The Futura Deluxe Bubble Fountain & Porta-Temple
by Steven Raspa

Steven Raspa, The Futura Deluxe Bubble Fountain & Porta-Temple, acrylic, Formica, metal, wood, fluorescent lights, bubble system, audio system, vinyl, PVC, Plexiglas, Lucite, bubble fluid, 150 x 150 x 16 ft, 1999. (Created in collaboration with sound artist Aaron Wolf Baum.)
(© Steven Raspa. Photo: LadyBee.)


The Futura Deluxe was a bubble fountain; a portable temple, compatible with all major belief systems; a public park for future-minded conversationalists; and a catalyst for personal change. The product of a 7-month commitment to an absurd vision, it was many things to many people and was as much a state of mind as a tangible object and installation.

In 1999 the Burning Man theme was the Wheel of Time. I thought there should be some kind of grand public monument and gathering place that stimulated thought about the future and how people wished to shape it. I liked the idea of a fountain because it suggests life and eternity; and I wanted to incorporate bubbles because they are inherently optimistic, but also fleeting---not to be taken for granted. Together, they created a fitting metaphor for the future, as well as for personal aspirations.

Thus began a preposterous saga to bring bubbles to the Black Rock desert. I teamed up with sound artist and physicist Aaron Wolf Baum and found volunteers through the Burning Man website. Nay sayers said it wouldn't work because the climate was too dry. It became a quest for those who worked with me to prevail. After testing different bubble fluid recipes and overcoming numerous technical challenges, the Futura Deluxe was completed on schedule; the associated performance was as much an affirmation and invocation of the future we all wanted, as it was theater.

Physically, the Futura Deluxe was a two-story, three-tiered, white acrylic automated reinterpretation of a traditional Italianate water fountain. The words "HOPE," "WISH," "PRAY" and "DREAM" illuminated the four sides of the base and supported the fountain. It created hundreds of thousands of bubbles while emitting intermittent laughter, birdsong and sonic tones that spelled out the words on the base. It also periodically broadcast predictions about the future that were variously amusing, unsettling and suspect (e.g. In the future everyone will get 10% more; In the future rainbows will be manufactured for special occasions; In the future small spelling errors will lead to the downfall of entire nations).

The Futura Deluxe sat at the center of a 150 diameter circle of 30 white pole lamps, four public bubble-blowing stations and 30 bubble seats. Participants sat around the fountain, socialized, and blew bubbles at the bubble stations. By night, the levels of the fountain and words were illuminated to create a beacon of inspiration for those who wanted to consider the future by "bubble light."

The fountain was fully mobile and functioned independently from its installation site. It was guided along the promenade and through Center Camp on several occasions. It also functioned as a performance platform near the end of the event, when it was the centerpiece of a 30-minute performance incorporating sound, narrative and choreographed movement. The performance featured four avatars, 30 Bubble Sprites and Bubble Scientists, and the audience itself.

Together, the fountain, installation and performance melded technology, mythology, classical design, science fiction and a sense of humor to create a place and experience that was both civic and sacred in nature. It was exactly the kind of work Burning Man inspires: a preposterous flight of the imagination that must be made real and shared with others to become significant.


Steven Raspa
346 1st Street / Studio 103
San Francisco, CA 94105
E-mail: sraspa@laughingsquid.org
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