serres, Leonardo 42, No. 2 (2009).

ENNS, ANTHONY. Review of The Perfect Medium: Photography and the Occult, exh. cat. by Clément Chéroux et al., Leonardo 39, No. 3 (2006).

ENNS, ANTHONY. Review of A Small World: Smart Houses and the Dream of the Perfect Day by Davin Heckman, Leonardo 43, No. 2 (2010).

ENSDORF, MICHAEL. "FirstPhoto," Gallery Section, Leonardo 28, No. 2 (1995).

EPURÉ, SHERBAN. "An Artist's Journey in Art and Science: From behind the Iron Curtain to Present-Day America," Leonardo 39, No. 5 (2006).

ERSKINE, PETER. "Secrets of the Sun in Los Angeles," in Special Section "SolArt Global Network," Leonardo 28, No. 2 (1995).

ESKANDAR, XÁRENE. "Artifacts from a Parallel Universe: Tentative Artchitecture of Other Earth_Coastline Inhabitants," in Biologic Art Gallery, Special Issue SIGGRAPH 2009 Art Papers and Biologic Art Gallery, Leonardo 42, No. 4 (2009).

ESKILSON, STEPHEN. "Thomas Wilfred and Intermedia: Seeking a Framework for Lumia," Leonardo 36, No. 1 (2003).

ESKINAZI, S. "Numerical Modeling of Color," Leonardo 29, No. 1 (1996).

ESPINOSA, PATRICIA. "Meta-Fly," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).

ESQUIVEL, IVÁN. "Number and RGB," Gallery Section, Leonardo 35, No. 4 (2002).

ESTÉVEZ, ALBERTO T. "The Genetic Creation of Bioluminescent Plants for Urban and Domestic Use,"Leonardo 40, No. 1 (2007).

ETXEBERRIA, ARANTZA. "Artificial Evolution and Lifelike Creativity," in Special Section "A-Life in Art, Edutainment, Games and Research," Leonardo 35, No. 3 (2002).

EVELEV, YALE. "A Nonmusician's Life in Music," Leonardo Music Journal 12 (2002).

FABO, SABINE. Review of "Documenta X" (exhibition), Leonardo 31, No. 4 (1998).

FABRIS, ANNATERESA. "Waldemar Cordeiro: Computer Art Pioneer," in Special Section "A Radical Intervention: The Brazilian Contribution to the International Electronic Art Movement," Leonardo 30, No. 1 (1997).

FAGES, FERRAN. "DESTENS," LMJ17 CD Contributor's Note, Leonardo Music Journal 17(2007).

FAIGUENBOIM, IRENE. "Digital Generation," Leonardo 29, No. 4 (1996).

FAMILARA, AILEEN. "Gulo sa Bahay," Gallery Section, Leonardo 35, No. 3 (2002).

FANE, Lawrence. "The Invented World of Mariano Taccola: Revisiting a Once-Famous Artist-Engineer of 15th-Century Italy," Leonardo 36, No. 2 (2003).

FARBROOK, JOSEPH. "Strata-Caster," in Special Issue SIGGRAPH 2010 Art Papers and TouchPoint Art Gallery, Leonardo 43, No. 4 (2010).

FARLEY, KATHRYN; NITSCHE, MICHAEL; BOLTER, JAY; and MACINTYRE, BLAIR. "Augmenting Creative Realities: The Second Life Performance Project," in Special Section "Transactions," Leonardo 42, No. 1 (2009).

f.a.s.t. "dreams of waking," LMJ20 CD Contributor's Note, Leonardo Music Journal 20 (2010).

FATHAUER, ROBERT. "Bats and Owls and Fractal Masks," Leonardo 33, No. 1 (2000).

FAYARD, ANNE-LAURE, and WILSON, AILEEN. "building_space_with_words: An Interactive Multimedia Installation Exploring The Relationship Between Physical And Virtual Space," Leonardo 43, No. 3 (2010).

FEATHER, NEIL. "Former Guitars and Cocolinas," Leonardo Music Journal 17(2007).

FEDOTOV, VLADIMIR M. "Polyphony in the Paintings of M. K. Ciurlionis," Leonardo 28, No. 1 (1995).

FEI, JAMES. "Faktura," LMJ21 CD Contributor's Note, Leonardo Music Journal 21 (2011).

FEI, JAMES. "Real-Time Prototyping in Live Electronic Music: A Modular Crackle Instrument," Leonardo Music Journal 17 (2007).

FEÏLANE, DORA. "Synesthésies," Leonardo 33, No. 1 (2000).

FEDERMAN, FRANCINE. "The NEXTPITCH Learning Classifier System: Representation, Information Theory and Performance," Leonardo 36, No. 1 (2003).

FEENEY, TIM. "Weakness, Ambience and Irrelevance: Failure as a Method for Acoustic Variety," Leonardo Music Journal 22 (2012).

FEESER, ANDREA, and CRANE, MARGARET. "An Online General Hospital: Constructing an Experience and Representation of Mental Health," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).

FEIJS, LOE. "Divisions of the Plane by Computer: Another Way of Looking at Mondrian's Nonfigurative Compositions," Leonardo 37, No. 3 (2004).

FEINGOLD, KEN. "ERROR 404: File Not Found," Introduction to Net-Works, in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).

FEINGOLD, KEN. "What's the Use?," Introduction to Net-Works, in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).

FELDMAN, DAVID. "Notes on '...still plenty of good music...,'" Leonardo Music Journal 7 (1997).

FELDMAN, DAVID. Review of Self-Similar Melodies, by Tom Johnson, Leonardo Music Journal 8 (1998).

FENN, JOHN. "The Building of Boutique Effects Pedals---The "Where" of Improvisation," Leonardo Music Journal 20 (2010).

FERGUSON, HELAMAN. "Four Canoes: Two Linking Klein Bottles with Hexagon Klein Bottle Plaza," Leonardo 33, No. 1 (2000).

FERGUSON, JOHN ROBERT, and VAN HEUMAN, ROBERT. "Whistle Pig Saloon: Performing Technologies," Leonardo Music Journal 20 (2010).

FERGUSON, THEODOSIA H. "Celebrate Gaia: Aspects of Solar Art," Leonardo 29, No. 1 (1996).

FERNANDES, CARLOS M. "Pherographia: Drawing by Ants," Leonardo 43, No. 2 (2010).

FERNáNDEZ, MARíA. "Gordon Pask: Cybernetic Polymath," in Special Section "REFRESH! Conference Papers," Leonardo 41, No. 2 (2008).

FERNG, JENNIFER. Review of French Theory: How Foucault, Derrida, Deleuze, & Co. Transformed the Intellectual Life of the United States by François Cusset, Leonardo 43, No. 2 (2010).

FERNG, JENNIFER. Review of Grand Designs: Labor, Empire, and the Museum in Victorian Culture by Lara Kriegel, Leonardo 42, No. 2 (2009).

FERNG, JENNIFER. Review of Topologies: The Urban Utopia in France, 1960--1970 by Larry Busbea, Leonardo 42, No. 1 (2009).

FERNG, JENNIFER. Review of Weather by the Numbers: The Genesis of Modern Meteorology by Kristine C. Harper, Leonardo 43, No. 1 (2010).

FERRAN, BRONAC. Introduction: "Creating a Program of Support for Art and Science Collaborations," in Special Section "Arts and Science Research Fellowships," Leonardo 39, No. 5 (2006).

FERRAN, BRONAC. "Sheltering from the Storm: Artistic Residencies and Environmental Crisis," in Special Section "Lovely Weather," Leonardo 45, No. 2 (2012).

FERRARA, ENZO. Review of The Book of the Pharaohs by Pascal Vernus and Jean Yoyotte, Leonardo 37, No. 5 (2004).

FERRARA, ENZO. Review of The Nuclear Comeback, directed by Justin Pemberton, Leonardo 42, No. 5 (2009).

FERRARA, ENZO. Review of Recipes for Disaster by John Webster, The Axe in the Attic by Ed Pincus and Lucia Small and Umbrella by Du Haibin, Leonardo 43, No. 2 (2010).

FERRARA, ENZO. Review of Science, Culture, and Modern State Formation by Patrick Carroll, Leonardo 41, No. 2 (2008).

FERRARA, ENZO. Review of The Wesleyan Anthology of Science Fiction, edited by Arthur B. Evans et al., Leonardo 44, No. 5 (2011).

FERRAZ, FLAVIO. "Money," Leonardo 29, No. 4 (1996).

FERREIRA, PEDRO PEIXOTO. "When Sound Meets Movement: Performance in Electronic Dance Music," Leonardo Music Journal 18 (2008).

FERRIS, MALCOLM. "Wired Worlds," Leonardo 33, No. 2 (2000).

FEYERABEND, PAUL. "Theoreticians, Artists and Artisans," in Special Section "International Workshop on Art and Science," Leonardo 29, No. 1 (1996).

FILLWALK, JOHN. "Final Wisdom I," in Special Issue SIGGRAPH 2010 Art Papers and TouchPoint Art Gallery, Leonardo 43, No. 4 (2010).

FILIMOWICZ, MICHAEL. "Cursor Caressor Eraser," in Special Issue SIGGRAPH 2010 Art Papers and TouchPoint Art Gallery, Leonardo 43, No. 4 (2010).

FILIMOWICZ, MICHAEL. "Intimachines," Leonardo Music Journal 18 (2008).

FIERING, JASON. "Electromagnetic Properties of Pictorial Circuits," Leonardo 34, No. 1 (2001).

FINER, JEM. "Score for a Hole in the Ground," LMJ21 CD Contributor's Note, Leonardo Music Journal 21 (2011).

FIORANI, FRANCESCA. "The Colors of Leonardo's Shadows," in Special Section "Leonardo Celebrates Leonardo da Vinci," Leonardo 41, No. 3 (2008).

FIRST, DAVID. "It's for You: Muddy Waters' 'Long Distance Call' and How Delta Blues Re-Set the Controls for the Heart of the Earth," Leonardo Music Journal 22 (2012).

FIRST, DAVID. "The Music of the Sphere: An Investigation into Asymptotic Harmonics, Brainwave Entrainment, Gestural Improvisation, and the Earth as a Giant Bell," Leonardo Music Journal 13 (2003).

FISCHER, HERVÉ. "A Crisis in Contemporary Art?," Leonardo 33, No. 1 (2000).

FISCHMAN, RAJMIL. "Global Village---Local Universe," Leonardo Music Journal 9 (1999).

FISHER, EBON. "Wigglism: A Philosophoid Entity Turns Ten," Leonardo 40, No. 1 (2007).

FISHWICK, PAUL A. "Aesthetic Programming: Crafting Personalized Software," Leonardo 35, No. 4 (2002).

FISHWICK, PAUL A. "A Decade of Digital Arts and Sciences at the University of Florida," Leonardo 45, No. 3 (2012).

FISHWICK, PAUL A. Introduction to Donna Cox, "Using the Supercomputer to Visualize Higher Dimensions: An Artist's Contribution to Scientific Visualization," in Special Section "From the Leonardo Archive," Leonardo 41, No. 4 (2008).

FISHWICK, PAUL; DIEHL, STEPHAN; PROPHET, JANE; and LÖWGREN, JONAS. "Perspectives on Aesthetic Computing," Leonardo 38, No. 2 (2005).

FISHWICK, PAUL, ET AL. "Aesthetic Computing Manifesto," Leonardo 36, No. 4 (2003).

FLANNERY, MAURA C. "Images of the Cell in Twentieth-Century Art and Science," Leonardo 31, No. 3 (1998).

FLANNERY, MAURA C. "Jellyfish on the Ceiling and Deer in the Den: The Biology of Interior Decoration," Leonardo 38, No. 3 (2005) .

FLASH LIGHT. "Anubis Studies Genetic Engineering," Leonardo 28, No. 4 (1995).

FLEJTER, RAFAL. "Bridge Vibrations," LMJ16 CD Contributor's Note, Leonardo Music Journal 16 (2006).

FLEVOTOMOS, FOTIS. "Out of Doors: Works of the Listening Eye," in Special Section "Transactions," Leonardo 45, No. 3 (2012).

FLOW MOTION. "Astro Black Morphologies: Music and Science Lovers," in Special Section "Space Art 2004: Science, Technology and the Arts Workshop," Leonardo 39, No. 1 (2006).

FOBES, JOHN E. "Frank Malina and UNESCO: Yesterday, Today and Tomorrow," Leonardo 35, No. 4 (2002).

FONTANA, BILL. "The Relocation of Ambient Sound: Urban Sound Sculpture," in Special Section "From the Leonardo Archive," Leonardo 41, No. 2 (2008).

FOREST, FRED. "Against Official Contemporary Art, For an Art of the Present," Leonardo 29, No. 2 (1996).

FORESTA, DON, with BARTON, JONATHAN. "The Souillac Charter for Art and Industry: A Framework for Collaboration," with Introductions by Don Foresta and Fernando Lagraña, Leonardo 31, No. 3 (1998).

FOST, J.W. "Toward the Glass Bead Game: A Rhetorical Invention," Leonardo 37, No. 3 (2004).

FOSTER, CHRIS. "Crinklage: A New Art Process," Leonardo 32, No. 2 (1999).

FOSTER, CHRIS. "Three Colors: Coomassie Brilliant Blue, Sudan I and Somalia Yellow," in Special Section "Transactions," Leonardo 44, No. 1 (2011).

FOSTER, JONATHAN, LIN, ANGELA and EDMONDS, ERNEST "We Don't Do Google, We Do Massive Attacks: Notes on Creative R&D Collaborations," in Special Section "Transactions," Leonardo 43, No. 1 (2010).

FOURMENTRAUX, JEAN-PAUL. "Governing Artistic Innovation: An Interface among Art, Science and Industry," Leonardo 40, No. 5 (2007).

FOURMENTRAUX, JEAN-PAUL. "Internet Artworks, Artists and Computer Programmers: Sharing the Creative Process," Leonardo 39, No. 1 (2006).

FOWLER, MICHAEL. "Reading John Cage's Variations III as a Process for Generating Proto-Architectural Form," Leonardo 45, No. 1 (2012).

FOWLER, MICHAEL. "Transmediating a Japanese Garden through Spatial Sound Design," Leonardo Music Journal 21 (2011).

FOWLER-SMITH, LOUISE. "Hindu Tree Veneration as a Mode of Environmental Encounter," in Special Section "Lovely Weather: Art and Climate Change," Leonardo 42, No. 1 (2009).

FOX, BRUCE CANA. "Drum Circle Instruments," Leonardo Music Journal 17 (2007).

FOX-GIEG, NICK, and SCHEDEL, MARGARET. "In Strange Paradox: Rationalizing Improvisation," Leonardo Music Journal 20 (2010).

FRÉMIOT, MARCEL. "Same Period, Same Problems?," Leonardo 32, No. 3 (1999).

FRANCE, MICHEL MENDÈS. "Do All Roads Really Lead to CD-ROM?," Leonardo 32, No. 4 (1999).

FRANKE, HERBERT W. "The Latest Developments in Media Art," Leonardo 29, No. 4 (1996).

FRANKE, HERBERT. "Commentary," Leonardo 36, No. 5 (2003).

FRANKLIN, DONNA. "Fibre Reactive," in Gallery "Coded Cloth: A 21st-Century Revolution in Art, Fashion and Design," Leonardo 42, No. 5 (2009).

FRANKLIN, MARJORIE. "Digital Blood," Leonardo 31, No. 4 (1998).

FRASCONI, MIGUEL. "Transverse Crescent (Revised)," LMJ22 CD Contributor's Note, Leonardo Music Journal 22 (2012).

FRASCONI, MIGUEL. "Two Glasses," LMJ22 CD Contributor's Note, Leonardo Music Journal 22 (2012).

FRATZESKOU, EUGENIA. Review of Frameworks, Artworks, Place: The Space of Perception in the Modern World, edited by Tim Mehigan, Leonardo 42, No. 1 (2009).

FRATZESKOU, EUGENIA. "Inventing New Modes of Digital Visualisation in Contemporary Art," in Special Section "Transactions," Leonardo 41, No. 4 (2008).

FRATZESKOU, EUGENIA. Review of YLEM Vol. 27, Nos. 10 & 12, Leonardo 42, No. 1 (2009).

FREEMAN, JASON. "Bringing Instrumental Musicians into Interactive Music Systems through Notation," Leonardo Music Journal 21 (2011).

FREEMAN, JASON. "Collaborative Creation, Live Performance and Flock," Leonardo Music Journal 18 (2008).

FREEMAN, JASON. "Graph Theory: Linking Online Musical Exploration to Concert Hall Performance," in Special Section "Transactions," Leonardo 41, No. 1 (2008).

FREEMAN, JASON; DISALVO, CARL; NITSCHE, MICHAEL; and GARRETT, STEPHEN. "Rediscovering the City with UrbanRemix," Leonardo 45, No. 5 (2012).

FREIRE, SÉRGIO. "Early Musical Impressions from Both Sides of the Loudspeaker," Leonardo Music Journal 13 (2003).

FRICKS, DAVID. "Celebration of the Great Red Spot (GRS 79)," Leonardo 30, No. 2 (1997).

FRIEDL, REINHOLD. "Some Sado-Masochistic Aspects of Musical Pleasure," Leonardo Music Journal 12 (2002).

FRIEDLANDER, PAUL. "Dark Matter," Leonardo 32, No. 3 (1999).

FRIEDMAN, ALAN J. "Summary: Five Solutions to Intellectual Property Issues in a Digital Age," in Special Section "A Conference on Intellectual Property Rights and the Arts: The Impact of New Technologies, Part II," Leonardo 29, No. 4 (1996).

FRIEDRICH, MANFRED. "Polarization Microscopy as an Art Tool: Border Crossing between Art and Nature," Leonardo 36, No. 3 (2003).

FRIEDRICH, VERENA. "TRANSDUCERS," in Biologic Art Gallery, Special Issue SIGGRAPH 2009 Art Papers and Biologic Art Gallery, Leonardo 42, No. 4 (2009).

FRITH, CHRIS, and LAW, JOHN. "Cognitive and Physiological Processes Underlying Drawing Skills," in Special Section "'Creativity and Cognition'" Conference Papers, Leonardo 28, No. 3 (1995).

FRITZ, DARKO. "Vladimir Bonacic: Computer-Generated Works Made within Zagreb's New Tendencies Network (1961-1973)," in Special Section "REFRESH! Conference Papers," Leonardo 41, No. 2 (2008).

FRIZ, ANNA. "Our Domestic Radiation II: St. Clarens and Paton," LMJ20 CD Contributor's Note, Leonardo Music Journal 20 (2010).

FROST, CHARLOTTE. "Art History 2.0?," in Special Section "Digital Continuities," Leonardo 45, No. 5 (2012).

FRYER, FINLEY. "The Plastic Chapel," Leonardo 36, No. 5 (2003).

FUCHS, VALERIE SULLIVAN. "The In Finite Earth," Leonardo 33, No. 4 (2000).

FUJII, RYOZO. "Skin Colors and Patterns in Fish," in Special Section "Art and Biology," Leonardo 31, No. 1 (1998).

FULLER, TED, et al. "Rethinking Business Models as Value Creating Systems," in Special Section "Transactions,"Leonardo 43, No. 1 (2010).

FULLER SNYDER, ALLEGRA, with VESNA, VICTORIA. "Education Automation on Spaceship Earth: Buckminster Fuller's Vision---More Relevant than Ever," in Special Section "The Planetary Collegium: Towards the Radical Reconstruction of Art Education," Leonardo 31, No. 4 (1998).

FULLMAN, ELLEN. "A Compositional Approach Derived from Material and Ephemeral Elements," Leonardo Music Journal 22 (2012).

FUNG, KAI-HUNG. "Artwork Using 3D Computed Tomography: Extending Radiology into the Realm of Visual Art," Leonardo 39, No. 3 (2006).

FUNG, KAI-HUNG. "Creating Special Visual Effects with Moiré Patterns in Stereoscopic 3D and 4D Computed Tomographic Art," in Special Section "Transactions," Leonardo 43, No. 3 (2010).

FUNG, KAI-HUNG. "The Rainbow Technique: An Innovative Approach to the Artistic Presentation of 3D Computed Tomography," Leonardo 39, No. 2 (2006).

FURKA, ÁRPÁD. "How to Prepare a Cornucopia of New Substances," in Special Section "Art and Biology," Leonardo 31, No. 1 (1998).

GA, ZHANG. "The China Container," Container Culture section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).

GABRIEL, MARTHA CARRER CRUZ. "Voice Mosaic---Talking to the Web," in Special Section "Transactions," Leonardo 41, No. 2 (2008).

GAETANO, PAULA. "Alexitimia," VIDA Gallery, Leonardo 41, No. 1, (2008).

GAGNON, JEAN, and DEPOCAS, ALAIN. Special Section Introduction: "Documentation and Conservation of the Media-Arts Heritage (DOCAM)," Leonardo 40, No. 2 (2007).

GALANTER, PHILIP, and LEVY, ELLEN K. "Complexity," Gallery Section, Leonardo 36, No. 4 (2003).

GALEYEV, BULAT M. "Bright Heads of Bright People," Abstract, Leonardo 27, No. 1 (1994).

GALEYEV, BULAT M. "Evolution of Gravitational Synesthesia in Music: To Color and Light!" Leonardo 36, No. 2 (2003).

GALEYEV, BULAT M. "Georgy Gidoni: Another Renascent Name," Leonardo 33, No. 3 (2000).

GALEYEV, BULAT M. "Light from an Extinct Star: Music and Technology in the Former Soviet Union," Leonardo 28, No. 1 (1995).

GALEYEV, BULAT M. "Light and Shadows of a Great Life: In Commemoration of the One Hundredth Anniversary of the Birth of Leon Theremin," in Special Section "Leon Theremin, Pioneer of Electronic Art," Leonardo Music Journal 6 (1996).

GALEYEV, BULAT. "Mikhail Matyushin's Contribution to Synthetic Art," Leonardo 38, No. 2 (2005).

GALEYEV, BULAT M. "Melody Drawing Transformation," in Special Section "Leon Theremin, Pioneer of Electronic Art," Leonardo Music Journal 6 (1996).

GALEYEV, BULAT M. "The Nature and Functions of Synesthesia in Music," Leonardo 40, No. 3 (2007).

GALEYEV, BULAT M. "Open Letter on Synesthesia," Leonardo 34, No. 3 (2001).

GALEYEV, BULAT M. "Open Letter to Ray Bradbury," Leonardo 34, No. 1 (2001).

GALEYEV, BULAT M. "Russian Conference on Computer Art," Leonardo 27, No. 1 (1994).

GALEYEV, BULAT M. "Russians Leave Europe," Leonardo 31, No. 2 (1998).

GALEYEV, BULAT M. "The Singing Shamail: A Computer Sound Installation," Leonardo 40, No. 5 (2007).

GALEYEV, BULAT M. Review of Creative Interpretation of the Cosmos by E.A. Magnitskaya, Leonardo 33, No. 4 (2000).

GALEYEV, BULAT M. Review of The International "Ost-Ranenie" Festival, Leonardo 28, No. 1 (1995).

GALEYEV, BULAT M. Review of Kineticism, by V.F. Koleychuk, Leonardo 29, No. 2 (1996).

GALEYEV, BULAT M. Review of The Modern Technology of Communication (The Humanitarian Aspects of Telecommunication), Leonardo 28, No. 1 (1995).

GALEYEV, BULAT. Review of Musical-Aesthetic Education: Synesthesia and Complex Influence of Arts by N. Kolyadenko, Leonardo 38, No. 3 (2005) .

GALEYEV, BULAT M. Review of Psychology of Color, compiled by S.L. Udovik, Leonardo 33, No. 4 (2000).

GALEYEV, BULAT M. Reviews of Road to Pleiades, by Yury Linnik, and Crystal of Aquarius, Leonardo 31, No. 4 (1998).

GALEYEV, BULAT M. Review of Russian Cosmism and the Russian Avant-Garde by Yury Linnik, Leonardo 34, No. 1 (2001).

GALEYEV, BULAT M., and CHUDNOVSKY, VLADIMIR G. (compilers). Bibliography: Recent Russian Books on Art, Science and Technology (1994--1996), Leonardo 31, No. 2 (1998).

GALEYEV, BULAT M., and VANECHKINA, I.L. "Was Scriabin a Synesthete?," Leonardo 34, No. 4 (2001).

GALINDO-GAL*IN DOG, GUILLERMO. "MAIZ: A Cybertotemic Instrument," Leonardo Music Journal 17 (2007).

GAMPER, DAVID with OLIVEROS, PAULINE. "A Performer-Controlled Live Sound-Processing System: New Developments and Implementations of the Expanded Instrument System," Leonardo Music Journal 8 (1998).

GANCHROW, RAVIV. "Perspectives on Sound-Space: The Story of Acoustic Defense," Leonardo Music Journal 19 (2009).

GARCÍA, ESTEBAN and WHITTINGHILL, DAVID. "Art And Code: The Aesthetic Legacy of Aldo Giorgini," Art Paper, in Special Issue SIGGRAPH 2011 Art Papers and Tracing Home Art Gallery, Leonardo 44, No. 4 (2011).

GARCÍA-SALGADO, TOMÁS. "The Reverse Outlining Perspective of Leonardo's Last Supper and Its Image Formation," in Special Section "Leonardo Celebrates Leonardo da Vinci," Leonardo 41, No. 2 (2008).

GARRETT, RICHARD. "The Davis Instruments Vantage Pro Weather Station," Leonardo Music Journal 17 (2007).

GARDINER, JEREMY. "The Isle of Purbeck," in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).

GAROIAN, CHARLES R., and MATHEWS, JOHN D. "A Common Impulse in Art and Science," Leonardo 29, No. 4 (1996).

GAROUSI, MEHRDAD. "The Postmodern Beauty of Fractals," Leonardo 45, No. 1 (2012).

GARTEL, LAWRENCE M. "Nuvo Japonica," Abstract, Leonardo 28, No. 1 (1995).

GARVEY, GREGORY P. "Life Drawing and 3D Figure Modeling with MAYA: Developing Alternatives to Photo-Realistic Modeling," in Special Section "SIGGRAPH Educators Program," Leonardo 35, No. 3 (2002).

GARVEY, GREGORY P. "The Split-Brain Human Computer User Interface," in Special Section "Creativity and Cognition," Leonardo 35, No. 3 (2002).

GATES, JEFF. "Art for the Information Age: The In Our Path and ArtFBI Web Sites," Leonardo 29, No. 4 (1996).

GAUMÉ, LUIS ÁLVAREZ. "Riddles in Fundamental Physics," in Special Section "The Physics of Aesthetics," Leonardo 41, No. 3 (2008).

GAUTHIER, HÉLÈNE. "Reflections of a Sculptor," Leonardo 33, No. 2 (2000).

GAUTHIER, PHILIPPE-AUBERT, and PASQUIER, PHILIPPE. "Auditory Tactics: A Sound Installation In Public Space Using Beamforming Technology," Leonardo 43, No. 5 (2010).

GE, DONGYA, and LI, YIXUE. "songs of genes, by genes, for genes," in Special Section "Transactions," Leonardo 45, No. 1 (2012).

GEESIN, RON. Duet for One String Banjo and Water Cistern, LMJ CD Companion Note, Leonardo Music Journal 11 (2001).

GEIGER, JORDAN. "Entr'acte," Leonardo Special Issue: SIGGRAPH 2012 Art Papers and In Search of the Miraculous Gallery, Leonardo 45, No. 4 (2012).

GEMEINBOECK, PETRA, et al. "ON TRACK: A Slippery Mechanic-Robotic Performance," in Special Section "Transactions," Leonardo 43, No. 5 (2010).

GEMTOU, ELENI. "Depictions of Sunsets as Information Sources," Leonardo 44, No. 1 (2011).

GEORGE, PHILLIP. "Mnemonic Notations: A Decade of Art Practice within a Digital Environment," Leonardo 35, No. 2 (2002).

GESSERT, GEORGE. "Art and Biology Bibliography," in Special Section "Art and Biology," Leonardo 30, No. 3 (1997).

GESSERT, GEORGE. "Art and Biology," Leonardo 30, No. 3 (1997).

GESSERT, GEORGE. "Bastard Flowers," Leonardo 29, No. 3 (1996).

GESSERT, GEORGE. "Gathered from Coincidence: Reflections on Art in a Time of Global Warming," Leonardo 40, No. 3 (2007).

GESSERT, GEORGE. "The Rainforests of Domestication: Ornamental Gardens as Sites of Maximum Genetic Diversity among Domesticated Plants," Leonardo 30, No. 2 (1997).

GESSERT, GEORGE. Obituary for William S. Burroughs, Leonardo 31, No. 3 (1998).

GESSERT, GEORGE. Review of American Monster by Paul Semonin, Leonardo 34, No. 4 (2001).

GESSERT, GEORGE. Review of Art Journal Special Issue: "Contemporary Art and the Genetic Code," Guest edited by Ellen K. Levy, with Berta M. Sichel, Leonardo 30, No. 1 (1997).

GESSERT, GEORGE. Review of Crumple, the Status of Knuckle by Dave Cooper, Leonardo 36, No. 3 (2003).

GESSERT, GEORGE. Review of Enough by Bill McKibben, Leonardo 37, No. 4 (2004).

GESSERT, GEORGE. Review of The Molecular Gaze by Suzanne Anker and Dorothy Nelkin, Leonardo 38, No. 1 (2005).

GESSERT, GEORGE. Review of One River: Explorations and Discoveries in the Amazon Rain Forest, by Wade Davis, Leonardo 31, No. 2 (1998).

GESSERT, GEORGE. Review of Oryx and Crake by Margaret Atwood, Leonardo 37, No. 5 (2004).

GESSERT, GEORGE. Review of The Tulip by Anna Pavord, Leonardo 34, No. 3 (2001).

GESSERT, GEORGE. Review of Unnatural Wonders: Essays from the Gap between Art and Life by Arthur C. Danto, Leonardo 41, No. 4 (2008).

GHAZALA, QUBAIS REED. "The Folk Music of Chance Electronics: Circuit-Bending the Modern Coconut," Leonardo Music Journal 14 (2004).

GIACCARDI, ELISA. "Metadesign as an Emergent Design Culture," i>Leonardo
38, No. 4 (2005).

GIACCARDI, ELISA, and CANDY, LINDA. Special Section Introduction: "Creativity and Cognition 2007: Materialities of Creativity," Leonardo 42, No. 3 (2009).

GIANNACHI, GABRIELLA. "Representing, Performing and Mitigating Climate Change in Contemporary Art Practice," in Special Section "Environment 2.0," Leonardo 45, No. 2 (2012).

GIBSON, JOHN. "sLowlife: Sonification of Plant Study Data," Leonardo Music Journal 16 (2006).

GIDDY, ALLAN. "Hours Remaining in the Life of Allan Giddy," Leonardo 31, No. 2 (1998).

GIGES, BOB, and WARBURTON, EDWARD C. "From Router to Front Row: Lubricious Transfer and the Aesthetics of Telematic Performance," Leonardo 43, No. 1 (2010).

GIGLIOTTI, CAROL. "Aesthetics of a Virtual World," in Special Section "The Fourth International Symposium on Electronic Art (FISEA) Symposium Papers," Leonardo 28, No. 4 (1995).

GIGLIOTTI, CAROL. "Bridge To, Bridge From: The Arts, Technology and Education," in Special Section "The Planetary Collegium: Towards the Radical Reconstruction of Art Education," Leonardo 31, No. 2 (1998).

GILBERT, SCOTT F. and BRAUCKMANN, SABINE. "Fertilization Narratives in the Art of Gustav Klimt, Diego Rivera and Frida Kahlo: Repression, Domination And Eros among Cells," Leonardo 44, No. 3 (2011).

GILES, JENNE, and BONHAM, PHILIP. "The Ribcage," Leonardo 36, No. 5 (2003).

GILLARD, DAN. "The Theremin Enthusiasts Club International," in Special Section "Leon Theremin, Pioneer of Electronic Art," Leonardo Music Journal 6 (1996).

GILLERMAN, JOANN. "The Sun Drops Its Torch; EROS INterACTive; AnArchy Partycam," Leonardo 29, No. 4 (1996).

GILSON, MARK. "A Brief History of Japanese Robophilia," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).

GIMZEWSKI, JAMES K. "Nanotechnology: The Endgame of Materialism," in Special Section "Nanotechnology, Nanoscale Science and Art," Leonardo 41, No. 3 (2008).

GINZBURG, CARLOS. "The Neuronal Network of Social Culture and Homo Fractalus," Gallery Section, 34, No. 1 (2001).

GIOMI, FRANCESCO. "The Work of Italian Artist Pietro Grossi: From Early Electronic Music to Computer Art," Leonardo 28, No. 1 (1995).

GIRÃO, LUIS MIGUEL. Review of Near-Death Experiences: Exploring the Mind-Body Connection by Ornella Corazza, Leonardo 42, No. 5 (2009).

GLANVILLE, RANULPH. "Nona Meyeah Teay," LMJ CD Companion Note, Leonardo Music Journal 11 (2001).

GLANVILLE, RANULPH. "Between Now and Then: The Auto-Interview of a Lapsed Musician," Leonardo Music Journal 11 (2001).

GLEESON, MADGE. "Artist's Garden and Illuminated Manuscript," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).

GLENN, WALLY. "The Flaming Zen Garden and the Sands of Fire," in Special Section "The Fire Arts of Burning Man," Leonardo 40, No. 4 (2007).

GLOVER, RICHARD. "Sustained Tones and the Auditory Experience," Leonardo Music Journal 22 (2012).

GLUCK, ROBERT J. "Electric Circus, Electric Ear and the Intermedia Center in Late-1960s New York," Leonardo 45, No. 1 (2012).

GLUCK, ROBERT. "The Shiraz Arts Festival: Western Avant-Garde Arts in 1970s Iran," Leonardo 40, No. 1 (2007).

GOBIN, PASCAL. "Sound Material: A New Reception," Leonardo 32, No. 4 (1999).

GODØY, ROLF INGE. "Motor-Mimetic Music Cognition," Leonardo 36, No. 4 (2003).

GODWIN, WILLIAM; MÄKIRINNE-CROFTS, PÄIVI; and SAADAT, SOHRAB. "Objects in Transition: A Spatial Paradigm for Creative Design," in Special Section "Creativity and Cognition Conference Papers," Leonardo 30, No. 4 (1997).

GOEL, SEEMA. "Wool Is 44% Carbon," in Special Section "Lovely Weather," Leonardo 45, No. 2 (2012).

GOLAN, DORON. "East Window," in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).

GOLDBERG, KEN; PACKER, RANDALL; MATUSIK, WOJCIECH; and KUHN, GREGORY. "Mori: An Internet-Based Earthwork," Leonardo 35, No. 3 (2002).

GOLDEN, KENNETH SEAN. "Cardboard Story," Gallery Section, Leonardo 28, No. 1 (1995).

GOLDES, DAVID. "Untitled (Walk the Dog)," Gallery Section, Leonardo 36, No. 4 (2003).

GOLDING, STEPHEN. "Road to Necropolis," Gallery Section, Leonardo 28, No. 2 (1995).

GOLDSTEIN, LAURENCE. "Reflexivity, Contradiction, Paradox and M. C. Escher," Leonardo 29, No. 4 (1996).

GOMBRICH, ERNST. "Art Is Long. . . .", Editorial, Leonardo 28, No. 4 (1995).

GONZÁLEZ, MARISA. "The Destruction of a Nuclear Plant," Leonardo 41, No. 2 (2008).

GONZALES-DAY, KEN. "Analytical Photography: Portraiture, from the Index to the Epidermis," Leonardo 35, No. 1 (2002).

GOODE, DANIEL. "Juicy Speech Makes Melodies with Computer Voices," Leonardo Music Journal 7 (1997).

GOODEVE, THYRZA NICHOLS. "Houdini's Premonition: Virtuality and Vaudeville on the Internet," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).

GOODMAN, JOEL H. "Architectonic Studies for a Post--Fossil Fuels Culture," in Special Section "SolArt Global Network," Leonardo 28, No. 4 (1995).

GOODSELL, DAVID S. "Fact and Fantasy in Nanotech Imagery," Leonardo 42, No. 1 (2009).

GOODSELL, DAVID S. "Molecules into Cells: Depicting the Cellular Mesoscale," in Special Section "Art and Biology," Leonardo 31, No. 4 (1998).

GOODSELL, DAVID S., and O'DONNELL, T.J. "Molecular Graphics Art Show," Leonardo 30, No. 2 (1997).

GOODYEAR, ANNE COLLINS. "From Technophilia to Technophobia: The Impact of the Vietnam War on the Reception of 'Art and Technology,'" in Special Section "REFRESH! Conference Papers," Leonardo 41, No. 2 (2008).

GORBET, MATT; GORBET, SUSAN LK; and BANERJEE, BANNY. "Collaboration with the Future: An Infrastructure for Art+Technology at the San Jose International Airport," Art Paper, in Special Issue SIGGRAPH 2011 Art Papers and Tracing Home Art Gallery, Leonardo 44, No. 4 (2011).

GORMAN, MICHAEL JOHN. "Art, Optics and History: New Light on the Hockney Thesis," Leonardo 36, No. 4 (2003).

GOSLIN, MIKE, and MORIE, JACQUELYN FORD. "Virtopia: Emotional Experiences in Virtual Environments," Leonardo 29, No. 2 (1996).

GOTO, SUGURU. "The Aesthetics and Technological Aspects of Virtual Musical Instruments: The Case of the Superpolm MIDI Violin," Leonardo Music Journal 9 (1999).

GRACE AND DELETE. "Splittens," LMJ17 CD Contributor's Note, Leonardo Music Journal 17 (2007).

GRAFFIETI, MICHELE et al. "Tell Them Anything but the Truth: They Will Find Their Own. How We Visualized the Map of the Future with Respect to the Audience of Our Story," in Special Section of Leonardo Transactions: Arts, Humanities and Complex Networks, Leonardo 44, No. 3 (2011).

GRAHAM, BERYL. "A Study of Audience Relationships with Interactive Computer-Based Visual Artworks," Leonardo 32, No. 4 (1999).

GRAHAM, LISA. Review of Cold War on the Home Front: The Soft Power of Mid-Century Design by Greg Castillo, Leonardo 44, No. 2 (2011).

GRAINGER, PERCY ALDRIDGE. "Free Music," LMJ CD Companion Note, Leonardo Music Journal 6 (1996).

GRALLERT, MARGOT. "Catching the Light: 'Doing Art' and Education," Leonardo 42, No. 2 (2009).

GRANT-RYAN, PAMELA. "Leonardo Fights Back!: Introduction," Leonardo 33, No. 4 (2000).

GRAU, OLIVER. "Into the Belly of the Image: Historical Aspects of Virtual Reality," in Special Issue "The Seventh Annual New York Digital Salon," Leonardo 32, No. 5 (1999).

GRAU, OLIVER. Review of The Panorama: History of a Mass Medium, by Stephan Oettermann, Leonardo 32, No. 2 (1999).

GRAUBARD, ALLAN. Review of Archeology of Violence by Pierre Clastres, Leonardo 44, No. 5 (2011).

GRAUBARD, ALLEN. Review of Compression & Purity by Will Alexander, Leonardo 45, No. 1 (2012).

GRAUBARD, ALLAN. Review of The Cradle of Humanity: Prehistoric Art and Culture, by Georges Bataille, Leonardo 39, No. 3 (2006).

GRAUBARD, ALLAN. Review of The Edge of Surrealism: A Roger Caillois Reader, edited by Claudine Frank, Leonardo 37, No. 4 (2004).

GRAUBARD, ALLAN. Review of Ghosthunter: A Journey through Haunted France, by Simon Marsden, Leonardo 41, No. 1 (2008).

GRAUBARD, ALLAN. Review of The History of Jungle Gardens, edited by Lisa B. Osborn, Shane K. Bernard and Scott Carroll, Leonardo 45, No. 2 (2012).

GRAUBARD, ALLAN. Review of Invention of Hysteria: Charcot and the Photographic Iconography of the Saltpêtrière by Georges Didi-Huberman, Leonardo 37, No. 2 (2004).

GRAUBARD, ALLAN. Review of Jaroslav Rössler: Czech Avant-Garde Photographer, edited by Vladimir Birgus and Jan Mlcoch, Leonardo 38, No. 1 (2005).

GRAUBARD, ALLAN. Review of Kazuo Ohno's World: From Without and Within by Kazuo Ohno and Yoshito Ohno, Leonardo 38, No. 3 (2005) .

GRAUBARD, ALLAN. Review of Surrealism and Cinema by Michael Richardson, Leonardo 40, No. 3 (2007).

GRAY, D'ARCY PHILIP. "David Tudor in the Late 1980s: Understanding a Secret Voice," Leonardo Music Journal 14 (2004).

GREENE, KATHRYN. "somnambula," "rear mirror," in Gallery Section, Leonardo 28, No. 1 (1995).

GREENFIELD, GARY R. "Evolving Expressions and Art by Choice," Leonardo 33, No. 2 (2000).

GREENFIELD, GARY R. "Simulated Aesthetics and Evolving Artworks: A Coevolutionary Approach," Leonardo 35, No. 3 (2002).

GREENFIELD, GARY R. "The Next Computer Art," Leonardo 32, No. 4 (1999).

GREGORIO, GUILLERMO. "Coplanar 1+2," LMJ21 CD Contributor's Note, Leonardo Music Journal 21 (2011).

GRESHAM-LANCASTER, SCOT. "The Aesthetics and History of the Hub: The Effects of Changing Technology on Network Computer Music," Leonardo Music Journal 8 (1998).

GRESHAM-LANCASTER, SCOT, and SINCLAIR, PETER. "Sonification and Acoustic Environments," Leonardo Music Journal 22 (2012).

GRETHER, REINHOLD. "How the etoy Campaign Was Won: An Agent's Report," Leonardo 33, No. 4 (2000).

GRIFFIN, JOANNA. "Moon Vehicle: Reflections from an Artist-Led Children's Workshop on the Chandrayaan-1 Spacecraft's Mission to the Moon," in Special Section "Reimagining the Moon," Leonardo 45, No. 3 (2012).

GRIGAR, DENE. Review of Close Reading New Media: Analyzing Electronic Media by Jan Van Looy and Jan Baetens, Leonardo 38, No. 1 (2005).

GRIGAR, DENE. Review of Design Thinking: Understanding How Designers Think and Work by Nigel Cross, Leonardo 45, No. 2 (2012).

GRIGAR, DENE. Review of Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation by Steve Dixon, Leonardo 41, No. 3 (2008).

GRIGAR, DENE. Review of Eloquent Images: Word and Image in the Age of New Media, edited by Mary E. Hocks and Michelle R. Kendrick, Leonardo 37, No. 4 (2004).

GRIGAR, DENE. Review of Ex-foliations: Reading Machines and the Upgrade Path by Terry Harpold, Leonardo 43, No. 3 (2010).

GRIGAR, DENE. Review of Grafik Dynamo by Kate Armstrong and Michael Tippett, Leonardo 45, No. 2 (2012).

GRIGAR, DENE. Review of IT Project Proposals: Writing to Win by Paul Coombs, Leonardo 40, No. 1 (2007).

GRIGAR, DENE. Review of Lara Croft: Cyber Heroine, by Astrid Deuber-Mankowsky, Leonardo 39, No. 3 (2006).

GRIGAR, DENE. Review of Mapping Intermediality in Performance by Sarah Bay-Cheng et al., Leonardo 44, No. 3 (2011).

GRIGAR, DENE. Review of Dara Birnbaum: Technology/Transformationi: Wonder Woman by T.J. Demos, Leonardo 44, No. 3 (2011).

GRIGAR, DENE. Review of The Mathematics of Oz by Clifford A. Pickover, Leonardo 36, No. 5 (2003).

GRIGAR, DENE. Review of Matters of Gravity: Special Effects and Supermen in the 20th Century by Scott Bukatman, Leonardo 37, No. 2 (2004).

GRIGAR, DENE. Review of Picturing Extraterrestrials: Alien Images in Modern Culture by John F. Moffitt, Leonardo 37, No. 3 (2004).

GRIGAR, DENE. Review of Re: Skin, edited by Mary Flanagan and Austin Booth, Leonardo 41, No. 4 (2008).

GRIGAR, DENE. Review of Sex, Time and Power: How Women's Sexuality Shaped Human Evolution by Leonard Shlain, Leonardo 37, No. 5 (2004).

GRIGAR, DENE. Review of Shaping Things, by Bruce Sterling, Leonardo 39, No. 5 (2006).

GRIGAR, DENE. Review of Stuff It: The Video Essay in the Digital Age, edited by Ursula Biemann, Leonardo 39, No. 1 (2006).

GRIGAR, DENE. Review of Touch by Laura U. Marks, Leonardo 36, No. 4 (2003).

GRIGAR, DENE. Review of Twisty Little Passages by Nick Montfort, Leonardo 38, No. 2 (2005).

GRIGAR, DENE. Review of Writing Machines by N. Katherine Hayles, Leonardo 36, No. 5 (2003).

GRIGORYAN, LEVON A. "Color-Thermal Associations in Music," Leonardo 28, No. 1 (1995).

GRILLO, Y.A. "When Does Art Become Science and Science Art?," Leonardo 42, No. 1 (2009).

GRIMSHAW, MARK; FAKU, FEYA; and FUTSHANE, MONDE LEX. I Wish You Strength and Inner Peace, CD Contributor's note, Leonardo Music Journal 10 (2000).

GROMALA, DIANE. Review of Where the Action Is: Foundations of Embodied Interaction by Paul Dourish, Leonardo 37, No. 1 (2004).

GROMALA, DIANE. Special Section Introduction: "The SIGGRAPH 2000 Art Gallery," Leonardo 34, No. 2 (2001).

GROSS, MARK D., and DO, ELLEN YI-LUEN. "Educating the New Makers: Cross-Disciplinary Creativity," in Special Section "Creativity and Cognition 2007," Leonardo 42, No. 3 (2009).

GROSSBERGER-MORALES, LUCIA. "Sangre Boliviana," Leonardo 28, No. 4 (1995).

GUARDANS, RAMON, and CZEGLÉDY, NINA. "Oriented Flows: The Molecular Biology and Political Economy of the Stew," Leonardo 42, No. 2 (2009).

GÜDÜKBAY, UGUR; EROL, FATIH; and ERDOGAN, NEZIH. "Beyond Tradition and Modernity: Digital Shadow Theater," Leonardo 33, No. 4 (2000).

GUESDON, CÉLINE. "Toward a New Kind of Image: Photosynthegraphy," Leonardo 39, No. 3 (2006).

GUIGUE, DIDIER. "Aquele que ficou sozinho," CD Contributor's note, Leonardo Music Journal 10 (2000).

GUILLEMIN, ROGER. "Similarities and Contrasts in the Creative Processes of the Sciences and the Arts," in Special Section: ArtScience: The Essential Connection, Leonardo 43, No. 1 (2010).

GUNN, TIMOTHY. "The Effects of New Technologies on Independent Film and Video Artists," in Special Section "A Conference on Intellectual Property Rights and the Arts: The Impact of New Technologies, Part II," Leonardo 29, No. 4 (1996).

GUNNING, TOM. Review of Jean Desmet and the Early Dutch Film Trade by Ivo Blom, Leonardo 38, No. 2 (2005).

GUZAK, KAREN. "Between Geometry and Gesture: Combining Electronic Media with Traditional Artistic Methods," Leonardo 30, No. 1 (1997).

GWIAZDA, HENRY. "Sound Is Not Enough," Leonardo Music Journal 22 (2012).

GYULA, MÁTÉ. "Wire-Brush Electrographic Art," Abstract, Leonardo 28, No. 2 (1995).

HAACKE, HANS. "Condensation Cube," Gallery Section, Leonardo 36, No. 4 (2003).

HACKL, HENDRIK. "The Ammonite Project," Leonardo 36, No. 5 (2003).

HACO. "Pencil Organ '04 (excerpt)," LMJ17 CD Contributor's Note, Leonardo Music Journal 17 (2007).

HADJU, GEORG. "Quintet.net: An Environment for Composing and Performing Music on the Internet," Leonardo 38, No. 1 (2005).

HAGENDOORN, IVAR. "Cognitive Dance Improvisation: How Study of the Motor System Can Inspire Dance (and Vice Versa)," Leonardo 36, No. 3 (2003).

HAMBURGER, PHILIP, and HEPP, EDIT. "Symmetric Venn Diagrams in the Plane: The Art of Assigning a Binary Bit String Code to Planar Regions Using Curves," Leonardo 38, No. 2 (2005).

HAMILTON, ROBERT; SMITH, JEFFREY; and WANG, GE. "Social Composition: Musical Data Systems for Expressive Mobile Music," Leonardo Music Journal 21 (2011).

HAMPSHIRE, SOPHIE. Review of The Jew of Linz, by Kimberly Cornish, Leonardo 32, No. 3 (1999).

HAN, EUNJUNG et al. "Emotion Gesture Art," in Special Section "Transactions," Leonardo 43, No. 3 (2010).

HAN, YOON CHUNG. "One," in Biologic Art Gallery, Special Issue SIGGRAPH 2009 Art Papers and Biologic Art Gallery, Leonardo 42, No. 4 (2009).

HANGAN STEINMAN, DOLORES A., and STEINMAN, DAVID A. "The Art and Science of Visualizing Simulated Blood-Flow Dynamics," Leonardo 40, No. 1 (2007).

HANKWITZ, MOLLY BETH. Review of Unpacking Duchamp: Art in Transit, by Dalia Judovitz, Leonardo 32, No. 3 (1999).

HANKWITZ, MOLLY BETH. Review of WOW'EM (web site), by Kristine Burns, Leonardo 32, No. 3 (1999).

HANKWITZ, MOLLY. Review of The Pyrotechnic Insanitarium: American Culture on the Brink by Mark Dery, Leonardo 33, No. 2 (2000).

HANRAHAN, SIÚN. "An Exploration of How Objectivity Is Practiced in Art," Leonardo 33, No. 4 (2000).

HANSEN, ANNE-MARIE SKRIVER. "Vacuole Robes," in Gallery "Social Fabrics: Wearable + Media + Interconnectivity," Leonardo 42, No. 2 (2009).

HANSEN, DANE; KELLAR, JON; and CROSS, WILLIAM. "Nanotechnology and Silver-Metal Clay for Artisans," in Special Section "Transactions," Leonardo 44, No. 2 (2010).

HANSEN-SMITH, BRADFORD. "Folding Circles Is Wholemovement,"Leonardo 40, No. 2 (2007).

HARDER, HAUKE. "Grigio Uno," LMJ22 CD Contributor's Note, Leonardo Music Journal 22 (2012).

HARDER, HAUKE. "Music on a Long Thin Wire," On-Line Supplement Abstract, Leonardo Music Journal 22 (2012).

HARGITTAI, BALAZS, and HARGITTAI, MAGDOLNA. "The Use of Artistic Analogies in Chemical Research and Education, Part 2," Leonardo 40, No. 4 (2007).

HARGITTAI, ISTVÁN. "Response to Peter van Sommers" (Commentary), Leonardo 31, No. 2 (1998).

HARGITTAI, ISTVÁN. "Something Has Doubled," Leonardo 36, No. 2 (2003).

HARGITTAI, ISTVÁN. Review of Aesthetic Criteria: Gombrich and the Philosophies of Science of Popper and Polanyi, by Sheldon Richmond, Leonardo 30, No. 2 (1997).

HARGITTAI, ISTVÁN. Review of An Encyclopedia of Archetypal Symbolism, Vol. 2: The Body, by George Elder, Leonardo 31, No. 2 (1998).

HARGITTAI, ISTVÁN. Review of Brain Asymmetry, edited by Richard F. Davidson and Kenneth Hugdahl, Leonardo 30, No. 2 (1997).

HARGITTAI, ISTVÁN. Review of Chaos in Wonderland: Visual Adventures in a Fractal World, by Clifford Pickover, Leonardo 30, No. 1 (1997).

HARGITTAI, ISTVÁN. Review of Children Draw Music by I. Vanechkina and I. Trofimova, Leonardo 34, No. 2 (2001).

HARGITTAI, ISTVÁN. Review of Cognition and the Visual Arts, by Robert L. Solso, Leonardo 31, No. 1 (1998).

HARGITTAI, ISTVÁN. Review of Gombrich on Art and Psychology, edited by Richard Woodfield, Leonardo 30, No. 2 (1997).

HARGITTAI, ISTVÁN. Review of Mirrors in Mind, by Richard Gregory, Leonardo 30, No. 4 (1997).

HARGITTAI, ISTVÁN. Review of Nanotechnology, edited by B.C. Crandall, Leonardo 30, No. 3 (1997).

HARGITTAI, ISTVÁN. Review of The Loom of God: Mathematical Tapestries at the Edge of Time, by Clifford A. Pickover, Leonardo 31, No. 2 (1998).

HARGITTAI, ISTVÁN. Review of The Split and the Structure: Twenty-Eight Essays, by Rudolf Arnheim, Leonardo 30, No. 3 (1997).

HARGITTAI, ISTVÁN. Review of Symmetry: Cultural-Historical and Ontological Aspects of Science-Arts Relations: The Natural and Man-Made World in an Interdisciplinary Approach by György Darvas, Leonardo 41, No. 2 (2008).

HARGITTAI, ISTVÁN. Review of Your Future Self: A Journey to the Frontiers of Molecular Medicine, by Hank Whittenmore, Leonardo 32, No. 4 (1999).

HARLE, ROB. Review of Activity-Centered Design: An Ecological Approach to Designing Smart Tools and Usable Systems by Geri Gay and Helene Hembrooke, Leonardo 38, No. 3 (2005).

HARLE, ROB. Review of And While I Have Been Lying Here Perfectly Still: The Saskia Olde Wolbers Files by Philip Monk, Leonardo 43, No. 3 (2010).

HARLE, ROB. Review of Art: Key Contemporary Thinkers, edited by Diarmuid Costello and Jonathan Vickery, Leonardo 41, No. 1 (2008).

HARLE, ROB. Review of The Art of Setting Stones and Other Writings from the Japanese Garden, by Marc Peter Keane, Leonardo 39, No. 3 (2006).

HARLE, ROB. Review of BioDesign #3: The Pangolin's Guide to Bio-Digital Movement in Architecture by Dennis Dollens, Leonardo 44, No. 1 (2011).

HARLE, ROB. Review of Building Stata: The Design and Construction of Frank O. Gehry's Stata Center at MIT, by Nancy E. Joyce, Leonardo 39, No. 1 (2006).

HARLE, ROB. Review of Cutting Code: Software and Sociality by Adrian Mackenzie, Leonardo 41, No. 1 (2008).

HARLE, ROB. Review of D-BA&2: Digital-Botanic Architecture II: eTrees, Digital Nature, & BioArchitecture by Dennis Dollens, Leonardo 44, No. 1 (2011).

HARLE, ROB. Review of Dream Bridges---Traumbrücken, by Wolfdietrich Ziesel, Leonardo 39, No. 2 (2006).

HARLE, ROB. Review of Earth-Mapping: Artists Reshaping Landscape by Edward S. Casey, Leonardo 40, No. 1 (2007).

HARLE, ROB. Review of Enfoldment and Infinity: An Islamic Genealogy of New Media Art by Laura U. Marks, Leonardo 44, No. 5 (2011).

HARLE, ROB. Review of Fantastic Reality: Louise Bourgeois and a Story of Modern Art, by Mignon Nixon, Leonardo 39, No. 5 (2006).

HARLE, ROB. Review of FASTWÜRMS DONKY@NINJA@WITCH: A Living Retrospective, Leonardo 45, No. 2 (2012).

HARLE, ROB. Review of A Field Guide to a New Meta-Field: Bridging the Humanities-Neuroscience Divide, edited by Barbara Maria Stafford, Leonardo 45, No. 3 (2012).

HARLE, ROB. Review of Flatland: The Movie Edition by Edwin A. Abbott, Leonardo 42, No. 1 (2009).

HARLE, ROB. Review of Genes in Development: Re-Reading the Molecular Paradigm, edited by Eva M. Neumann-Held and Christoph Rehmann-Sutter, Leonardo 40, No. 3 (2007).

HARLE, ROB. Review of Gerard Caris: Pentagonismus/Pentagonism, edited by Gregor Jansen and Peter Weibel; Gerard Caris: Art and Mathematics by Gerard Caris and Theresia Kiefer; Tekeningen/Drawings SMA Cahiers; and Pentagonisme/Pentagonism. SMA Cahiers by Gerard Caris, Leonardo 41, No. 4 (2008).

HARLE, ROB. Review of Greening through IT: Information Technology for Environmental Sustainability by Bill Tomlinson, Leonardo 44, No. 2 (2010).

HARLE, ROB. Review of How to Catch a Robot Rat: When Biology Inspires Innovation by Agnès Guillot and Jean-Arcady Meyer, Leonardo 44, No. 3 (2011).

HARLE, ROB. Review of HYLE International Journal for Philosophy of Chemistry, Special Issue: Aesthetics and Visualization in Chemistry, Leonardo 38, No. 1 (2005).

HARLE, ROB. Review of The Imagined World Made Real: Toward a Natural Science of Culture by Henry Plotkin, Leonardo 37, No. 2 (2004).

HARLE, ROB. Review of Impossible Nature: The Art of Jon McCormack, by Jon McCormack, Jon Bird, Alan Dorin and Annemarie Jonson, Leonardo 39, No. 5 (2006).

HARLE, ROB. Review of Interface Fantasy: A Lacanian Cyborg Ontology by André Nusselder, Leonardo 44, No. 1 (2011).

HARLE, ROB. Review of Isamu Noguchi and Modern Japanese Ceramics: A Close Embrace of the Earth by Louise Allison Cort and Bert Winther-Tamaki, Leonardo 37, No. 3 (2004).

HARLE, ROB. Review of Leo Villareal, edited by the San José Museum of Art, Leonardo 44, No. 5 (2011).

HARLE, ROB. Review of Mademoiselle and the Doctor by Janine Hosking, Leonardo 40, No. 2 (2007).

HARLE, ROB. Review of Masterworks of Technology: The Story of Creative Engineering, Architecture and Design, by E.E. Lewis, Leonardo 39, No. 2 (2006).

HARLE, ROB. Review of Monte Grande--What Is Life? directed by Franz Reichle, Leonardo 40, No. 1 (2007).

HARLE, ROB. Review of The Posthuman Condition: Consciousness beyond the Brain by Robert Pepperell, Leonardo 37, No. 4 (2004).

HARLE, ROB. Review of Processing: A Programming Handbook for Visual Designers and Artists by Casey Reas and Ben Fry, Leonardo 41, No. 4 (2008).

HARLE, ROB. Review of The Prosthetic Impulse: From a Posthuman Present to a Biocultural Future, edited by Marquard Smith and Joanne Mora, Leonardo 40, No. 3 (2007).

HARLE, ROB. Review of Rediscovering Aesthetics: Transdisciplinary Voices from Art History, Philosophy, and Art Practice, edited by Francis Halsall, Julia Jansen and Tony O'Connor.

HARLE, ROB. Review of Science, Not Art: Ten Scientists' Diaries, edited by Jon Turney, Leonardo 37, No. 5 (2004).

HARLE, ROB. Review of Science as a Spiritual Practice by Imants Baruss, Leonardo 41, No. 3 (2008).

HARLE, ROB. Review of Sex, Drugs, Einstein, & Elves: Sushi, Psychedelics, Parallel Universes, and the Quest for Transcendence by Clifford A. Pickover, Leonardo 40, No. 1 (2007).

HARLE, ROB. Review of Symmetry 2000: Parts 1 and 2, edited by I. Hargittai and T.C. Laurent, Leonardo 39, No. 3 (2006).

HARLE, ROB. Review of TCP/IP Essentials: A Lab-Based Approach, by Shivendra S. Panwar, Shiwen Mao, Jeong-dong Ryoo and Yihan Li, Leonardo 39, No. 5 (2006).

HARLE, ROB. Review of The Techno-Human Condition by Braden R. Allenby and Daniel Sarewitz, Leonardo 45, No. 3 (2012).

HARLE, ROB. Review of Titan Unveiled: Saturn's Mysterious Moon Explored by Ralph Lorenz and Jacqueline Mitton, Leonardo 42, No. 2 (2009).

HARLE, ROB. Review of Two Bits: The Cultural Significance of Free Software by Christopher M. Kelty, Leonardo 42, No. 3 (2009).

HARLE, ROB. Review of Wenda Gu: Art from Middle Kingdom to Biological Millennium, edited by Mark H.C. Bessire, Leonardo 38, No. 1 (2005).

HARLE, ROB. Review of When Walls Become Doorways: Creativity and the Transforming Illness by Tobi Zausner, Leonardo 41, No. 5 (2008).

HARLE, ROB. Review of YLEM Journal: Artists Using Science and Technology, edited by Loren Means, Leonardo 40, No. 5 (2007).

HARLE, ROB. Review of YLEM Journal: Artists Using Science and Technology, edited by Loren Means, Leonardo 41, No. 5 (2008).

HARLE, ROB. Review of Zones of Re-membering: Time, Memory, and (un)Consciousness by Don Gifford, Leonardo 45, No. 2 (2012).

HARLEY, JAMES. "Generative Processes in Algorithmic Compositions: Chaos and Music," in Special Section "'Creativity and Cognition'" Conference Papers, Leonardo 28, No. 3 (1995).

HARLEY, MARIA ANNA. "Music of Sound and Light: Xenakis's Polytopes," Leonardo 31, No. 1 (1998).

HARLEY, ROSS RUDESCH. "Can Open Learning Have a Future in the University?" in Special Section "Transactions," Leonardo 44, No. 2 (2010).

HARP, GABRIEL A. "Deconstructing the Genome with Cinema," Leonardo 40, No. 4 (2007).

HARRIS, BRYN. "Pilgrimage from Scattered Points on the Surface of the Body to the Brain, the Inner Ear, the Heart and the Stomach," LMJ CD Companion Note, Leonardo Music Journal 11 (2001).

HARRIS, CRAIG, and MAUN, PATRICK: "Introduction: Leonardo Electronic Almanac," Leonardo 32, No. 4 (1999).

HARRISON, HELEN MAYER, and HARRISON, NEWTON, interviewed by PETER SELZ. "The Harrisons: Talking and Remembering," Leonardo 45, No. 1 (2012).

HARRISON, JULIE, and ELLIOTT, JOE. "If It Rained Here," in Special Section "Art and Biology," Leonardo 31, No. 4 (1998).

HARTNETT, GERALD. "Ballast Reduction and the Audio Arts," Leonardo Music Journal 6 (1996).

HARTZELL, EMILY, and SOBELL, NINA. "Sculpting in Time and Space: Interactive Work," Leonardo 34, No. 2 (2001).

HARWOOD, GRAHAM. "Uncomfortable Proximity," Gallery Section, 34, No. 3 (2001).

HARWOOD, GRAHAM. "Uncomfortable Proximity: The Tate Invites Mongrel to Hack the Tate's Own Web Site," Leonardo 36, No. 5 (2003).

HASEGAWA, YUKO. "Selections for the 10th New York Digital Salon," in Special Issue "The Tenth New York Digital Salon," Leonardo 35, No. 5 (2002).

HAWORTH, CHRISTOPHER. "Ear as Instrument," Leonardo Music Journal 22 (2012).

HAWORTH, JOHN. "Beyond Reason: Pre-Reflexive Thought and Creativity in Art," Leonardo 30, No. 2 (1997).

HAYES, SUSAN; VALENTIN, FRÉDÉRIQUE; BUCKLEY, HALLIE; and SPRIGGS, MATTHEW, BEDFORD, STUART. "Faces of the Teouma Lapita People: Art, Accuracy and Facial Approximation," in Special Section "Transactions," Leonardo 42, No. 3 (2009).

HAYNES, DEBORAH; MANDEL, MIKE; and ROBILLARD, RITA. "Curriculum Revolution: The Infusion and Diffusion of New Media," Leonardo 31, No. 3 (1998).

HEARST, JOHN E. Introduction to Jonas Salk, "The Next Evolutionary Step in the Ascent of Man in the Cosmos," in Special Section "From the Leonardo Archive," Leonardo 41, No. 3 (2008).

HECKER, TIM. "Glenn Gould, the Vanishing Performer and the Ambivalence of the Studio," Leonardo Music Journal 18 (2008).

HEISNER, KEVIN. "Database Pøø: Mutating Informatic Tools," Leonardo 33, No. 4 (2000).

HEMMENT, DREW. "Locative Arts," Urbanity and Locative Media section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).

HEMMENT, DREW; BUONTEMPO, CARLO; and DENNEN, ALFIE. "Climate Bubbles: Games to Monitor Urban Climate," in Special Section "Environment 2.0," Leonardo 44, No. 1 (2011).

HEMMENT, DREW; ELLIS, REBECCA; and WYNNE, BRIAN. "Participatory Mass Observation and Citizen Science," in Special Section "Environment 2.0," Leonardo 44, No. 1 (2011).

HEMMENT, DREW; EL-SHERBINI, YARA; BUONTEMPO, CARLO; and TWEDDLE, JOHN. "100 Years of Climate Change: A Night-Time Audio Walk," in Special Section "Environment 2.0," Leonardo 44, No. 1 (2011).

HENDERSON, JENNIFER, "Portrait of the Artist in Red Ink," Leonardo 38, No. 1 (2005).

HENDERSON, LINDA DALRYMPLE. "The Large Glass Seen Anew: Reflections of Contemporary Science and Technology in Marcel Duchamp's 'Hilarious Picture,'" Leonardo 32, No. 2 (1999).

HENK, ANTHONY J. "The Theremin in the United Kingdom," in Special Section "Leon Theremin, Pioneer of Electronic Art," Leonardo Music Journal 6 (1996).

HENRY, JANE. "Arrowbows, Chips and Chirps," Leonardo Music Journal 17 (2007).

HEO, YUNSIL and BANG, HYUNWOO. "Memoirs," in Tracing Home Art Gallery, Special Issue SIGGRAPH 2011 Art Papers and Tracing Home Art Gallery, Leonardo 44, No. 4 (2011).

HERBST, CLAUDIA. "Gender and Computer Graphics Imaging: To Err May Be Salvation," Leonardo 34, No. 1 (2001).

HERBST, THEO. "Music Technology at Stellenbosch University," in Special Section "UNYAZI," Leonardo Music Journal 16 (2006).

HERMOSILLO, CARMEN. "Veni Redemptor: The Metallic Masks of God," Leonardo 28, No. 4 (1995).

HERSHMAN, LYNN. "Difference Engine #3," Leonardo 32, No. 4 (1999).

HERSHMAN, LYNN. "Digital Venus," Leonardo 30, No. 1 (1997).

HERSHMAN, LYNN. "The Raw Data Diet, All Consuming Bodies and the Shape of Things to Come," Leonardo 38, No. 3 (2005).

HERSHMAN, LYNN and GIANNACHI, GABRIELLA. "Lynn Hershman Leeson in Conversation with Gabriella Giannachi," in Special Section "SIGGRAPH 2009 Awardee Statements," Leonardo 43, No. 3 (2010).

HERTZ, GARNET, and PARIKKA, JUSSI. "Zombie Media: Circuit Bending Media Archaeology into an Art Method," Leonardo 45, No. 5 (2012).

HERTZ, PAUL. "Colonial Ventures in Cyberspace," Leonardo 30, No. 4 (1997).

HERTZ, PAUL. "Crossing the Border: About the Homestead, a WWW Project," Leonardo 32, No. 4 (1999).

HERTZ, PAUL. "Synesthetic Art---An Imaginary Number?," in Special Section "Synesthesia," in Special Issue "The Seventh Annual New York Digital Salon," Leonardo 32, No. 5 (1999).

HERTZ, PAUL, and YOUNG, CHRIS. "The Homestead/La Finca: Interface Traffic Flow," Leonardo 30, No. 4 (1997).

HERTZ, PAUL. Review of Art, Technology, Consciousness: Mind@Large, edited by Roy Ascott, Leonardo 35, No. 2 (2002).

HERTZ, PAUL. Review of Digital Mantras: The Languages of Abstract and Virtual Worlds by Steven R. Holtzman, Leonardo 28, No. 4 (1995).

HERTZ, PAUL. Review of From Technological to Virtual Art by Frank Popper, Leonardo 41, No. 2 (2008).

HERTZ, PAUL. Review of Music, Cognition, and Computerized Sound: An Introduction to Psychoacoustics, edited by Perry R. Cook, Leonardo 34, No. 3 (2001).

HERTZ, PAUL. Review of Obras Maestras del Museo Nacional de Bellas Artes (Masterworks of the Museum of Fine Arts) by Jorge Glusberg et al., Leonardo 33, No. 4 (2000).

HERTZ, PAUL. Review of Song of Songs: Computer Music, CD by Barry Truax, Leonardo 31, No. 1 (1998).

HERTZ, PAUL. Review of Synaesthesia: The Strangest Thing by John Harrison, Leonardo 35, No. 3 (2002).

HESS, SALLY, and NAPOLI, DONNA JO. "Energy and Symmetry in Language and Yoga," Leonardo 41, No. 4 (2008).

HESSELS, SCOTT. "Sustainable Cinema No. 4: Shadow Play," in Leonardo Special Issue: SIGGRAPH 2012 Art Papers and In Search of the Miraculous Gallery, Leonardo 45, No. 4 (2012).

HG, LUCY. "The Irish Rover: Looking for Mars Off the Northern Coast of Ireland," in Special Section "Lovely Weather," Leonardo 45, No. 2 (2012).

HIGGINS, DICK, with an appendix by HANNAH HIGGINS. "Intermedia," Leonardo 34, No. 1 (2001).

HIGGINS, SAOIRSE, for The Grafting Parlour. "The Grafting Parlour," in Special Section "Transactions," Leonardo 43, No. 5 (2010).

HIGH TEA WITH MRS WOO. "Hidden,"in Gallery "Coded Cloth: A 21st-Century Revolution in Art, Fashion and Design," Leonardo 42, No. 5 (2009).

HIGHT, CHRISTOPHER. "Stereo Types: The Operation of Sound in the Production of Racial Identity," Leonardo 36, No. 1 (2003).

HIGHT, JEREMY. "Sound Shapes, Drumming Infomercials and the Wonders of the Casio Sk1," Leonardo Music Journal 17 (2007).

HILL, ANTHONY. "Escape Velocity: A Review," Leonardo 33, No. 2 (2000).

HILL, BILL. "Apparatus 3957," Leonardo 32, No. 3 (1999).

HILTON, CRAIG. Review of Green Light: Toward an Art of Evolution by George Gessert, Leonardo 45, No. 5 (2012).

HILTON, CRAIG. Review of Sensorium: Embodied Experience, Technology, and Contemporary Art, edited by Caroline A. Jones, Leonardo 41, No. 1 (2008).

HINANT, GUY-MARC. "TOHU BOHU: Considerations on the nature of noise, in 78 fragments," Leonardo Music Journal 13 (2003).

HINKLE-TURNER, ELIZABETH. "Coming Full Circle: Composing a Cathartic Experience with CD-ROM Technology," Leonardo 32, No. 1 (1999).

HINTERDING, JOYCE. "The Oscillators," LMJ CD Companion Note, Leonardo Music Journal 6 (1996).

HIRSCH, SHELLEY. "For Jerry," Leonardo Music Journal 8 (1998).

HO, FRED. "Beyond Asian American Jazz: My Musical and Political Changes in the Asian American Movement," Leonardo Music Journal 9 (1999).

HOBBS, JOHN MAXWELL. "Towards Hypermusic," Leonardo 31, No. 4 (1998).

HOBBS, YVONNE ROBARE, and ROSS, MARY. "Video, Sculpture and Collaborative Image Processing," Leonardo 30, No. 2 (1997).

HOBERMAN, PERRY. "Bar Code Hotel," Leonardo 29, No. 1 (1996).

HODGSON, DEREK. "Graphic Primitives and the Embedded Figure in 20th-Century Art: Insights from Neuroscience, Ethology and Perception," Leonardo 38, No. 1 (2005).

HODEL, CORINNE, and NEUHAUSS, STEPHAN C.F., with Artist’s Statement by JILL SCOTT. "The Electric Retina: An Interplay of Media Art and Neuroscience," Leonardo 43, No. 3 (2010).

HOELZL, INGRID. "Screens---The Place of the Image in Digital Culture," in Special Section "Digital Continuities," Leonardo 45, No. 5 (2012).

HOETZLEIN, RAMA C. "Visual Communication in Times of Crisis: The Fukushima Nuclear Accident," Leonardo 45, No. 2 (2012).

HOLLERN, MATTHEW. "Conference Arts Director's Statement," in Special Issue SIGGRAPH 2010 Art Papers and TouchPoint Art Gallery, Leonardo 43, No. 4 (2010).

HOLM HUDSON, KEVIN. "Quotation and Context: Sampling and John Oswald's Plunderphonics," Leonardo Music Journal 7 (1997).

HOLME, PETTER. "Social, Sexual and Economic Networks of Prostitution," in Special Section "Arts, Humanities and Complex Networks," Leonardo 45, No. 1 (2012).

HOLMES, TIFFANY. "The Corporeal Stenographer: Language, Gesture, and Cyberspace," in Special Issue "The Seventh Annual New York Digital Salon," Leonardo 32, No. 5 (1999).

HOLT, JESSICA. "Spiriting: Life in Wyoming with the Gingerbread Man," Leonardo 30, No. 3 (1997).

HOLTON, GERALD. "Henri Poincaré, Marcel Duchamp and Innovation in Science and Art," Leonardo 34, No. 2 (2001).

HOLZAEPFEL, JOHN. "David Tudor, John Cage and Comparative Indeterminacy," abstract of paper presented at the symposium "The Art of David Tudor: Indeterminacy and Performance in Postwar Culture," Leonardo Music Journal 14 (2004).

HONEN, MOSHI. "Birds Do It," LMJ17 CD Contributor's Note, Leonardo Music Journal 17 (2007).

HOPE, CAT. "Infrasonic Music," Leonardo Music Journal 19 (2009).

HOPKINS, CANDICE. "Making Things Our Own: The Indigenous Aesthetic in Digital Storytelling," Place, Ground and Practice section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).

HOPKINS, JOHN. "An Investigation into the Use of Metaphor in the rube Paradigm," Leonardo 36, No. 4 (2003).

HORDIJK, ROB. "The Blippoo Box: A Chaotic Electronic Music Instrument, Bent by Design," Leonardo Music Journal 19 (2009).

HORVATH, PETER. "Triptych: Motion Stillness Resistance," Gallery Section, Leonardo 40, No. 3 (2007).

HOSKING, LUCY. "Satan's Calliope," in Special Section "The Fire Arts of Burning Man," Leonardo 40, No. 4 (2007).

HOULE, KELLY M. "Escher II: Infinite Reflection," Leonardo 33, No. 1 (2000).

HOUTMAN, CORAL. Review of Reading Psycho-Analysis: Freud, Rank, Ferenczi, Groddeck by Peter L. Rudnytsky, Leonardo 37, No. 5 (2004).

HOVAGIMYAN, G.H. "Art in the Age of Spiritual Machines," in Special Issue "The Ninth Annual Digital Salon," 34, No. 5 (2001).

HOWE, DANIEL and CAYLEY, JOHN. "The Readers Project: Procedural Agents and Literary Vectors," Art Paper, in Special Issue SIGGRAPH 2011 Art Papers and Tracing Home Art Gallery, Leonardo 44, No. 4 (2011).

HOY, MEREDITH. "Digital Homelessness and L'Espace Internet," After Midnight Section, Leonardo 38, No. 1 (2005).

HSIEH, CHI-MIN. "Fluente: A Virtual Choreography," in Special Section "Transactions," Leonardo 41, No. 4 (2008).

HSU, HUNG-LIN, and TSAI, CHENG-I. "Open Space 2.0," Gallery Section, Leonardo 43, No. 1 (2010).

HSU, WILLIAM. "Strategies for Managing Timbre and Interaction in Automatic Improvisation Systems," Leonardo Music Journal 20 (2010).

HUANG, SCOTTIE CHIH-CHIEH. "MSOrgm (Motivational Sensitive Organism)," in Biologic Art Gallery, Special Issue SIGGRAPH 2009 Art Papers and Biologic Art Gallery, Leonardo 42, No. 4 (2009).

HUBERT, PIERRE ALAIN. "Déflagrant Délit," Leonardo 30, No. 1 (1997).

HUGUNIN, JAMES R. "in::FORMATION: The Aesthetic Use of Machinic Beings," Leonardo 33, No. 4 (2000).

HUHTAMO, ERKKI. "From Kaleidoscomaniac to Cybernerd: Notes Toward an Archaeology of the Media," Leonardo 30, No. 3 (1997).

HUNT, JERRY. "Text from the Video Rant," Leonardo Music Journal 8 (1998).

HUTZLER, GUILLAUME; GORTAIS, BERNARD; and DROGOUL, ALEXIS. "Garden of Chances," Leonardo 32, No. 3 (1999).

HUTZLER, GUILLAUME; GORTAIS, BERNARD; and DROGOUL, ALEXIS. "The Garden of Chances: A Visual Ecosystem," Leonardo 33, No. 2 (2000).

HUWS, URSULA. "Nature, Technology and Art: The Emergence of a New Relationship?," Leonardo 33, No. 1 (2000).

HYBS, IVAN. "Beyond the Interface: A Phenomenological View of Computer Systems Design," Leonardo 29, No. 3 (1996).

IIMURA, TAKAHIKO. "The CD-ROM Eizo Jikken No Tameni (For Visual Experimentation)," Leonardo 32, No. 1 (1999).

ILFELD, ETAN J. "Contemporary Art and Cybernetics: Waves of Cybernetic Discourse within Conceptual, Video and New Media Art," Leonardo 45, No. 1 (2012).

ILGEN, FRÉ. "Extensionalism and Twistor Space," in Special Section "'Creativity and Cognition'" Conference Papers, Leonardo 28, No. 3 (1995).

ILLERT, CHRIS. "The Australian Supercomputer Graphics Exhibition and First International Conchology Conference,"Leonardo 29, No. 2 (1996).

IMPETT, JONATHAN. "The Identification and Transposition of Authentic Instruments: Musical Practice and Technology," Leonardo Music Journal 8 (1998).

IMPETT, JONATHAN. "Let's Dance Architecture: Improvisation, Technology and Form," Leonardo Music Journal 20 (2010).

IMPEY, CHRIS, and GREEN, HEATHER. "The Living Cosmos: A Fabric That Binds Art And Science," Leonardo 43, No. 5 (2010).

INGOLDSBY, JOSEPH EMMANUEL. "Vanishing Landscapes: The Atlantic Salt Marsh," in Special Section "Lovely Weather: Art and Climate Change," Leonardo 42, No. 2 (2009).

INNOCENT, TROY. "The Language of Iconica," Leonardo 34, No. 3 (2001).

INSTITUT FUER FEINMOTORIK, "Slo," LMJ13 CD Contributor's Note, Leonardo Music Journal 13 (2003).

IONE, AMY. "Art and the Brain: What Does the Evidence Tell Us?," Editorial, Leonardo 45, No. 3 (2012).

IONE, AMY. Editorial: "Celebrating the Art, Science and Technology Community," Leonardo 40, No. 3 (2007).

IONE, AMY. Review of Arnheim, Gestalt and Art: A Psychological Theory, by Ian Verstegen, Leonardo 39, No. 5 (2006).

IONE, AMY. Review of The Arts of China by Michael Sullivan, Fifth Edition, Leonardo 43, No. 5 (2010).

IONE, AMY. Review of Artscience: Creativity in the Post-Google Generation by David Edwards, Leonardo 42, No. 3 (2009).

IONE, AMY. Review of Bernie Boston: American Photojournalist by Therese Mulligan, Leonardo 41, No. 1 (2008).

IONE, AMY. Review of Beyond Geometry: Experiments in Form, 1940s--1970s, edited by Lynn Zelevansky, Leonardo 40, No. 4 (2007).

IONE, AMY. Review of Beyond Productivity: Information Technology, Innovation, and Creativity, edited by William J. Mitchell, Alan S. Inouye and Marjory S. Blumenthal, Leonardo 37, No. 5 (2004).

IONE, AMY. Review of California Video: Artists and Histories, edited by Glenn Phillips, Leonardo 42, No. 5 (2009).

IONE, AMY. Review of Cognitive Science, Literature and the Arts, by Patrick Colm Hogan, Leonardo 39, No. 3 (2006).

IONE, AMY. Review of A Culture of Improvement: Technology and the Western Millennium by Robert Friedel, Leonardo 41, No. 5 (2008).

IONE, AMY. Review of A Culture of Light: Cinema and Technology in 1920s Germany by Frances Guerin, Leonardo 40, No. 1 (2007).

IONE, AMY. Review of Darwin's Camera: Art and Photography in the Theory of Evolution by Phillip Prodger, Leonardo 44, No. 1 (2011).

IONE, AMY. Review of Degas through His Own Eyes by Michael F. Marmor, Leonardo 37, No. 5 (2004).

IONE, AMY. Review of East Bay Open Studios Preview Exhibition, Leonardo 45, No. 2 (2012).

IONE, AMY. Review of Everyday Creativity: Shared Languages and Collective Action, 7th Creativity and Cognition Conference, Leonardo 43, No. 3 (2010).

IONE, AMY. Review of Gerhard Richter, edited by Benjamin H.D. Buchloh, Leonardo 43, No. 5 (2010).

IONE, AMY. Review of Exploring Consciousness by Rita Carter, Leonardo 36, No. 3 (2003).

IONE, AMY. Review of Helmholtz: From Enlightenment to Neuroscience by Michel Meulders, Leonardo 45, No. 5 (2012).

IONE, AMY. Review of HYLE International Journal for Philosophy of Chemistry, Special Issue: Aesthetics and Visualization in Chemistry, Leonardo 40, No. 1 (2007).

IONE, AMY. Review of Howard Zinn: You Can't Be Neutral on a Moving Train by Deb Ellis and Denis Mueller, Leonardo 38, No. 2 (2005).

IONE, AMY. Review of Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe by Thomas Kren and Scot McKendrick, and Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance by Pia Palladino, Leonardo 37, No. 3 (2004).

IONE, AMY. Review of Images from Science, organized by the School of Photographic Arts and Sciences, Leonardo 36, No. 5 (2003).

IONE, AMY. Review of In Praise of Copying by Marcus Boon, Leonardo 45, No. 1 (2012).

IONE, AMY. "Innovation and Visualization: Trajectories, Strategies and Myths," in Special Section "CAA 2005," Leonardo 39, No. 2 (2006).

IONE, AMY. Review of Institutional Critique: An Anthology of Artists' Writings, edited by Alexander Alberro and Blake Stimson, Leonardo 45, No. 3 (2012).

IONE, AMY. Review of The Judgement of the Eye by Jürgen Weber, Leonardo 36, No. 3 (2003).

IONE, AMY. Review of Laws of Seeing, by Wolfgang Metzger, Leonardo 41, No. 3 (2008).

IONE, AMY. Review of Leon Battista Alberti by Anthony Grafton, Leonardo 36, No. 1 (2003).

IONE, AMY. Review of Masaccio: Saint Andrew and the Pisa Altarpiece by Eliot W. Rowlands, Leonardo 37, No. 4 (2004).

IONE, AMY. Review of A Mysterious Masterpiece: The World of the Linder Gallery, edited by Michael John Gorman, Leonardo 44, No. 2 (2010).

IONE, AMY. Review of Neurology of the Arts: Painting, Music, Literature edited by F. Clifford Rose, Leonardo 38, No. 1 (2005).

IONE, AMY. Review of Other American Voices by Corrina Belz and Nel Hollander, Leonardo 37, No. 1 (2004).

IONE, AMY. Review of Perception and Illusion by Nicholas J. Wade, Leonardo 40, No. 2 (2007).

IONE, AMY. Review of Perspective, Projections and Design: Technologies of Architectural Representation, edited by Mario Carpo and Frédeérique Lemerle, Leonardo 42, No. 5 (2009).

IONE, AMY. Review of Perpetual Inventory by Rosalind Krauss, Leonardo 44, No. 5 (2011).

IONE, AMY. Review of Picturing Space, Displacing Bodies: Anamorphosis in Early Modern Theories of Perspective by Lyle Massey, Leonardo 42, No. 1 (2009).

IONE, AMY. Review of Playing the News, directed by Jeff Plunkett and Jigar Mehta, Leonardo 40, No. 5 (2007.

IONE, AMY. Review of Representing Place by Edward S. Casey, Leonardo 36, No. 5 (2003).

IONE, AMY. Reviews of Robert Smithson, edited by Eugenie Tsai, and Robert Smithson: Learning from New Jersey and Elsewhere, by Ann Reynolds, Leonardo 39, No. 1 (2006).

IONE, AMY. Review of Scientific Pluralism, edited by Stephen H. Keller, Helen E. Longino and C. Kenneth Waters, Leonardo 41, No. 1 (2008).

IONE, AMY. Review of The Sculpture of Ruth Asawa: Contours in the Air,edited by Daniell Cornell. Leonardo 40, No. 5 (2007).

IONE, AMY. Review of Shadows of Reality: The Fourth Dimension in Relativity, Cubism, and Modern Thought by Tony Robbin,Leonardo 40, No. 3 (2007).

IONE, AMY. Review of Surroundings Surrounded, edited by Peter Weibel, Leonardo 36, No. 2 (2003).

IONE, AMY. Review of The Spectre of Hope, directed by Paul Carlin; Migrations by Sebastião Salgado; and The Children, edited by Sebastião Salgado and Lelia Wanick Salgado, Leonardo 36, No. 4 (2003).

IONE, AMY. Review of the Seventh Annual Meeting of the International Society for the History of the Neurosciences, Leonardo 36, No. 1 (2003).

IONE, AMY. Review of Synesthesia: Art and the Mind, exhibition, Leonardo 42, No. 3 (2009).

IONE, AMY. Review of Systematics as Cyberscience: Computers, Change, and Continuity in Science by Christine Hine, Leonardo 43, No. 1 (2010).

IONE, AMY. Review of Time Stands Still, curated by Philip Prodger and Time Stands Still, edited by Philip Prodger, Leonardo 36, No. 5 (2003).

IONE, AMY. Review of Too Beautiful to Picture: Zeuxis, Myth, and Mimesis by Elizabeth C. Mansfield, Leonardo 41, No. 2 (2008).

IONE, AMY. Review of Visionary Anatomies, exh. cat., by Harvey Fineberg, J.D. Talasek and Michael Sappol, Leonardo 39, No. 2 (2006).

IONE, AMY. Review of Writing, Modern Art and Science, special issue of Science in Context, journal guest edited by Linda Dalrymple Henderson, Leonardo 39, No. 5 (2006).

INNOCENTI, PERLA. "Preventing Digital Casualties: An Interdisciplinary Research for Preserving Digital Art," in Special Section "Digital Continuities," Leonardo 45, No. 5 (2012).

IPPOLITO, JEAN. "From the Avant-Garde: Re-Conceptualizing Cultural Origins in the Digital Media Art of Japan," Leonardo 40, No. 2 (2007).

IPPOLITO, JEAN M. "Words, Images and Avatars: Explorations of Physical Place and Virtual Space by Japanese Electronic Media Artists," Leonardo 42, No. 5 (2009).

IPPOLITO, JON. "Ten Myths of Internet Art," in Special Issue "The Tenth New York Digital Salon," Leonardo 35, No. 5 (2002).

IPPOLITO, JON. "Whatever Happened to the Gift Economy?," Leonardo 34, No. 2 (2001).

IPPOLITO, JON; BLAIS, JOLINE; SMITH, OWEN F.; EVANS, STEVE; and STORMER, NATHAN. "New Criteria for New Media," Leonardo 42, No. 1 (2009).

ISAKSEN, LEIF; BARKER, ELTON; KANSA, ERIC C.; and BYRNE, KATE. "GAP: A NeoGeo Approach to Classical Resources," in Special Section "Arts, Humanities and Complex Networks," Leonardo 45, No. 1 (2012).

ITTELSON, WILLIAM H. "The Perception of Nonmaterial Objects and Events," Leonardo 40, No. 3 (2007).

IVES, COLIN. "V Chip Culture," in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).

IWAI, TOSHIO. "Another Time, Another Space," Leonardo 33, No. 2 (2000).

IWAI, TOSHIO. "Piano---As Image Media," Gallery Section, Leonardo 34, No. 3 (2001).

JACKSON, ROBERT. Review of Racing the Beam: The Atari Video Computer System by Nick Montfort and Ian Bogost, Leonardo 43, No. 2 (2010).

JACKSON, SARAH. "Reflections behind the Mirror: Copier Art as Metaphor," Leonardo 28, No. 4 (1995).

JACOB, CHRISTIAN J., HUSHLAK, GERALD, BOYD, JEFFREY E., NUYTTEN, PAUL, SAYLES, MAXWELL, and PILAT, MARCIN. "SwarmArt: Interactive Art from Swarm Intelligence," Leonardo 40, No. 3 (2007).

JACOBSEN, THOMAS. "Bridging the Arts and Sciences: A Framework for the Psychology of Aesthetics," in Special Section "ArtScience: The Essential Connection," Leonardo 39, No. 2 (2006).

JACOBSEN, THOMAS. "Kandinsky's Color-Form Correspondence and the Bauhaus Colors: An Empirical View," Leonardo 37, No. 2 (2004).

JÄGER, GOTTFRIED. "Animato: The Work of Art in the Age of Potential Electronic Manipulation. Audio-Visual Paraphrases of the Painting K XVII (1923)," Leonardo 31, No. 3 (1998).

JAHRMANN, MARGARETE. Review of Punctuation: Art, Politics and Play by Jennifer DeVere Brody, Leonardo 42, No. 2 (2009).

JAIMES, ALEJANDRO. "After Midnight: Moments of the Maiden: Time, Space and Intercultural Communication in Tokyo," Leonardo 39, No. 2 (2006).

JAKOVICH, JOANNE, and BEILHARZ, KIRSTY. "Interaction as a Medium in Architectural Design," in Special Section "Transactions," Leonardo 40, No. 4 (2007).

JAMES, ALICE V.; JAMES, DAVID A.; and KALISPERIS, LOUKAS N. "A Unique Art Form: The Friezes of Pirgí," Leonardo 37, No. 3 (2004).

JARDINE, BORIS. Review of Art Power by Boris Groys, Leonardo 42, No. 3 (2009).

JARDINE, BORIS. Review of Between Madness and Art: The Prinzhorn Collection, directed by Christian Beetz, Leonardo 43, No. 1 (2010).

JARDINE, BORIS. Review of Colin St John Wilson: Buildings and Projects by Roger Stonehouse, Leonardo 41, No. 5 (2008).

JARDINE, BORIS. Review of From Agit-Prop to Free Space: The Architecture of Cedric Price by Stanley Matthews, Leonardo 41, No. 5 (2008).

JARDINE, BORIS. Review of Modern Architecture: Being the Kahn Lectures for 1930 by Frank Lloyd Wright, Leonardo 42, No. 3 (2009).

JEANNE FREMAUX. "Fret Accord," LMJ12 CD Contributor's Note, Leonardo Music Journal 12 (2002).

JEFFREY, CELINA. "Lines of Flight," Gallery Section, Leonardo 40, No. 3 (2007).

JENNINGS, PAMELA. "Narrative Structures for New Media: Towards a New Definition," in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).

JENSEN, MARC. "Patterns of Living and Sounding," LMJ19 CD Contributor's Note, Leonardo Music Journal 19 (2009).

JEON, BYEONG SAM. "Telematic Drum Circle," Gallery Section, Leonardo 43, No. 1 (2010).

JEWANSKI, JÖRG. "What Is the Color of the Tone?," Leonardo 32, No. 3 (1999).

JO, KAZUHIRO. "Transition of an Instrument: The aeo Sound Performance Project," Leonardo Music Journal 17 (2007).

JOELSON, JO, and COWLEY, STANLEY W.H. "Little Earth: A Solar-Planetary Investigation," in Special Section "Arts and Science Research Fellowships," Leonardo 39, No. 5 (2006).

JOHNSON, CAROL SIRI. "The Evolution of Illustrated Texts and Their Effect on Science: Examples from Early American State Geological Reports," Leonardo 41, No. 2 (2008).

JOHNSON, COLIN G. "Exploring Sound-Space with Interactive Genetic Algorithms," Leonardo 36, No. 1 (2003).

JOHNSON, COLIN G., and CARDALDA, JUAN JESUS ROMERO. Special Section Introduction: "Genetic Algorithms in Visual Art and Music," Leonardo 35, No. 2 (2002).

JOHNSON, NIGEL. "Digital Gateway," Leonardo 33, No. 2 (2000).

JOHNSON, NIGEL; ALBADA, DUKE; and LAWRENCE, DAVE. "Contemplating Moments," in Special Section "Transactions," Leonardo 43, No. 5 (2010).

JOHNSTON, SEAN F. "A Cultural History of the Hologram," Leonardo 41, No. 3 (2008).

JONES, CAITLIN, and MULLER, LIZZIE. "Between Real and Ideal: Documenting Media Art," in Special Section "Transactions," Leonardo 41, No. 4 (2008).

JONES, RALPH. "Composer's Notebook: Star Networks at the Singing Point," Leonardo Music Journal 14 (2004).

JONES, STEPHEN. "Philippa Cullen: Dancing the Music," Leonardo Music Journal 14 (2004).

JONES, STEPHEN. "Synthetics: A History of the Electronically Generated Image in Australia," Leonardo 36, No. 3 (2003).

JONES, STEPHEN. "A Systems Basis for New Media Pedagogy," in Special Section "Transactions," Leonardo 44, No. 1 (2011).

JONES, STEPHEN. "Towards a Philosophy of Virtual Reality: Issues Implicit in 'Consciousness Reframed,'" Leonardo 33, No. 2 (2000).

JONES, STUART. "Making It Up as You Go Along," Leonardo Music Journal 11 (2001).

JONES, STUART. "space-dis-place: How Sound and Interactivity Can Reconfigure Our Apprehension of Space," Leonardo Music Journal 16 (2006).

JORDA, SERGI. "Faust Music On Line (FMOL): An Approach to Real-Time Collective Composition on the Internet," Leonardo Music Journal 9 (1999).

JOYE, YANNICK. "Cognitive and Evolutionary Speculations for Biomorphic Architecture," Leonardo 39, No. 2 (2006).

JUÁREZ, GERALDINE. "Postal Gowns by Freewear,"in Gallery "Social Fabrics: Wearable + Media + Interconnectivity," Leonardo 42, No. 2 (2009).

JUPE, JOHN. "Reply to Roger Malina," Leonardo 35, No. 4 (2002).

KAC, EDUARDO. "GFP Bunny," Leonardo 36, No. 2 (2003).

KAC, EDUARDO. "Ornitorrinco and Rara Avis: Telepresence Art on the Internet" (with a technical appendix by Ed Bennett), in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).

KAC, EDUARDO. "Abraham Palatnik, Pioneer of Kinetic Art," in Special Section "A Radical Intervention: The Brazilian Contribution to the International Electronic Art Movement," Leonardo 29, No. 2 (1996).

KAC, EDUARDO. "Biotelematics," Leonardo 32, No. 3 (1999).

KAC, EDUARDO. "Brazilian Technological Art in Leonardo and on the Web," in Special Section "A Radical Intervention: The Brazilian Contribution to the International Electronic Art Movement," Leonardo 29, No. 2 (1996).

KAC, EDUARDO. "Commentary," Leonardo 36, No. 5 (2005).

KAC, EDUARDO. "Live From Mars," Leonardo 31, No. 1 (1998).

KAC, EDUARDO. "Nomads," Gallery Section, Leonardo 29, No. 4 (1996).

KAC, EDUARDO. "Transgenic Art," Leonardo 32, No. 4 (1999).

KAC, EDUARDO. "Waldemar Cordeiro's Oeuvre and Its Context: A Biographical Note," in Special Section "A Radical Intervention: The Brazilian Contribution to the International Electronic Art Movement," Leonardo 30, No. 1 (1997).

KACUNKO, SLAVKO. "M.A.D: Media Art Database(s) and the Challenges of Taste, Evaluation and Appraisal," in Special Section "Conserving the Media Arts," Leonardo 42, No. 3 (2009).

KADE, RICHARD. "De Profundis: Adumbrative Reflections?," Leonardo 33, No. 3 (2000).

KADE, RICHARD. Review of "Will Spiritual Robots Replace Humanity by 2100?," Leonardo 34, No. 1 (2001).

KADE, RICHARD. Review of Age of Spiritual Machines by Ray Kurzweil, Leonardo 33, No. 3 (2000).

KADESCH, R.R. "Classification of One-Color and Two-Color Rosette Patterns," Leonardo 31, No. 2 (1998).

KAEMPFER, PHRA HANS ULRICH, and PINKEL, SHEILA. "The Earth Music of Thamkrabok Monastery," Leonardo 37, No. 1 (2004).

KAHN, DOUGLAS. "Christian Marclay's Early Years: An Interview," Leonardo Music Journal 13 (2003).

KAHN, DOUGLAS. "David Tudor and the Sound of Anthroposophy," abstract of paper presented at the symposium "The Art of David Tudor: Indeterminacy and Performance in Postwar Culture," Leonardo Music Journal 14 (2004).

KAHN, DOUGLAS. "The Lyre's Island: Some Australian Music, Sound Art and Design," LMJ CD Companion Note, Leonardo Music Journal 6 (1996).

KAHN, DOUGLAS. "A Musical Technography of John Bischoff," Leonardo Music Journal 14 (2004).

KAHN, DOUGLAS. Review of Duchamp in Context: Science and Technology in the Large Glass and Related Works by Linda Dalrymple Henderson, Leonardo 33, No. 3 (2000).

KAIMI, IRENE. Review of Number Crunching: Taming Unruly Computational Problems from Mathematical Physics to Science Fiction by Paul J. Nahin, Leonardo 45, No. 5 (2012).

KAIPAINEN, MAURI; RAVAJA, NIKLAS; TIKKA, PIA; VUORI, RASMUS; PUGLIESE, ROBERTO; RAPINO, MARCO; and TAKALA, TAPIO. "Enactive Systems and Enactive Media: Embodied Human–Machine Coupling beyond Interfaces," Leonardo 44, No. 5 (2011).

KAISER, ANDREW. "Sound as Intercultural Communication: A Meta-Analysis of Music with Implications for SETI," in Special Section "The Art and Science of Interstellar Message Composition," Leonardo 37, No. 1 (2004).

KAKEHI, YASUAKI; CHIKAMORI, MOTOSHI; and KUNOH, KYOKO. "hanahanahana," in Special Issue SIGGRAPH 2010 Art Papers and TouchPoint Art Gallery, Leonardo 43, No. 4 (2010).

KALANTARI, BAHMAN. "Polynomiography: From the Fundamental Theorem of Algebra to Art," Leonardo 38, No. 3 (2005) .

KALBEN, JOHN F. Comment on "Data Morphing: Ownership, Copyright and Creation," Leonardo 28, No. 1 (1995).

KALDENBACH, KEES. "A 3D Flight over Vermeer's Delft in 1660," Leonardo 33, No. 1 (2000).

KALININ, GENNADI A. "Virtual Lyrics," Leonardo 32, No. 1 (1999).

KANE, CAROLYN L. "Digital Art and Experimental Color Systems at Bell Laboratories, 1965-1984: Restoring Interdisciplinary Innovations to Media History," Leonardo 43, No. 1 (2010).

KANOUSE, SARAH. "Transmissions between Memory and Amnesia: The Radio Memorial in a New Media Age," Leonardo 44, No. 3 (2011).

KAPOULA, ZOÏ, et al. "Perception of Space in Piero della Francesca's Annunciation: An Eye-Movement and Art-Historical Study," Leonardo 43, No. 2 (2010).

KARABEY, BUGRA. "Cry of Nature: A Plant Interfaces with the World Using Music," in Special Section "Transactions," Leonardo 43, No. 3 (2010).

KARNOW, CURTIS E.A. "In Collaboration with Machines," Leonardo 30, No. 4 (1997).

KARNOW, CURTIS E.A. "Ubiquitous Computing, and Time," Leonardo 33, No. 1 (2000).

KARNOW, CURTIS E.A. Review of Arcane Devices: Engines of Myth by David Lee Myers, Leonardo 38, No. 1 (2005).

KARNOW, CURTIS E.A. Review of Beyond Our Control? Confronting the Limits of Our Legal System in the Age of Cyberspace by Stuart Biegel, Leonardo 35, No. 3 (2002).

KARNOW, CURTIS E.A. Review of How to Build a Mind: Toward Machines with Imagination by Igor Aleksander, Leonardo 35, No. 2 (2002).

KARNOW, CURTIS E.A. Review of Inhuman Reflections: Thinking the Limits of the Human, edited by S. Brewster et al., Leonardo 35, No. 3 (2002).

KARNOW, CURTIS E.A. Review of Making Sense of Life by Evelyn Fox Keller, Leonardo 36, No. 2 (2003).

KARNOW, CURTIS E.A. Review of The Grid: Blueprint for a New Computing Infrastructure, edited by Ian Foster and Carl Kesselman, Leonardo 32, No. 4 (1999).

KASHIM, I.B., and ADELABU, O.S. "The Current Emphasis On Science And Technology In Nigeria: Dilemmas For Art Education," Leonardo 43, No. 3 (2010).

KASRA, MONA. Introduction to Tracing Home Art Gallery Jury, in Special Issue SIGGRAPH 2011 Art Papers and Tracing Home Art Gallery, Leonardo 44, No. 4 (2011).

KASSEN. "Ill at ease at home?," LMJ18 CD Contributor's Note, Leonardo Music Journal 18 (2008).

KAUFMAN, HENRY. "The Lightness Of Your Touch," in Special Issue SIGGRAPH 2010 Art Papers and TouchPoint Art Gallery, Leonardo 43, No. 4 (2010).

KAVINA, LYDIA. "My Experience with the Theremin," in Special Section "Leon Theremin, Pioneer of Electronic Art," Leonardo Music Journal 6 (1996).

KAVINA, LYDIA; BELONENKO, ALEXANDER S.; ZALIVADNY, MIKHAIL S.; and VANECHKINA, IRINA L. "Theremin Jubilee Events, October--December 1996," Leonardo 31, No. 4 (1998).

KAWAGUCHI, YOICHIRO. SIGGRAPH Distinguished Artist's Award, in Special Issue SIGGRAPH 2010 Art Papers and TouchPoint Art Gallery, Leonardo 43, No. 4 (2010).

KAYE, LEWIS. "The Silenced Listener: Architectural Acoustics, the Concert Hall and the Conditions of Audience," Leonardo Music Journal 22 (2012).

KAZAM, RAHMA. Review of The Touch Festival (exhibition), Leonardo 32, No. 4 (1999).

KEEFE, DANIEL F. "From Gesture to Form: The Evolution of Expressive Freehand Spatial Interfaces," in Special Section "Transactions," Leonardo 44, No. 5 (2011).

KEEP, ANDY. "Audio Y Connectors: My Secret to Instant Guerrilla Oscillators, Raw Synthesis and Dirty Cross Modulations," Leonardo Music Journal 17 (2007).

KELLER, DAMIÁN. "Palabras 1 and El escrache," CD Contributor's notes, Leonardo Music Journal 10 (2000).

KELLER, DAMIÁN. "Compositional Processes from an Ecological Perspective," Leonardo Music Journal 10 (2000).

KEMPADOO, ROSHINI. "Sweetness and Light," Leonardo 30, No. 4 (1997).

KENNEDY, KATHY. "HMMM," LMJ19 CD Contributor's Note, Leonardo Music Journal 19 (2009).

KENDALL, ROBERT. "The Mind as Poem: A Life Set for Two," Leonardo 30, No. 3 (1997).

KENYON, MATTHEW, and EASTERLY, DOUG. "Improvised Empathetic Device (I.E.D.)," in Gallery "Social Fabrics: Wearable + Media + Interconnectivity," Leonardo 42, No. 2 (2009).

KERBAJ, MAZEN. "VRRRT," LMJ18 CD Contributor's Note, Leonardo Music Journal 18 (2008).

KERNE, ANDRUID. "CollageMachine: An Interactive Agent of Web Recombination," in Special Issue "The Eighth Annual New York Digital Salon," Leonardo 33, No. 5 (2000).

KERRIGAN, CHRISTIAN. "The 200 Year Continuum," Art Paper, in Special Issue SIGGRAPH 2009 Art Papers and Biologic Art Gallery, Leonardo 42, No. 4 (2009).

KESHVANI, NISAR. Review of The Internet: A Writer's Guide by Jane Dorner, Leonardo 34, No. 2 (2001).

KETTLEY, SARAH, and GREIG, FRANK. "Speckled Jewelry," in Gallery "Social Fabrics: Wearable + Media + Interconnectivity," Leonardo 42 , No. 2 (2009).

KHAN, OSMAN. Gallery Introduction, in Leonardo Special Issue: SIGGRAPH 2012 Art Papers and In Search of the Miraculous Gallery, Leonardo 45, No. 4 (2012).

KHAZAM, RAHMA. "Nikolay Obukhov and the Croix Sonore," Leonardo Music Journal 19 (2009).

KHAZAM, RAHMA. Review of "Soundscapes be)for(e 2000," Leonardo 33, No. 4 (2000).

KHAZAM, RAHMA. Review of La musique Electroacoustique by the Groupe de Recherches Musicales, Leonardo 34, No. 3 (2001).

KHAZAM, RAHMA. Review of Les Sculptures Sonores---The Sound Sculptures of Bernard and François Baschet by François Baschet, Leonardo 33, No. 4 (2000).

KHOH, CHIH W., and KOVESI, PETER. "Rotating the Impossible Rectangle," Leonardo 34, No. 3 (2001).

KIKAUKA, LAURA. "Hairbrain 2000," Leonardo 29, No. 1 (1996).

KIM-TRANG, TRAN T., and MIHAIL, KARL. "Gene Genies Worldwide," Gallery Section, 34, No. 3 (2001).

KIM-TRANG, TRAN T., and MIHAIL, KARL. "Gene Genies Worldwide," Leonardo 36, No. 1 (2003).

KING, MIKE. "Concerning the Spiritual in Twentieth-Century Art and Science," Leonardo 31, No. 1 (1998).

KIM, KIRAK; WONG, CHEE-ONN; and JUNG, KEECHUL. "Dynamic Display System for Better Interaction Ability in Interactive Installation," in Special Section "Transactions," Leonardo 42, No. 3 (2009).

KIM, YOUNGHUI. "Stir It On!,"in Gallery "Social Fabrics: Wearable + Media + Interconnectivity," Leonardo 42, No. 2 (2009).

KING, MIKE. "Programmed Graphics in Computer Art andAnimation," Leonardo 28, No. 2 (1995).

KINKLEY, JONATHAN. "Art Thief: An Educational Computer Game Model for Art Historical Instruction," Leonardo 42, No. 2 (2009).

KIRCHGEORG, JUTTA. "The Information Age," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).

KIRKEGAARD, JACOB. "Concert Room," LMJ16 CD Contributor's Note, Leonardo Music Journal 16 (2006).

KIRSCHENBAUM, MATTHEW. "Lucid Mapping: Information Landscaping and 3D Writing Space," Leonardo 32, No. 4 (1999).

KLEIN, YVES AMU. "Living Sculpture: The Art and Science of Creating Robotic Life," in Special Section "Artificial Life Art," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).

KLINGE, SYD. "Hearth," in Special Section "The Fire Arts of Burning Man," Leonardo 40, No. 4 (2007).

KLINKNER, MARTI. "Please Touch: An Interactive Exhibition," Introduction to Gallery Section, Leonardo 27, No. 1 (1994).

KLONARIS, MARIA, and THOMADAKI, KATERINA. "The Feminine, the Hermaphrodite, the Angel: Gender Mutations and Dream Cosmogonies in Multimedia Projection and Installation (1976--1994)," Leonardo 29, No. 4 (1996).

KLUEGER, PETER. "The Blue Lola," in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).

KLUG, AARON. "Principles of the Architecture and Morphogenesis of Biological Assemblies," in Special Section "Art and Biology," Leonardo 30, No. 4 (1997).

KLÜTSCH, CHRISTOPH. "Computer Graphic--Aesthetic Experiments between Two Cultures," LABS Abstract, Leonardo 40, No. 5 (2007).

KLUSZCZYNSKI, RYSZARD W. "Re-Writing the History of Media Art: From Personal Cinema to Artistic Collaboration,"Leonardo 40, No. 5 (2007).

KNEBUSCH, JULIEN. "Planet Earth in Contemporary Electronic Artworks," Leonardo 37, No. 1 (2004).

KNEBUSCH, JULIEN. Review of La Planète des Esprits---Pour une Politique du Cyberspace by Philippe Quéau, Leonardo 36, No. 1 (2003).

KNEBUSCH, JULIEN. Review of La seconde chance d'Icare, Pour une éthique de l'Espace by Jacques Arnould, Leonardo 35, No. 4 (2002).

KNIGHT, JOHN. Review of Handbook of Computer Game Studies, edited by Joost Raessens and Jeffrey Goldstein, Leonardo 40, No. 2 (2007).

KNIGHT, JOHN. Review of Human Factors Methods for Design: Making Systems Human-Centred, by Christopher P. Nemeth, Leonardo 39, No. 3 (2006).

KNIGHT, TERRY W. "Infinite Patterns and their Symmetries," in Special Section "Design Languages," Leonardo 31, No. 4 (1998).

KNIPP, TAMMY. "Case Study 309," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).

KNOTT, LAURA. "World Wide Simultaneous Dance: Dancing the Connection between 'Cyberplace' and the Global Landscape," Leonardo 34, No. 1 (2001).

KNOTTS, SHELLY. "Chordophonia," LMJ18 CD Contributor's Note, Leonardo Music Journal 18 (2008).

KOCH, HANS W. "Computers as Musical Instruments? From computermusic I <exploded View> to bandoneonbook," Leonardo Music Journal 17 (2007).

KOCH, HANS W. Section Introduction: "News and Olds from the Electronic Orchestra Pit," Leonardo Music Journal 19 (2009).

KOCÍB, ZDENEK. Luminograms: Apparent Movement in Two-Dimensional Images," Leonardo 33, No. 2 (2000).

KOJS, JURAJ. "Notating Action-Based Music," Leonardo Music Journal 21 (2011).

KOJS, JURAJ; SERAFIN, STEFANIA; and CHAFE, CHRIS. "Cyberinstruments via Physical Modeling Synthesis: Compositional Applications," Leonardo Music Journal 17(2007).

KOMAROVA, TATIANA. "The Electroacoustic Music Studio of Yekaterinburg," in Special Section "Leon Theremin, Pioneer of Electronic Art," Leonardo Music Journal 6 (1996).

KOSKI, JAANE (curator). "Aurinko---Sun: Solar Art at the Rauma Art Museum, Finland," Leonardo 31, No. 2 (1998).

KOSTOVA, DANIELA; ROBINSON, OLIVIA; et al., "Negotiations," in Gallery "Social Fabrics: Wearable + Media + Interconnectivity," Leonardo 42, No. 2 (2009).

KOTZ, LIZ. "Disintegrated Circuits: Rethinking the Score in the Postwar Aesthetics of Indeterminacy," abstract of paper presented at the symposium "The Art of David Tudor: Indeterminacy and Performance in Postwar Culture," Leonardo Music Journal 14 (2004).

KOYABASHI, HIROKI; UEOKA, RYOKO; and HIROSE, MICHITAKA. "Wearable Forest Clothing System: Beyond Human-Computer Interaction," Art Paper, in Special Issue SIGGRAPH 2009 Art Papers and Biologic Art Gallery, Leonardo 42, No. 4 (2009).

KOZBELT, AARON. "Psychological Implications of the History of Realistic Depiction: Ancient Greece, Renaissance Italy and CGI," Leonardo 39, No. 2 (2006).

KRASEK, MATJUSKA TEJA. "Quasicrystal World, Quasicube, and 2 V's," Leonardo 33, No. 1 (2000).

KRASEK, MATJUSKA TEJA. "The Role of Artists and Scientists in Times of War," Leonardo 35, No. 2 (2002).

KREICHI, STANISLAV. "The ANS Synthesizer: Composing on a Photoelectric Instrument," Leonardo 28, No. 1 (1995).

KRETZER, MANUEL, with ROSSI, DINO. "ShapeShift," in Special Section "Transactions, " Leonardo 45, No. 5 (2012).

KRISTEN, CHRISTINE (a.k.a. LadyBee). "Playing with Fire," in Special Section "The Fire Arts of Burning Man," Leonardo 40, No. 4 (2007).

KRUEGER, TED. "Synthetic Senses," in Special Section "ISEA 2002 Selected Papers," Leonardo 37, No. 4 (2004).

KRÜGER, NORBERT, and WÖRGÖTTER, FLORENTIN. "Symbolic Pointillism: Computer Art Motivated by Human Brain Structures," Leonardo 38, No. 4 (2005).

KROOS, CHRISTIAN; HERATH, DAMITH C.; and STELARC. "Evoking Agency: Attention Model and Behavior Control in a Robotic Art Installation," Leonardo 45, No. 5 (2012).

KUBICK, CHRIS, and WALSH, ANNE. "Sound Library: A Motion Picture Event," in Special Section "Sound and the Social Organization of Space," Leonardo Music Journal 16 (2006).

KUBISCH, CHRISTINA. "Magnetic Nets," LMJ16 CD Contributor's Note, Leonardo Music Journal 16 (2006).

KUCHERA-MORIN, JOANN. "Performing in Quantum Space: A Creative Approach to N-Dimensional Computing," in Special Section "Transactions," Leonardo 44, No. 5 (2011).

KUIVILA, RONALD. "Introduction to Lucier Celebration On-Line Supplement," Leonardo Music Journal 22 (2012).

KUIVILA, RON. "David Tudor: Live Electronic Music," LMJ14 CD Companion, Leonardo Music Journal 14 (2004).

KUIVILA, RONALD. "Images and Actions in the Music of Alvin Lucier," On-Line Supplement Abstract, Leonardo Music Journal 22 (2012).

KUIVILA, RON. "Open Sources: Words, Circuits and the Notation-Realization Relation in the Music of David Tudor," Leonardo Music Journal 14 (2004).

KUIVILA, RON and BEHRMAN, DAVID. "Composing with Shifting Sand: A Conversation between Ron Kuivila and David Behrman on Electronic Music and the Ephemerality of Technology," Leonardo Music Journal 8 (1998).

KUMAO, HEIDI. "Transplant," in Tracing Home Art Gallery, Special Issue SIGGRAPH 2011 Art Papers and Tracing Home Art Gallery, Leonardo 44, No. 4 (2011).

Kunst.ruch.ter. "Grandpa's broken hearing aid," LMJ17 CD Contributor's Note, Leonardo Music Journal 17 (2007).

KUPFERMAN, JUDY. Review of A Colloquium on Art/Science/Spirituality Reconnections within Emerging Planetary Cultures, Leonardo 38, No. 2 (2005).

KURBAK, EBRU; NASCIMENTO, RICARDO; and SHIZUE, FABIANA. "Taiknam Hat," in Gallery "Social Fabrics: Wearable + Media + Interconnectivity," Leonardo 42, No. 2 (2009).

KURLENYA, K. Review of Music, Electronics, Intonation by Alexander P. Mentyukov, Alexei A. Ustinov and Sergei A. Cheldiyev, in Special Section "Leon Theremin, Pioneer of Electronic Art," Leonardo Music Journal 6 (1996).

KUSAHARA, MACHIKO. "The Art of Creating Subjective Reality: An Analysis of Japanese Digital Pets," Leonardo 34, No. 4 (2001).

KUSHIYAMA, KUMIKO. "Fur-Fly," in Biologic Art Gallery, Special Issue SIGGRAPH 2009 Art Papers and Biologic Art Gallery, Leonardo 42, No. 4 (2009).

KUTSCHAT, DANIELA. Review of "Invenção 99," Leonardo 33, No. 3 (2000).

KWAUK, MOOSON. "From Conceptualization of Motion in Space to Rational Design," Leonardo 32, No. 4 (1999).

KWAUK, MOOSON. "Holistic Polyhedrons: A New Concept of Making Mobile Members," Leonardo 34, No. 4 (2001).

LÓPEZ, FRANCISCO. "Untitled #115 (Parts 1 and 2)," LMJ13 CD Contributor's Note, Leonardo Music Journal 13 (2003).

LADYBEE (a.k.a. Christine Kristen). "The Outsider Art of Burning Man," Leonardo 36, No. 5 (2003).

LAFARGE, ANTOINETTE, and ALLEN, ROBERT. "Media Commedia," Leonardo 38, No. 3 (2005) .

LAFARGE, ANTOINETTE, and NIDEFFER, ROBERT. "SHIFT-CTRL," Gallery Section, Leonardo 35, No. 1 (2002).

LAFARGE, ANTOINETTE. "The Bearded Lady and the Shaven Man: Mona Lisa, Meet Mona Leo," in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).

LAHAIE, THERESE. "Three Solar Illuminated Sculptures," Leonardo 30, No. 1 (1997).

LAHEY, BYRON; BURLESON, WINSLOW; and STREB, ELIZABETH. "Translation + Pendaphonics = Movement Modulated Media," in Leonardo Special Issue: SIGGRAPH 2012 Art Papers and In Search of the Miraculous Gallery, Leonardo 45, No. 4 (2012).

LAM, LUI. "A Science-and-Art Interstellar Message: The Self-Similar Sierpinski Gasket," in Special Section "The Art and Science of Interstellar Message Composition," Leonardo 37, No. 1 (2004).

LAMBELET, PATRICK. Review of Gravikords, Whirlies and Pyrophones: Experimental Musical Instruments, book by Bart Hopkin and CD compiled by Bart Hopkin, Leonardo Music Journal 7
(1997).

LAMBELET, PATRICK. Review of Suspended in Amber, CD by Sarah Peebles, Takahashi Harada, Kazue Mizushima, Ko Ishikawa, Hiromi Yoshida and Ikuo Kakehashi, Leonardo Music Journal 7 (1997).

LAMBERT, NICK. "From Imaginal to Digital: Mental Imagery and the Computer Image Space," Leonardo 44, No. 5 (2011).

LAMBERT, NICK. "Introduction to Transactions---Digital Continuities," in Special Section "Digital Continuities," Leonardo 45, No. 5 (2012).

LAMBLA, ANNIE. "The Exploratorium's Invisible Dynamics Project: Environmental Research as Artistic Process," The Invisible Dynamics of the Pacific Rim and the Bay Area section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).

LAMONTAGNE, VALÉRIE. Review of Spacesuit: Fashioning Apollo by Nicolas de Monchaux, Leonardo 45, No. 3 (2012).

LANDRUS, MATTHEW. "The Proportional Consistency and Geometry of Leonardo's Giant Crossbow," in Special Section "Leonardo Celebrates Leonardo da Vinci," Leonardo 41, No. 1 (2008).

LANSDOWN, JOHN. "Why Not More Algorithmic Art?," Leonardo 31, No. 4 (1998).

LAPIDUS, KYLE, AND HINKIS, TALI. "LoVid's Kiss Blink Sync Vessel," Leonardo Music Journal 17 (2007).

LASAY, FATIMA. "Heaven and Earth," Gallery Section, Leonardo 35, No. 3 (2002).

LASAY, FATIMA. "Geo/centr/e/i/city---The Earth as Center," Gallery Section, Leonardo 35, No. 3 (2002).

LASAY, FATIMA. "The Philippine Triad and Western Dichotomous Philosophies: A Contest of Traditions in Three Audio-Performance Projects," In Special Section "Melilla Colloquium," Leonardo 39, No. 1 (2006).

LAST, ANGELA. "Mutable Matter: Using Sensory Methods in Public Engagement with Nanotechnology," in Special Section: "Nanotechnology, Nanoscale Science and Art," Leonardo 45, No. 2 (2012).

LATTO, RICHARD, and HARPER, BERNARD. "The Non-Realistic Nature of Photography: Further Reasons Why Turner Was Wrong," Leonardo 40, No. 3 (2007).

LAURENCE, BECCA. "Sonic Postcards," LMJ16 CD Contributor's Note, Leonardo Music Journal 16 (2006).

LAURENTIZ, PAULO. "Untitled," Leonardo 29, No. 4 (1996).

LAVIN, IRVING. "The Art of History: A Professional Allegory," in Special Section "International Workshop on Art and Science," Leonardo 29, No. 1 (1996).

LAVIN, MARILYN ARONBERG. "Researching Visual Images with Computer Graphics," in Special Section "International Workshop on Art and Science," Leonardo 29, No. 1 (1996).

LAWLER-DORMER, DEBORAH. "The New Zealand Container," Container Culture section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).

LAWRENCE, PETER. "Genetics of Animal Design," in Special Section "Art and Biology," Leonardo 30, No. 4 (1997).

LAWSON, BRYAN. "CAD and Creativity: Does the Computer Really Help?," Leonardo 35, No. 3 (2002).

LAWYER, MATTHEW C. "A Cure for Musicians Afflicted with Baumol's Disease: Squeezing More Music out of Performance in the Age of Digital Reproduction," Leonardo Music Journal 18 (2008).

LAZIZA, KATHLEEN. "Laziza Videodance and Lumia Project: The Intersection of Dance, Technology and Performance Art," Leonardo 29, No. 3 (1996).

LEACH, JAMES. "Extending Contexts, Making Possibilities: An Introduction to Evaluating the Projects,: in Special Section "Arts and Science Research Fellowships," Leonardo 39, No. 5 (2006).

LE BAIL, BRUNO. "The Continuous Line in Space and Time," Leonardo 35, No. 4 (2002).

LE MEUR, ANNE-SARAH. "Into the Hollow of Darkness: Realizing a 3D Interactive Environment," Leonardo 37, No. 3 (2004).

LECLERC, PAUL. "How Technology Is Transforming the Role of the New York Public Library," in Special Section "A Conference on Intellectual Property Rights and the Arts: The Impact of New Technologies, Part II," Leonardo 29, No. 4 (1996).

LEE, SANGHUN. "Mr. Lee Experiment," in Biologic Art Gallery, Special Issue SIGGRAPH 2009 Art Papers and Biologic Art Gallery, Leonardo 42, No. 4 (2009).

LEE, SOO-JIN, and KWANG-YUN WOHN. "The Media-Art Exhibition TenYearsAfter_v4.0_OuterSpace," Leonardo 41, No. 5 (2008).

LEE, WOOHUN, and SEONG, JINHA. "Crystal Zoetrope: New Visual Medium for Displaying 3D Animation," in Special Section "Transactions," Leonardo 45, No. 1 (2012).

LEFFORD, NYSSIM. "The Generative Process, Music Composition and Games," Leonardo 40, No. 2 (2007).

LEGAULT, JULIE. "The HeartBeats Watch," in Leonardo Special Issue: SIGGRAPH 2012 Art Papers and In Search of the Miraculous Gallery, Leonardo 45, No. 4 (2012).

LEGGETT, MIKE. "Generative Systems and the Cinematic Spaces of Film and Installation Art,"Leonardo 40, No. 2 (2007).

LEGGETT, MIKE. Review of Casablanca: Movies and Memory by Marc Augé, Leonardo 44, No. 5 (2011).

LEGGETT, MIKE. Review of The Color of Your Socks: A Year with Pipilotti Rist, directed by Michael Hegglin, Leonardo 45, No. 3 (2012).

LEGGETT, MICHAEL. Review of Beyond (CD-ROM), produced by Zoe Beloff, Leonardo 32, No. 1 (1999).

LEGGETT, MICHAEL. Review of Camoupedia--A Compendium of Research on Art, Architecture and Camouflage by Roy R. Behrens, Leonardo 43, No. 3 (2010).

LEGGETT, MICHAEL. Review of Enactive Cinema---Simulatorium Eisensteinense by Pia Tikka, Leonardo 44, No. 1 (2011).

LEGGETT, MICHAEL. Review of From Grain to Pixel: The Archival Life of Film in Transition by Giovanna Fossati, Leonardo 43, No. 5 (2010).

LEGGETT, MIKE. Review of John Cage Performs James Joyce and Fluxus Replayed by Takahiko Iimura, Leonardo 40, No. 4 (2007).

LEGGETT, MIKE. Review of On Landscapes by Susan Herrington, Leonardo 43, No. 1 (2010).

LEGGETT, MICHAEL. Review of Planet of Noise (CD-ROM), produced by Brad Miller and Mackenzie Wark, Leonardo 32, No. 1 (1999).

LEGGETT, MIKE. Review of Radical Light: Alternative Film and Video in the San Francisco Bay Area 1945–2000, edited by Steve Anker, Kathy Geritz and Steve Seid, Leonardo 45, No. 2 (2012).

LEGGETT, MIKE. Review of Salvador Allende, directed by Patricio Guzmán, Leonardo 41, No. 1 (2008).

LEGGETT, MICHAEL. Review of Time Travelling with Rosalind Brodsky by Suzanne Treister, Leonardo 34, No. 1 (2001).

LEGGETT, MIKE. Review of A Landscape of Events by Paul Virilio, Leonardo 36, No. 1 (2003).

LEGGETT, MIKE. Review of Annunciation by Cesare Davolio, Leonardo 35, No. 3 (2002).

LEGGETT, MIKE. Review of Experimental Cinema in the Digital Age by Malcolm Le Grice, Leonardo 36, No. 2 (2003).

LEGGETT, MIKE. Review of For a Better World by Mathilde ter Heijne, Leonardo 36, No. 1 (2003).

LEGGETT, MIKE. Review of Interzone: Media Arts in Australia, by Darren Tofts, Leonardo 39, No. 5 (2006).

LEGGETT, MIKE. Review of John Cage Performs James Joyce and Fluxus Replayed by Takahiko Iimura, Leonardo 40, No. 5 (2007).

LEGGETT, MIKE. Review of Locus Solus---Site, Identity, Technology and Contemporary Art by Stallabrass et al. (CD), Leonardo 35, No. 2 (2002).

LEGGETT, MIKE. Review of Media Ecologies: Materialist Energies in Art and Technoculture by Matthew Fuller, Leonardo 40, No. 2 (2007).

LEGGETT, MIKE. Review of N by Lloyd Gibson and Mark Little, Leonardo 35, No. 2 (2002).

LEGGETT, MIKE. Review of Observer/Observed and Other Works of Video Semiology by Takahiko Iimura and Takahiko Iimura---Retrospective de Films et de Video, SEEING Catalogue, Galerie nationale du Jeu de Paume (CDs), Leonardo 35, No. 1 (2002).

LEGGETT, MIKE. Review of Of Shifting Shadows by Gita Hashemi, Leonardo 36, No. 1 (2003).

LEGRADY, GEORGE. "Culture, Data and Algorithmic Organization," in Special Section "Arts, Humanities and Complex Networks," Leonardo 45, No. 3 (2012).

LEGRADY, GEORGE. "Perspectives on Collaborative Research and Education in Media Arts," in Special Section "CAA 2005," Leonardo 39, No. 3 (2006).

LEMARCHAND, GUILLERMO A., and LOMBERG, JON. "Universal Cognitive Maps and the Search for Intelligent Life in the Universe," in Special Section "Space Art," Leonardo 42, No. 5 (2009).

LEONARD, NEIL, III. "A Personal Approach to Contemporary Jazz: Works for Saxophone and Computer Controlled Electronics," Leonardo Music Journal 6 (1996).

LEONARDO DI CRAPPIO. "America, Torture Capital of the World," LMJ17 CD Contributor's Note, Leonardo Music Journal 17 (2007).

LEONARDSON, ERIC. "The Springboard: The Joy of Piezo Disk Pickups for Amplified Coil Springs," Leonardo Music Journal 17 (2007).

LERMAN, RICHARD. "A Sony Walkman Pro Cassette Delay," Leonardo Music Journal 17 (2007).

LERMAN, RICHARD. "Thoughts on Alvin Lucier and Performance," On-Line Supplement Abstract, Leonardo Music Journal 22 (2012).

LE SOURD, MARIE. "Bandung Center for New Media Arts: Local Commitment and International Collaboration," Education section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).

LEVIN, HELEN. "A Response to William Mitchell on 'The Death of Drawing,'" with a response by William J. Mitchell, in Commentaries Section, Leonardo 35, No. 1 (2002).

LEVIN, HELEN. Review of New Media in the White Cube and Beyond: Curatorial Models for Digital Art, edited by Christiane Paul, Leonardo 43, No. 1 (2010).

LEVINE, HOWARD. "The Art of Mathematics, The Mathematics of Art," Leonardo 27, No. 1 (1994).

LEVINE, JOSHUA. "Experimental Visual Experience Devices," Leonardo 33, No. 1 (2000).

LEVITZ, TAMARA. "David Tudor's Corporeal Imagination," abstract of paper presented at the symposium "The Art of David Tudor: Indeterminacy and Performance in Postwar Culture," Leonardo Music Journal 14 (2004).

LEVRIER, GUY. "A Painter's Thesis: Quantum Physics as an Inspiration for Art," Leonardo 30, No. 4 (1997).

LEVRIER, GUY. "The Pathway between Art and Science," Leonardo 33, No. 3 (2000).

LEVY, ELLEN K. "Complexity," Leonardo 27, No. 1 (1994).

LEVY, ELLEN K. Editorial: "Cultural Evolution," Leonardo 43, No. 5 (2010).

LEVY, ELLEN K. "The Genome and Art: Finding Potential in Unlikely Places," Leonardo 34, No. 2 (2001).

LEWIS, CHARA; MOJSIEWICZ, KRISTIN; and PETTICAN, ANNEKÉ. "From Wunderkammern to Kinect---The Creation of Shadow Worlds," in Leonardo Special Issue: SIGGRAPH 2012 Art Papers and In Search of the Miraculous Gallery, Leonardo 45, No. 4 (2012).

LEWIS, GEORGE. "Too Many Notes: Computers, Complexity and Culture in Voyager," Leonardo Music Journal 10 (2000).

LEXER, SEBASTIAN. "Piano+: An Approach towards a Performance System Used within Free Improvisation," Leonardo Music Journal 20 (2010).

LHERMITTE, JEAN-LOUIS. "Sculpting Ionized Plasma," Leonardo 34, No. 3 (2001).

LI, TAMARA. "The Flaming Lotus Girls' The Seven Sisters," in Special Section "The Fire Arts of Burning Man," Leonardo 40, No. 4 (2007).

LI, ZHENHUA. "Media Art in Beijing," After Midnight section, Leonardo 40, No. 3 (2007).

LIU, YANG, "Visual Art as Research: Explorations with Sona Drawings," Leonardo 43, No. 2 (2010).

LICHTY, PATRICK. "An Alpha Revisionist Manifesto," in Special Issue "The Ninth Annual Digital Salon,"Leonardo 34, No. 5 (2001).

LICHTY, PATRICK. "The Cybernetics of Performance and New Media Art," in Special Issue "The Eighth Annual New York Digital Salon,"Leonardo 33, No. 5 (2000).

LIGETI, LUKAS. "Balarama," CD Contributor's note, Leonardo Music Journal 10 (2000).

LIGETI, LUKAS. "Beta Foly: Experiments with Tradition and Technology in West Africa," Leonardo Music Journal 10 (2000).

LIGETI, LUKAS. "The Burkina Electric Project and Some Thoughts about Electronic Music in Africa," in Special Section "UNYAZI," Leonardo Music Journal 16 (2006).

LIGHTFOOT, TULLA. "Society for Imaging Science and Technology, 11th International Conference (1995)---Non-Impact Printing Technologies," Leonardo 31, No. 2 (1998).

LIJN, LILIANE. "Body and Soul: Interactions between the Material and the Immaterial in Sculpture," Leonardo 31, No. 1 (1998).

LIJN, LILIANE. "Liquid Light: Working with Water," Leonardo 36, No. 4 (2003).

LILLIOS, ELAINIE. "Listening Beyond . . . The LMJ Mix," LMJ19 CD Contributor's Note, Leonardo Music Journal 19 (2009).

LIN, SERENA. "Visible Traces," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).

LIN, XIAOPING. "Those Parodic Images: A Glimpse of Contemporary Chinese Art," Leonardo 30, No. 2 (1997).

LINCOLN, PAUL ETIENNE. "A Short Synopsis of the Workings of Ignisfatuus," Leonardo 30, No. 3 (1997).

LINNIK, YURI V. Review of Soviet Faust by Bulat M. Galeyev, in Special Section "Leon Theremin, Pioneer of Electronic Art," Leonardo Music Journal 6 (1996).

LINZ, RAINER. "Toward the Design of a Real Time Interactive Performance Sound System," LMJ CD Companion Note, Leonardo Music Journal 6 (1996).

LIOU, JAWSHING ARTHUR. "The Insatiable," in Tracing Home Art Gallery, Special Issue SIGGRAPH 2011 Art Papers and Tracing Home Art Gallery, Leonardo 44, No. 4 (2011).

LISS, JONATHAN. "An Antipodean Dialogue," After Midnight Section, Leonardo 37, No. 4 (2004).

LISSEL, EDGAR. "The Return of Images: Photographic Inquiries into the Interaction of Light," Leonardo 41, No. 5 (2008).

LITYAGINA, LYDIA, and NAUMOV, NIKOLAI. "The Graphovox System of Musical Transformation," in Special Section "Leon Theremin, Pioneer of Electronic Art," Leonardo Music Journal 6 (1996).

LIU, YU TUNG. "A Course on Cognition and Computation of Design at National Chiao Tung University," Leonardo 29, No. 4 (1996).

LOCHHEAD, JUDY. "Controlling Liberation: David Tudor and the 'Experimental' Sound Ideal," abstract of paper presented at the symposium "The Art of David Tudor: Indeterminacy and Performance in Postwar Culture," Leonardo Music Journal 14 (2004).

LOCKWOOD, ANNEA. Section Introduction: "Sound Explorations: Windows into the Physicality of Sound," Leonardo Music Journal 19 (2009).

LONDON, BARBARA. "Digital Art Takes Shape at MoMA," Leonardo 34, No. 2 (2001).

LONG, JIM. "Parade and The Revelations of St. John (Green Version)," Gallery Section, Leonardo 34, No. 1 (2001).

LOPEZ, MARTINA. "In the Way of Tradition," Gallery Section, Leonardo 28, No. 2 (1995).

LOPEZ GARCIA, JACALYN. "Glass Houses: A View of American Assimilation from a Mexican-American Perspective," Leonardo 33, No. 4 (2000).

LOVINK, GEERT. "The Data Dandy and Sovereign Media: An Introduction to the Media Theory of ADILKNO," Leonardo 30, No. 1 (1997).

LOWREY, NORMAN. "In Whirled Trance," LMJ19 CD Contributor's Note, Leonardo Music Journal 19 (2009).

LOZANO HEMMER, RAFAEL. "Perverting Technological Correctness," Gallery Section, Leonardo 29, No. 1 (1996).

LOZANO-HEMMER, RAFAEL. "Surface Tension," Gallery Section, Leonardo 40, No. 3 (2007).

LOZANO, IVÁN. "¿Donde Habitas? (Qué rica combinación) and Combimen," Gallery Section, Leonardo 35, No. 4 (2002).

LUBAR, KATHERINE. "Color Intervals: Applying Concepts of Musical Consonance and Dissonance to Color," Leonardo 37, No. 2 (2004).

LUCAS, ADAM. "Indigenous People in Cyberspace," Leonardo 29, No. 2 (1996).

LUCIER, ALVIN. "On Stuart Marshall: Composer, Video Artist and Filmmaker, 1949--1993," Leonardo Music Journal 11 (2001).

LUCIER, ALVIN. "Origins of a Form: Acoustical Exploration, Science and Incessancy," Leonardo Music Journal 8 (1998).

LUQUE, SERGIO. "The Stochastic Synthesis of Iannis Xenakis," Leonardo Music Journal 19 (2009).

LUTES, JEREMY. "The Lily Pond," Leonardo 36, No. 5 (2003).

LUXEREAU, CHRISTOPHE. "An Aesthetic of Emptiness," in Special Section "@rt Outsiders Festival," Leonardo 37, No. 2 (2004).

LUZURIAGA, DIEGO. Viento en el Viento, CD Contributor's note, Leonardo Music Journal 10 (2000).

LYONS, ANTONY. "WeatherProof," in Special Section "Lovely Weather," Leonardo 45, No. 2 (2012).

LYONS, KIERAN. Review of The Dada Cyborg: Visions of the New Human in Weimar Berlin by Matthew Biro, Leonardo 43, No. 5 (2010).

LYONS, KIERAN. Review of Inventing Marcel Duchamp: The Dynamics of Portraiture, edited by Anne Collins Goodyear and James McManus, Leonardo 43, No. 1 (2010).

LYTLE, BRIAN. "Untitled (1995), Untitled (1990) and Yinging the Yang," Leonardo 36, No. 4 (2003).

MÜHLECK, GEORG. "Live Space and Simulation (Inside the Surface)," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).

MAASALO, ANTTI. "Sun from the Eco Series," Leonardo 31, No. 2 (1998).

MACCREADY, PAUL "Perspectives and Prejudices about Some MajorIssues," in Special Section "SolArt Global Network," Leonardo 28, No. 2 (1995).

MACDONALD, CORINA. "Scoring the Work: Documenting Practice and Performance in Variable Media Art," in Special Section "Conserving the Media Arts," Leonardo 42, No. 1 (2009).

MACHADO, ARLINDO. "Video Art: The Brazilian Adventure," Leonardo 29, No. 3 (1996).

MAGENTA, MURIEL. "Virtual Justice," Leonardo 27, No. 1 (1994).

MAGNUSSON, THOR. "Algorithms as Scores: Coding Live Music," Leonardo Music Journal 21 (2011).

MAGNUSSON, THOR, and RÚNAR MAGNUSSON, "giooia---a variation of SameSameButDifferent v.02---Iceland," LMJ18 CD Contributor's Note, Leonardo Music Journal 18 (2008).

MALINA, ROGER F. "Alt.Art-Sci: We Need New Ways of Linking Arts and Sciences," Editorial, Leonardo 44, No. 1 (2011).

MALINA, ROGER F. "A Call for New Leonardos," Editorial, Leonardo 41, No. 1 (2008).

MALINA, ROGER F. "The Fourth World: Promises and Dangers of the World Wide Web," Leonardo 28, No. 1 (1995).

MALINA, ROGER F. "Intimate Science and Hard Humanities," Editorial, Leonardo 42, No. 3 (2009).

MALINA, ROGER F. "Leonardo: Our Fourth Decade," Leonardo 30, No. 1 (1997).

MALINA, ROGER F. "Moist Realities: The Arts and the New Biologies," in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).

MALINA, ROGER F. Welcome: "Network Theory: Art, Science and Technology in Cultural Context," in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).

MALINA, ROGER F. "The New Leonardos," Leonardo 34, No. 4 (2001).

MALINA, ROGER F. "Open Letter to Our Readers," Leonardo 33, No. 4 (2000).

MALINA, ROGER F. "Shared Tools: Ways of Doing, Ways of Seeing, Ways of Knowing," Editorial, Leonardo 27, No. 1 (1994).

MALINA, ROGER F. Executive Editor's Statement: "The Stone Age of the Digital Arts," in Special Issue "The Tenth New York Digital Salon," Leonardo 35, No. 5 (2002).

MALINA, ROGER F. "Summary: The Need for Cooperation among Disciplines: Artists, Presenters, Producers and Distributors," in Special Section "A Conference on Intellectual Property Rights and the Arts: The Impact of New Technologies, Part II," Leonardo 29, No. 4 (1996).

MALINA, ROGER F. "Texts by Jean-Bernard Condat Retracted from Leonardo because of Plagiarism," Leonardo 36, No. 4 (2003).

MALINA, ROGER F. Review of Art/Cognition, Pratiques artistiques et sciences cognitives, edited by Marc Partouche, Leonardo 28, No. 1 (1995).

MALINA, ROGER F. Review of "Inventing Experience: Experiments in New Media at Interval Research," Leonardo 33, No. 2 (2000).

MALINA, ROGER F. Review of "Organically Grown" (exhibition), Center for the Arts, Yerba Buena Gardens, San Francisco, Leonardo 31, No. 2 (1998).

MALINA, ROGER F. Review of Cahiers art et science, edited by Allain Glykos, Leonardo 28, No. 1 (1995).

MALINA, ROGER F. Review of At Home in the Universe: The Search for the Laws of Self Organization and Complexity, by Stuart Kauffman, Leonardo 29, No. 4 (1996).

MALINA, ROGER F. Review of Essays on the Anthropology of Reason, by Paul Rabinow, Leonardo 31, No. 1 (1998).

MALINA, ROGER F. Review of Hidden Order: How Adaptation Builds Complexity, by John H. Holland, Leonardo 29, No. 3 (1996).

MALINA, ROGER F. Review of Islamic Arts, by Jonathan Bloom and Sheila Blair, Leonardo 31, No. 1 (1998).

MALINA, ROGER F. Review of Les Particules Elementaires, by Michel Houellebecq, Leonardo 32, No. 2 (1999).

MALINA, ROGER F. Review of Robert Rauschenberg: A Retrospective (exhibition), Leonardo 32, No. 3 (1999).

MALINA, ROGER F. Review of La science n'est pas l'art by Jean-Marc Lévy-Leblond, Leonardo 45, No. 1 (2012).

MALINA, ROGER F. Review of Transarchitectures: Visions of Digital Communities (symposium), Leonardo 32, No. 1 (1999).

MALINA, ROGER F. Review of What Is Science? by Sundar Sarukkai, Leonardo 45, No. 5 (2012).

MALINA, ROGER F. Review of World Changes: Thomas Kuhn and the Nature of Science, edited by Paul Horwich, Leonardo 29, No. 1 (1996).

MALINA, ROGER F. Review of the Louis Vuitton Möet Hennessy "Science for Art" Prize, Leonardo 30, No. 1 (1997).

MALINA, ROGER F. Special Section Introduction: "The Spirit and Power of Water: A Leonardo Virtual Africa Workshop," Leonardo 36, No. 4 (2003).

MALINA, ROGER F., ET AL. "Rethinking Leonardo," Leonardo 36, No. 1 (2003).

MALLOY, JUDY. Review of Cybertext, Perspectives on Ergodic Literature, by Espen J. Aarseth, Leonardo Music Journal 8 (1998).

MALLOY, JUDY. "Streaming Media Trail," Leonardo 38, No. 3 (2005).

MANCZAK, ALEKSANDRA. "The Ecological Imperative: Elements of Nature in Late Twentieth-Century Art," Leonardo 35, No. 2 (2002).

MANDELBROJT, JACQUES. "Abstraction, Action Painting, Ready-Mades and All That," Leonardo 35, No. 4 (2002).

MANDELBROJT, JACQUES. "The Aesthetic Status of Technological Art, Part 2," Leonardo 32, No. 4 (1999).

MANDELBROJT, JACQUES. "Benoit Mandelbrot and Fractals in Art, Science and Technology," Editorial, Leonardo 44, No. 2 (2011).

MANDELBROJT, JACQUES. "Intersenses," Leonardo 32, No. 1 (1999).

MANDELBROJT, JACQUES. Special Section Introduction: "Intersenses and New Technologies," Leonardo 36, No. 4 (2003).

MANDELBROJT, JACQUES. "Multiple-Time Installation," in Special Section "Transactions," Leonardo 44, No. 1 (2011).

MANDELBROJT, JACQUES. "The Pencil and the Mouse," Leonardo 32, No. 4 (1999).

MANDELBROJT, JACQUES. "Similarities and Contrasts in Artistic and Scientific Creation-Discovery," in Special Section "ArtScience: The Essential Connection," Leonardo 39, No. 5 (2006).

MANDELBROJT, JACQUES. "Spontaneity Displayed through Technology," Leonardo 35, No. 4 (2002).

MANDELBROJT, JACQUES. Review of La science n'est pas l'art by Jean-Marc Lévy-Leblond, Leonardo 45, No. 1 (2012).

MANDELBROJT, JACQUES. Review of The Sound of Painting: Music in Modern Art by Karin V. Maur, Leonardo 33, No. 3 (2000).

MANDELBROJT, JACQUES; FRÉMIOT, MARCEL; and MALINA, ROGER F. "The Aesthetic Status of Technological Art," Leonardo 32, No. 3 (1999).

MANDELBROJT, JACQUES, and PROD'HOMME, LUCIE. "Music, Colors and Movements of Water," Leonardo 36, No. 4 (2003).

MANGE, DANIEL, and TEMPESTI, GIANLUCA. "BioWall---An Electronic Tissue that Pulsates like Skin," in Special Section "@rt Outsiders Festival," Leonardo 37, No. 2 (2004).

MANIETTA, SIEGFRIED. "Colour Chemigrams," in Special Section "Transactions," Leonardo 45, No. 3 (2012).

MANN, CHRIS. "The Use," LMJ21 CD Contributor's Note, Leonardo Music Journal 21 (2011).

MANN, STEVE. "'Reflectionism' and 'Diffusionism': New Tactics for Deconstructing the Video Surveillance Superhighway," Leonardo 31, No. 2 (1998).

MANN, STEVE. "Decon² (Decon Squared): Deconstructing Decontamination," Leonardo 36, No. 4 (2003).

MANN, STEVE. "Existential Technology: Wearable Computing Is Not the Real Issue!" Leonardo 36, No. 1 (2003).

MANN, STEVE. "Intelligent Bathroom Fixtures and Systems: EXISTech Corporation's Safebath Project," Leonardo 36, No. 3 (2003).

MANN, STEVE. "Telematic Tubs against Terror: Bathing in the Immersive Interactive Media of the Post-Cyborg Age," Leonardo 37, No. 5 (2004).

MANNING, PETER. "The Influence of Recording Technologies on the Early Development of Electroacoustic Music," Leonardo Music Journal 13 (2003).

MANNING, PETER. Abstract of "Ownership and Control of the Creative Process in the Composition and Performance of Electroacoustic Music," Leonardo Music Journal 9 (1999).

MANOUSAKIS, STELIOS. "Non-Standard Sound Synthesis with L-Systems," Leonardo Music Journal 19 (2009).

MANOVICH, LEV, and KLEIN, NORMAN. "The Freud-Lissitzky Navigator," Gallery Section, Leonardo 35, No. 1 (2002).

MANOVICH, LEV. "Ten Key Texts on Digital Art, 1970--2000," in Special Issue "The Tenth New York Digital Salon," Leonardo 35, No. 5 (2002).

MANRIQUE, AL. "Asuang Steals Fire from Gurugang," Gallery Section, Leonardo 35, No. 3 (2002).

MARANDA, MICHAEL. "Spherorama (Sylvester's Canyon)," Leonardo 29, No. 1 (1996).

MARBLE, MATTHEW. "Whorl," LMJ21 CD Contributor's Note, Leonardo Music Journal 21 (2011).

MARCHANT, WILL. Review of Full Moon by Michael Light, Leonardo 33, No. 3 (2000).

MARCHESE, FRANCIS T. "Conserving Digital Art for Deep Time," Art Paper, in Special Issue SIGGRAPH 2011 Art Papers and Tracing Home Art Gallery, Leonardo 44, No. 4 (2011).

MARGOLIS, AL. "Cicada #1: Version EHG 9'," LMJ19 CD Contributor's Note, Leonardo Music Journal 19 (2009).

MARGRILL, ANITA. "Peninsula Tell-Tale and Overlook," Leonardo 27, No. 1 (1994).

MARIÁTEGUI, JOSÉ-CARLOS. Introduction: "Pacific Rim New Media Development: A Search for Terra Incognita," Latin America/Pacific-Asia New Media Initiatives section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).

MARIÁTEGUI, JOSÉ-CARLOS. "Peruvian Video/Electronic Art," Gallery Section, Leonardo 35, No. 4 (2002).

MARIOTTI, FRANCESCO. "Cubo luminoso, Gran Guacamayo precolumbino and El Templo de las luciérnagas," Gallery Section, Leonardo 35, No. 4 (2002).

MARKS, LAURA U. "Infinity and Accident: Strategies of Enfoldment in Islamic Art and Computer Art," Leonardo 39, No. 1 (2006).

MARKUS, MARIO. "A Scientist's Adventures in Postmodernism," Leonardo 33, No. 3 (2000).

MARMOR, KATHY. "Bird Watching: An Introduction to Amateur Satellite Spotting," Leonardo 41, No. 4 (2008).

MARSHALL, JOE, et al. "Sensory Threads," in Special Section "Transactions," Leonardo 43, No. 2 (2010).

MARSHALL, JOE; BENFORD, STEVE; and PRIDMORE, TONY. "Eye-Balls: Cheap and Cheerful Interactive Performance," in Special Section "Transactions," Leonardo 41, No. 3 (2008).

MARSHALL, JOE; CHAMBERLAIN, ALAN; and BENFORD, STEVE. "I Seek The Nerves Under Your Skin: A 'Fast' Interactive Artwork," Leonardo 44, No. 5 (2011).

MARSISKE, HANS-ARTHUR. "The Legacy of Columbus," in Special Section "Less Remote," Leonardo 43, No. 2 (2010).

MARTELLINI, FLORENCE. Review of Dans l'Atelier de l'Art Expériences Cognitives by Mario Borillo, Leonardo 44, No. 5 (2011).

MARTELLINI, FLORENCE. Review of Bauhaus Dream-house---Modernity and Globalization by Katerina Rüedi Ray, Leonardo 45, No. 2 (2012).

MARTIN, JULIET. "Can You See Me Through the Computer?," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).

MARTINAT, JOSÉ CARLOS. "Casa," Gallery Section, Leonardo 35, No. 4 (2002).

MARTINEC, RADAN. "Rhythm in Multimodal Texts," Leonardo 33, No. 4 (2000).

MARTINO, JACQUELYN. Editorial, in Special Issue SIGGRAPH 2009 Art Papers and Biologic Art Gallery, Leonardo 42, No. 4 (2009).

MARTINO, JACQUELYN A. "The Immediacy Of The Artist's Mark In Shape Computation," in Special Issue SIGGRAPH 2010 Art Papers and TouchPoint Art Gallery, Leonardo 43, No. 4 (2010).

MARTINO, JACQUELYN. "Clerestory," Leonardo 33, No. 3 (2000).

MARTINO, JACQUELYN. "Travel Stones," in Tracing Home Art Gallery, Special Issue SIGGRAPH 2011 Art Papers and Tracing Home Art Gallery, Leonardo 44, No. 4 (2011).

MARTINO, JACQUELYN A. "Without a Special Object of Worship: An Interactive Book-Arts Computer Installation," Leonardo 30, No. 1 (1997).

MARYNOWSKY, WADE. "The Uncanny Automaton," in Special Section "Transactions," Leonardo 45, No. 5 (2012).

MASINI, ELEONORA BARBIERI. "Conference Overview: The Relationship Between Art and Science," in Special Section "International Workshop on Art and Science," Leonardo 29, No. 1 (1996).

MASINI, ELEONORA BARBIERI. "The Creative Role of Women in a Changing World: The Case of Women in Developing Countries," Leonardo 27, No. 1 (1994).

MASSIE, FRANCIS D. "The Science for Art Prize: Genesis of Forms," in Special Section "Art and Biology," Leonardo 30, No. 3 (1997).

MATEAS, MICHAEL. "Expressive AI: A Hybrid Art and Science Practice," Leonardo 34, No. 2 (2001).

MATEJ, DANIEL. "SATIollagE," LMJ12 CD Contributor's Note, Leonardo Music Journal 12 (2002).

MATHER, DAVID. "Extended Memory: Early Calculating Engines and Historical Computer Simulations," in Special Section "ArtScience: The Essential Connection," Leonardo 39, No. 3 (2006).

MATHIEU, MARIE-CHRISTIANE. "Solaris:Experimental Solar Holography," in Special Section "SolArt Global Network," Leonardo 28, No. 3 (1995).

MATHIEU, STEPHAN. "A Microsound Fairytale (Conclusion)," LMJ13 CD Contributor's Note, Leonardo Music Journal 13 (2003).

MATTHUSEN, PAULA. "Lathyrus," LMJ19 CD Contributor's Note, Leonardo Music Journal 19 (2009).

MATOUSEK, JIRI, and VALOCH, JIRI. "Sculptural Creations Based on Astronomical Phenomena," Leonardo 30, No. 4 (1997).

MAUBREY, BENOÎT. "Audio Jackets and Other Electroacoustic Clothes," Leonardo 28, No. 2 (1995).

MAUN, PATRICK (curator). "Leonardo Electronic Almanac Gallery," Leonardo 32, No. 4 (1999).

MAXWELL, RICHARD. "The Thicket: A Possibility Space," Leonardo 30, No. 4 (1997).

MAZIAK, WASIM. Editorial: "On the Verge of Avalanche," Leonardo 39, No. 2 (2006).

MBARKHO, RICARDO. "On New Media and Creativity in Lebanon," Leonardo 45, No. 2 (2012).

MCCARTHY, LAUREN. "Tools For Improved Social Interacting," in Special Issue SIGGRAPH 2010 Art Papers and TouchPoint Art Gallery, Leonardo 43, No. 4 (2010).

MCCARTHY, ROSALEEN; BLACKWELL, ALAN; DELAHUNTA, SCOTT; WING, ALAN; HOLLANDS, KRISTEN; BARNARD, PHILIP; NIMMO-SMITH, IAN; and MARCEL, ANTHONY. "Bodies Meet Minds: Choreography and Cognition," in Special Section "Arts and Science Research Fellowships," Leonardo 39, No. 5 (2006).

MCLACHLAN, NEIL. "A Spatial Theory of Rhythmic Resolution," Leonardo Music Journal 10 (2000).

MCLEISH, PETER. "The Historic Search for Red Sprites: Art Meets Science in Lightning's Angels," Leonardo 38, No. 2 (2005).

MCMILLIN, MIKE. "They said that when I was born I looked just like my mother," Leonardo 33, No. 1 (2000).

MEHLER, ALEXANDER et al. "Evolution of Romance Language in Written Communication: Network Analysis of Late Latin and Early Romance Corpora," in Special Section of Leonardo Transactions: Arts, Humanities And Complex Networks, Leonardo 44, No. 3 (2011).

MEHTA, RAJESH K. "Imagionational Map 2 (R1,R3,R5)," LMJ21 CD Contributor's Note, Leonardo Music Journal 21 (2011).

MEIERHOFER, CHRISTINE. "UNITn," Leonardo 27, No. 1 (1994).

MEIGH-ANDREWS, CHRIS. "The Monument Project (Si Monumentum Reqiuis Circumspice)," in Special Section "Transactions," Leonardo 42, No. 5 (2009).

MEIGH-ANDREWS, CHRIS. "Peter Donebauer, Richard Monkhouse and the Development of the EMS Spectron and the Videokalos Image Processor,"Leonardo 40, No. 5 (2007).

MENEZES, FLO. "To Be and Not To Be: Aspects of the Interaction Between Instrumental and Electronic Compositional Methods," Leonardo Music Journal 7 (1997).

MENTYUKOV, ALEXANDER P. "Followers of Theremin from Siberia," in Special Section "Leon Theremin, Pioneer of Electronic Art," Leonardo Music Journal 6 (1996).

MERRITT, RICHARD. "Memory Arts to the New Code Paradigm: The Artist as Engineer of Virtual Information Space and Virtual Experience," in Special Issue "The Ninth Annual Digital Salon," 34, No. 5 (2001).

METROS, SUSAN. "Making Connections: A Model for On-Line Interaction," Leonardo 32, No. 4 (1999).

MEYER, EDGAR F. "Digital Design of Molecular Sculptures and Abstractions," Leonardo 44, No. 1 (2011).

MEYEROWITZ, ELLIOT. "Unraveling the Mysteries of Flower Development," in Special Section "Art and Biology," Leonardo 31, No. 1 (1998).

MIALL, R.C., and TCHALENKO, JOHN. "A Painter's Eye Movements: A Study of Eye and Hand Movement during Portrait Drawing," Leonardo 34, No. 1 (2001).

MIDDLETON, JONATHAN N., and DOWD, DIANE. "Web-Based Algorithmic Composition from Extramusical Resources," Leonardo 41, No. 2 (2008).

MIGNONNEAU, LAURENT, and SOMMERER, CHRISTA. "Creating Artificial Life for Interactive Art and Entertainment," Leonardo 34, No. 4 (2001).

MILANOVIC, VESNA. "Performing Exile in Real Time through a French Feminist Framework," Leonardo 44, No. 2 (2011).

MILLER, ARTHUR I. "Aesthetics, Representation and Creativity in Art and Science," in Special Section "'Creativity and Cognition'" Conference Papers, Leonardo 28, No. 3 (1995).

MILLER, BEN. "06.213: Attacks with Knives and Sharp Instruments: Quantitative Coding and the Witness to Atrocity," in Special Section "Arts, Humanities and Complex Networks," Leonardo 45, No. 1 (2012).

MILLER, DANIEL WAYNE. "Colony," Leonardo 33, No. 4 (2000).

MILLER, RON. "The Archeology of Space," in Special Section "Selected Papers from The Inspiration of Astronomical Phenomena, A Conference on the Influence of Observed Celestial Events upon World Culture," Leonardo 29, No. 2 (1996).

MILLER, STEVE. "Portrait of Isabel Goldsmith," Leonardo 29, No. 1 (1996).

MILLER, TYRUS. "Transduced Objects and Spiritual Automata: Dimensions of Experience in David Tudor's Live Electronics," abstract of paper presented at the symposium "The Art of David Tudor: Indeterminacy and Performance in Postwar Culture," Leonardo Music Journal 14 (2004).

MILLER, VALERIE. Special Section Introduction: "SIGGRAPH 2000 Educators Program," in Special Section "SIGGRAPH Educators Program," Leonardo 35, No. 1 (2002).

MILLS, ALLAN A. "Leonardo da Vinci and Perpetual Motion," in Special Section "Leonardo Celebrates Leonardo da Vinci," Leonardo 41, No. 1 (2008).

MILLS, ALLAN A. "Vermeer and the Camera Obscura: Some Practical Considerations," Leonardo 31, No. 3 (1998).

MILNER, JOHN. "In Memoriam: Kirill Sokolov (1930-2004)," Leonardo 40, No. 2 (2007).

MILUTIS, JOE. "The Biography of the Sample: Notes on the Hidden Contexts of Acousmatic Art," Leonardo Music Journal 18 (2008).

MIRAGE, MEREL. "Memories of a Virtual Butterfly: The World and the Screen," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).

MIRANDA, EDUARDO RECK. Electroacoustic Samba I, CD Contributor's note, Leonardo Music Journal 10 (2000).

MIRANDA, EDUARDO RECK. "Granular Synthesis of Sounds by Means of a Cellular Automaton," in Special Section "The Fourth International Symposium on Electronic Art (FISEA) Symposium Papers," Leonardo 28, No. 4 (1995).

MIRANDA, EDUARDO RECK. "Machine Learning and Sound Design: A Case Study," in Special Section "Conference Papers from the Seventh International Symposium on Electronic Art (ISEA 96)," Leonardo Music Journal 7 (1997).

MIRANDA, EDUARDO RECK. "On the Music of Emergent Behavior: What Can Evolutionary Computation Bring to the Musician?," Leonardo 36, No. 1 (2003).

MIRANDA, EDUARDO RECK, and BROUSE, ANDREW. "Interfacing the Brain Directly with Musical Systems: On Developing Systems for Making Music with Brain Signals," Leonardo 38, No. 4 (2005).

MIRANDA, EDUARDO R. and MATTHIAS, JOHN. "Music Neurotechnology for Sound Synthesis: Sound Synthesis with Spiking Neuronal Networks," Leonardo 42, No. 5 (2009).

MIREL, BARBARA. "Building Network Visualization Tools to Facilitate Metacognition in Complex Analysis," in Special Section of Leonardo Transactions: Arts, Humanities and Complex Networks, Leonardo 44, No. 3 (2011).

MITCHELL, RICHARD W. Review of Freakery: Cultural Spectacles of the Extraordinary Body, edited by Rosemarie Garland, Leonardo 32, No. 3 (1999).

MITCHELL, RICK. Review of The Puppet and the Dwarf: The Perverse Core of Christianity by Slavoj Zizek, Leonardo 37, No. 5 (2004).

MITCHELL, ROBERT. Review of The Postdigital Membrane: Imagination, Technology and Desire by Robert Pepperell and Michael Punt, Leonardo 35, No. 3 (2002).

MITROPOULOS, MIT. Review of Cyberspace Reflections, by Herman E. van Bolhuis and Vicente Colom, Leonardo 30, No. 1 (1997).

MITROPOULOS, MIT. Review of Networking: Thinking about Mail Art, With and Without Technology, edited by Check Welch, Leonardo 29, No. 2 (1996).

MIWA, YOSHIYUKI; ITAI, SHIROH; WATANABE, TAKABUMI; and NISHI, HIROKO. "Shadow Awareness: Enhancing Theater Space through the Mutual Projection of Images on a Connective Slit Screen," Art Paper, in Special Issue SIGGRAPH 2011 Art Papers and Tracing Home Art Gallery, Leonardo 44, No. 4 (2011).

MIYASHITA, TSUTOMU. "A New System to Appreciate the Visual Characteristics of a Painting," Art Paper, in Special Issue SIGGRAPH 2009 Art Papers and Biologic Art Gallery, Leonardo 42, No. 4 (2009).

MODIRZADEH, HAFEZ. "Musical Compost, Consorts and Collapsing Pyramids: On the Disintegration of Traditional Performance Practices to Raise a Sound Society," Leonardo 42, No. 3 (2009).

MOHNÉ, ACHIM. "Fireflies: An Energy-Autarchic Land Media Sculpture," Leonardo 38, No. 1 (2005).

MOLLA, CHRIS. "Night Walks," LMJ22 CD Contributor's Note, Leonardo Music Journal 22 (2012).

MOLNAR, FRANCOIS. "A Science of Vision for Visual Art," Leonardo 30, No. 3 (1997).

MOLNAR, VERA. "My Mother's Letters: Simulation by Computer," in Special Section "'Creativity and Cognition'" Conference Papers, Leonardo 28, No. 3 (1995).

MOLONEY, JULES. "Kinetic Architectural Skins and the Computational Sublime," Leonardo 42, No. 1 (2009).

MOLR DRAMMAZ. "niezano(zano)," LMJ12 CD Contributor's Note, Leonardo Music Journal 12 (2002).

MØLSTAD, BØRRE. "tubafeedback," LMJ17 CD Contributor's Note, Leonardo Music Journal 17 (2007).

MONDLOCH, KATIE. "A Symphony of Sensations in the Spectator: Le Corbusier's Poème Électronique and the Historicization of New Media Arts," Leonardo 37, No. 1 (2004).

MONGREL. "BlackLash," Gallery Section, Leonardo 35, No. 1 (2002).

MONRO, GORDON. "Emergence and Generative Art," in Special Section "Transactions," Leonardo 42, No. 5 (2009).

MONRO, GORDON. "This Is Art, Not Science," Leonardo Music Journal 7 (1997).

MONROE, WILLIAM F. "Flight Patterns," Abstract, Leonardo 27, No. 1 (1994).

MONTENEGRO, MILTON. "Deceptio Visus and Vehiculum," Gallery Section, Leonardo 28, No. 3 (1995).

MOORE, STEPHEN. "Eternity Ignored," Leonardo 27, No. 1 (1994).

MORENO, ALVARO. "Artificial Life and Philosophy," in Special Section "A-Life in Art, Edutainment, Games and Research," Leonardo 35, No. 4 (2002).

MOREIRA LEITE, RUI. "Flávio de Carvalho: Media Artist Avant la Lettre," Leonardo 37, No. 2 (2004).

MORIE, JACQUELYN FORD. "Following that Vital Journey," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).

MORONI, ARTEMIS; MANZOLLI, JÔNATAS; VON ZUBEN, FERNANDO; and GUDWIN, RICARDO. "Vox Populi: An Interactive Evolutionary System for Algorithmic Music Composition," Leonardo Music Journal 10 (2000).

MORONI, ARTEMIS; VON ZUBEN, FERNANDO; and MANZOLLI, JÔNATAS. "ArTbitration: Human-Machine Interaction in Artistic Domains," in Special Section "Genetic Algorithms in Visual Art and Music," Leonardo 35, No. 2 (2002).

MORRIS, JEFFREY M. "Structure in the Dimension of Liveness and Mediation," Leonardo Music Journal 18 (2008).

MORROW, SHANNON. "Listening Garden," LMJ19 CD Contributor's Note, Leonardo Music Journal 19 (2009).

MOSCOW LAPTOP CYBER ORCHESTRA. "Cyberjam0307," LMJ18 CD Contributor's Note, Leonardo Music Journal 18 (2008).

MOSHER, MIKE. Review of The Activist Drawing by Catherine de Zegher and Mark Wigley, Leonardo 36, No. 1 (2003).

MOSHER, MIKE. Review of Approaches to Understanding Visual Culture by Malcolm Barnard, Leonardo 36, No. 1 (2003).

MOSHER, MICHAEL R. Review of Adorno in America by David Jenemann, Leonardo 41, No. 4 (2008).

MOSHER, MIKE. Review of The Bauhaus and America by Margret Kentgens-Craig, Leonardo 36, No. 2 (2003).

MOSHER, MICHAEL R. Review of Beautiful/Ugly: African and Diaspora Aesthetics, edited by Sara Nuttall, Leonardo 41, No. 2 (2008).

MOSHER, MIKE. Review of Bodies of Subversion: A Secret History of Women and Tattoo, by Margot Mifflin, Leonardo 32, No. 2 (1999).

MOSHER, MIKE. Review of Bootstrapping: Douglas Engelbart, Coevolution and the Origins of Personal Computing by Thierry Bardini, Leonardo 35, No. 4 (2002).

MOSHER, MICHAEL R. Review of Building a Century of Progress: The Architecture of Chicago's 1933--34 World's Fair by Lisa D. Schrenk, Leonardo 41, No. 3 (2008).

MOSHER, MIKE. Review of Computers and Typography 2, compiled by Rosemary Sassoon, Leonardo 36, No. 1 (2003).

MOSHER, MICHAEL R. Review of Cornucopia Limited: Design and Dissent on the Internet by Richard Coyne, Leonardo 40, No. 1 (2007).

MOSHER, MICHAEL R. Review of The Cry at Zero by Andrew Joron, Leonardo 41, No. 5 (2008).

MOSHER, MICHAEL R. Review of Cyberarts, Cybercultures, Cybersocieties, special issue of Art Inquiry: Recherches sur les arts, journal published by the Scientific Society in Lodz, Poland, Leonardo 39, No. 2 (2006).

MOSHER, MICHAEL R. Review of The Dreams of Interpretation: A Century Down the Royal Road, edited by Catherine Liu, John Mowitt, Thomas Pepper and Jakki Spicer, Leonardo 42, No. 5 (2009).

MOSHER, MIKE. Review of 8 Pieces by Carter Scholtz and Happily Ever After by Randy Hostetler (CDs), Leonardo 35, No. 2 (2002).

MOSHER, MICHAEL R. Review of Film and Authorship, edited by Virginia Wright Wexman, and The Visual Turn: Classical Film Theory and Art History, edited by Angela Dalle Vacche, Leonardo 37, No. 2 (2004).

MOSHER, MICHAEL R. Review of Full Metal Apache: Transactions between Cyberpunk Japan and Avant-Pop America by Takayuki Tatsumi, Leonardo 41, No. 1 (2008).

MOSHER, MIKE. Review of Global Cities: Cinema, Architecture, and Urbanism in a Digital Age, edited by Linda Krause and Patrice Petro, Leonardo 37, No. 5 (2004).

MOSHER, MICHAEL R. Review of Gyromancy, audio CD by the Mnemonist Orchestra, and CMCD: Six Classic Concrete, Electroacoustic and Electronic Works, 1970--1990, audio CD by various artists, Leonardo 39, No. 3 (2006).

MOSHER, MIKE. Review of Maya Deren and the American Avant-Garde, edited by Bill Nichols, Leonardo 35, No. 4 (2002).

MOSHER, MIKE. Review of Otaku: Japan's Database Animals by Hiroki Azuma, Leonardo 43, No. 3 (2010).

MOSHER, MIKE. Review of Othermindedness by Michael Joyce, Leonardo 36, No. 5 (2003).

MOSHER, MICHAEL R. Review of Pop Trickster Fool: Warhol Performs Naivete, by Kelly M. Cresap, Leonardo 39, No. 3 (2006).

MOSHER, MICHAEL R. Review of The Posthuman Dada Guide: Tzara & Lenin Play Chess by Andrei Codrescu, Leonardo 43, No. 2 (2010).

MOSHER, MICHAEL R. Review of RES Magazine, edited by Sue Apfelbaum and Jesse Ashlock, Leonardo 40, No. 5 (2007).

MOSHER, MIKE. Review of Reload, edited by Mary Flanagan and Austin Booth, Leonardo 36, No. 5 (2003).

MOSHER, MICHAEL R. Review of Salvador Allende, directed by Patricio Guzmán, Leonardo 41, No. 2 (2008).

MOSHER, MICHAEL R. Review of Seeing/Hearing/Speaking by Takahiko Iimura, Leonardo 37, No. 1 (2004).

MOSHER, MICHAEL R. Review of The Sixth Side of the Pentagon, directed by Chris Marker and Francois Reichenbach, and The Embassy, directed by Chris Marker, Leonardo 41, No. 5 (2008).

MOSHER, MICHAEL R. Review of Special Delivery by Tunsi and Group Therapy by Elephant Tribe, Leonardo 40, No. 2 (2007).

MOSHER, MIKE. Review of Uncommon Ground: Architecture, Technology and Topology by David Leatherbarrow, Leonardo 35, No. 3 (2002).

MOSHER, MIKE. Review of Undead Science: Science Studies and the Afterlife of Cold Fusion by Bart Simon, Leonardo 37, No. 4 (2004).

MOSHER, MIKE. Review of Uplifted Spirits, Earthbound Machines: Studies on Artists and the Dream of Flight, 1900--1935 by Jyriki Siukonen, Leonardo 35, No. 4 (2002).

MOSHER, MIKE. Review of Walter Benjamin's Other History: Of Stones, Animals, Human Beings and Angels, by Beatrice Hanssen, Leonardo 32, No. 1 (1999).

MOSHER, MIKE. Review of Whole Earth Review, Leonardo 35, No. 1 (2002).

MÖSLANG, NORBERT. "How Does a Bicycle Light Sound?: Cracked Everyday Electronics" Leonardo Music Journal 14 (2004).

MÖSLANG, NORBERT. "solar_greetings," LMJ17 CD Contributor's Note, Leonardo Music Journal 17 (2007).

MOSS, DAVID. "A Performer's Lexicon of Synesthesia (Abridged)," Leonardo 34, No. 1 (2001).

MOTT, IAIN. "The Talking Chair: Notes on a Sound Sculpture," Abstract, Leonardo 28, No. 1 (1995).

MOUCHETTE, with SANTORINEOS, MANTHOS, Introduction by SANT, TONI. "Rape, Murder and Suicide Are Easier When You Use a Keyboard Shortcut: Mouchette, an On-Line Virtual Character," Leonardo 38, No. 3 (2005).

MUDIE, ELLA. "The Spectacle of Seismicity: Making Art from Earthquakes," Leonardo 43, No. 2 (2010).

MUELAS, FEDERICO. "Dripping Sounds," The VIDA Gallery, Leonardo 41, No. 1 (2008).

MUELLER, ROBERT EMMETT. "An Experiment in Art," Leonardo 29, No. 1 (1996).

MUELLER, ROBERT EMMETT. "Visic: A Proposal for a True Color Music," Leonardo 32, No. 3 (1999).

MUHOVIC, JOZEF. "Linguistic, Pictorial and Metapictorial Competence," Leonardo 30, No. 3 (1997).

MUIR, GREGOR. "Past, Present and Future Tense," in Special Issue "The Tenth New York Digital Salon," Leonardo 35, No. 5 (2002).

MULDER, AXEL. "Getting a Grip on Alternate Controllers: Addressing the Variability of Gestural Expression in Musical Instrument Design," Leonardo Music Journal 6 (1996).

MULDER, AXEL. Review of Cyberwars: Espionage on the Internet by Jean Guisnel, Leonardo 32, No. 1 (1999).

MULDER, AXEL. Review of The Inter-Communication Center of Tokyo, Japan web site, Leonardo Music Journal 8 (1998).

MUMMA, GORDON. "MEDIUM SIZE MOGRAPH 1962," LMJ21 CD Contributor's Note, Leonardo Music Journal 21 (2011).

MUREIKA, J.R.; CUPCHIK, G.C.; and DYER, C.C. "Multifractal Fingerprints in the Visual Arts," Leonardo 37, No. 1 (2004).

MURPHY, DAMIAN. "Spatial Audio Measurement, Modeling and Composition," in Special Section "Arts and Science Research Fellowships," Leonardo 39, No. 5 (2006).

MURPHY, JEFF. "Heart and Ribs," Gallery Section, Leonardo 28, No. 2 (1995).

MURPHY, JIM; KAPUR, AJAY; and CARNEGIE, DALE. "Musical Robotics in a Loudspeaker World: Developments in Alternative Approaches to Localization and Spatialization," Leonardo Music Journal 22 (2012).

MURRAY, KEVIN. Review of Collective Intelligence: Mankind's Emerging World in Cyberspace, by Pierre Lévy, Leonardo 32, No. 1 (1999).

MURRAY, KEVIN. Review of Techgnosis: Myth, Magic + Mysticism in the Age of Information by Erik Davis, Leonardo 33, No. 4 (2000).

MURRAY, RACHEL. "Daily Meditation, Out of the Darkness/Handling Shadows," Leonardo 30, No. 1 (1997).

MUSHKIN, HILLARY, and BARNET, S.E. "Mario's Furniture: A Wireless Interactive Video Installation and Game," in Special Section "Transactions," Leonardo 41, No. 3 (2008).

MUSLIMIN, RIZAL. "Learning from Weaving for Digital Fabrication in Architecture," in Special Issue SIGGRAPH 2010 Art Papers and TouchPoint Art Gallery, Leonardo 43, No. 4 (2010).

MYRMYR. "Improvisation at the Meridian Gallery," LMJ20 CD Contributor's Note, Leonardo Music Journal 20 (2010).

NADARAJAN, GUNALAN. "The Singapore Container," Container Culture section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).

NADRUZ, ULYSSES. "Favela," Gallery Section, Leonardo 28, No. 3 (1995).

NAHAS, NABIL. "Color Blind, Don't Get Me Wrong and Shadow Passing Through," Gallery Section, Leonardo 34, No. 1 (2001).

NAHON, HERVÉ. "Time Is Light," Leonardo 32, No. 3 (1999).

NAKAMURA, MAKOTO. "Wind and Wave and Forest of Memory," Leonardo 33, No. 1 (2000).

NAKAMURA, TOSHIMARU. "nimb#41," LMJ17 CD Contributor's Note, Leonardo Music Journal 17 (2007).

NAKE, FRIEDER. "Art in the Time of the Artificial," Leonardo 31, No. 3 (1998).

NAKE, FRIEDER. Review of Spectacular Bodies: The Art and Science of the Human Body from Leonardo to Now, edited by Martin Kemp and Marina Wallace, Leonardo 35, No. 4 (2002).

NAKE, FRIEDER. Review of WOW'EM (web site), by Kristine Burns, Leonardo 32, No. 3 (1999).

NAM, HYE YEON. "Dinner Party," in Special Issue SIGGRAPH 2010 Art Papers and TouchPoint Art Gallery, Leonardo 43, No. 4 (2010).

NAPPI, MAUREEN. "An Embryonic Scan of the Aesthetic Parameters of Technological Means," Leonardo 32, No. 4 (1999).

NAPPI, MAUREEN. Review of Bits of Life: Feminism at the Intersections of Media, Bioscience, and Technology, edited by Anneke Smelik and Nina Lykke, Leonardo 43, No. 3 (2010).

NAPPI, MAUREEN. Review of Bodies in Technology by Don Ihde, Leonardo 37, No. 1 (2004).

NAPPI, MAUREEN. Review of Digital Apollo: Human and Machine in Spaceflight by David A. Mindell, Leonardo 44, No. 3 (2011).

NARAYANAN, GEETHA. "Crafting Change: Envisioning New-Media Arts as Critical Pedagogy," Latin America/Pacific-Asia New Media Initiatives section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).

NARUSHIMA, TERUMI. "He resonates five toes . . ." LMJ18 CD Contributor's Note, Leonardo Music Journal 18 (2008).

NAZAROV, YURY. Review of Can Man Live without Wonder? by Varvara Stepanova, Leonardo 29, No. 1 (1996).

NAZAROV, YURY. Review of Experiments for the Future, by Alexander Rodchenko, Leonardo 31, No. 2 (1998).

NDALIANIS, ANGELA. Review of Parables for the Virtual by Brian Massumi, Leonardo 36, No. 4 (2003).

NDIAYE DIADJI, IBA. "From 'Life-Water' to 'Death-Water' or On the Foundations of African Artistic Creation from Yesterday to Tomorrow," Leonardo 36, No. 4 (2003).

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NECHVATAL, JOSEPH. "Towards an Immersive Intelligence: Nervous Views from Within," in Special Issue "The Ninth Annual Digital Salon,"Leonardo 34, No. 5 (2001).

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NEFF, MICHAEL, et al. "Blending Art And Science: Collapse (Suddenly Falling Down)," Leonardo 43, No. 3 (2010).

NEGATIVLAND. Squant web site, Gallery Section, Leonardo 35, No. 1 (2002).

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NESSIM, BARBARA. "Of Walls and Windows," Introduction to Gallery Artworks, in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).

NESSIM, BARBARA. "Sight Lines: For Mona Lisa," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).

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NESTURKH, NATALIA. "The Theremin and Its Inventor in Twentieth Century Russia," in Special Section "Leon Theremin, Pioneer of Electronic Art," Leonardo Music Journal 6 (1996).

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NEUSTETTER, MARCUS. Review of International Contemporary Art Fair (ARCO '06, Madrid), Leonardo 39, No. 5 (2006).

NEUSTETTER, MARCUS, and STERN, NATHANIEL. "Physically Digital, Digitally Physical," Leonardo 38, No. 3 (2005).

THE NEW YORK INTERNATIONAL FESTIVAL OF THE ARTS. "ThePerforming and Visual Arts and New Technologies Seminars," Leonardo 28, No. 2 (1995).

NG, DAN. "The Running Man," in Special Section "The Fire Arts of Burning Man," Leonardo 40, No. 4 (2007).

NICOLOFF, ALEX. "The Kinaesthesia of Sun and Wind," Leonardo 30, No. 1 (1997).

NICOLLS, SARAH. "Seeking Out the Spaces Between: Using Improvisation in Collaborative Composition with Interactive Technology,"Leonardo Music Journal 20 (2010).

NICRON. "highpass.2," LMJ12 CD Contributor's Note, Leonardo Music Journal 12 (2002).

NIEDENTHAL, SIMON. "Learning from the Cornell Box," Leonardo 35, No. 3 (2002).

NIEDERER, SUSANNA. "Dreiklang: Word, Sound, Image," Leonardo 30, No. 3 (1997).

NIEHAGE, JOERG. "samplingplong," in Special Issue SIGGRAPH 2010 Art Papers and TouchPoint Art Gallery, Leonardo 43, No. 4 (2010).

NIELSEN, KRISTIAN HVIDTFELT. "Nanotech, Blur and Tragedy in Recent Artworks by Gerhard Richter," in Special Section "Nanotechnology, Nanoscale Science and Art," Leonardo 41, No. 5 (2008).

NIEMEYER, GREG. Editorial: "Disentangling the Seams," in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).

NIEMEYER, GREG. "PING: Poetic Charge and Technical Implementation," in Special Section "College Art Association Papers," Leonardo 38, No. 4 (2005).

NIGRO, LISA. "Draka, the Flaming Metal Dragon," Leonardo 36, No. 5 (2003).

NIGTEN, ANNE. "Processpatching, Defining New Methods in aRt&D," in Special Section "Transactions," Leonardo 42, No. 5 (2009).

NIKOLOVSKA, LIRA. Guest Editorial, in Special Issue SIGGRAPH 2010 Art Papers and TouchPoint Art Gallery, Leonardo 43, No. 4 (2010).

NILSEN, THOR W. "DNA Dendrimers," in Special Section "Art and Biology," Leonardo 31, No. 1 (1998).

NILSON, CLICK. LMJ18 CD Companion Introduction, Leonardo Music Journal 18 (2008).

NIÑO MOJICA, MARTHA PATRICIA. Review of Control and Freedom: Power and Paranoia in the Age of Fiber Optics by Wendy Hui Kyong Chun, Leonardo 40, No. 2 (2007).

NIÑO MOJICA, MARTHA PATRICIA. Review of Foundations of Computational Visualistics by JÖrg R.J. Schirra, Leonardo 40, No. 3 (2007).

NIÑO MOJICA, MARTHA PATRICIA. Review of Speclab: Digital Aesthetics and Projects in Speculative Computing by Johanna Drucker, Leonardo 43, No. 3 (2010).

NIÑO MOJICA, MARTHA PATRICIA. Review of User Infotechnodemo, by Peter Lunenfeld, Leonardo 39, No. 5 (2006).

NISBET, NANCY. "Resisting Surveillance: Identity and Implantable Microchips," Leonardo 37, No. 3 (2004).

NISHI SHELTON DUO. "The Sound Is the Melody 4B," LMJ20 CD Contributor's Note, Leonardo Music Journal 20 (2010).

NISHIJIMA, HARUKI. "Remain in Light," The VIDA Gallery, Leonardo 41, No. 1 (2008).

NISHINO, HIROKI. ""Oberhausen Requiem," Gallery Section, Leonardo 43, No. 1 (2010).

NOLD, CHRISTIAN; TWEDDLE, JOHN; ELLIS, REBECCA; HEMMENT, DREW; and WYNNE, BRIAN. "Biotagging Manchester: Interdisciplinary Exploration of Biodiversity," in Special Section "Environment 2.0," Leonardo 44, No. 1 (2011).

NOLL, A. MICHAEL. "The Beginnings of Computer Art in the United States," Leonardo 27, No. 1 (1994).

NOMMESEN, TORREY. "Tri-Angle Corporation," Leonardo 30, No. 4 (1997).

NORDERVAL, KRISTIN. "Skolelyder (ja, ja, hey)," LMJ19 CD Contributor's Note, Leonardo Music Journal 19 (2009).

NORMAN, SALLY JANE, et al. "Gesture and Embodied Interaction: Capturing Motion/Data/Value," in Special Section "Transactions," Leonardo 43, No. 2 (2010).

NORONHA, PATRÍCIA. "Yeast Biopaintings: Biofilms as an Artistic Instrument," Leonardo 44, No. 1 (2011).

NORRIS, TJ. "Disembodied Meditation," Leonardo 38, No. 2 (2005).

NotTheSameColor. "bin_op," LMJ17 CD Contributor's Note, Leonardo Music Journal 17 (2007).

NZEWI, O'DYKE. "The Technology and Music of the Nigerian Igbo Ogene Anuka Bell Orchestra," Leonardo Music Journal 10 (2000).

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OCAK, ERSAN, and UYSAL, SAFAK. "Obliterated Bodies: An Installation," in Special Section "Transactions," Leonardo 41, No. 1 (2008).

ODAI, KIYOMITSU. "Menetekel [. . .] (Menetekel: "Ah, inu. Amen.")," LMJ22 CD Contributor's Note, Leonardo Music Journal 22 (2012).

OFFENHUBER, DIETMAR. "Patterns of Choice: The Prix Ars Electronica Jury Sessions," Leonardo 45, No. 3 (2012).

OFFENHUBER, DIETMAR. "Visual Anecdote," in Special Issue SIGGRAPH 2010 Art Papers and TouchPoint Art Gallery, Leonardo 43, No. 4 (2010).

OJAVEE, KÄRT, and OZSVALD, ESZTER. "SymbiosisS," in Leonardo Special Issue: SIGGRAPH 2012 Art Papers and In Search of the Miraculous Gallery, Leonardo 45, No. 4 (2012).

OKI, KEISUKE. Brain Wave Rider: A Human-Machine Interface," in Special Section "The Fourth International Symposium on Electronic Art (FISEA) Symposium Papers," Leonardo 28, No. 4 (1995).

OKSIUTA, ZBIGNIEW. "New Biological Habitats in the Biosphere and in Space," Leonardo 40, No. 2 (2007).

OLGA+JOZEF. "7B2," LMJ12 CD Contributor's Note, Leonardo Music Journal 12 (2002).

OLIVER, MARILÈNE. "The MRI Scanner: An Ideal Instrument for Portraiture," Leonardo 37, No. 5 (2004).

OLIVER, MARILÈNE, and WELLS, FRANCIS. "Resurrecting Leonardo's Great Lady: A Collaboration," in Special Section "Leonardo Celebrates Leonardo da Vinci," Leonardo 41, No. 5 (2008).

OLIVEROS, PAULINE. "Listening for Music through Community," LMJ19 CD Companion Introduction, Leonardo Music Journal 19 (2009).

OLIVEROS, PAULINE. "Pauline Oliveros in the Arms of Reynols: A Collaboration," in Special Section "UNYAZI," Leonardo Music Journal 16 (2006).

OLIVEROS, PAULINE. "The World Wide Tuning Meditation," LMJ21 CD Contributor's Note, Leonardo Music Journal 21 (2011).

OLIVEROS, PAULINE; WEAVER, SARAH; DRESSER, MARK; PITCHER, JEFFERSON; BRAASCH, JONAS; and CHAFE, CHRIS. "Telematic Music: Six Perspectives," Leonardo Music Journal 19 (2009).

OLSEN, KYM, and MARTIN, TREVOR. "Gesundheit," Leonardo 33, No. 4 (2000).

OLLONGREN, ALEXANDER. "Large-Size Message Construction for ETI: Music in Lingua Cosmica," in Special Section "The Art and Science of Interstellar Message Composition," Leonardo 37, No. 1 (2004).

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O'NEILL, ROB. "Emerging Congruence between Animation and Anatomy," Leonardo 40, No. 2 (2007).

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O'REILLY, RACHEL. "Compasses, Meetings and Maps: Three Recent Media Works," Place, Ground and Practice section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).

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ORELLANA, FERNANDO. "The Hive," Leonardo 33, No. 4 (2000).

OROSZ, ISTVAN. "Escher in Italy," Leonardo 33, No. 1 (2000).

O'ROURKE, KAREN. "Paris Réseau: Paris Network," Leonardo 29, No. 1 (1996).

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OSBORNE, WILLIAM. "Symphony Orchestras and Artist-Prophets: Cultural Isomorphism and the Allocation of Power in Music," Leonardo Music Journal 9 (1999).

OSCHERWITZ, STEVEN J. "Art/Technoscience Engages Cancer Research," Leonardo 38, No. 1 (2005).

OSCILLATORIAL BINNAGE. "Taut Wires, Lice and Flies," LMJ17 CD Contributor's Note, Leonardo Music Journal 17 (2007).

O'SHEA, MICHAEL, and SNELTVEDT, SOL. "Mindscape: An Attempt to Visualize the Workings of the Brain," in Special Section "Arts and Science Research Fellowships," Leonardo 39, No. 5 (2006).

ØSTERGAARD, EDVIN. "Moon Music: A Composition Of Art and Science in Dialogue," in Special Section "Reimagining the Moon," Leonardo 43, No. 3 (2010).

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OSTHOFF, SIMONE. "Lygia Clark and Hélio Oiticica: A Legacy of Interactivity and Participation for a Telematic Future," Leonardo 30, No. 4 (1997).

OSTHOFF, SIMONE. Review of Body and Building, edited by George Dodds and Robert Taverner, Leonardo 36, No. 4 (2003).

OSTHOFF, SIMONE. Review of ISEA2002, Leonardo 36, No. 3 (2003).

OSTROWSKI, MATTHEW. "The Anxiety of the Client: Dilemmas of the Database as a Compositional Tool," in Special Section "UNYAZI," Leonardo Music Journal 16 (2006).

OVERTON, ADAM. "Recipe for a Google Party (TM)," Leonardo 40, No. 1 (2007).

OWEN, ALUN. Review of The Nudist on the Late Shift and Other True Tales of Silicon Valley by Po Bronson, Leonardo 34, No. 1 (2001).

OWL PROJECT. "Bubo Bubo," LMJ17 CD Contributor's Note, Leonardo Music Journal 17 (2007).

OX, JACK, and MANDELBROT, JACQUES. "Intersenses/Intermedia: A Theoretical Perspective," Leonardo 34, No. 1 (2001).

OX, JACK. "Color Me Synesthesia," Leonardo 32, No. 1 (1999).

OX, JACK. Editorial: "The Global Artists' Diaspora and the LambdaRail," Leonardo 39, No. 5 (2006).

OX, JACK. "Synesthetic Fusion in the Digital Age," in Special Section "Synesthesia," in Special Issue "The Seventh Annual New York Digital Salon," Leonardo 32, No. 5 (1999).

OX, JACK. "A 21st-Century Pedagogical Plan for Artists: How Should We Be Training Artists for Today?" Leonardo 43, No. 1 (2010).

OX, JACK. Review of Leonardo's Laptop by Ben Shneiderman, Leonardo 36, No. 5 (2003).

ÖZCAN, OGUZHAN. "Feel-in-Touch!: Imagination through Vibration: A Utopia of Vibro-Acoustic Technology, Puppetry and Multimedia Art," Leonardo 37, No. 4 (2004).

ÖZCAN, OGUZHAN; AKDEMIR, EMRE; O'NEIL, MARY LOU; and ÜNLüER, A. AYÇA. "Prayer Bead Gestures and Television: A Case Study on Cultural Inspirations for Interaction Art Education," Leonardo 42, No. 5 (2009).

ÖZKAR, MINE. Guest Editorial, in Leonardo Special Issue: SIGGRAPH 2012 Art Papers and In Search of the Miraculous Gallery, Leonardo 45, No. 4 (2012).

PACHOLCZYK, JOZEF. "Music and Astronomy in the Muslim World," in Special Section "Selected Papers from The Inspiration of Astronomical Phenomena, A Conference on the Influence of Observed Celestial Events upon World Culture," Leonardo 29, No. 2 (1996).

PACKER, RANDALL. "Artist as Mediator: The History of the US Department of Art & Technology (2000--2005)," Leonardo 41, No. 4 (2008).

PADFIELD, GREG. "Chaos Design Software," Abstract, Leonardo 27, No. 1 (1994).

PAESMANS, DIRK, and HEEMSKERK, JOAN (a/k/a JODI). SOD, Gallery Section, Leonardo 35, No. 1 (2002).

PAGLEN, TREVOR. "Recording Carceral Landscapes," in Special Section "Sound and the Social Organization of Space," Leonardo Music Journal 16 (2006).

PALACKY, IVAN. "In the Knitting Mood," LMJ17 CD Contributor's Note, Leonardo Music Journal 17 (2007).

PALAZHY, JAYACHANDRAN. "Suspended Spaces," Leonardo 39, No. 5 (2006).

PALOMBINI, CARLOS. "The Brazilian Group for Computer Music Research: A Proto-History," Leonardo Music Journal 10 (2000).

PALOMBINI, CARLOS. Review of Cohen Plays Chopin (live performance), Leonardo Music Journal 9 (1999).

PALOMBINI, CARLOS. Review of Música de invenção by Augusto de Campos, Leonardo Music Journal 9 (1999).

PALOMBINI, CARLOS. Review of Música de invenção by Augusto de Campos, Leonardo 33, No. 1 (2000).

PALOMBINI, CARLOS. Review of "Arnaldo Cohen Plays Chopin" (concert), Leonardo 33, No. 1 (2000).

PANCAKE, CATHERINE. "Optical Scores for Improvised Music," Leonardo Music Journal 21 (2011).

PANDIR, MUZEYYEN, and KNIGHT, JOHN. "Web Site Aesthetics: The Search for Preference Factors," Leonardo 39, No. 2 (2006).

PANNUCCI, CYNTHIA (curator). "LightForms: Interactive Light Installations," Leonardo 32, No. 3 (1999).

PANNUCCI, CYNTHIA. Review of "The New Cultural Gatekeepers: Who Is Defining Digital Art and How Do They Define It?," panel discussion, Leonardo 30, No. 4 (1997).

PARADA, ESTHER. "Transplant: A Tale of Three Continents," Leonardo 30, No. 4 (1997).

PARIKKA, JUSSI. Review of Affect and Artificial Intelligence by Elizabeth A. Wilson, Leonardo 45, No. 2 (2012).

PARIKKA, JUSSI. Review of The Allure of Machinic Life: Cybernetics, Artificial Life, and the New AI by John Johnston, Leonardo 43, No. 1 (2010).

PARIKKA, JUSSI. Review of Blog Theory: Feedback and Capture in the Circuits of Drive by Jodi Dean, Leonardo 44, No. 3 (2011).

PARIKKA, JUSSI. Review of Premediation: Affect and Mediality after 9/11 by Richard Grusin, Leonardo 44, No. 3 (2011).

PARK, JIN WAN. "The Coinage Project #1: 'Time Is Money,'" Leonardo 38, No. 2 (2005).

PARK, JIN WAN. "Information Aesthetics eith Visual Genealogy Project," in Special Section "Transactions," Leonardo 44, No. 5 (2011).

PARK, JUYONG. "Networks of Contemporary Popular Musicians," in Special Section "Arts, Humanities and Complex Networks," Leonardo 45, No. 1 (2012).

PARKER, RODNEY DOUGLAS. "The Architectonics of Memory: On Built Form and Built Thought," Leonardo 30, No. 2 (1997).

PARSONS, MICHAEL. "Piece for Cello and Accordion," LMJ CD Companion Note, Leonardo Music Journal 11 (2001).

PARSONS, MICHAEL. "The Scratch Orchestra and Visual Arts," Leonardo Music Journal 11 (2001).

PARSONS, SCOTT. "Concrete Amnesia: An Indigenous Star Map Resurfaces the Downtown Grid," Leonardo 32, No. 3 (1999).

PASKO, GALINA; PASKO, ALEXANDER; VILBRANDT, TURLIF; LIXANDRÄO FILHO, ARNALDO LUIS; and LOPES DA SILVA, JORGE VICENTE. "Ascending in Space Dimensions: Digital Crafting of M.C. Escher's Graphic Art," Leonardo 44, No. 5 (2011).

PÁSZTOR, ERIKA KATALINA. "After Midnight: Spicy Little Things from Budapest," Leonardo 39, No. 1 (2006).PATERSON, NANCY. "THE LIBRARY," Leonardo 35, No. 2 (2002).

PAUL, CHRISTIANE. "Reading/Writing Hyperfictions: The Psychodrama of Interactivity," Leonardo 28, No. 4 (1995).

PAUL, CHRISTIANE. "Renderings of Digital Art," in Special Issue "The Tenth New York Digital Salon," Leonardo 35, No. 5 (2002).

PAYNE, SIMON. "Full Color Video," in Special Section "Transactions," Leonardo 41, No. 5 (2008).

PAZOS, ALEJANDRO; SANTOS, ANTONINO; ARCAY, BERNARDINO; DORADO, JULIÁN; ROMERO, JUAN; and RODRIGUEZ, JOSE. "An Application Framework for Building Evolutionary Computer Systems in Music," Leonardo 36, No. 1 (2003).

PEARCE, CELIA; DIAMOND, SARA; and BEAM, MARK. "BRIDGES I: Interdisciplinary Collaboration as Practice," Leonardo 36, No. 2 (2003).

PEARLMAN, ELLEN. Review of Contemporary Art in Asia---A Critical Reader, edited by Melissa Chiu and Benjamin Genocchio, Leonardo 45, No. 3 (2012).

PEDEN, DOUGLAS D. "Wave Field Art," Leonardo 37, No. 5 (2004).

PEDEN, DOUGLAS D. "Wave Space Painting with Science," Leonardo 45, No. 3 (2012).

PEDEN, MARK. "Amoebic Lifeforms: Visual Forms of Artificial Life," in Special Section "Art and Biology," Leonardo 31, No. 1 (1998).

PEDGLEY, OWAIN, and NORMAN, EDDIE. "Materials Innovation in Acoustic Guitars: Challenging the Tonal Superiority of Wood," Leonardo Music Journal 22 (2012).

PEDLER, EMMANUEL. "The Systematic Refusal of Modern Music and the Cult of Classicism," Leonardo 32, No. 3 (1999).

PEDROSA, MARIO. "The Chromatic Plastic Dynamism of Abraham Palatnik---An Introduction to the First International Biennial of São Paulo (1951)," in Special Section "A Radical Intervention: The Brazilian Contribution to the International Electronic Art Movement," Leonardo 29, No. 2 (1996).

PENNY, SIMON. Review of ARTSAT by Richard Kriesche, Leonardo 27, No. 1 (1994).

PENNY, SIMON. Review of Embodied Mind: Cognitive Science and Human Experience by Francisco J. Varela, Evan Thompson and Eleanor Rosch, Leonardo 28, No. 4 (1995).

PENNY, SIMON. Review of Resisting the Virtual Life, edited by James Brook and Iain A. Boal, Leonardo 30, No. 1 (1997).

PENNY, SIMON. Review of Technopoly: The Surrender of Culture to Technology, by Neil Postman, Leonardo 30, No. 1 (1997).

PENNY, SIMON. Review of What Computers Still Can't Do: A Critique of Artificial Reason by Herbert Dreyfus, Leonardo 27, No. 1 (1994).

PEPPER, ANDREW. "Holography as Large Scale Event," in Special Section "SolArt Global Network," Leonardo 28, No. 3 (1995).

PEPPERELL, ROBERT. "Art, Obsession and Possession: Is Freud Still Interesting?," Leonardo 35, No. 4 (2002).

PEPPERELL, ROBERT. "An Information Sublime: Knowledge after The Postmodern Condition," Editorial, Leonardo 42, No. 5 (2009).

PEPPERELL, ROBERT. "Seeing without Objects: Visual Indeterminacy and Art," Leonardo 39, No. 5 (2006).

PEPPERELL, ROBERT. Review of Africa: The Art of a Continent, edited by Tom Phillips, Leonardo 33, No. 2 (2000).

PEPPERELL, ROBERT. Review of "Ambiguity in Art and in the Brain," by Semir Zeki (lecture), Leonardo 37, No. 4 (2004).

PEPPERELL, ROBERT. Review of The Alphabet versus the Goddess: The Conflict between Word and Image by Leonard Shlain, Leonardo 33, No. 2 (2000).

PEPPERELL, ROBERT. Review of the Association for the Scientific Study of Consciousness, 10th Annual Conference, Leonardo 40, No. 2 (2007).

PEPPERELL, ROBERT. Review of Body and World by Samuel Todes, Leonardo 36, No. 3 (2003).

PEPPERELL, ROBERT. Review of The Body/Body Problem: Selected Essays by Arthur C. Danto, Leonardo 35, No. 4 (2002).

PEPPERELL, ROBERT. Review of Culture in Practice by Marshall Sahlins, Leonardo 36, No. 1 (2003).

PEPPERELL, ROBERT. Review of The Curvature of Spacetime: Newton, Einstein, and Gravitation by Harald Fritzsch, Leonardo 37, No. 3 (2004).

PEPPERELL, ROBERT. Review of Eduardo Kac: Teleporting an Unknown State, edited by Peter Tomaz Dobrila, Leonardo 34, No. 2 (2001).

PEPPERELL, ROBERT. Review of Einstein Picasso by Arthur I. Miller, and Inner Vision by Semir Zeki, Leonardo 37, No. 1 (2004).

PEPPERELL, ROBERT. Review of Essential Sources in the Scientific Study of Consciousness, edited by Bernard J. Baars, William P. Banks and James B. Newman, Leonardo 38, No. 1 (2005).

PEPPERELL, ROBERT. Review of From Energy to Information, edited by Bruce Clarke and Linda Dalrymple Henderson, Leonardo 36, No. 4 (2003).

PEPPERELL, ROBERT. Review of Fantasies of Fetishism by Amanda Fernbach, Leonardo 36, No. 5 (2003).

PEPPERELL, ROBERT. Review of Global Interests: Renaissance Art between East and West by Lisa Jardine and Jerry Brotton, Leonardo 35, No. 1 (2002).

PEPPERELL, ROBERT. Review of How to Build a Mind: Toward Machines with Imagination by Igor Aleksander, Leonardo 35, No. 2 (2002).

PEPPERELL, ROBERT. Review of I Levitate. What's Next, edited by Aleksandra Kosti, Leonardo 35, No. 2 (2002).

PEPPERELL, ROBERT. Review of The Life of a Style: Beginnings and Endings in the Narrative History of Art by Jonathan Gilmore, Leonardo 35, No. 1 (2002).

PEPPERELL, ROBERT. Review of Memories Are Made of This: How Memory Works in Humans and Animals by Rusiko Bourtchouladze, Leonardo 37, No. 3 (2004).

PEPPERELL, ROBERT. Review of Metaphors of Memory: A History of Ideas about the Mind by Douwe Draaisma, Leonardo 35, No. 3 (2002).

PEPPERELL, ROBERT. Review of The Metaphysics of Beauty by Nick Zangwill, Leonardo 36, No. 2 (2003).

PEPPERELL, ROBERT. Review of Music and Memory: An Introduction by Bob Snyder, Leonardo 35, No. 3 (2002).

PEPPERELL, ROBERT. Review of New Wombs: Electronic Bodies and Architectural Disorders by Maria Luisa Palumbo, Leonardo 35, No. 1 (2002).

PEPPERRELL, ROBERT. Review of The Paradoxes of Art: A Phenomenological Investigation, by Alan Paskow, Leonardo 39, No. 3 (2006).

PEPPERELL, ROBERT. Review of Philosophizing Art: Selected Essays by Arthur C. Danto, Leonardo 37, No. 5 (2004).

PEPPERELL, ROBERT. Review of Playtime by National Health and Barcode Music by Gunter Schroth (CDs), Leonardo 35, No. 2 (2002).

PEPPERELL, ROBERT. Review of Potential Images: Ambiguity and Indeterminacy in Modern Art by Dario Gamboni, Leonardo 37, No. 2 (2004).

PEPPERELL, ROBERT. Review of Robosapiens: Evolution of a New Species by Faith D'Aluisio and Peter Menzel, Leonardo 35, No. 1 (2002).

PEPPERELL, ROBERT. Review of Sites of Vision, edited by David Michael Levin, Leonardo 33, No. 2 (2000).

PEPPERELL, ROBERT. Review of "What Is It to Be Human?" (debate) and What Is It to Be Human? by Kenan Malik, Leonardo 36, No. 3 (2003).

PEPPERELL, ROBERT. Review of Where the Action Is by Paul Dourish, Leonardo 36, No. 5 (2003).

PEPPERMINT, CARY. "Performing the Network: Information for the Other Sides of Here," Leonardo 41, No. 4 (2008).

PERAICA, ANA. "Exploitation of Victims’ Desire for Revenge: A Natural Psychological Mechanism and Its Unnatural Production in Culture and Politics," Leonardo 44, No. 1 (2011).

PERELLÓ, JOSEP, and ALTAIÓ, VICENç. "Physics of Aesthetics: A Meeting of Science, Art and Thought in Barcelona," in Special Section "The Physics of Aesthetics," Leonardo 41, No. 3 (2008).

PERLOFF, NANCY. "Section Introduction: The Art of David Tudor," Leonardo Music Journal 14 (2004).

PERLOFF, NANCY. "Hearing Spaces: David Tudor's Collaboration on Sea Tails," Leonardo Music Journal 14 (2004).

PERLOVSKY, LEONID. "Music and Consciousness," in Special Section "Transactions," Leonardo 41, No. 4 (2008).

PERRY, FRANK. "Wedged into Release," LMJ CD Companion Note, Leonardo Music Journal 11 (2001).

PERROUD, BERNARD; WILLEY, CLAUDE; and CAPPARELLI, DEENA. "Site #1," Gallery Section, Leonardo 37, No. 5 (2004).

PETERSEN, STEPHEN. Review of Earthrise: How Man First Saw the Earth by Robert Poole, Leonardo 44, No. 1 (2011).

PETERSEN, STEPHEN. Review of New Realisms: 1957--1962: Object Strategies between Readymade and Spectacle, edited by Julia Robinson, Leonardo 45, No. 2 (2012).

PETIT, M.R. "The Grimm Tale: The Evolution of a Multimedia Performance," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).

PETROV, VLADIMIR M. "Art and Science Serve Each Other: The Russian Branch of the International Association of Empirical Aesthetics," Leonardo 29, No. 4 (1996).

PETROV, VLADIMIR M. "Entropy and Stability in Painting: An Information Approach to the Mechanisms of Artistic Creativity," Leonardo 35, No. 2 (2002).

PETROV, VLADIMIR M. "Quantitative Estimates of Left and Right Hemispherical Dominance in Art," Leonardo 29, No. 3 (1996).

PETROV, VLADIMIR M. "The Evolution of Art: An Investigation of Cycles of Left- and Right-Hemispherical Creativity in Art," Leonardo 31, No. 3 (1998).

PETTIT, CYNTHIA. "Firefall," Leonardo 36, No. 5 (2003).

PEUSNER, LEONARDO. "A Graph Topological Representation of Melody Scores," Leonardo Music Journal 12 (2002).

PETZOLD, T., et al. "A World Map of Knowledge in the Making: Wikipedia's Inter-Language Linkage as a Dependency Explorer of Global Knowledge Accumulation," in Special Section "Arts, Humanities and Complex Networks," Leonardo 45, No. 3 (2012).

PHILLIPS, JON. "After Midnight: New Media in Seoul," Leonardo 39, No. 3 (2006).

PIC, SYLVIE. "Order Hidden Under Chaos," Leonardo 32, No. 3 (1999).

PICKOVER, CLIFFORD. "Algorithmic Fabergé Eggs via Residue Analysis," in Special Section "Art and Biology," Leonardo 31, No. 4 (1998).

PICKOVER, CLIFFORD A. "Cavern Genesis as a Self-Organizing System," Leonardo 31, No. 3 (1998).

PICKOVER, CLIFFORD. "Fractal Milkshakes and Infinite Archery," Leonardo 28, No. 4 (1995).

PICKOVER, CLIFFORD. Review of Fair Use: The Story of the Letter U and the Numeral 2, by Negativland, Leonardo 30, No. 4 (1997).

PICKOVER, CLIFFORD A. Review of The Most Beautiful Molecule, by Hugh Aldersey-Williams, Leonardo Music Journal 8 (1998).

PICKOVER, CLIFF. Review of Spacefaring: The Human Dimension by Albert A. Harrison, Leonardo 35, No. 2 (2002).

PIEBALGA, ALISE. Review of Cuts: Texts 1959-2004 by Carl Andre, edited by James Meyer, Leonardo 40, No. 2 (2007).

PIENE, OTTO. "In Memoriam: Gyorgy Kepes, 1906--2002," Leonardo 36, No. 1 (2003).

PIENE, OTTO. "The Sun---The Sun---The Sun," Leonardo 29, No. 1 (1996).

PIENE, OTTO, with RUSSERT, ROBERT. "Sky, Scale and Technology in Art," in Special Section "From the Leonardo Archive," Leonardo 41, No. 5 (2008).

PIERCE, JULIANNE. Editorial: "Network, Exchange and Dialogue: Media Arts in the Asia Pacific," Leonardo 38, No. 2 (2005).

PIETRONEGRO, FRANK. "Investigating the Creative Process in a Microgravity Environment," Leonardo 33, No. 3 (2000).

PIJNAPPEL, JOHAN. "The Mumbai Container," Container Culture section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).

PILCHER, JEREMY. "Network Art Unbound? in Special Section "Digital Continuities," Leonardo 45, No. 5 (2012).

PINKEL, SHEILA. Editorial: "Expanding the Mandate," Leonardo 38, No. 4 (2005).

PINKEL, SHEILA. "Thermonuclear Gardens: Information Artworks about the U.S. Military-Industrial Complex," Leonardo 34, No. 4 (2001).

PISTERS, PATRICIA. Review of Pure Immanence: Essays on a Life by Gilles Deleuze, Leonardo 35, No. 3 (2002).

PIZZORUSSO, ANN. "Leonardo's Geology: The Authenticity of the Virgin of the Rocks," Leonardo 29, No. 3 (1996).

PLAUTZ, DANA. "New Ideas Emerge When Collaboration Occurs," in Special Section "College Art Association Papers," Leonardo 38, No. 4 (2005).

PLANS CASAL, DAVID. "Crowdsourcing the Corpus: Using Collective Intelligence as a Method for Composition," Leonardo Music Journal 21 (2011).

POAST, MICHAEL. "Color Music: Visual Color Notation for Musical Expression," Leonardo 33, No. 3 (2000).

POISSANT, LOUISE. Editorial: "The Encyclopedia of New Media Arts," Leonardo 39, No. 3 (2006).

POISSANT, LOUISE. "Netsurfers and Cybernauts in Search of Identity," Leonardo 32, No. 3 (1999).

POISSANT, LOUISE. "New Media Dictionary Part 1," Leonardo 33, No. 2 (2000).

POISSANT, LOUISE. "New Media Dictionary Part 2: Video," Leonardo 34, No. 1 (2001).

POISSANT, LOUISE. "New Media Dictionary Part 3: Electronic Music," Leonardo 34, No. 1 (2001).

POISSANT, LOUISE. "New Media Dictionary Part 4: Holography," Leonardo 34, No. 4 (2001).

POISSANT, LOUISE. "New Media Dictionary Part V: Copy Art," Leonardo 35, No. 1 (2002).

POISSANT, LOUISE. "New Media Dictionary Part VI: Telematics," Leonardo 35, No. 4 (2002).

POISSANT, LOUISE. "New Media Dictionary Part VII: Multimedia Part 1," Leonardo 36, No. 1 (2003).

POISSANT, LOUISE. "New Media Dictionary Part VIII: Multimedia Part 2," Leonardo 36, No. 2 (2003).

POISSANT, LOUISE. "New Media Dictionary Part IX: General Terms in New Media," Leonardo 36, No. 3 (2003).

POLLACK, JORDAN B.; HORNBY, GREGORY S.; LIPSON, HOD; AND FUNES, PABLO. "Computer Creativity in the Automatic Design of Robots," Leonardo 36, No. 2 (2003).

POLLI, ANDREA. "Active Vision: Controlling Sound with Eye Movement," in Special Section "Synesthesia," in Special Issue "The Seventh Annual New York Digital Salon," Leonardo 32, No. 5 (1999).

POLLI, ANDREA. "Atmospherics/Weather Works: A Spatialized Meteorological Data Sonification Project," Leonardo 38, No. 1 (2005).

POLLI, ANDREA. "Heat and the Heartbeat of the City: Sonifying Data Describing Climate Change," Leonardo Music Journal 16 (2006).

POLLI, ANDREA. "Virtual Space and the Construction of Memory: Installation and Performance Work," Leonardo 31, No. 2 (1998).

POLLI, ANDREA, and GILMORE, JOE. "N. April 16, 2006," LMJ16 CD Contributor's Note, Leonardo Music Journal 16 (2006).

POLLOCK, IAN, and SILK, JANET. "Local 411: Private Conversations in Public Space," Leonardo 31, No. 4 (1998).

PONKALA, JORMA. "Auroinokvene, Solar Boat," Leonardo 31, No. 2 (1998).

POPAT, SITA, and SMITH-AUTARD, JACQUELINE. "Dance-Making on the Internet: Can On-Line Choreographic Projects Foster Creativity in the User-Participant?," Leonardo 35, No. 1 (2002).

POPPER, FRANK. "The Artist and Advanced Technology,"Leonardo 28, No. 1 (1995).

POPPER, FRANK. "Frank Malina, Artist and Scientist: Works 1936--1963," Leonardo 34, No. 1 (2001).

POPPER, FRANK. "Visualization, Cultural Mediation and Dual Creativity," Leonardo 29, No. 4 (1996).

PORFIRIADIS, ALEXIS. "Drops for ensemble," LMJ21 CD Contributor's Note, Leonardo Music Journal 21 (2011).

POSS, ROBERT M. "Distortion Is Truth," Leonardo Music Journal 8 (1998).

POSS, ROBERT. "G&L SC-1: Obscure Object of Sonic Desire," Leonardo Music Journal 17 (2007).

POSS, ROBERT. "The Psychoacoustics of Mono," Leonardo Music Journal 12 (2002).

POTTER, BENJAMIN. "Afterlife," in Special Section "Art and Biology," Leonardo 31, No. 4 (1998).

POWERBOOKS_UNPLUGGED. "globophagia no 1.," LMJ18 CD Contributor's Note, Leonardo Music Journal 18 (2008).

POWERS, ANN. "North Water World," Leonardo 28, No. 4 (1995).

POWELL, DAVE. "Chimera Contemporary: The Enduring Art of the Composite Beast," Leonardo 37, No. 4 (2004).

POUIVET, ROGER. "On the Cognitive Functioning of Aesthetic Emotions," Leonardo 33, No. 1 (2000).

PRADO, GILBERTTO. "Artistic Experiments on Telematic Nets: Recent Experiments in Multi-User Virtual Environments in Brazil," in Special Section "Artmedia VIII Selected Symposium Papers," Leonardo 37, No. 4 (2004).

PRADO, GILBERTTO. "La vendeuse de fer à repasser," Leonardo 29, No. 4 (1996).

PRESNETSOVA, IRINA. Review of "Light Performance" (exhibition), Union of Designers of Russia, Moscow, Leonardo 31, No. 2 (1998).

PRESNETSOVA, IRINA. Review of "Whirling and Twirling: A Moscow Exhibition of Kinetic Art," Leonardo 29, No. 2 (1996).

PREVOST, EDDIE. "The Arrival of a New Musical Aesthetic: Extracts from a Half-Buried Diary," Leonardo Music Journal 11 (2001).

PRICE, ALAN. "Empire Of Sleep: The Beach," in Special Issue SIGGRAPH 2010 Art Papers and TouchPoint Art Gallery, Leonardo 43, No. 4 (2010).

PRICE, JOAN WEBSTER, and PRICE, HERBERT. "Solar Arch," Leonardo 31, No. 2 (1998).

PRICE, MICHAEL. "A Renaissance of Color: Particle Separation and Preparation of Azurite for Use in Oil Painting," Leonardo 33, No. 4 (2000).

PRIGOGINE, ILYA. "Science, Reason and Passion," in Special Section "International Workshop on Art and Science," Leonardo 29, No. 1 (1996).

PRINS, GERT-JAN. "RISK: The Use of High-Frequency Radio Electronics for Audio Recreation," Leonardo Music Journal 14 (2004).

PRIOR, DAVID. "Organ of Corti: A Listening Device," Leonardo Music Journal 22 (2012).

PRITCHETT, JAMES. "David Tudor as Composer/Performer in Cage's Variations II," Leonardo Music Journal 14 (2004).

PROPHET, JANE. "Model Ideas: From Stem Cell Simulation to Floating Art Work," in Special Section of Leonardo Transactions: Arts, Humanities and Complex Networks, Leonardo 44, No. 3 (2011).

PROPHET, JANE. "TechnoSphere: 'Real' Time, 'Artificial' Life," Leonardo 34, No. 4 (2001).

PROPHET, JANE. "Sublime Ecologies and Artistic Endeavors: Artificial Life and Interactivity in the Online Project TechnoSphere," in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).

PROPHET, JANE, and SELLEY, GORDON. "TechnoSphere III," Leonardo 33, No. 2 (2000).

PUNCER, MOJCA. "Artistic Research on Life Forms: Exploring the Intersections of Science, Art and Life in the Context of Globalization," Leonardo 41, No. 5 (2008).

PUNT, MICHAEL. "Digital Media, Artificial Life and Postclassical Cinema: Condition, Symptom or a Rhetoric of Funding?," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).

PUNT, MICHAEL. "Human Consciousness and the Postdigital Analogue," Leonardo 35, No. 2 (2002).

PUNT, MICHAEL. "Orai and the Transdisciplinary Wunderkammer," Leonardo 37, No. 3 (2004).

PUNT, MICHAEL. "Editorial: Renaming the Future," Leonardo 37, No. 1 (2004).

PUNT, MICHAEL. Review of Aby Warburg and the Image in Motion, by Philippe-Alain Michaud, Leonardo 39, No. 1 (2006).

PUNT, MICHAEL. Review of America as Second Creation: Technology and Narratives as New Beginningsby David E. Nye, Leonardo 38, No. 3 (2005).

PUNT, MICHAEL. Review of Ars Electronica 2001, Leonardo 35, No. 2 (2002).

PUNT, MICHAEL. Review of Deep Time of the Media: Towards an Archaeology of Hearing and Seeing by Technical Means by Siegfried Zielinski, Leonardo 40, No. 1 (2007).

PUNT, MICHAEL. Review of Festival Il Cinema Ritrovato 2004, Leonardo 38, No. 3 (2005).

PUNT, MICHAEL. Review of Technology Matters: Questions to Live Withby David Nye, Leonardo 40, No. 4 (2007).

PUNT, MICHAEL. Review of Toward a Science of Consciousness, Leonardo 36, No. 1 (2003).

PUNT, MICHAEL; BLASSNIGG, MARTHA; and SURMAN, DAVID. "From Méliès to Galaxy Quest: The Dark Matter of the Popular Imagination," in Special Section "Space Art 2004: Science, Technology and the Arts Workshop," Leonardo 39, No. 1 (2006).

PURVES, TED. "Art and Biology in Practice: An Essay with Notations," in Special Section "Art and Biology," Leonardo 31, No. 4 (1998).

QUANTRILL, MICHAEL. "Drawing as a Gateway to Computer-Human Integration," in Special Section "Creativity and Cognition," Leonardo 35, No. 1 (2002).

QUEIROS-CONDE, DIOGO. "The Turbulent Structure of Sfumato within Mona Lisa," Leonardo 37, No. 3 (2004).

QUILLIAN, KATHLEEN. Review of The New Medium of Print: Material Communication in the Internet Age by Frank Cost, Leonardo 40, No. 3 (2007).

QUILLIAN, KATHLEEN. Review of Television after TV: Essays on a Medium in Transition, by Lynn Spigel, Leonardo 39, No. 1 (2006).

QUILLIAN, KATHLEEN, and GUERRERO, GILBERT. "The International Transentient Cartographicacy Project," Leonardo 39, No. 1 (2006).

QUON, JANE. "Phenomenology and Artistic Praxis: An Application to Marine Ecological Communication," Leonardo 38, No. 3 (2005).

RAAF, SABRINA. "The Unstoppable Hum," Leonardo 33, No. 4 (2000).

RACKHAM, MELINDA. "Carrier," Gallery Section, 34, No. 3 (2001).

RACKHAM, MELINDA. "Carrier: Forever Bound," Leonardo 36, No. 2 (2003).

RACKHAM, MELINDA. "Coded Cloth: A 21st-Century Revolution in Art, Fashion and Design," Gallery introduction, Leonardo 42, No. 5 (2009).

RADIANT ATMOSPHERES. "The Afterlife," Leonardo 36, No. 5 (2003).

RADIGUE, ELIANE. "The Mysterious Power of the Infinitesimal," Leonardo Music Journal 19 (2009).

RAEDSCHELDERS, PETER. "Ducks and Space,"Gallery Section, Leonardo 33, No. 1 (2000).

RAFFO DEWAR, ANDREW. CD Companion Introduction: "Beyond Notation/Notation Beyond," Leonardo Music Journal 21 (2011).

RAHMATIAN, SASAN. Abstract of "Information Systems Development and Music: The Exploration of a Parallelism," Leonardo Music Journal 9 (1999).

RAILING, PATRICIA. "The Cognitive Line in Russian Avant-Garde Art," Leonardo 31, No. 1 (1998).

RAILING, PATRICIA. "The Idea of Construction as the Creative Principle in Russian Avant-Garde Art," in Special Section "'Creativity and Cognition'" Conference Papers, Leonardo 28, No. 3 (1995).

RAKENA, RACHAEL. "Rerehiko" and "Pacific Washup," in "The New Zealand Container," Container Culture section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).

RAMÍREZ-GASTÓN, JOSE IGNACIO LOPEZ (El Lazo Invisible). "Madrid 5 No Espera a Nadie," LMJ18 CD Contributor's Note, Leonardo Music Journal 18 (2008).

RAMIREZ GAVIRIA, ANDRES. "When Is Information Visualization Art? Determining the Critical Criteria," Leonardo 41, No. 5 (2008).

RAMIRO, MARIO. "Between Form and Force: Connecting Architectonic, Telematic and Thermal Spaces," Leonardo 31, No. 4 (1998).

RAND, HARRY. "The Other Side of Digital Art," Leonardo 41, No. 5 (2008).

RAND, HARRY. "For Some Things, 'You Just Had To Be There': The Net and Art," Leonardo 29, No. 3 (1996).

RAND, HARRY. "Raisonné of Nicolas De Staël," Leonardo 33, No. 1 (2000).

RAND, HARRY. Review of Shadows: The Depiction of Cast Shadows in Western Art, by E.H. Gombrich, Leonardo 29, No. 4 (1996).

RANDERSON, JANINE. "Between Reason and Sensation: Antipodean Artists and Climate Change," Leonardo 40, No. 5 (2007).

RANDOLPH, CARLOS. "Madhouse," Gallery Section, Leonardo 28, No. 3 (1995).

RAO, PRASAD. Review of Reframing Consciousness, edited by Roy Ascott, Leonardo 33, No. 4 (2000).

RAPOPORT, SONYA. "Arbor Erecta," in Special Section "Art and Biology," Leonardo 31, No. 4 (1998).

RAPOPORT, SONYA. "Digitizing the Golem: From Earth to Outer Space," Leonardo 39, No. 2 (2006).

RAPOPORT, SONYA. "Comment on 'Theatre without Actors---Immersion and Response in Installation,'" Leonardo 29, No. 1 (1996).

RAPOPORT, SONYA. "Sexual Jealousy: The Shadow of Love," Leonardo 27, No. 1 (1994).

RAPOPORT, SONYA. "Smell Your Destiny: Web Interaction with the Fifth Sense," Leonardo 37, No. 3 (2004).

RAPOPORT, SONYA. "The Transgenic Bagel," in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).

RAPOPORT, SONYA. "The Transgenic Bagel: The Transformation of Computer-Based Artwork," in Special Section "Art and Biology," Leonardo 31, No. 4 (1998).

RAPOPORT, SONYA, and WILLIAMS, BARBARA LEE. Review of Women, Surrealism and Self-Representation (exhibition), Leonardo 32, No. 4 (1999).

RAPOPORT, SONYA. Review of Color in the Shadows: Bay Area Cyberart, Leonardo 28, No. 1 (1995).

RAPOPORT, SONYA. Reviews of "Digital Dreams: New Works by Students from the Digital Media Program" and "Artists in Cyberspace: 2D/3D Introductory Authoring for the Web," Leonardo 34, No. 1 (2001).

RAPAPORT, SONYA. Review of "Invenção 99," Leonardo 33, No. 4 (2000).

RAPOPORT, SONYA. Review of New Voices, New Visions, Leonardo 28, No. 4 (1995).

RASPA, STEVEN. "The Futura Deluxe Bubble Fountain & Porta-Temple," Leonardo 36, No. 5 (2003).

RAWLINGS, VIC. "Boss GE-7 E.Q. and Flexible Speaker Array as Tonal Filters," Leonardo Music Journal 17 (2007).

RAY, THOMAS S. "Aesthetically Evolved Virtual Pets," Leonardo 34, No. 4 (2001).

REAGAN, TRUDY MYRRH. "The Study of Patterns Is Profound," Leonardo 40, No. 3 (2007).

REBER, ROLF. "Art in Its Experience: Can Empirical Psychology Help Assess Artistic Value?," in Special Section: "ArtScience: The Essential Connection," Leonardo 41, No. 4 (2008).

REDDELL, TRACE. "Mediating (through) Imagination: Web-Based Sound Art," Leonardo Music Journal 13 (2003).

REDDELL, TRACE. Review of The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900--1933by Emily Thompson, Leonardo 38, No. 3 (2005).

REDDELL, TRACE. Review of Tranzition by Richard Pinhas, Leonardo 38, No. 2 (2005).

REES, SUE. "Coordinates for an Alignment of a Jigsaw," Leonardo 30, No. 4 (1997).

REICHE, CLAUDIA, and HELENE VON OLDENBURG. "What Is the MARS PATENT and What Does It Do?," in Special Section "Space Art 2004: Science, Technology and the Arts Workshop," Leonardo 39, No. 1 (2006).

REICHELT-BRUSHETT, AMANDA, and SMITH, JOHN. "Connecting Silos---Inviting Art and Science Interactions," Leonardo 45, No. 5 (2012).

REINHARDT, DAGMAR, and JAKOVICH, JOANNE. "Trivet Fields: The Materiality of Interaction in Architectural Space," in Special Section "Creativity and Cognition 2007," Leonardo 42, No. 3 (2009).

REISER, BEVERLY. "Voice Garden: Labyrinth of Love, Labyrinth of Desire," Leonardo 30, No. 1 (1997).

REPETTO, DOUGLAS IRVING. "crash and bloom: A Self-Defeating Regenerative System," Leonardo Music Journal 14 (2004).

REYNOLDS, ROGER. "Iannis Xenakis: 1922--2001," Leonardo 35, No. 4 (2002).

RIBEIRO, DINIS, and CLAR, RICHARD. "Alma da Água: A Space Awareness Initiative," Leonardo 36, No. 4 (2003).

RICH, ELLIAT. "Yala Sofa," in Gallery "Coded Cloth: A 21st-Century Revolution in Art, Fashion and Design," Leonardo 42, No. 5 (2009).

RICHARDS, AUSTIN. "Dr. Megavolt," Leonardo 36, No. 5 (2003).

RICHARDS, JOHN. "Getting the Hands Dirty," Leonardo Music Journal 18 (2008).

RICHARDS, PETER; SCHWARTZENBERG, SUSAN; and REDENSEK, JEANNETTE. Introduction: "Common Systems: The Invisible Dynamics of the Pacific Rim and the Bay Area," The Invisible Dynamics of the Pacific Rim and the Bay Area section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).

RICHARDSON, ANA. "Semiotic Cell," Leonardo 29, No. 4 (1996).

RICHE, NATHALIE HENRY. "Pursuing the Work of Jacques Bertin," in Special Section "Arts, Humanities and Complex Networks," Leonardo 45, No. 3 (2012).

RICOU, JOANA, and POLLOCK, JOHN. "The Tree, the Spiral and the Web of Life: A Visual Exploration of Biological Evolution for Public Murals," in Special Section "ArtScience: The Essential Connection," Leonardo 45, No. 1 (2012).

RIDDELL, ALISTAIR. "Data Culture Generation: After Content, Process as Aesthetic," Leonardo 34, No. 4 (2001).

RIECKEN, DOUG. "WOLFGANG: 'Emotions' and Architecture which Bias Musical Design," in Special Section "'Creativity and Cognition'" Conference Papers, Leonardo 28, No. 3 (1995).

RIESER, MARTIN; TIKKA, PIA; DUMITRIU, ANNA; and YANKOWITZ, NINA. "The Third Woman," in Special Section "Transactions," Leonardo 43, No. 5 (2010).

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RINALDO, KEN. "Technology Recapitulates Phylogeny: Artificial Life Art," in Special Section "Artificial Life Art," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).

RINALDO, KEN. "The Flock," in Special Section "Artificial Life Art," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).

RINALDO, KENNETH E. "Integrated Hemispheres: Women, Art and Technology," Gallery Section, Leonardo 30, No. 1 (1997).

RINALDO, KENNETH. "Standby Deliver," Leonardo 33, No. 4 (2000).

RINEHART, RICHARD. "The Media Art Notation System: Documenting and Preserving Digital/Media Art,"Leonardo 40, No. 2 (2007).

RISKIN, SETH. "Rainbow Man: An Interactive Light and Dance Performance," in Special Section "SolArt Global Network," Leonardo 28, No. 4 (1995).

ROBB, SUSAN. "The Golden Tower Project," Leonardo 36, No. 5 (2003).

ROBBINS, CHRISTOPHER. "Crossing Conventions in Web-Based Art: Deconstruction as a Narrative Device," Leonardo 40, No. 2 (2007).

ROBERTS, SARA. "Elective Affinities," Leonardo 30, No. 3 (1997).

ROBERTS, SIOBHAN. "A Reclusive Artist Meets Minds with a World-Famous Geometer: George Odom and H.S.M. (Donald) Coxeter,"Leonardo 40, No. 2 (2007).

ROBINSON, CHRIS. "Chasing Science Culture," Leonardo 39, No. 3 (2006).

ROBINSON, CHRIS. "The Role of Images and Art in Nanotechnology," in Special Section "The Images and Art of Nanotechnologies," Leonardo 45, No. 5 (2012).

ROBINSON, SARA C. "Destroying Uniformity: Using Fungi to Add a Tactile and Visual Experience to Functional Wood," Leonardo 44, No. 2 (2011).

ROCA, MARCELLÍ ANTÚNEZ. "Epizoo," Leonardo 29, No. 1 (1996).

ROCHA DA SILVA, FILIPE. "Nanoscale and Painting," in Special Section "Nanotechnology, Nanoscale Science and Art," Leonardo 41, No. 4 (2008).

RODEN, STEVE. "OTR," LMJ13 CD Contributor's Note, Leonardo Music Journal 13 (2003).

RODGERS, TARA. Introduction: "Sound and the Social Organization of Space," in Special Section "Sound and the Social Organization of Space," Leonardo Music Journal 16 (2006).

RODGERS, TARA. "Sounds Like Now: Improvisation + Technology," CD Companion Introduction, Leonardo Music Journal 20 (2010).

RODRÍGUEZ, FITO, and RODRÍGUEZ, NATXO. "Arte y Electricidad," in Special Section "ISEA 2002 Selected Papers," Leonardo 37, No. 4 (2004).

RODRIGUES DA SILVA, RENATO. "The Fotoformas of Geraldo de Barros: Photographic Experimentalism and the Abstract Art Debate in Brazil,” Leonardo 44, No. 2 (2011).

ROEBROEKS, ERWIN. "Stage, A Final Frontier," Leonardo Music Journal 18 (2008).

ROGALA, MIROSLAW. "Electronic Garden/NatuRealization: An Interactive Sound Installation," Leonardo 32, No. 4 (1999).

ROGERS, HANNAH STAR. Review of Art + Science Now by Stephen Wilson, Leonardo 44, No. 2 (2010).

ROGERS, HANNAH STAR. Review of Superhuman: Revolution of the Species, exhibition, Leonardo 43, No. 5 (2010).

ROH, SOH YEONG. "The Seoul Container," Container Culture section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).

ROH, SOH YEONG. Review of Technoetic Arts by Roy Ascott, Leonardo 36, No. 5 (2003).

ROHNER, RAYMOND. "Pigvision," Leonardo 29, No. 3 (1996).

ROLLINS, KENT. "Untitled," in Gallery Section, Leonardo 28, No. 1 (1995).

ROMANO, ANA MARÍA. Comment on "The Development of Electroacoustic Music in Colombia, 1965--1999," in Commentaries Section, Leonardo Music Journal 12 (2002).

ROMANO, GIANNI. "The House as a Place to Share," Leonardo 32, No. 2 (1999).

RONDELEUX, LUC. "The Digital Computer as an Instrument of Musical Creation: 1957--1997," Leonardo 32, No. 4 (1999).

ROOSEGAARDE, DAAN. "Lotus 7.0," in Special Issue SIGGRAPH 2010 Art Papers and TouchPoint Art Gallery, Leonardo 43, No. 4 (2010).

ROOT-BERNSTEIN, MEREDITH. "A Bird in the Microcosm: An Environment of Found Objects Constructed to Create Arbitrary Preferences in Starlings," in Special Section "ArtScience: The Essential Connection," Leonardo 41, No. 5 (2008).

ROOT-BERNSTEIN, MEREDITH. "Rómulo de Carvalho/António Gedeão, Scientist-Artist," Editorial, Leonardo 45, No. 5 (2012).

ROOT-BERNSTEIN, ROBERT. "Albert Michelson, Painter of Light," in Special Section "ArtScience: The Essential Connection," Leonardo 39, No. 3 (2006).

ROOT-BERNSTEIN, ROBERT. "Andre Lwoff: A Man of Two Cultures," in Special Section "Artscience: The Essential Connection," Leonardo 43, No. 3 (2010).

ROOT-BERNSTEIN, ROBERT. "Certain of Heisenberg's Arts," Leonardo 40, No. 5 (2007).

ROOT-BERNSTEIN, ROBERT. "Dorothy Crowfoot Hodgkin: Structure as Art," in Special Section "ArtScience: The Essential Connection," Leonardo 40, No. 3 (2007).

ROOT-BERNSTEIN, ROBERT. "Desmond Morris's Two Spheres," in Special Section "ArtScience: The Essential Connection," Leonardo 38, No. 4 (2005).

ROOT-BERNSTEIN, ROBERT. "Frederick Banting, Painter," in Special Section "ArtScience: The Essential Connection," Leonardo 39, No. 2 (2006).

ROOT-BERNSTEIN, ROBERT. "Howard Florey: Photographer, Cinematographer and Sunday Painter," in Special Section "ArtScience: The Essential Connection," Leonardo 42, No. 3 (2009).

ROOT-BERNSTEIN, ROBERT S. "Music, Creativity and Scientific Thinking," Leonardo 34, No. 1 (2001).

ROOT-BERNSTEIN, ROBERT. "Niko Tinbergen's Visual Arts," Leonardo 40, No. 1 (2007).

ROOT-BERNSTEIN, ROBERT. "Robert R. Wilson: Shaping Matter," in Special Section "ArtScience: The Essential Connection," Leonardo 42, No. 2 (2009).

ROOT-BERNSTEIN, ROBERT. "Roger Sperry: Ambicerebral Man," in Special Section "ArtScience: The Essential Connection," Leonardo 38, No. 3 (2005).

ROOT-BERNSTEIN, ROBERT. "Ronald Ross: Renaissance Man," in Special Section "ArtScience: The Essential Connection," Leonardo 43, No. 2 (2010).

ROOT-BERNSTEIN, ROBERT. "Wilhelm Ostwald and the Science of Art," in Special Section "ArtScience: The Essential Connection," Leonardo 39, No. 5 (2006).

ROOT-BERNSTEIN, BOB; SILER, TODD; BROWN, ADAM; and SNELSON, KENNETH. "ArtScience: Integrative Collaboration to Create a Sustainable Future," Leonardo 44, No. 3 (2011).

ROSE, DAN. "The DNA-Photon Project," Leonardo 31, No. 3 (1998).

ROSE, JODI. "Song to Dissolve the World," LMJ CD Companion Note, Leonardo Music Journal 6 (1996).

ROSE, JON. "Bow Wow: The Interactive Violin Bow and Improvised Music, A Personal Perspective," Leonardo Music Journal 20 (2010).

ROSE, JON. "Listening to History: Some Proposals for Reclaiming the Practice of Live Music," Leonardo Music Journal 18 (2008).

ROSENBERG, DOUGLAS. "Video Space: A Site for Choreography," Leonardo 33, No. 4 (2000).

ROSENBERG, TERRY. "Projections, " in Special Section "Selected Papers from The Inspiration of Astronomical Phenomena, A Conference on the Influence of Observed Celestial Events upon World Culture," Leonardo 29, No. 2 (1996).

ROSENBOOM, DAVID. "Extended Musical Interface with the Human Nervous System: Assessment and Prospectus," Leonardo 32, No. 4 (1999).

ROSENBOOM, DAVID. "Pleasure Has an Opposite or Somewhere over Whose Rainbow?," Leonardo Music Journal 12 (2002).

ROSENBOOM, DAVID. "Propositional Music: On Emergent Properties in Morphogenesis and the Evolution of Music, Part I: Essays, Propositions and Commentaries," Leonardo 30, No. 4 (1997).

ROSENBOOM, DAVID. "Propositional Music: On Emergent Properties in Morphogenesis and the Evolution of Music, Part II: Imponderable Forms and Compositional Methods," Leonardo Music Journal 7 (1997).

ROSENFELD, MARINA. "The Sheer Frost Orchestra," Leonardo Music Journal 12 (2002).

ROSHTO, BARRY L.; PANOUKLIA, ELENI; HOLDER, JOHN; and PRYOR, SALLY. "Ephemeron---Sculpting a Collective Consciousness and Mapping A Collaborative Process," in Special Section "Transactions," Leonardo 43, No. 5 (2010).

ROSS, PHIL. "SFO: It's All Good," After Midnight section, Leonardo 37, No. 3 (2004).

ROSSITER, DAVID. "Towards the Integrated Support of Computer Graphics and Computer Music Creativity," Leonardo Music Journal 6 (1996).

ROSSITER, NED. "Creative Industries in Beijing: Initial Thoughts," Latin America/Pacific-Asia New Media Initiatives section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).

ROSENSTOCK, JOSHUA PABLO. "Free Play Meets Gameplay: iGotBand, A Video Game For Improvisers," Leonardo Music Journal 20 (2010).

ROTAS, ALEX. Review of Empathic Vision: Affect, Trauma and Contemporary Art, by Jill Bennett, Leonardo 39, No. 2 (2006).

ROTH, TIM OTTO. "A Walk on the Retinas of the Extreme Sciences: A Minimalist Concept for an Internet-Based Light Art Façade in Munich," Leonardo 39, No. 1 (2006).

ROTH, TIM OTTO, and HAUNGS, ANDREAS. "Cosmic Revelation," in Special Section "Transactions," Leonardo 42, No. 3 (2009).

ROTHENBERG, DAVID. "Whale Music: Anatomy of an Interspecies Duet," Leonardo Music Journal 18 (2008).

ROTHENBERG, DAVID, and NEILL, BEN. "Playing into the Machine: Improvising across the Electronic Abyss," Leonardo Music Journal 20 (2010).

ROTHENBERG, STANLEY. "Ninety Years of New Uses and Conflicting Rights," in Special Section "A Conference on Intellectual Property Rights and the Arts: The Impact of New Technologies, Part II," Leonardo 29, No. 4 (1996).

ROTTED ORANGE. "Birthday Bull," LMJ17 CD Contributor's Note, Leonardo Music Journal 17 (2007).

ROWE, ANTHONY. "Within an Ocean of Light: Creating Volumetric Lightscapes," in Leonardo Special Issue: SIGGRAPH 2012 Art Papers and In Search of the Miraculous Gallery, Leonardo 45, No. 4 (2012).

ROWE, ANTHONY, and BIRTLES, LIAM. "Glowing Pathfinder Bugs: A Natural Haptic 3d Interface for Interacting Intuitively with Virtual Environments," in Special Issue SIGGRAPH 2010 Art Papers and TouchPoint Art Gallery, Leonardo 43, No. 4 (2010).

ROWE, CHETH. "A Reward-Driven Process for Local, Noospheric, and Computational Detection of Stochastic Deviation Fields," Gallery Section, Leonardo 43, No. 1 (2010).

ROWLAND, DUNCAN, and BIOCCA, FRANK. "Evolutionary Cooperative Design Methodology: The Genetic Sculpture Park," in Special Section "Genetic Algorithms in Visual Art and Music," Leonardo 35, No. 2 (2002).

RUBIN, HARRY. "Art Can Bring Out the Best in Science," in Special Section "ArtScience: The Essential Connection," Leonardo 41, No. 3 (2008).

RUFFELS, TROY. "From the Leaf Series," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).

RUIZ, KATHLEEN H. "Broadcast B and C," Gallery Section, Leonardo 28, No. 1 (1995).

RUIZ, KATHLEEN H. "Significance," Gallery Section, Leonardo 28, No. 2 (1995).

RUTTEN, DIRK, and KASCHA, JEROEN. "Satori," Leonardo 32, No. 3 (1999).

RYAN, DAVID. Abstract of "De-composing Opera/Recomposing Listening: John Cage's Europeras" Leonardo Music Journal 9 (1999).

RYAN, PAUL. "From Video Replay to the Relational Circuit to Threeing," Leonardo 39, No. 3 (2006).

RYAN, SUSAN ELIZABETH. "Re-Visioning the Interface: Technological Fashion," Art Paper, in Special Issue SIGGRAPH 2009 Art Papers and Biologic Art Gallery, Leonardo 42, No. 4 (2009).

RYAN, SUSAN ELIZABETH. "Social Fabrics: Wearable + Media + Interconnectivity," Gallery introduction, Leonardo 42, No. 2 (2009).

SÉQUIN, CARLO H. "Virtual Prototyping of Scherk-Collins Saddle Rings," Leonardo 30, No. 2 (1997).

SACK, WARREN. "What Does a Very Large-Scale Conversation Look Like? Artificial Dialectics and the Graphical Summarization of Large Volumes of E-Mail," in Special Section "SIGGRAPH Art and Culture Program," Leonardo 35, No. 4 (2002).

SAIDON, HASNUL JAMAL. "UNIMAS c.r.e.a.t.e.s. (Universiti Malaysia Sarawak Computer-Related Experiments in Art and Technology Studio)," Leonardo 31, No. 3 (1998).

SALAH, ALKIM ALMILA AKDAG, and LEYDESDORFF, LOET. "The Development of the Journal Environment of Leonardo," in Special Section "Arts, Humanities and Complex Networks," Leonardo 45, No. 1 (2012).

SALAH, ALMILA AKDAG, et al. "deviantART in Spotlight: A Network of Arts and Artısts," in Special Section "Transactions," Leonardo 45, No. 5 (2012).

SALAH, ALMILA AKDAG; GAO, CHENG; SUCHECKI, KRZYSZTOF; and SCHARNHORST, ANDREA. "Need to Categorize: A Comparative Look at the Categories of Universal Decimal Classification System and Wikipedia," in Special Section "Arts, Humanities and Complex Networks," Leonardo 45, No. 1 (2012).

SALGADO, TOMÁS GARCÍA. "Geometric Interpretation of the Albertian Model," Leonardo 31, No. 2 (1998).

SALGADO, TOMAS GARCIA. "Comment on 'Art History and the Criticism of Computer Generated Images,'" Leonardo 29, No. 1 (1996).

SALK, JONAS. "The Next Evolutionary Step in the Ascent of Man in the Cosmos," in Special Section "From the Leonardo Archive," Leonardo 41, No. 3 (2008).

SANDBACK, AMY BAKER. "Prologue," in Special Section "Selected Papers from The Inspiration of Astronomical Phenomena, A Conference on the Influence of Observed Celestial Events upon World Culture," Leonardo 29, No. 2 (1996).

SANDERS, DONALD. "As Above, So Below: The Manifestation of the Universe as a Mirror to Consciousness," in Special Section "Selected Papers from The Inspiration of Astronomical Phenomena, A Conference on the Influence of Observed Celestial Events upon World Culture," Leonardo 29, No. 2 (1996).

SANDIN, DANIEL J.; DEFANTI, TOM; KAUFFMAN, LOU; and SPIELMANN, YVONNE. "The Artists and the Scientific Research Environment," in Special Section "CAA 2005," Leonardo 39, No. 3 (2006).

SANO, ANDREW. "The Thermodynamics of Art," in Special Section "The Fire Arts of Burning Man," Leonardo 40, No. 4 (2007).

SANSOM, MATTHEW. "Imaging Music: Abstract Expressionism and Free Improvisation," Leonardo Music Journal 11 (2001).

SANTONE, JESSICA. "Marina Abramovic's Seven Easy Pieces: Critical Documentation Strategies for Preserving Art's History," in Special Section "Archiving, Collecting, Documenting and Conserving the Media Arts," Leonardo 41, No. 2 (2008).

SANTORO, ALYCE. "Sonic Sails (The Tell-Tail Thankgas)," in Gallery "Coded Cloth: A 21st-Century Revolution in Art, Fashion and Design," Leonardo 42, No. 5 (2009).

SANTOLINI, ARNAUD; DANIS, AGNÈS; TIJUS, CHARLES; and POITRENAUD, SÉBASTIEN. "Applying Galois Lattices to the Interactions of the Virgin and Child in Bellini's Paintings," Leonardo 35, No. 4 (2002).

SARUKKAI, SUNDAR. "Editorial: Beauty in the Beast," Leonardo 37, No. 3 (2004).

SARUKKAI, SUNDAR. "Many Faces: Reimagining the Moon," Introduction, in Special Section "Reimagining the Moon," Leonardo 43, No. 3 (2010).

SARUKKAI, SUNDAR. "The Missing Link in Art-Science Discourse, or Art and the Social Sciences," Editorial, Leonardo 42, No. 2 (2009).

SATZ, AURA. "Music of Its Own Accord," Leonardo Music Journal 20 (2010).

SAUER, MATTHIAS. "International Theremin Resources," in Special Section "Leon Theremin, Pioneer of Electronic Art," Leonardo Music Journal 6 (1996).

SAUER, MATTHIAS. "Theremin Discography," in Special Section "Leon Theremin, Pioneer of Electronic Art," Leonardo Music Journal 6 (1996).

SAUER, MATTHIAS. Review of various compact discs featuring the theremin and related instruments, in Special Section "Leon Theremin, Pioneer of Electronic Art," Leonardo Music Journal 6 (1996).

SAUNDERS, JAMES. "The Dictaphone in My Life," Leonardo Music Journal 17 (2007).

SAUTER, DANIEL, and WINKLER, FABIAN. "In the Line of Sight," in Special Issue SIGGRAPH 2010 Art Papers and TouchPoint Art Gallery, Leonardo 43, No. 4 (2010).

SAUVAGE, JEAN-PIERRE. "Interlocking Rings and Knots at the Molecular Level," in Special Section "Art and Biology," Leonardo 30, No. 4 (1997).

SAVSKI, BORUT. "Birdy Activity," LMJ12 CD Contributor's Note, Leonardo Music Journal 12 (2002).

SCANNER, "Spirit Trace," LMJ13 CD Contributor's Note, Leonardo Music Journal 13 (2003).

SCARUFFI, PIERO. "The Multi-Track Evolution of Mind," Leonardo 34, No. 3 (2001).

SCARUFFI, PIERO. Editorial: "Restoring the Continuum," Leonardo 41, No. 2 (2008).

SCHACHT, RENEE. "Collaborative Curatorial Culmination," in Special Issue "The Tenth New York Digital Salon," Leonardo 35, No. 5 (2002).

SCHAEFER, JANEK. "AudiOh!: Appropriation, Accident and Alteration," Leonardo Music Journal 11 (2001).

SCHAEFER, JANEK. "Rink," LMJ13 CD Contributor's Note, Leonardo Music Journal 13 (2003).

SCHARDT, CHRISTOPHER. "Spin," Leonardo 36, No. 5 (2003).

SCHEER, HERMANN. "Solar Energy Is the Energy," in Special Section "SolArt Global Network," Leonardo 28, No. 2 (1995).

SCHEIB, CHRISTIAN. LMJ12 CD Companion Introduction: "Pleasure from Gdansk till Dawn," Leonardo Music Journal 12 (2002).

SCHEIBLE, JÜRGEN, and OJALA, TIMO. "MobiSpray: Mobile Phone as Virtual Spray Can for Painting BIG Anytime Anywhere on Anything," Art Paper, in Special Issue SIGGRAPH 2009 Art Papers and Biologic Art Gallery, Leonardo 42, No. 4 (2009).

SCHEIMER, GREG. "Improvising Machines: Spectral Dance and Token Objects," Leonardo Music Journal 9 (1999).

SCHELL, MICHAEL. "About Jerry Hunt," Leonardo Music Journal 8 (1998).

SCHENK, FRANZISKA, and PARKER, ANDREW. "Iridescent Color: From Nature to the Painter’s Palette," in Special Section "Nanotechnology, Nanoscale Science and Art," Leonardo 44, No. 2 (2011).

SCHERER, JÓZSEF. "Creative Design: The Foundation Institute of the Hungarian University of Craft and Design," Leonardo 29, No. 4 (1996).

SCHERRER, CAMILLE; PILET, JULIEN; LEPETIT, VINCENT; and FUA, PASCAL. "Souvenirs du monde des montagnes," Art Paper, in Special Issue SIGGRAPH 2009 Art Papers and Biologic Art Gallery, Leonardo 42, No. 4 (2009).

SCHICH, MAXIMILIAN; MEIRELLES, ISABEL; and BARABÁSI, ALBERT-LÁSZLÓ. "ARTS | HUMANITIES | COMPLEX NETWORKS," Editorial, Leonardo 43, No. 3 (2010).

SCHILLER, GRETCHEN. "From the Kinesphere to the Kinesfield: Three Choreographic Interactive Artworks," Leonardo 41, No. 5 (2008).

SCHINCKUS, CHRISTOPHE. "The Art of Finance: An Artist Uses Financial Economics as Inspiration," Leonardo 44, No. 3 (2011).

SCHIPHORST, THECLA. "Body Matters: The Palpability of Invisible Computing," in Special Section "Creativity and Cognition 2007," Leonardo 42, No. 3 (2009).

SCHIRILLO, JAMES A., and FOX, MELISSA A. "Rembrandt's Portraits: Approach or Avoid?," in Special Section: "ArtScience: The Essential Connection," Leonardo 39, No. 3 (2006).

SCHKOLNE, STEVEN. "Drawing with the Hand in Free Space: Creating 3D Shapes with Gesture in a Semi-Immersive Environment," Leonardo 35, No. 4 (2002).

SCHLEINER, ANNE-MARIE. "Does Lara Croft Wear Fake Polygons? Gender and Gender-Role Subversion in Computer Adventure Games," Leonardo 34, No. 3 (2001).

SCHLICK, TAMAR. "The Critical Collaboration Between Art and Science: An Experiment on a Bird in the Air Pump, and the Ramifications of Genomics for Society," Leonardo 38, No. 4 (2005).

SCHMIDHUBER, JÜRGEN. "Low-Complexity Art," Leonardo 30, No. 2 (1997).

SCHMIDT, MECHTHILD. "Video Still from Stochastic Dance," Leonardo 28, No. 1 (1995).

SCHMIDT-BURKHARDT, ASTRIT. "Net-Working with Maciunas," in Special Section of Leonardo Transactions: Arts, Humanities and Complex Networks, Leonardo 44, No. 3 (2011).

SCHNEEMAN, CAROLEE. "The Blood Link: Fresh Blood--A Dream Morphology and Venus Vectors, Leonardo 27, No. 1 (1994).

SCHROLL, JACK. "El Diablo," in Special Section "The Fire Arts of Burning Man," Leonardo 40, No. 4 (2007).

SCHULZE, HOLGER. "Hand Luggage: For a Generative Theory of Artifacts," Leonardo Music Journal 13 (2003).

SCHULZE, PHILLIP. "Cause, Unfold, Proceed—Leonardo," LMJ21 CD Contributor's Note, Leonardo Music Journal 21 (2011).

SCHUMACHER, FEDERICO. "Print . . .?," LMJ18 CD Contributor's Note, Leonardo Music Journal 18 (2008).

SCHÜLKE, BETTINA, et al. "Aureole," in Special Section "Transactions," Leonardo 43, No. 5 (2010).

SCHWARTZ, LILLIAN F. "Computers and Appropriation Art: The Transformation of a Work or Idea for a New Creation," Leonardo 29, No. 1 (1996).

SCHWARTZMAN, MADELINE. "Untitled," in Gallery Section, Leonardo 28, No. 1 (1995).

SCOTT, JILL. "Paradise Tossed," Abstract, Leonardo 27, No. 1 (1994). SEABERG, STEVENS. "The Demon's Face: An Artist's Discovery of the Metaphors of Child Abuse," Leonardo 28, No. 1 (1995).

SEAMAN, BILL. "The Hybrid Invention Generator," in Special Section "College Art Association Papers," Leonardo 38, No. 4 (2005).

SEAMAN, BILL. "Recombinant Poetics | VS | OULIPO," in Special Issue "The Ninth Annual Digital Salon," 34, No. 5 (2001).

SEARCH, PATRICIA. "Electronic Art and the Law: Intellectual Property Rights in Cyberspace," Leonardo 32, No. 3 (1999).

SEARCH, PATRICIA. "The Semiotics of the Digital Image," in Special Section "The Fourth International Symposium on Electronic Art (FISEA) Symposium Papers," Leonardo 28, No. 4 (1995).

SECRETAN, JIMMY; BEATO, NICHOLAS; D'AMBROSIO, DAVID B.; RODRIGUEZ, ADELEIN; CAMPBELL, ADAM; and STANLEY, KENNETH O. "Picbreeder: Collaborative Interactive Evolution of Images," in Special Section "Transactions," Leonardo 41, No. 1 (2008).

SEEVINCK, JEN. "Tracing Moments," in Special Section "Transactions," Leonardo 43, No. 3 (2010).

SEIDENBERG, IVAN G. "Protecting Intellectual Property: New Technologies New Paradigms," in Special Section "A Conference on Intellectual Property Rights and the Arts: The Impact of New Technologies, Part I," Leonardo 29, No. 3 (1996).

SELAN, JURIJ. "Exploring the Method of Hypothetical Artwork Modelling: Case of the Primary Colours Fallacy," in Special Section "Transactions," Leonardo 43, No. 3 (2010).

SELAN, JURIJ. "Who's Afraid of Picasso's Tie, or Do You See the Catch in Hypothetical Art?," in Special Section "Transactions," Leonardo 41, No. 5 (2008).

SEMENOFF, NIK, and BADER, L.W. "Intaglio Etching on Aluminum and Zinc Using an Improved Mordant," Leonardo 31, No. 2 (1998).

SEMONIN, PAUL. "Empire and Extinction: The Dinosaur as a Metaphor for Dominance in Prehistoric Nature," in Special Section, "Art and Biology," Leonardo 30, No. 3 (1997).

SEN, ASOK K. "Mathematics, Computers and Visual Arts: Some Applications of the Product-Delay Algorithm," Leonardo 33, No. 3 (2000).

SENGERS, PHOEBE. "Schizophrenia and Narrative in Artificial Agents," in Special Section "SIGGRAPH Art and Culture Program," Leonardo 35, No. 4 (2002).

SERMON, PAUL. "Telematic Dreaming," Leonardo 33, No. 2 (2000).

SERMON, PAUL. "The Teleporter Zone: Interactive Media Arts in the Healthcare Context," Leonardo 40, No. 5 (2007).

SERVIN, JACQUES. "Beast," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).

SESTER, MARIE. "L'Architecture du Paradis," Gallery Section, Leonardo 34, No. 3 (2001).

SESTER, MARIE. "L'Architecture du Paradis," Leonardo 36, No. 1 (2003).

SHAFF, STANLEY. "AUDIUM: Sound-Sculptured Space," Leonardo 35, No. 3 (2002).

SHAKED, OSNAT. "Omni IMMersion," in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).

SHAMIR, LIOR. "Computer Analysis Reveals Similarities between the Artistic Styles of Van Gogh and Pollock," Leonardo 45, No. 2 (2012).

SHAN, GONGBING, VISENTIN, PETER, and HARNETT, TANYA. "A Novel Use of 3D Motion Capture: Creating Conceptual Links between Technology and Representation of Human Gesture in the Visual Arts," Leonardo 43, No. 1 (2010).

SHANKEN, EDWARD A. "Art in the Information Age: Technology and Conceptual Art," in Special Section "SIGGRAPH Art and Culture Program," Leonardo 35, No. 4 (2002).

SHANKEN, EDWARD A. Introduction: "Artists in Industry and the Academy: Interdisciplinary Research Collaborations," in Special Section "College Art Association Papers," Leonardo 38, No. 4 (2005).

SHANKEN, EDWARD. Introduction: "The Reception and Rejection of Art and Technology: Exclusions and Revulsions," in Special Section "REFRESH! Conference Papers," Leonardo 41, No. 2 (2008).

SHANKEN, EDWARD A. "Response," Leonardo 36, No. 3 (2003).

SHANKEN, EDWARD A. "Technology and Intuition: A Love Story? Roy Ascott's Telematic Embrace," Leonardo 30, No. 1 (1997).

SHANKEN, EDWARD. "Life as We Know It and/or Life as It Could Be: Epistemology and the Ontology/Ontogeny of Artificial Life," in Special Section "Artificial Life Art," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).

SHANNON, SONYA. "Ode to Computer Animation," Introduction to Computer Animations, in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).

SHANNON, SONYA. "The Line and the Pixel," Introduction to Computer Animations, in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).

SHARMA, APARNA. Review of Amartya Sen: A Life Reexamined by Suman Ghose, Leonardo 38, No. 3 (2005).

SHARMA, APARNA. Review of Apichatpong Weerasethakul: Primitive, exhibition, Leonardo 45, No. 2 (2012).

SHARMA, APARNA. Review of The Argumentative Indian: Writings on Indian History, Culture and Identity, by Amartya Sen, Leonardo 39, No. 5 (2006).

SHARMA, APARNA. Review of Ars Electronica 2002, Leonardo 36, No. 2 (2003).

SHARMA, APARNA. Review of Art for a Modern India, 1947-1980, by Rebecca M. Brown, Leonardo 43, No. 3 (2010).

SHARMA, APARNA. Review of Buddhism and Science: Breaking New Ground, edited by B. Allan Wallace, Leonardo 37, No. 1 (2004).

SHARMA, APARNA. Review of The California Deserts: An Ecological Rediscovery by Bruce M. Pavlik, Leonardo 43, No. 2 (2010).

SHARMA, APARNA. Review of The Certainty of Uncertainty: Dialogues Introducing Constructivism by Bernhard Poerksen, Leonardo 40, No. 1 (2007).

SHARMA, APARNA. Review of Continental Rifts: Contemporary Time-Based Works of Africa, Leonardo 43, No. 1 (2010).

SHARMA, APARNA. Review of Lewis's Fifth Floor: A Department Story by Stephen King and Deborah Mulhern, Leonardo 44, No. 1 (2011).

SHARMA, APARNA. Review of Ninth RAI Festival of Ethnographic Film, festival organized by the Royal Anthropological Institute, Leonardo 39, No. 3 (2006).

SHARP, JOHN. "Resolution Of Anamorphic Images Using A Computer," in Special Section "Transactions," Leonardo 44, No. 2 (2010).

SHAW, JOYCE CUTLER. "The Anatomy Lesson: The Body, Technology, and Empathy," Leonardo 27, No. 1 (1994).

SHAW, JEFFREY. "The Golden Calf," Leonardo 33, No. 2 (2000).

SHAW, MICHAEL. "The Computer-Aided Design and Manufacture of Specific Objects," Leonardo 43, No. 2 (2010).

SHAW, PHIL. "Phytochromography---Screen Printing with Plants: Research into Alternative Ink Technology," Leonardo 32, No. 1 (1999).

SHELLEY, WARD. "Narcotic of the Narrative," in Special Section of Leonardo Transactions: Arts, Humanities and Complex Networks, Leonardo 44, No. 3 (2011).

SHENAL, MARTINA M. "Six Right of 7 South," Leonardo 28, No. 4 (1995).

SHERBURNE, PHILIP. LMJ13 CD Companion Introduction: "Splitting Bits, Closing Loops: Sound on Sound," Leonardo Music Journal 13 (2003).

SHERIDAN, SONIA LANDY. "The New Artist and Leonardo," Leonardo 33, No. 4 (2000).

SHI, DANQING. "Cinderella Lunar Mission: Everyone Has a Chance to Set Foot on the Moon," in Special Section "Reimagining the Moon," Leonardo 43, No. 3 (2010).

SHI, X.J., CAI, Y.Y., and CHAN, C.W. "Electronic Music for Bio-Molecules Using Short Music Phrases,"Leonardo 40, No. 2 (2007).

SHIELDS, ALLAN. Review of A Quest for Life: An Autobiography by Ian McHarg, Leonardo 34, No. 1 (2001).

SHIN, JAEWOOK. "Afterimage--Mind Frame," Gallery Section, Leonardo 43, No. 1 (2010).

SHINGU, SUSUMU. "Pierre Restany (1930--2003): Philosopher of Art," Leonardo 37, No. 1 (2004).

SHLYK, VLADIMIR A. "Fractal Graphic Designer Anton Stankowski," Leonardo 40, No. 4 (2007).

SHORTESS, GEORGE. Review of Art Marketing 101: A Handbook for the Fine Artist, by Constance Smith, Leonardo 39, No. 3 (2006).

SHORTESS, GEORGE K. Review of Brain, Vision, Memory: Tales in the History of Neuroscience by Charles G. Gross, Leonardo 33, No. 2 (2000).

SHORTESS, GEORGE. Review of Consciousness, Color and Content by Michael Tye, Leonardo 36, No. 1 (2003).

SHORTESS, GEORGE. Review of Curating Consciousness: Mysticism and the Modern Museum by Marcia Brennan, Leonardo 44, No. 5 (2011).

SHORTESS, GEORGE. Review of Introduction to Imaging by Howard Besser, Leonardo 37, No. 5 (2004).

SHORTESS, GEORGE. Review of Optical Illusions: The Science of Visual Perception by Al Seckel, Leonardo 41, No. 1 (2008).

SHORTESS, GEORGE. Review of Railroad Vision: Photography, Travel and Visionby Anne M. Lyden, Leonardo 38, No. 3 (2005).

SHORTESS, GEORGE. Review of The Senses of Modernism by Sara Danius, Leonardo 36, No. 5 (2003).

SHULGA, TATYANA. Review of Animatography and Its Anima, by Alexey M. Orlov, Leonardo 29, No. 3 (1996).

SHULGA, TATYANA. Review of The Spirit of Computer Animation: The World of Electronic Images and Levels of Consciousness, by Alexey M. Orlov, Leonardo 29, No. 3 (1996).

SHUMILOV, ANDREY E. "Artificial Audiovisual Environment for Developing Creative Abilities of Children," Leonardo 30, No. 2 (1997).

SIEGEL, LEAH. "Untitled," Gallery Section, Leonardo 28, No. 1 (1995).

SIFFERT, HELOISA. "Forces of Change," Gallery Section, Leonardo 28, No. 3 (1995).

SIGAL, RODRIGO. "The Borders of Identity: A Personal Perspective," in Special Section "UNYAZI," Leonardo Music Journal 16 (2006).

SIGAL, RODRIGO. "Dolor en Mi," CD Contributor's note, Leonardo Music Journal 10 (2000).

SILER, TODD. "The ArtScience Program for Realizing Human Potential," Leonardo 44, No. 5 (2011).

SILER, TODD. "Fractal Reactor: Re-Creating the Sun," Leonardo 40, No. 3 (2007).

SILVA, CÉSAR MARTÍNEZ. "El Imperio de Santa CLOSE," Leonardo 29, No. 1 (1996).

SILVI, CESARE. "The Future of Solar Energy," in Special Section "SolArt Global Network," Leonardo 28, No. 4 (1995).

SIMEONE, LUCA. "Learning from Interstitial Typography," in Special Section "Transactions," Leonardo 44, No. 5 (2011).

SIMANOWSKI, ROBERTO. "Digital Anthropophagy: Refashioning Words as Image, Sound and Action," Leonardo 43, No. 2 (2010).

SIMON, SCOTT J. "Antecedents of Digital Reproduction in Jazz Improvisation," Leonardo Music Journal 18 (2008).

SIMONI, MARY. "Eulogy," Leonardo Music Journal 7 (1997).

SIMPSON, SAMANTHA. "The Life Story Project," Leonardo 30, No. 1 (1997).

SINDELAR, JOHN. "Printing and Writing," Leonardo 29, No. 4 (1996).

SINGER, ERIC. "Flaming Simon," in Special Section "The Fire Arts of Burning Man," Leonardo 40, No. 4 (2007).

SINTSOV, E.V. Review of Mirror Symmetry in Music, by S.S. Goncharenko, and Order and Symmetry in Musical Art: Logical and Historical Aspects, by L.V. Aleksandrova, Leonardo Music Journal 8 (1998).

SINTZOV, EUGENY V. Review of The Russian Avant-Garde in the Briansk Region, compiled by Mark Belodubrovsky, Leonardo 34, No. 1 (2001).

SINTZOV, YE. V. Review of The Versatile World of Kandinsky compiled by N.B. Avtonomova, D.V. Sarabyanov and V.S. Turchin, Leonardo 33, No. 3 (2000).

SINTZOVA, S.V., and SAIFULLIN, R.F. Review of Is C Actually Red? (Ist C Rot? Eine Kultur- und Wissenschaftsgeschichte Beziehung zwischen Ton und Farbe: von Aristoteles bis Goethe by Joerg Jewansky, Leonardo 33, No. 3 (2000).

SLAYTON, JOEL. "Collaboration as Media," Leonardo 35, No. 3 (2002).

SLAYTON, JOEL. Summit Introduction: "The Pacific Rim New Media Summit," in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).

SLUB. "Phone_Mr_Biskov," LMJ18 CD Contributor's Note, Leonardo Music Journal 18 (2008).

SMIRNOV, ANDRE. "The Theremin Center for Electroacoustic Music," in Special Section "Leon Theremin, Pioneer of Electronic Art," Leonardo Music Journal 6 (1996).

SMITH, BRIAN REFFIN. Review of A Little-Known Story about a Movement, a Magazine, and the Computer's Arrival in Art: New Tendencies and Bit International, 1961--1973, edited by Margit Rosen, Leonardo 45, No. 3 (2012).

SMITH, CHARLIE. "The Communal Cauldron of Fire: The Synapses Tour 2005," in Special Section "The Fire Arts of Burning Man," Leonardo 40, No. 4 (2007).

SMITH, JARED R.W. "Scientific Thought and Poetic Craft: Seeking New Imagery and Vision to Involve the American Scholar," Leonardo 43, No. 3 (2010).

SMITH, NATE. "Fire Vortex," in Special Section "The Fire Arts of Burning Man," Leonardo 40, No. 4 (2007).

SMITH, POSY JACKSON. "The 1995 Shearwater Foundation Holography Grants," Leonardo 29, No. 4 (1996).

SMOLEY, RICHARD. "The Art of the Gene," in Special Issue "The Eighth Annual New York Digital Salon," 33, No. 5 (2000).

SNOW, MICHAEL. "Blues with Beer, Magazines, Table and Chair," Leonardo Music Journal 8 (1998).

SODDU, CELESTINO. "New Naturality: A Generative Approach to Art and Design," in Special Section "A-Life in Art, Edutainment, Games and Research," Leonardo 35, No. 3 (2002).

SOFIA, ZOE. "Contested Zones: Futurity and Technological Art," Leonardo 29, No. 1 (1996).

SOKOLOV, KIRILL. "Aleksandr Drevin, Nadezhda Udal'tsova: An Exhibition That Never Was," Leonardo 35, No. 3 (2002).

SOKOLOV, KIRILL. "On the Need for More Rigorous Thinking about the Laws of Form," Leonardo 34, No. 1 (2001).

SOLBERG, KIRSTEN. "The Extra Sensitized Environment," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).

SOLBERG, KIRSTEN. "Digital Darwinism," in Special Issue "The Seventh Annual New York Digital Salon," Leonardo 32, No. 5 (1999).

SOLBERG, KIRSTEN. "Fight or Flight," Introduction to Artists' Statements, in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).

SOLBERG, KRISTEN. "What's in a Name?," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).

SOLDIER, DAVE. "Eine Kleine Naughtmusik: How Nefarious Nonartists Cleverly Imitate Music," Leonardo Music Journal 12 (2002).

SOLINA, FRANC. "15 seconds of fame," Leonardo 37, No. 2 (2004).

SOLÉ, RICARD. "On Networks and Monsters: The Possible and the Actual in Complex Systems," in Special Section "The Physics of Aesthetics," Leonardo 41, No. 3 (2008).

SOLSO, ROBERT L. "Brain Activities in a Skilled versus a Novice Artist: An fMRI Study," Leonardo 34, No. 1 (2001).

SOMMERER, CHRISTA and MIGNONNEAU, LAURENT. "Modeling the Emergence of Complexity: Complex Systems, the Origin of Life and Interactive On-Line Art," in Special Section "A-Life in Art, Edutainment, Games and Research," Leonardo 35, No. 2 (2002).

SOMMERER, CHRISTA, with MIGNONNEAU, LAURENT. "Art as a Living System: Interactive Computer Artworks," Leonardo 32, No. 3 (1999).

SOMMERER, CHRISTA. Special Section Introduction: "A-Life in Art, Design, Edutainment, Games and Research," Leonardo 34, No. 4 (2001).

SORENSEN, VIBEKE. "Global Visual Music Jam Project," in Special Section "College Art Association Papers," Leonardo 38, No. 4 (2005).

SORENSEN, VIBEKE, with RUSSETT, ROBERT. "Computer Stereographics: The Coalescence of Virtual Space and Artistic Expression," Leonardo 32, No. 1 (1999).

SORET, JEAN-LUC. "Introduction: @rt Outsiders Festival: The New Alchemists of Creation," in Special Section "@rt Outsiders Festival," Leonardo 37, No. 2 (2004).

SPALTER, ANNE MORGAN; STONE, PHILIP ANDREW; MEIER, BARBARA J.; MILLER, TIMOTHY S.; and SIMPSON, ROSEMARY MICHELLE. "Interaction in an IVR Museum of Color: Constructivism Meets Virtual Reality," in Special Section "SIGGRAPH Educators Program," Leonardo 35, No. 1 (2002).

SPECTOR, TAMI. Editorial: "The Leonardo Scientists' Working Group," Leonardo 39, No. 1 (2006).

SPECTOR, TAMI. Introduction, Gallery Section, Leonardo 43, No. 1 (2010).

SPECTOR, TAMI I. "Special Section Introduction: Nanotechnology, Nanoscale Science and Art," Leonardo 41, No. 4 (2008).

SPEED, CHRIS. "Developing a Sense of Place with Locative Media: An 'Underview Effect,'" in Special Section "Less Remote," Leonardo 43, No. 2 (2010).

SPEED, CHRIS. "Tele-Spatial Research," Leonardo 34, No. 3 (2001).

SPEED, CHRIS. Review of Informal Architectures by Anthony Kiendl, Leonardo 42, No. 3 (2009).

SPEED, CHRIS. Review of I Am a Monument: On Learning from Las Vegas by Aron Vinegar, Leonardo 43, No. 1 (2010).

SPELLETICH, KAL. "The Myth of Sisyphus," Leonardo 36, No. 5 (2003).

SPELLETICH, KAL. "SEEMEN: Fire Seeds Art," in Special Section "The Fire Arts of Burning Man," Leonardo 40, No. 4 (2007).

ŠPERKA, MARTIN. "The Origins of Computer Graphics in the Czech and Slovak Republics," Leonardo 27, No. 1 (1994).

SPIEGEL, LAURIE. "An Information Theory Based Compositional Model," Leonardo Music Journal 7 (1997).

SPIELMANN, YVONNE. "Intermedia in Electronic Images," Leonardo 34, No. 1 (2001).

SPIELMANN, YVONNE. Review of Ars Electronica: Facing the Future, edited by Timothy Druckrey, Leonardo 34, No. 2 (2001).

SPIELMANN, YVONNE. Review of La Biennale di Venezia, 2005 exhibition, Leonardo 39, No. 2 (2006).

SPIELMANN, YVONNE. Review of La Biennale di Venezia, Leonardo 41, No. 2 (2008).

SPIELMANN, YVONNE. Review of The Cinema Effect by Sean Cubitt, Leonardo 38, No. 1 (2005).

SPIELMANN, YVONNE. Review of Digital Aesthetics by Sean Cubitt, Leonardo 33, No. 3 (2000).

SPIELMANN, YVONNE. Review of Digital Creativity, edited by Colin Beardon and Lone Malmborg, Leonardo 34, No. 2 (2001).

SPIELMANN, YVONNE. Review of Hyperkult: Geschichte, Theorie und Kontext Digitaler Medien (Hypercult: History, Theory and Context of Digital Media), edited by Martin Warnke, Leonardo 32, No. 2 (1999).

SPIELMANN, YVONNE. Review of Noise, Water, Meat: A History of Sound in the Arts by Douglas Kahn, Leonardo 34, No. 3 (2001).

SPIELMANN, YVONNE. Review of The Master and Margarita, directed by Frank Castorf, Leonardo 36, No. 3 (2003).

SPIELMANN, YVONNE. Review of The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet, edited by Ken Goldberg, Leonardo 34, No. 4 (2001).

SPIELMANN, YVONNE. Review of Valie Export: Mediale Anagramme, exh. cat., Leonardo 37, No. 1 (2004).

SPIELMANN, YVONNE. Review of Virtualities: Television, Media Art and Cyberculture by Margaret Morse, Leonardo 33, No. 2 (2000).

SPIELMANN, YVONNE, and BOLTER, JAY DAVID. Introduction: "Hybridity: Arts, Sciences and Cultural Effects," in Special Section "CAA 2005," Leonardo 39, No. 2 (2006).

SPIERINGS, WALTER, with BARRETO, ANA. "Dutch Holographic Laboratory," Leonardo 28, No. 4 (1995).

SPITZ, REJANE. "Private Domain," Leonardo 30, No. 4 (1997).

SPITZ, REJANE. "Qualitative, Dialectical and Experiential Domains of Electronic Art," in Special Section "The Fourth International Symposium on Electronic Art (FISEA) Symposium Papers," Leonardo 28, No. 4 (1995).

SPITZ, REJANE. "The Rhythms, Flavors and Meanings of Brazilian Electronic Art," Gallery Section, Leonardo 28, No. 3 (1995).

SPROTT, JULIEN CLINTON. "Can a Computer Produce and Critique Art?," Leonardo 34, No. 4 (2001).

SQUIDSOUP. "Glowing Pathfinder Bugs," in Special Issue SIGGRAPH 2010 Art Papers and TouchPoint Art Gallery, Leonardo 43, No. 4 (2010).

STAIRS, DAVID C. "ART+BIO," in Special Section "Art and Biology," Leonardo 31, No. 4, (1998).

STAIRS, DAVID. "Design and Deforestation," Leonardo 32, No. 4 (1999).

STANKIEVECH, CHARLES. "Möbius Fields (soundwalk)," LMJ16 CD Contributor's Note, Leonardo Music Journal 16 (2006).

STANKIEVECH, CHARLES. "From Stethoscopes to Headphones: An Acoustic Spatialization of Subjectivity," Leonardo Music Journal 17 (2007).

STEARNS, PHILLIP. "Artificial Analog Neural Network: Meditations on Technological Mediation in Sound and Media Art," Leonardo Music Journal 19 (2009).

STEBBING, PETER D. "A Universal Grammar for Visual Composition?," Leonardo 37, No. 1 (2004).

STEDMAN, NICHOLAS. "ADB," in Special Issue SIGGRAPH 2010 Art Papers and TouchPoint Art Gallery, Leonardo 43, No. 4 (2010).

STEEN, CAROL. "Visions Shared: A Firsthand Look into Synesthesia and Art," Leonardo 34, No. 3 (2001).

STEINBERG, ROBERT. "A New Art Form: Exploring Nature's Creativity with a Self-Organizing Medium," Leonardo 40, No. 1 (2007).

STEINHEIDER, BRIGITTE, and LEGRADY, GEORGE. "Interdisciplinary Collaboration in Digital Media Arts: A Psychological Perspective on the Production Process," in Special Section "ISEA 2002 Selected Papers," Leonardo 37, No. 4 (2004).

STEINKAMP, JENNIFER. "My Only Sunshine: Installation Art Experiments with Light, Space, Sound and Motion," Leonardo 34, No. 2 (2001).

STENNER, JACK and LEMIEUX, PATRICK. "Open House," in Tracing Home Art Gallery, Special Issue SIGGRAPH 2011 Art Papers and Tracing Home Art Gallery, Leonardo 44, No. 4 (2011).

STERMITZ, EVELIN. "World of Female Avatars: An Artistic Online Survey on the Female Body in Times of Virtual Reality," in Special Section "Transactions," Leonardo 41, No. 5 (2008).

STERN, EDDO. "Summons to Surrender---Keyboard Castle," Gallery Section, Leonardo 35, No. 1 (2002).

STERN, NATHANIEL. "The Implicit Body as Performance: Analyzing Interactive Art," Leonardo 44, No. 3 (2011).

STILES, KRISTINE. "David Tudor---Alive, Free and Without Need of Culture," abstract of paper presented at the symposium "The Art of David Tudor: Indeterminacy and Performance in Postwar Culture," Leonardo Music Journal 14 (2004).

STOCKHOLM, JACK. "Eavesdropping: Network-Mediated Performance in Social Space," Leonardo Music Journal 18 (2008).

STOEGER, WILLIAM R. "Astronomy's Integrating Impact on Culture: A Ladrièrean Hypothesis," in Special Section "Selected Papers from The Inspiration of Astronomical Phenomena, A Conference on the Influence of Observed Celestial Events upon World Culture," Leonardo 29, No. 2 (1996).

STOLBERG, TONIE. "Communicating Science through the Language of Dance: A Journey of Education and Reflection," in Special Section "ArtScience: The Essential Connection," Leonardo 39, No. 5 (2006).

STOREYGARD, ADAM. "Greek Origami: A Sculpture Exploring the Golden Ratio," Leonardo 34, No. 3 (2001).

STORK, DAVID. "Did Hans Memling Employ Optical Projections When Painting Flower Still-Life?," Leonardo 38, No. 2 (2005).

STORK, DAVID G. Review of ARTSCIENCE: Creativity in the Post-Google Generation by David Edwards, Leonardo 41, No. 4 (2008).

STRAEBEL, VOLKER. "From Reproduction to Performance: Media-Specific Music for Compact Disc," Leonardo Music Journal 19 (2009).

STRAUSS, WOLFGANG, and FLEISCHMANN, MONIKA. "Artistic Practice as Construction and Cultivation of Knowledge Space," in Special Section "Artmedia," Leonardo 37, No. 2 (2004).

STROMAJER, IGOR. "0.html," Gallery Section, Leonardo 34, No. 3 (2001).

STRAUGHAN, ELIZABETH; DIXON, DEBORAH; and HAWKINS, HARRIET. Review of U-n-f-o-l-d: A Cultural Response to Climate Change, exhibition, Leonardo 45, No. 1 (2012).

STRZELEC, REBECCA. Director's Statement, in Special Issue SIGGRAPH 2009 Art Papers and Biologic Art Gallery, Leonardo 42, No. 4 (2009).

STUART, CALEB. "Damaged Sound: Glitching and Skipping Compact Discs in the Audio of Yasunao Tone, Nicolas Collins and Oval," Leonardo Music Journal 13 (2003).

STUART, SUSAN A.J., and DOBBYN, CHRIS. "A Kantian Prescription for Artificial Conscious Experience," in Special Section "A-Life in Art, Edutainment, Games and Research," Leonardo 35, No. 4 (2002).

STURM, BOB. "Pulse of an Ocean: Sonification of Ocean Buoy Data," Leonardo 38, No. 2 (2005).

SUÁREZ, JUAN LUIS; SANCHO, FERNANDO; and DE LA ROSA, JAVIER. "Sustaining a Global Community: Art and Religion in the Network of Baroque Hispanic-American Paintings," in Special Section "Arts, Humanities and Complex Networks," Leonardo 45, No. 3 (2012).

SUMMERS, DENNIS. "The Crying Post Project: A Multi-Part, Multi-Media Artwork to Memorialize Global Sites of Pain," Leonardo 36, No. 5 (2003).

SUMMERS, DENNIS. "Presenting Scientific Concepts with Forms and Methods from Primal Cultures: Mixed Media and Installation Works," Leonardo 29, No. 4 (1996).

SURMAN, DAVID. Review of The Matrix of Visual Culture: Working with Deleuze in Film Theory by Patricia Pisters, Leonardo 37, No. 5 (2004).

SURMAN, DAVID GOVE. Review of Displaying the Marvelous: Marcel Duchamp, Salvador Dalí, and the Surrealist Exhibitions by Lewis Kachur, Leonardo 35, No. 3 (2002).

SUTTON, EVA. "Machine Ecstasy 100," in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).

SWAIN, PATRICIA. "Evolved Pear," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).

SWAMP. "Tardigotchi," in Leonardo Special Issue: SIGGRAPH 2012 Art Papers and In Search of the Miraculous Gallery, Leonardo 45, No. 4 (2012).

SWARTZ, JEFFREY. "Space-Run Artists: Cultural Activism in Contemporary Barcelona," After Midnight section, Leonardo 43, No. 1 (2010).

SYVERSON, BEN. "Meaning without Borders: likn and Distributed Knowledge," Leonardo 40, No. 5 (2007).

TACHA, ATHENA. "Chaos and Form: A Sculptor's Sources in Science," Leonardo 35, No. 3 (2002).

TAKITA, JUN. "Bioluminescent Garden," Leonardo 37, No. 4 (2004).

TAMBLYN, CHRISTINE. "Mistaken Identities: An Interactive CD-ROM Genealogy," Leonardo 30, No. 4 (1997).

TAMBLYN, CHRISTINE. "She Loves It, She Loves It Not:Women and Technology, an Interactive CD-ROM," Leonardo 28, No. 2 (1995).

TAN, MARGARET, and SOH, SHIRLEY. "Sticking Point," Container Culture section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).

TANNER, MARCIA. "Overdetermination and Its Discontents," After Midnight section, Leonardo 40, No. 2 (2007).

TANZI, DANTE. "Observations about Music and Decentralized Environments," in Special Issue "The Ninth Annual Digital Salon," 34, No. 5 (2001).

TANZI, DANTE. "The Cultural Role and Communicative Properties of Scientifically Derived Compositional Theories," Leonardo Music Journal 9 (1999).

TARNAI, TIBOR, and MIYAZAKI, KOJI. "Circle Packings and the Sacred Lotus," Leonardo 36, No. 2 (2003).

TARR, SIMON, and WEISS, PAUL S. "Very Small Horses: Visualizing Motion at the Nanoscale," in Special Section "The Images and Art of Nanotechnologies," Leonardo 45, No. 5 (2012).

TAVENNER, PATRICIA. "Artistamps," Leonardo 29, No. 4 (1996).

TAYLOR, HOLLIS. "Blowin’ in Birdland: Improvisation and the Australian Pied Butcherbird," Leonardo Music Journal 20 (2010).

TAYLOR, RICHARD P.; MICOLICH, ADAM P.; and JONAS, DAVID. "The Construction of Jackson Pollock's Fractal Drip Paintings," Leonardo 35, No. 2 (2002).

TAYLOR, R.P. "Reduction of Physiological Stress Using Fractal Art and Architecture," in Special Section "ArtScience: The Essential Connection," Leonardo 39, No. 3 (2006).

TAYLOR, SEAN. "Marbh Chrios," in Special Section "Lovely Weather," Leonardo 45, No. 2 (2012).

TAZELAAR, KEES. Section Introduction: "The Institute of Sonology," Leonardo Music Journal 19 (2009).

TCHALENKO, JOHN. "Henri Matisse Drawing: An Eye-Hand Interaction Study Based on Archival Film," Leonardo 42, No. 5 (2009).

TENHAAF, NELL. Special Section introduction: "Art Embodies A-Life: The VIDA Competition, Leonardo 41, No. 1 (2008).

TENHAAF, NELL. "As Art Is Lifelike: Evolution, Art and the Readymade," in Special Section "Artificial Life Art," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).

TENHAAF, NELL. "Oedipal Ounce of Prevention," Leonardo 29, No. 1 (1996).

TENHAAF, NELL. "Where Surfaces Meet: Interviews with Stuart Kauffman, Claus Emmeche and Arantza Etxeberria," Leonardo 34, No. 2 (2001).

TERAN, MICHELLE, and MANN, JEFF. "LiveForm: Telekinetics (LF:TK)," The VIDA Gallery, Leonardo 41, No. 1 (2008).

TEREZAKIS, PETER. "Rubaiyat," in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).

TERMES, DICK A. "Inspiration and Escher to the Third Power," Gallery Section, Leonardo 33, No. 1 (2000).

TERNAUX, JEAN-PIERRE. "Synesthesia: A Multimodal Combination of Senses," Leonardo 36, No. 4 (2003).

THACKER, EUGENE. "The Science Fiction of Technoscience: The Politics of Simulation and a Challenge for New Media Art," Leonardo 34, No. 2 (2001).

THACKER, EUGENE. Review of The Book of Portraiture: A Novelby Steve Tomasula, Leonardo 40, No. 4 (2007).

THACKER, EUGENE. Review of On Creaturely Life: Rilke, Benjamin, Sebald by Eric L. Santer, Leonardo 40, No. 3 (2007).

THACKER, EUGENE. Review of Desert Islands and Other Texts, 1953-1974 by Gilles Deleuze, Leonardo 38, No. 3 (2005).

THACKER, EUGENE. Review of Francis Bacon: The Logic of Sensation by Gilles Deleuze, Leonardo 37, No. 5 (2004).

THACKER, EUGENE. Review of Hacker Culture by Douglas Thomas, Leonardo 37, No. 4 (2004).

THACKER, EUGENE. Review of Liminal Lives: Imagining the Human at the Frontiers of Bioscience, by Susan Merrill Squier, Leonardo 39, No. 1 (2006).

THACKER, EUGENE. Review of Listen How They Talk: Chamber Music 1998--2001 by Hilda Paredes, performed by Arditti Quartet, Leonardo 41, No. 4 (2008).

THACKER, EUGENE. Review of New Philosophy for New Media, by Mark Hansen, Leonardo 39, No. 3 (2006).

THACKER, EUGENE. Review of Nihil Unbound: Enlightenment and Extinction by Ray Brassier, Leonardo 42, No. 5 (2009).

THACKER, EUGENE. Review of Peter Tscherkassky, edited by Alexander Horwath and Michael Loebenstein, Leonardo 40, No. 2 (2007).

THACKER, EUGENE. Review of Philosophies of Nature after Schelling by Iain Hamilton Grant, Leonardo 42, No. 1 (2009).

THACKER, EUGENE. Review of Problematizing Global Knowledge: The Theory, Culture & Society Encyclopedia Project, edited by Mike Featherstone et al., Leonardo 41, No. 2 (2008).

THACKER, EUGENE. Review of The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet, edited by Ken Goldberg, Leonardo 34, No. 2 (2001).

THACKER, EUGENE. Review of The Seven Beauties of Science Fiction by Istvan Csicsery-Ronay, Leonardo 43, No. 2 (2010).

THACKER, EUGENE. Review of String Quartet No. 2, by Morton Feldman, performed by Flux Quartet, Leonardo 41, No. 3 (2008).

THACKER, EUGENE. Review of Through the Looking Glass by Francisco López, Leonardo 45, No. 3 (2012).

THACKER, EUGENE. Review of VAS: An Opera in Flatland, by Steve Tomasula, Leonardo 39, No. 2 (2006).

The Fourth Annual New York Digital Salon Galleries "Computer Animations," in Special Issue "The Fourth Annual New York Digital Salon Galleries," Leonardo 29, No. 5 (1996).

theconcatenator. "Placard XP edit," LMJ18 CD Contributor's Note, Leonardo Music Journal 18 (2008).

theggroup (Julia Carboneras Girgas, Etienne de France, Maria Lalou, Evi Malisianou and Fernando Velázquez). "Oracle," in Special Section "Transactions," Leonardo 43, No. 5 (2010).

thenumber46. "The Amen Song," LMJ20 CD Contributor's Note, Leonardo Music Journal 20 (2010).

THEREMIN, LEON S. "The Design of a Musical Instrument Based on Cathode Relays," in Special Section "Leon Theremin, Pioneer of Electronic Art," Leonardo Music Journal 6 (1996).

THIBAULT, BILL, and GRESHAM LANCASTER, SCOTT. "Experiences in Digital Terrain: Using Digital Elevation Models as Determinants for Musical Composition," Leonardo Music Journal 7 (1997).

THIEL, TAMIKO. "Totem of Heavenly Wisdom," Leonardo 31, No. 2 (1998).

THILL, ROBERT. "Intellectual Property: A Chronological Compendium of Intersections between Contemporary Art and Utility Patents," Leonardo 37, No. 2 (2004).

THOMAS, PAUL. "Midas: A Nanotechnological Exploration of Touch," in Special Section "Nanotechnology, Nanoscale Science and Art," Leonardo 42, No. 3 (2009).

THOMAS, ROGER; TAN, K.C.; et al. "Metazoa Ludens: Mixed Reality Interactions and Play for Small Pets and Humans," in Special Section "Transactions," Leonardo 41, No. 3 (2008).

THOMAS, ANNA. "The Songlines," in Special Issue "The Fourth Annual New York Digital Salon," Leonardo 29, No. 5 (1996).

THOMPSON, STEVE. Review of Techno Textiles: Revolutionary Fabrics for Fashion and Design by Sarah E. Braddock and Marie O'Mahony, Leonardo 33, No. 2 (2000).

THOMSON & CRAIGHEAD. "Weather Gauge," Gallery Section, Leonardo 40, No. 3 (2007).

THÜN, GEOFFREY; VELIKOV, KATHY; RIPLEY, COLIN; SAUVÉ, LISA; and MCGEE, WES. "Soundspheres: Resonant Chamber", in Leonardo Special Issue: SIGGRAPH 2012 Art Papers and In Search of the Miraculous Gallery, Leonardo 45, No. 4 (2012).

THURGOOD, GWYNETH. "'Landscapes' from Sulfanilamide: An Artist Experiments with Microcrystals to Reveal Fractal Order," Leonardo 31, No. 2 (1998).

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TIERNEY, THERESE F. "Commentary on 'Art in the Information Age: Technology and Conceptual Art,'" Leonardo 36, No. 3 (2003).

TIGRICS. "Everbeener," LMJ12 CD Contributor's Note, Leonardo Music Journal 12 (2002).

TIKKA, PIA. Review of Image Retrieval: Theory and Research, by Corinne Jörgensen, Leonardo 39, No. 3 (2006).

TIKKA, PIA. Review of The Trouble with Nature: Sex in Science and Popular Culture by Roger N. Lancaster, Leonardo 37, No. 4 (2004).

TILBURY, JOHN. "Some Reflections on Cardew's 'John Cage---Ghost or Monster?'," Leonardo Music Journal 8 (1998).

TOBIN, NANCY. "DelayToys Berceuses," LMJ20 CD Contributor's Note, Leonardo Music Journal 20 (2010).

TOLEDO, RODRIGO. "Uneaten Future," Leonardo 29, No. 4 (1996).

TOMALIA, DONALD A. "Dendrimers and Dendrons Controlled Macromolecular Structure: According to Dentritic Branching Rules and Principles," in Special Section "Art and Biology," Leonardo 30, No. 4 (1997).

TOMASULA, STEVE. "Bytes and Zeitgeist: Digitizing the Cultural Landscape," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).

TOMASULA, STEVE. "Genetic Art and the Aesthetics of Biology," Leonardo 35, No. 2 (2002).

TOMMASI, NINA. "Biological Instrumentation," in Biologic Art Gallery, Special Issue SIGGRAPH 2009 Art Papers and Biologic Art Gallery, Leonardo 42, No. 4 (2009).

TONE, YASUNAO. "John Cage and Recording," Leonardo Music Journal 13 (2003).

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TOUMEY, CHRIS. "Truth and Beauty at the Nanoscale," in Special Section "Nanotechnology, Nanoscale Science and Art," Leonardo 42, No. 2 (2009).

TOUMEY, CHRIS, and COBB, MICHAEL. "Nano in Sight: Epistemology, Aesthetics, Comparisons and Public Perceptions of Images of Nanoscale Objects," in Special Section "The Images and Art of Nanotechnologies," Leonardo 45, No. 5 (2012).

TOPPER, DAVID. "On Anamorphosis: Setting Some Things Straight," Leonardo 33, No. 2 (2000).

TOPPER, DAVID. "The Neutrino and the Sydney Opera House," Leonardo 30, No. 2 (1997).

TOPPER, DAVID. Review of The Ambassadors' Secret: Holbein and the World of the Renaissance by John North, Leonardo 37, No. 1 (2004).

TOPPER, DAVID, Review of Behind the Picture: Art and Evidence in the Italian Renaissance, by Martin Kemp, Leonardo 32, No. 1 (1999).

TOPPER, DAVID. Review of Giants of Delft: Johannes Vermeer and the Natural Philosophers: The Parallel Search for Knowledge during the Age of Discovery by Robert D. Huerta, Leonardo 37, No. 3 (2004).

TOPPER, DAVID. Review of Cardano's Cosmos: The Worlds and Works of a Renaissance Astrologer by Anthony Grafton, Leonardo 34, No. 1 (2001).

TOPPER, DAVID. Review of The Discovery of Pictorial Composition: Theories of Visual Order in Painting, 1400--1800 by Thomas Puttfarken, Leonardo 34, No. 2 (2001).

TOPPER, DAVID. Review of Leonardo on Painting, edited by Martin Kemp and Margaret Walker, Leonardo 35, No. 4 (2002).

TOPPER, DAVID. Review of The Lure of the Edge by Brenda Denzler, Leonardo 36, No. 1 (2003).

TOPPER, DAVID. Review of The Moon and the Western Imagination by Scott L. Montgomery, Leonardo 33, No. 4 (2000).

TOPPER, DAVID. Review of Observing the Moon: The Modern Astronomer's Guide by Gerald North, Leonardo 34, No. 4 (2001).

TOPPER, DAVID. Review of Painting the Heavens: Art and Science in the Age of Galileo, by Eileen Reeves, Leonardo 31, No. 4 (1998).

TOPPER, DAVID. Review of Perspectives on Science: Historical, Philosophical, Social, edited by Joseph C. Pitt, Leonardo 33, No. 3 (2000).

TOPPER, DAVID. Review of Ptolemy's Geography: An Annotated Translation of the Theoretical Chapters by J. Lennart Berggren and Alexander Jones, Leonardo 35, No. 2 (2002).

TOPPER, DAVID. Review of The Scientific Temper by Anthony R. Michaelis, Leonardo 36, No. 4 (2003).

TOPPER, DAVID. Review of Stairways to the Stars: Skywatching in Three Ancient Cultures by Anthony Aveni, Leonardo 33, No. 2 (2000).

TOPPER, DAVID. Review of Stargazing: Astronomy without a Telescope by Patrick Moore, Leonardo 35, No. 1 (2002).

TOPPER, DAVID. Review of The Structure of Evolutionary Theory by Stephen Jay Gould, Leonardo 36, No. 2 (2003).

TOPPER, DAVID. Review of Structure in Science and Art, edited by Wendy Pullan and Harshad Bhadeshia, Leonardo 35, No. 1 (2002).

TOPPER, DAVID. Review of Surfing through Hyperspace: Understanding Higher Universes in Six Easy Lessons by Clifford A. Pickover, Leonardo 34, No. 1 (2001).

TOPPER, DAVID. Review of The Universe Unveiled: Instruments and Images through History, edited by Bruce Stephenson, Marvin Bolt and Anna Felicity Friedman, Leonardo 35, No. 1 (2002).

TOSA, NAOKO, and MATSUOKA, SEIGOW. "ZENetic Computer: Exploring Japanese Culture," Leonardo 39, No. 3 (2006).

TOUNOUGA, CAMILLE TALKEU. "The Symbolic Function of Water in Sub-Saharan Africa: A Cultural Approach," Leonardo 36, No. 4 (2003).

TOWNSEND, ANTHONY. "Locative-Media Artists in the Contested-Aware City," Urbanity and Locative Media section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).

TRATNIK, POLONA. "37šC: From the Inside of a Being to the Thin Line of Life," Leonardo 38, No. 2 (2005).

TRAUB, CHARLES and LIPKIN, JONATHAN. "If We Are Digital," in Special Issue "The Sixth Annual New York Digital Salon," Leonardo 31, No. 5 (1998).

TRAUB, CHARLES. "Creative Interlocutors," Introduction to Artists' Statements, in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).

TRAUB, PETER MICHAEL. "ItSpace," in Tracing Home Art Gallery, Special Issue SIGGRAPH 2011 Art Papers and Tracing Home Art Gallery, Leonardo 44, No. 4 (2011).

TRAYLE, MARK. "Free Enterprise: Virtual Capital and Counterfeit Music at the End of the Century," Leonardo Music Journal 9 (1999).

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TRIBE, MARK. "Rhizome Internet," Leonardo 31, No. 4 (1998).

TRIBUTSCH, HELMUT. "Living with the Sun: Modern Technology in Solar Architecture," in Special Section "SolArt Global Network," Leonardo 28, No. 3 (1995).

TRIMPIN, "Phffft," Leonardo 29, No. 1 (1996).

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TYLER, CHRISTOPHER. "Rosetta Stone? Hockney, Falco and the Sources of 'Opticality' in Lorenzo Lotto's Husband and Wife,"Leonardo 37, No. 5 (2004).

TZUR, KEREN. "Rachel," in Special Issue "The Fifth Annual New York Digital Salon," Leonardo 30, No. 5 (1997).

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ULMER, GREGORY L.; REVELLE, BARBARA JO; TILSON, WILLIAM; and FREEMAN, JOHN CRAIG. "Image Emergency: A Psychogeography of Miami," Leonardo 36, No. 3 (2003).

UNEMI, TATSUO. "SBART 2.4: An IEC Tool for Creating Two-Dimensional Images, Movies and Collages," in Special Section "Genetic Algorithms in Visual Art and Music," Leonardo 35, No. 2 (2002).

ÜNLÜER, ADVIYE AYÇA, and ÖZCAN, O&Gtilde;UZHAN. "Sound and Silence in the Line: Re-Reading Turkish Islamic Calligraphy for Interactive Media Design," Leonardo 43, No. 5 (2010).

UNNIKRISHNAN, C.S. "Contemplations on Our Physical Links to the Universe: Searching for and Finding the Hidden Harmony," in Special Section "Melilla Colloquium," Leonardo 39, No. 1 (2006).

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VAKOCH, DOUGLAS. "Introduction: The Art and Science of Interstellar Message Composition," in Special Section "The Art and Science of Interstellar Message Composition," Leonardo 37, No. 1 (2004).

VAKOCH, DOUGLAS A. "Signs of Life beyond Earth: A Semiotic Analysis of Interstellar Messages," Leonardo 31, No. 4 (1998).


VAKOCH, DOUGLAS. "To the Stars, Silently," Leonardo 37, No. 4 (2004).

VAL-INC. "BlackGhost," LMJ20 CD Contributor's Note, Leonardo Music Journal 20 (2010).

VALIONIS, DANIUS. "Dedication to the Forest: Composition for the Sounds of Forest, Cluster of Trombones and Recorded Tape," Leonardo 37, No. 1 (2004).

VALLEE, CLAUDE. "The Cosmophone: Toward a Sensuous Insight into Hidden Reality," Leonardo 35, No. 2 (2002).

VALLEJO DELGADO, CONSUELO. "Art and Science: Analogy and Anachronism in Modern Thinking," Leonardo 37, No. 5 (2004).

VALLIANATOS, EVAGGELOS. "Deciphering and Appeasing the Heavens: The History and Fate of an Ancient Greek Computer," Leonardo 45, No. 3 (2012).

VALLIS, OWEN and KAPUR, AJAY. "Community-Based Design: The Democratization of Musical Interface Construction," Leonardo Music Journal 21 (2011).

VAN ALLYN, KIRK. "The Contextualizer: A Sculptural Aid for Visualizing Complex Subjects," Leonardo 27, No. 1 (1994).

VAN CAMPEN, CRÉTIEN, and FROGER, CLARA. "Personal Profiles of Color Synesthesia: Developing a Testing Method for Artists and Scientists," Leonardo 36, No. 4 (2003).

VAN CAMPEN, CRÉTIEN. "Artistic and Psychological Experiments with Synesthesia," Leonardo 32, No. 1 (1999).

VAN CAMPEN, CRÉTIEN. "Early Abstract Art and Experimental Gestalt Psychology," Leonardo 30, No. 2 (1997).

VAN DEN BROECK, WOUTER, et al. "The Making of Sixty-Nine Days of Close Encounters at the Science Gallery," in Special Section "Arts, Humanities and Complex Networks," Leonardo 45, No. 3 (2012).

VAN DER MERWE, JOHANN and BREWIS, JULIA. "From Problem-Solving Paradigm to Co-Ontogenic Drift: How Do Learning Narratives Self-Generate?" Leonardo 44, No. 2 (2011).

VAN DER PLAS, WIM. "ISEA: An Introduction," in Special Section "The Fourth International Symposium on Electronic Art (FISEA) Symposium Papers," Leonardo 28, No. 4 (1995).

VAN DER STRAETEN, ANDREA, and STAGNO, ANGELO. "0-24 Licht: A Project Combining Art and Applied Research Leonardo 40, No. 5 (2007).

VAN GENT, ELONA. Introduction to Biologic Art Gallery Jury, in Special Issue SIGGRAPH 2009 Art Papers and Biologic Art Gallery, Leonardo 42, No. 4 (2009).

VAN GENT, ELONA. Conference Art Communities Director's Statement, in Leonardo Special Issue: SIGGRAPH 2012 Art Papers and In Search of the Miraculous Gallery, Leonardo 45, No. 4 (2012).

VAN KRANENBURG, ROB. "HowTo: the will to organize," Education section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).

VAN KRANENBURG, ROB. "Notions of Policy in Eastern Asia---Europe Media Spaces," Education section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).

VAN LOOCKE, PHILIP. "Generative Flowers as a Language of Forms for the Visualization of Binary Information," Leonardo 39, No. 1 (2006).

VAN NORT, DOUG. "DLCGO," LMJ19 CD Contributor's Note, Leonardo Music Journal 19 (2009).

VAN NORT, DOUG. "Multidimensional Scratching, Sound Shaping and Triple Point," Leonardo Music Journal 20 (2010).

VAN NORT, DOUG. "Playing with Fire in the Gasholder," LMJ20 CD Contributor's Note, Leonardo Music Journal 20 (2010).

VAN PEER, RENÉ. Review of Barricade 3, audio CD by ZnR, Leonardo 39, No. 2 (2006).

VAN PEER, RENÉ. Review of Electric Enigma: The VLF Recordings of Stephen P. McGreevy (CD) by Stephen P. McGreevy; R&D, R&D2, Antiphony and Al-Jabr (CDs) by Disinformation; and The CONET Project: Recordings of Shortwave Numbers Stations (CD), Leonardo 33, No. 1 (2000).

VAN PEER, RENÉ. Review of The Fence (CD) by Jon Rose, Leonardo 33, No. 1 (2000).

VAN PEER, RENÉ. Review of The Fence (CD), by Jon Rose, Leonardo Music Journal 9 (1999).

VAN PEER, RENÉ, and DUNN, DAVID. "David Dunn: Music, Language, and Environment," Leonardo Music Journal 9 (1999).

VAN RYSSEN, STEFAAN. Review of ./swank by Interface, Leonardo 36, No. 5 (2003).

VAN RYSSEN STEFAAN. Review of Absurd Summer by Koji Asano, Leonardo 37, No. 4 (2004).

VAN RYSSEN, STEFAAN. Review of The Atlas of Climate Change: Mapping the World's Greatest Challenge, by Kirstin Dow and Thomas E. Downing, Leonardo 41, No. 2 (2008).

VAN RYSSEN, STEFAAN. Review of Anecdotal Theory by Jane Gallop, Leonardo 37, No. 5 (2004).

VAN RYSSEN, STEFAAN. Review of Art lyrique et art numérique, edited by Alain Bonardi, Leonardo 36, No. 5 (2003).

VAN RYSSEN, STEFAAN. Review of Arte Telemática: Dos Intercâmbios pontuais aos amientes virtuais multiusuário by Gilbertto Prado, Leonardo 39, No. 1 (2006).

VAN RYSSEN, STEFAAN. Review of Artificial Life IX: Proceedings of the Ninth International Conference on the Simulation and Synthesis of Living Systems, edited by Jordan Pollack et al., Leonardo 39, No. 3 (2006).

VAN RYSSEN, STEFAAN. Review of Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific by Heidi Carolyn Feldman, Leonardo 42, No. 2 (2009).

VAN RYSSEN, STEFAAN. Review of Cartographies of Tsardom: The Land and Its Meanings in Seventeenth Century Russiaby Valerie Kivelson, Leonardo 40, No. 5 (2007).

VAN RYSSEN, STEFAAN. Review of The Commercial and Political Atlas and Statistical Breviary by William Playfair, Leonardo 40, No. 2 (2007).

VAN RYSSEN, STEFAAN. Review of Conception et creation, Explorations cognitives des processus de creation, edited by Mario Borillo and Jean-Pierre Goulette, Leonardo 37, No. 2 (2004).

VAN RYSSEN, STEFAAN. Review of CTRL[SPACE], edited by Thomas Y. Levin, Ursula Frohne and Peter Weibel, Leonardo 36, No. 4.

VAN RYSSEN, STEFAAN. Review of A Culture of Fact: England, 1550-1720 by Barbara J. Shapiro, Leonardo 37, No. 5 (2004).

VAN RYSSEN, STEFAAN. Review of Cybersounds: Essays on Virtual Music Culture, edited by Michael D. Ayers, Leonardo 40, No. 3 (2007).

VAN RYSSEN, STEFAAN. Review of Les défis du cybermonde, edited by Hervé Fischer, Leonardo 38, No. 3 (2005) .

VAN RYSSEN, STEFAAN. Review of Digital Dragon, High-Technology Enterprises in China by Adam Segal, Leonardo 37, No. 3 (2004).

VAN RYSSEN, STEFAAN. Review of Dub: Soundscapes and Shattered Songs in Jamaican Reggae by Michael E. Veal, Leonardo 41, No. 3 (2008).

VAN RYSSEN, STEFAAN. Review of Eating Architecture by Jamie Horwitz and Paulette Singley, Leonardo 39, No. 3 (2006).

VAN RYSSEN, STEFAAN. Review of Extrasensory Perceptions by Chris Chafe and Greg Niemeyer, Leonardo 36, No. 3 (2003).

VAN RYSSEN, STEFAAN. Review of The Flower Shop by Leonard Koren, Leonardo 40, No. 1 (2007).

VAN RYSSEN, STEFAAN. Review of Hans Danuser: Frost by Urs Stahel, Leonardo 36, No. 4.

VAN RYSSEN, STEFAAN. Review of A History of Russian Music by Francis Maes, Leonardo 36, No. 1 (2003).

VAN RYSSEN, STEFAAN. Review of Had Gadya: The Only Kid. Facsimile of El Lissitzky's Edition of 1919, edited by Arnold J. Band, Leonardo 38, No. 3 (2005).

VAN RYSSEN, STEFAAN. Review of Hop on Pop, The Politics and Pleasures of Popular Culture, edited by Henry Jenkins, Tara McPherson and Jane Shattuc, Leonardo 37, No. 3 (2004).

VAN RYSSEN, STEFAAN. Review of An Introduction to Bioinformatics Algorithms, by Neil C. Jones and Pavel A. Pevzner, Leonardo 39, No. 5 (2006).

VAN RYSSEN, STEFAAN. Review of King of Infinite Space: Donald Coxeter, the Man Who Saved Geometry by Siobhan Roberts, Leonardo 40, No. 5 (2007).

VAN RYSSEN, STEFAAN. Review of Making Easy Listening: Material Culture and Postwar American Recording by Tim J. Anderson, Leonardo 41, No. 1 (2008).

VAN RYSSEN, STEFAAN. Review of Metatron (CD) by Richard Pinhas, Leonardo 42, No. 2 (2009).

VAN RYSSEN, STEFAAN. Review of Monstrosities: Bodies and British Romanticism by Paul Youngquist, Leonardo 38, No. 2 (2005).

VAN RYSSEN, STEFAAN. Review of North America by Curlew, Leonardo 36, No. 4.

VAN RYSSEN, STEFAAN. Review of Ohne Schnur: Kunst und Drahtlose Kommunikation, edited by Katja Kwastek, Leonardo 41, No. 3 (2008).

VAN RYSSEN, STEFAAN. Review of Origins, Imitation, Conventions by James S. Ackerman, Leonardo 36, No. 2 (2003).

VAN RYSSEN, STEFAAN. Review of La Planète hyper: De la pensée lineaire á la pensée en arabesque by Hervé Fischer, Leonardo 39, No. 2 (2006).

VAN RYSSEN, STEFAAN. Review of Plants, Patents and the Historian: (Re)Membering in the Age of Genetic Engineering by Paolo Palladino, Leonardo 37, No. 2 (2004).

VAN RYSSEN, STEFAAN. Review of Pond, audio CD by Tod Dockstader and David Lee Myers, Leonardo 39, No. 5 (2006).

VAN RYSSEN, STEFAAN. Review of Prostranstvennaja Musica (Spatial Music) by Bulat Galeyev, Leonardo 40, No. 1 (2007).

VAN RYSSEN, STEFAAN. Review of Prints, Snapshots, Postcards, Messages and Minisatures 1987-2001 by Fred Frith, Leonardo 38, No. 1 (2005).

VAN RYSSEN, STEFAAN. Review of Riding the Waves: A Life in Sound, Science, and Industry by Leo Beranek, Leonardo 42, No. 1 (2009).

VAN RYSSEN, STEFAAN. Review of Salmela, Architect by Thomas Fisher, Leonardo 39, No. 5 (2006).

VAN RYSSEN, STEFAAN. Review of Setting the Record Straight: A Material History of Classical Recording by Colin Symes, Leonardo 39, No. 5 (2006).

VAN RYSSEN, STEFAAN. Review of Step across the Border by Fred Frith, Leonardo 37, No. 3 (2004).

VAN RYSSEN, STEFAAN. Review of Sonic Acts: The Art of Programming, edited by Franz Evers, et al., Leonardo 37, No. 1 (2004).

VAN RYSSEN, STEFAAN. Review of Telematic Embrace: Visionary Theories of Art, Technology and Consciousness by Roy Ascott, Leonardo 37, No. 1 (2004).

VAN RYSSEN, STEFAAN. Review of Wired for Sound: Engineering and Technologies in Sonic Cultures, edited by Paul D. Greene and Thomas Porcello, Leonardo 40, No. 2 (2007).

VAN RYSSEN, STEFAAN. Review of Writings by Vilém Flusser, Leonardo 36, No. 3 (2003).

VAN SOMMERS, PETER. "Commentary on 'Symmetry as a Superprinciple of Science and Art,' " Leonardo 31, No. 2 (1998).

VAN TONDER, GERT J. "Perceptual Disruption And Composure In Bridget Riley’s Fall," Leonardo 43, No. 3 (2010).

VAN VEEN, TOBIAS C. "Turn/Stile: Interpreting Udo Kasemets' CaleNdarON for a Single Turntable with Treatment and Surfaces," Leonardo Music Journal 13 (2003).

VANECHKINA, I. Review of "In Commemoration of R. Zaripov," Special Issue of Artificial Intelligence, Leonardo 30, No. 3 (1997).

VANECHKINA, I.L. "On K. Saragev's 'Color Hearing,'" Leonardo 34, No. 4 (2001).

VANECHKINA, I.L., and GALEYEV, B.M. "Prometheus: Scriabin + Kandinsky," Leonardo 31, No. 3 (1998).

VANECHKINA, IRINA L. "Applications of New Technologies in Culture and Art," Leonardo 29, No. 2 (1996).

VANECHKINA, IRINA L. Review of Music in the World of the Arts, by M. Kagan, Leonardo Music Journal 8 (1998).

VANECHKINA, IRINA L. Review of Scriabin Celebrations in Moscow, Leonardo Music Journal 8 (1998).

VAPORI DEL CUORE. "Great Dance," LMJ12 CD Contributor's Note, Leonardo Music Journal 12 (2002).

VARGAS-SUAREZ UNIVERSAL; WILCOX, SCOTT; and HAYNES, KINGSLEY ELIOT. "Blueprints: Sound Recordings of Experimental Drawings," Leonardo 34, No. 4 (2001).

VASULKA, STEINA. "My Love Affair with Art: Video and Installation Work," Leonardo 28, No. 1 (1995).

VASULKA, STEINA, and VASULKA, WOODY. "Distant Activities, Evolution and Matrix," Gallery Section, Leonardo 36, No. 4 (2003).

VELARDE, RICARDO. "Langoy and Viste?" Gallery Section, Leonardo 35, No. 4 (2002).

VELASCO, DANIEL. "Island Landscape: Following in Humboldt's Footsteps through the Acoustic Spaces of the Tropics," Leonardo Music Journal 10 (2000).

VELDEMAN, JOHAN. "Reconsidering Pictorial Representation by Reconsidering Visual Experience," Leonardo 41, No. 5 (2008).

VELTMAN, KIM H. "Leonardo da Vinci: A Review," in Special Section "Leonardo Celebrates Leonardo da Vinci," Leonardo 41, No. 4 (2008).

VERJEE, ZAINUB. Review of Innovation and Its Discontents: How Our Broken Patent System Is Endangering Innovation and Progress, and What to Do about It, by Adam B. Jaffe and Josh Lerner, Leonardo 39, No. 2 (2006).

VEROSTKO, ROMAN. "Form, Grace and Stark Logic: 30 Years of Algorithmic Drawing," in Special Section "SIGGRAPH 2009 Awardee Statements," Leonardo 43, No. 3 (2010).

VEROSTKO, ROMAN. "Gaia Triptych and Diamond Lake Apocalypse Series: Heaven and Earth," Gallery Section, Leonardo 28, No. 4 (1995).

VEROSTKO, ROMAN. "Selected Papers from FISEA: The Art Factor," in Special Section "The Fourth International Symposium on Electronic Art (FISEA) Symposium Papers," Leonardo 28, No. 4 (1995).

VERSTAPPEN, MARÍA, and DRIESSENS, ERWIN. "Tickle," The VIDA Gallery, Leonardo 41, No. 1 (2008).

VERSTEGEN, IAN. Review of Arnheim for Film and Media Studies, edited by Scott Higgins, Leonardo 45, No. 2 (2012).

VERSTEGEN, IAN. Review of Le Arti e la psicologia by Lucia Pizzo Russo, Leonardo 39, No. 2 (2006).

VERSTEGEN, IAN. Review of Il Disegno Obliquo: Una Storia dell'antiprospettiva, by Massimo Scolari, Leonardo 39, No. 5 (2006).

VERSTEGEN, IAN. Review of Now Is the Time: Art & Theory in the 21st Century, edited by Christel Vesters et al., Leonardo 44, No. 2 (2011).

VERSTEGEN, IAN. Review of The Psychology of Graphic Images by Manfredo Massironi, Leonardo 36, No. 2 (2003).

VERSTEGEN, IAN. Review of A Theory of /Cloud/: Toward a History of Painting by Hubert Damisch, Leonardo 37, No. 5 (2004).

VERSTEGEN, IAN. Review of The Virtual Window: From Alberti to Microsoft by Ann Friedberg, Leonardo 41, No. 2 (2008).

VERZOLA, ROBERTO. "Technology Issues and the New ICTs," Education section in Pacific Rim New Media Summit Companion, Special Issue, Leonardo 39, No. 4 (2006).

VESNA, VICTORIA. "Another Day in Paradise and Virtual Concrete: Installation and Telepresence Works," Leonardo 31, No. 1 (1998).

VESNA, VICTORIA, and GIMZEWSKI, JAMES. "NANO: An Exhibition of Scale and Senses," in Special Section "College Art Association Papers," Leonardo 38, No. 4 (2005).

VESNA, VICTORIA. "Toward a Third Culture: Being In Between," Leonardo 34, No. 2 (2001).

VICENTE, CARLOS FADON. "Evanescent Realities: Works and Ideas on Electronic Art," in Special Section "A Radical Intervention: The Brazilian Contribution to the International Electronic Art Movement," Leonardo 30, No. 3 (1997).

VIKRAM, ANURADHA. "Experimental Interaction Unit: Commodities of Mass Destruction," Art Paper, in Special Issue SIGGRAPH 2009 Art Papers and Biologic Art Gallery, Leonardo 42, No. 4 (2009).

VIÑAO, ALEJANDRO, and CROSS, IAN. "A Software Interface between Human and Computer Virtual Players for Music Performance in Concert," in Special Section "Arts and Science Research Fellowships," Leonardo 39, No. 5 (2006).

VINCS, KIM, and MCCORMICK, JOHN. "Touching Space: Using Motion Capture and Stereo Projection to Create a "Virtual Haptics" of Dance," in Special Issue SIGGRAPH 2010 Art Papers and TouchPoint Art Gallery, Leonardo 43, No. 4 (2010).

VINES, JOHN. Review of Designing Things: A Critical Introduction to the Culture of Objects by Prasad Boradkar, Leonardo 44, No. 3 (2011).

VINES, JOHN. Review of Divining a Digital Future: Mess and Mythology in Ubiquitous Computing by Paul Dourish and Genevieve Bell, Leonardo 45, No. 5 (2012).

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VISHNEVSKY, NATHANIA. "The Flesh Made Work: ISEA 98," Leonardo 32, No. 4 (1999).

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ZILBERG, JONATHAN. Review of Afghan Muscles, directed by Andreas M. Dalsgaard, Leonardo 43, No. 1 (2010).

ZILBERG, JONATHAN. Review of All Creatures: Naturalists, Collectors, and Biodiversity, 1850--1950 by Robert E. Kohler, Leonardo 41, No. 2 (2008).

ZILBERG, JONATHAN. Review of Among the Jasmine Trees: Music and Modernity in Contemporary Syria by Jonathan Holt Shannon, Leonardo 40, No. 3 (2007).

ZILBERG, JONATHAN. Review of The Dreamers of Arnhem Land by Chris Walker, Leonardo 40, No. 4 (2007).

ZILBERG, JONATHAN. Review of On Fact and Fraud: Cautionary Tales from the Front Lines of Science by David Goodstein, Leonardo 44, No. 5 (2011).

ZILBERG, JONATHAN. Review of Hats of Jerusalem, directed by Nati Adler, Leonardo 40, No. 5 (2007).

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ZILBERG, JONATHAN. Review of The World According to Monsanto/Le Monde Selon Monsanto, directed by Marie-Monique Robin, Leonardo 43, No. 5 (2010).

ZILBERG, JONATHAN. Review of Native Moderns: American Indian Painting, 1940--1960 by Bill Anthes, Leonardo 41, No. 3 (2008).

ZILBERG, JONATHAN. Review of Performing the Archive: The Transformation of the Archive in Contemporary Art from Repository of Documents to Art Medium by Simone Osthoff, Leonardo 45, No. 1 (2012).

ZILBERG, JONATHAN. Review of The Poetics of DNA by Judith Roof, Leonardo 43, No. 2 (2010).

ZILBERG, JONATHAN. Review of On the Rumba River, directed by Jacques Sarasin, Leonardo 41, No. 4 (2008).

ZILBERG, JONATHAN. Review of Shimmering Screens: Making Media in an Aboriginal Community by Jennifer Deger, Leonardo 41, No. 5 (2008).

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ZILBERG, JONATHAN. Review of Weimar on the Pacific: German Exile Culture in Los Angeles and the Crisis of Modernism by Erhard Bahr, Leonardo 42, No. 2 (2009).

ZORAN, AMIT and COELHO, MARCELO. "Cornucopia: The Concept of Digital Gastronomy," Leonardo 44, No. 5 (2011).

ZORIN, SERGEI. "Musical Color-Painting: In Memory of Yu. A. Pravdyuk," Leonardo 38, No. 1 (2005).

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Updated 12 December 2012