Leonardo and LMJ: Editorial Guidelines and Submission Procedures
TYPES OF ARTICLES
LEONARDO: AIMS AND SCOPE
Leonardo is an international journal for artists and others interested in work that crosses the artificial boundaries separating contemporary arts and sciences. Featuring illustrated articles written by artists about their own work as well as articles by historians, theoreticians, philosophers and other researchers, the journal is particularly concerned with issues related to the interaction of the arts, sciences and technology.
Leonardo focuses on the visual arts and also addresses music, video, performance, language, environmental and conceptual arts---especially as they relate to the visual arts or make use of the tools, materials and ideas of contemporary science and technology. New concepts, materials and techniques and other subjects of general artistic interest are covered, as are legal, economic and political aspects of art. Tables of Contents and Abstracts are available online. A few Sample Articles are also available online, although not in the same layout as they would appear in the journal.
LEONARDO MUSIC JOURNAL: AIMS AND SCOPE
LEONARDO MUSIC JOURNAL (LMJ) is an international journal for
composers, sound and multimedia artists and others interested in the
contemporary sonic arts. It features articles written by composers
and artists about their own work.
LMJ has three main editorial areas. First, it is particularly concerned with the interplay between new technologies, music and sound art. Second, LMJ seeks to document ways in which contemporary science and technology are changing our understanding of sound and music, as well as other ways in which science and technology may be relevant to contemporary composers and sound artists. Third, it seeks to document the work of composers and sound artists developing new multimedia art forms that combine sound with other media, particularly works that take advantage of new multimedia and interactive technologies.
In addition to documenting the work of composers and sound artists, LMJ seeks to address theoretical and historical issues that are relevant to contemporary sound and music making. Issues in experimental sound work and music that do not utilize contemporary science and technology are also addressed to the extent that they represent important elements in the development of new directions in contemporary music, sound and multimedia arts worldwide.
Information Updated September 2007
Artists are invited to submit illustrated texts dealing with their current work
or a body of work that has been carried out over an extended period. These
texts should be written in the artist's voice, although they may be written
with a co-author. Authors should discuss objectives, approaches, materials
and techniques in adequate detail to provide meaningful information to artists
and art teachers. Since one of the journal's primary purposes is to encourage
artists to write about their work, the interview format is not recommended.
Articles of 2500 to 5000 words in length (including endnotes) may have up to
12 black-and-white illustrations. Articles under 2500 words in length (including
endnotes) may have
up to six black-and-white illustrations.
Short writings by artists, such as artists’ statements, should be submitted electronically in final camera ready form as Leonardo Transactions (see below).
Leonardo Transactions, under the guidance of Leonardo Editorial Board member Ernest Edmonds, is a new venue for Leonardo authors to publish fully refereed papers in Leonardo Journal in a fast track to disseminating key new results, ideas and developments in practice. Papers are solicited under the stated aims and scope of Leonardo, but are restricted to two pages of published material. A fast referee process is employed in which the result is restricted to "accept" or "reject" a submission. If a submission is rejected, the submission of a revised version will be treated as a new paper. The announcement of results or developments in a Transactions paper will not exclude that work from subsequent publication as a full Leonardo paper. However, any such submission will be considered by Leonardo, in the normal way, as a new paper. Papers should be submitted electronically in final camera ready form according to Leonardo's editorial guidelines (see below). Incorrectly formatted papers will be rejected, so take great care. Refer both to the general editorial guidelines, and also to the specific guidelines for Transactions papers.
GENERAL ARTICLES, HISTORICAL AND THEORETICAL PERSPECTIVES
Authors are invited to submit illustrated texts on subjects of interest to artists, such as new developments in the physical and biological sciences, engineering, mathematics, computer science, art theory, history, philosophy and art education. Critical and analytical writings about contemporary art are encouraged and should treat issues and tendencies beyond the work of a single artist. Discussions bearing on the relationships between disciplines are of special interest to the journal.
TECHNICAL NOTES AND TECHNICAL ARTICLES
Illustrated texts dealing with specialized technical topics, such as new materials, the application of new technologies, conservation or restoration of materials used by contemporary artists, and health hazards of materials, are encouraged. Technical Articles may be 2500 to 5000 words in length (including endnotes) with up to 10 illustrations. Technical Notes may be up to 2500 words in length (including endnotes) with up to six illustrations.
LEONARDO GALLERY SECTION
The Leonardo Gallery section highlights a variety of artists' works selected by an invited curator. The Gallery section generally consists of a curator's statement plus 6 to 8 pages of artists' images and their very brief statements about the work shown. Generally one artist is featured on each page with from one to three images and one 200-word statement. Galleries are published simultaneously online and in the journal. Curators interested in more information about the Gallery section, or in submitting Gallery proposals, should contact the Leonardo Editorial Office.
MANUSCRIPT SUBMISSION AND ACCEPTANCE PROCEDURE
Information Updated July 2007
Leonardo accepts both solicited and unsolicited texts for review. Prior to developing a complete manuscript, authors are encouraged to submit an outline to the editors, who will make a preliminary decision regarding the topic's relevance to the journal's aims and scope and will provide suggestions for developing the manuscript.
Manuscripts and manuscript proposals should be sent to:
- Leonardo: email@example.com
- Leonardo Music Journal: firstname.lastname@example.org
- Leonardo Electronic Almanac: email@example.com
- Leonardo Transactions: Manuscripts should be submitted electronically in final camera ready form through the Leonardo Transactions website.
- Inquiries about particular special project topics should be directed to each special project coordinator. See the list of Special Projects for specific contact information.
Authors should also send the names and contact information of two colleagues who would be capable of giving the manuscript a technical review (preferably working outside of the author's affiliated institution so as to avoid conflicts of interest). If you would like a particular member of the Editorial Board to look at your manuscript, please note this when you submit your manuscript, but do not submit your manuscript to them directly. If you are submitting your manuscript for a special project, please also note this when you submit your manuscript. Manuscripts for initial review may be submitted with embedded low-resolution images, which facilitates the review process. When submitting a manuscript, authors should include a statement indicating that the manuscript has not been published previously and is not being submitted for publication elsewhere. Manuscripts must be under the 5,000 word count limit (including references and figure captions) before it will be considered for review.
The review process involves peer review of all submitted articles longer than 2,500 words, including those solicited by the editors. Generally each manuscript is reviewed by one member of the Leonardo editorial board, one technical peer reviewer and an in-house editor. A request by an editor for a manuscript is not a guarantee that it will be published.
Authors are notified of acceptance, rejection or the need for revision within four months. Texts are judged on the basis of relevance to the aims and scope of the journal, originality, rigor of thought and the use of straightforward and precise prose. Texts should be condensed as much as possible and written to be accessible to the interested lay reader. Papers may include statements of belief and speculations, which should be denoted as such.
Most manuscripts require revision by the author before final acceptance. Revised manuscripts accepted for publication must be submitted as unformatted word-processed text without embedded illustrations or auto-formatted references. Each illustration should be submitted as a separate high-resolution file (see the following section on Illustrations). Texts longer than 2,500 words must be accompanied by a 100-word abstract. After a manuscript is accepted, it is edited at the editorial office and returned to the author for approval prior to publication.
Leonardo is an archival journal and does not accept manuscripts if rapid print publication is required. Typical time between submission of a manuscript and appearance in print is one year. Adherence to these author guidelines minimizes revisions and shortens the overall editorial processing time. Authors requiring faster publication schedules may wish to consider submitting to Leonardo Transactions, a rapid-publication venue for timely material in the field (restrictions apply).
All texts must be submitted in English. Authors not fluent in English should write in their native language and then have the text professionally translated before submitting it. Since the journal is read in many countries, authors should avoid esoteric words, non-English words, slang, idioms and colloquialisms. Abbreviations and special terms, especially highly technical terms, should be defined in the text or in a glossary at the end of the text. Acronyms should be spelled out on the first appearance.
Authors should review previous Leonardo texts for general style and format. The LEONARDO staff will not make major editorial revisions and cannot accept manuscripts requiring such revisions.
More information on manuscript formatting.
Articles published in Leonardo are copyrighted by Leonardo, The International Society for the Arts, Sciences and Technology (ISAST), the owner of Leonardo. Copyrights to illustrations published in the journal remain with their current copyright holders. Signed permissions to publish both text and images must be received at the Leonardo editorial office before any manuscript will be edited in preparation for publication. In cases where an image is copyrighted by a third party, authors are responsible for obtaining copyright permissions, including on-line reproduction rights. Any fees required to obtain illustrations or to secure copyright permissions are the responsibility of authors.
Permission to re-use material copyrighted by Leonardo/ISAST is routinely given to the authors of articles for use in their own publications. Use by third parties generally is not provided without concurrence of the author.
Titles must be descriptive, clearly reflecting the contents of texts and the type of artwork discussed in order to assist in indexing and information-retrieval services; two-part titles are encouraged.
Extremely technical or detailed material should be placed at the end of the text in one or more appendices, to which the text should refer.
REFERENCES AND NOTES
The use of references is strongly encouraged. A list of general references in the form of a bibliography is also desirable. Footnotes are not used; such notes should be formatted as references. References should be numbered in citation order and listed at the end of the text. Reference numbers should appear in brackets in the text and each number should be used only once. Do not submit the manuscript with auto-formatted references such as are available with many word-processing programs. The following forms should be used when referring to:
Books and Exhibition Catalogues:
Books and Exhibition Catalogues:
1. Author, Title of Book (place of publication: publisher, date) page numbers. Example: L. Artel, Visual or Plastic Arts (London: John Doe Press, 2002) p. 5.
Include name of editor or translator, edition, date of original publication and any other pertinent information. Include page numbers of quotes.
2. Author, "Title of Article," Name of Periodical, Volume Number, Issue Number, pages (date). Example: L. Artel, "Art and Technology," Leonardo Vol. 39, No. 1, 435-441 (2005).
Include both volume and issue numbers. Include page numbers of quotes.
ONLINE SUPPLEMENTAL FILES
To accompany articles published in Leonardo journal and Leonardo Music Journal, Leonardo’s publisher, MIT Press, allows the posting of supplementary materials on the MIT Press web site. Authors can supply multimedia content, such as video or audio files, as well as additional color images and/or supplemental text. The Leonardo editors work with authors of accepted texts to arrange the posting of supplemental files on the MIT Press web site.
PROOFS AND OFFPRINTS
Draft-edited versions of articles are returned to authors for proofreading, clarification and approval prior to typesetting. Lead authors of texts longer than 2,500 words will receive from the editorial office a free copy of the issue in which their work appears and will receive from MIT Press a PDF file of their article. Authors may also order hard copy article offprints through MIT Press and may purchase additional discounted copies of the issue in which their text appears.
Authors or potential guest editors wishing to explore options outside of these guidelines should contact the main editorial office.
Selection of Visual Material
Preparation of Visual Material
Submission of Illustrations
Credits and Copyright Permission
Digital Illustration Instructions
Illustrations are encouraged for all manuscripts and should be provided as high-resolution digital images, 300 ppi at 7 inches wide, saved in CMYK format with all levels adjusted, preferably as TIFF files (JPEG files accepted). Frontispiece images should be supplied at 300 ppi at 9 x 11.5 inches. Color images are preferred where appropriate. For the print version of the journal, only one image per article can be reproduced in color; however, all images will be reproduced in color in the online version of the journal.
Images of the artist/author are published only when the subject is an integral part of the artwork, as in the case of performance art.
Lettering on diagrams must be professional quality.
A list of figure captions should be included with each illustrated manuscript and must include credits to the copyright holder and/or photographer.
Please use the following naming protocol for digital image files: "JonesFig1.tiff" (file names should include author’s last name, figure number, file type).
If you are unable for any reason to supply illustrations that meet these requirements, please contact the editorial office: firstname.lastname@example.org.
Articles accepted for publication in LEONARDO or LMJ must have both an effective visual component and a carefully edited, informative text. Authors have full responsibility for providing visual material that suitably complements their manuscripts and meets the professional requirements of the journal. The editorial office does not provide graphic services. Careful attention to these guidelines should assure authors of visually effective articles.
SELECTION OF VISUAL MATERIAL
As a first step in developing visual material, authors should
inspect current issues of the journal. Its format
allows a variety of layout options. Illustrations can be
formatted in one, two or three columns horizontally and can range
in height to a full page. A carefully considered manuscript
includes illustrations in various formats. Authors may make
layout suggestions, but final design decisions are made by the
Authors should submit highest-quality visual images that either illustrate or document material in the text. The images should be varied in content, each offering new information. Authors are encouraged to develop visual material in the form of charts, diagrams and maps specifically designed for their manuscripts. Multipart (a, b, c, etc.) images are often useful in showing steps in a process or illustrating various facets of a subject.
In an Article (2500 to 5000 words), as many as 12 black-and-white illustrations and one color illustration can be published. In a Note (less than 2500 words), up to six black-and-white illustrations can be published. Occasionally a color illustration can be included with a Note. Artists' Statements may have up to one black-and-white illustration.
Photographs of artists/authors are allowed only when the subjects are integral to the artwork---for example, in a performance-art illustration. No illustrations that are solely representations of commercial products will be published.
PREPARATION OF VISUAL MATERIAL
Authors unable to comply with these requirements or uncertain about the reproductive quality of their illustrations should enlist the aid of a graphics professional.
SUBMISSION OF ILLUSTRATIONS
Black-and-white illustrations should be no larger than 8.5 by 11
inches with no side smaller than 3 inches. Each illustration
must be numbered and be referred to by this number in the text of
the manuscript. This "figure number" must reflect the figure's
citation order in the text. On the reverse side of each print,
the author's name and the figure number must be listed and the
top of the image indicated. Author's name, figure number, top of
the image and right-reading side must be indicated on the edge of
slides. Figure numbers, author's name and format must be indicated in the names of digital files, e.g. "JonesFig1.tiff."
For digital artwork, see also Digital Illustration Instructions.
In addition to being referenced in the text by number (each figure must be discussed in the text), each
figure requires a comprehensive figure caption. The caption must
describe the visual material in the figure. For art objects, the
work's title, medium, dimensions (height by width and depth) and
date of execution are necessary; for nontraditional art forms
and other visual imagery, appropriate descriptive details should
Captions should also provide a sentence or two of summary information related to the image; figures must be discussed more fully in the text. Careful attention should be given to this matter, as the captions are intended to facilitate a quick overview of the article. Incomplete figure captions will be returned to the author for revision.
A numbered list of all figures and their captions must be submitted with the manuscript.
CREDITS AND COPYRIGHT PERMISSION
The captions must also include credits to photographers and artwork owners and, in the case of copyrighted material, the names of copyright holders. Authors are responsible for securing permissions to reprint copyrighted material and must supply original, signed documentation of this permission from the copyright holder(s) and photographers to the editorial office before material can be published (see information on Image Release Forms). Any fees required to secure copyright permissions or use of figures are the responsibility of authors.
LEONARDO and LEONARDO MUSIC JOURNAL
Address and contact information: Main Editorial Office
Updated 17 October 2012