Leonardo Music Journal
with Compact Disk
Volume 7 (1997)
December 1997/January 1998
Leonardo Music Journal (LMJ) is a print journal, published annually with an accompanying compact disk. LMJ is edited by Leonardo/the International Society for the Arts, Sciences and Technology, and published by the MIT Press. Subscriptions and individual issues can be ordered from the MIT Press.
TO ORDER.
ISSUE CONTENTS
Editorial
Nicolas Collins: A Turn in the Shrubbery---Music, Technology and Words
Artists' Articles
Flo Menezes: To Be and Not To Be: Aspects of the Interaction Between Instrumental and Electronic Compositional Methods
Bill Thibault and Scot Gresham-Lancaster: Experiences in Digital Terrain: Using Digital Elevation Models as Determinants for Musical Composition
General Article
Kevin Holm-Hudson: Quotation and Context: Sampling and John Oswald's Plunderphonics
Technical Article
Bruno Degazio: The Evolution of Musical Organisms
Theoretical Perspective
David Rosenboom: Propositional Music: On Emergent Properties in Morphogenesis and the Evolution of Music, Part II: Imponderable Forms and Compositional Methods
Special Section: Conference Papers from the Seventh International Symposium on Electronic Art (ISEA 96)
Sean Cubitt: Online Sound and Virtual Architecture (Contribution to the Geography of Cultural Translation)
Eduardo Reck Miranda: Machine Learning and Sound Design: A Case Study
CD Companion
Larry Polansky: Cocks Crow, Dogs Bark: New Compositional Intentions
Nick Didkovsky: Metamusic/Metatext: The Blurry Boundaries Around Distributed Compositional Systems
Gordon Monro: This Is Art, Not Science
Contributors' Notes: Charles Ames, Warren Burt, David Feldman, Daniel Goode, Mary Simoni, Laurie Spiegel, Christian Wolff
Music/Science Forum
Jody Diamond: Yogyakarta Gamelan Festival 1997
Artist's Statement
Jacob Duringer: The Evolution of the Musical Keyboard
Reviews
Marc Battier, Patrick Lambelet
1997 Index
